Transnational Hauntings: Globalization, Social Inequality, and the Specters of Radical Islam in Laila Marrakchi's Marock (2005) (2019)

First Author: Bahmad J

Attributed to: Transnational Moroccan Cinema funded by AHRC

Abstract

No abstract provided

Bibliographic Information

Digital Object Identifier: http://dx.doi.org/10.1353/exp.2019.0006

Publication URI: http://dx.doi.org/10.1353/exp.2019.0006

Type: Journal Article/Review

Parent Publication: Expressions maghrébines

Issue: 1