Modular composition and the development of extended performance durations
Lead Research Organisation:
University of Huddersfield
Department Name: Sch of Music Humanities & Media
Abstract
This project examines how extremes of scale affect compositional procedures and techniques within a modular composition framework. It will explore, through new versions of my modular composition (unassigned) and supporting analytical writing, the use of extended timescales in performance and the interface between concert and installation presentations of materials using live performers.
Organisations
People |
ORCID iD |
| James Saunders (Principal Investigator) |
| Title | 19 Compositions disseminated via performances |
| Type Of Art | Composition/Score |
| Title | 20 Separate Performances of #(unassigned) (2005-2006 UK and abroad) |
| Type Of Art | Film/Video/Animation |
| Title | James Saunders, #(unassigned) (Double CD, Confront 2006) |
| Type Of Art | Performance (Music, Dance, Drama, etc) |
| Description | The research presents methods for making modular musical compositions. |
| Exploitation Route | The methods presented are of use to other composers and artists making modular work. |
| Sectors | Creative Economy,Education,Culture, Heritage, Museums and Collections |
| URL | http://www.james-saunders.com |