<?xml version="1.0" encoding="UTF-8"?><ns2:project xmlns:ns1="http://gtr.rcuk.ac.uk/gtr/api" xmlns:ns2="http://gtr.rcuk.ac.uk/gtr/api/project" xmlns:ns3="http://gtr.rcuk.ac.uk/gtr/api/fund" xmlns:ns4="http://gtr.rcuk.ac.uk/gtr/api/person" xmlns:ns5="http://gtr.rcuk.ac.uk/gtr/api/project/outcome" xmlns:ns6="http://gtr.rcuk.ac.uk/gtr/api/organisation" ns1:created="2026-06-03T15:52:43Z" ns1:href="http://gtr.ukri.org/gtr/api/projects/DDDEDB8F-6F56-4643-8450-666543C4E01A" ns1:id="DDDEDB8F-6F56-4643-8450-666543C4E01A"><ns1:links><ns1:link ns1:href="http://gtr.ukri.org/gtr/api/persons/36AD4C29-E38A-46A0-BB39-77EC57AF00C9" ns1:rel="PM_PER"/><ns1:link ns1:href="http://gtr.ukri.org/gtr/api/organisations/D4E9BF35-FE93-4414-AAA7-7E6F1C3D6393" ns1:rel="LEAD_ORG"/><ns1:link ns1:href="http://gtr.ukri.org/gtr/api/organisations/D4E9BF35-FE93-4414-AAA7-7E6F1C3D6393" ns1:rel="PARTICIPANT_ORG"/><ns1:link ns1:end="2018-03-30T23:00:00Z" ns1:href="http://gtr.ukri.org/gtr/api/funds/E444E3F4-F796-4A12-8F8E-4FA82D6740E7" ns1:rel="FUND" ns1:start="2017-09-30T23:00:00Z"/></ns1:links><ns2:identifiers><ns2:identifier ns2:type="RCUK">133158</ns2:identifier></ns2:identifiers><ns2:title>Designing a Future Piano</ns2:title><ns2:status>Closed</ns2:status><ns2:grantCategory>Study</ns2:grantCategory><ns2:leadFunder>Innovate UK</ns2:leadFunder><ns2:abstractText>This project is looking at how the piano, a historic and iconic instrument, can be made to fit more appropriately into our modern lives. It seeks to retain the acoustic grand piano with all of its richness of sound and its impressive, monumental stance, whilst also making it a lighter, slimmer, space-saving instrument. We aim to radically rethink how a piano works and looks. The team is led by Sarah Nicolls, an innovative concert pianist with over 20 years' experience, playing around the world and working with composers to create new music. The human-centred design comes from Keech Design, a leading London-based design company led by Tristram Keech, former Design Director at Conran &amp;amp; Partners and David Keech, who was the first non-Japanese designer to join Yamaha's creative team in Hamamatsu, prior to which he was an Associate at Foster &amp;amp; Partners. The technical expertise comes from Jigsaw Structures, engineers with experience in aerospace and connecting different materials successfully and innovatively, piano builder David Klavins who has himself invented several pianos, and support from the National Composites Centre SME Reach team. The project aims to shore up thinking on the basic idea, to examine how other users might need or redefine it, to look at the scope of re-design feeding in technical expertise where necessary, creating final visual and written reports and documents which can be used to create an investible business case going forward.</ns2:abstractText></ns2:project>