Guillaume de Machaut: Scribe, Poet, Composer
Lead Research Organisation:
Royal Holloway University of London
Department Name: Music
Abstract
The focus of the project _Guillaume de Machaut: Scribe, Poet, Composer_ is an extremely important late-medieval figure whose artistic output is fundamentally interdisciplinary. His works include narrative poetry, lyrics, songs, motets, and a musical setting of the mass ordinary, all recorded in sumptuously illustrated manuscripts whose compilation and mise-en-page were probably also the result of the author's artistic vision. In this way, Guillaume Machaut (c.1300-1377) functions as an exceptional test site for the development of a multi-dimensional interpretative method that brings together several modern scholarly disciplines. Such a project profits from previous excellent specialist scholarship, but its bringing together of different disciplines illuminates Machaut's work in a distinctively interdisciplinary light. The resulting monograph will interest musicologists, literary scholars (in medieval French and English particularly), historians of the book, and social and cultural historians of the later Middle Ages. The project offers insights into the way in which Machaut's attention to book-making was symptomatic of, and further influential on, the increasing textuality of the later Middle Ages. It combines literary, linguistic, music-theoretical, music-analytical, material, and bibliographic perspectives to create a more complete picture of this central figure of fourteenth-century cultural life. It relates Machaut's work to other aspects of court culture, including ethics, as a way of understanding its meanings and function for his contemporaries. It offers a new mode of reading medieval songs that takes a fuller account of their musical and poetic structures, as well as paying due attention to their context within broader literary and musical cultures that are both written/textual and oral/performative. It also presents a critique of the modern rediscovery of Machaut's work in order to improve our understanding of his medieval importance, stripped of the obfuscations of later reception history. The monograph will be the first full-length study to consider Machaut in his proper interdisciplinary context.
People |
ORCID iD |
Elizabeth Eva Leach (Principal Investigator) |
Publications
Leach E
(2010)
Music and Verbal Meaning: Machaut's Polytextual Songs
in Speculum
LEACH E
(2009)
Machaut's peer, Thomas Paien
in Plainsong and Medieval Music
Title | Time Team (Special) |
Description | Organised performance and provided editions of music for Time Team Special on Windsor Castle. In the event, visual takes were not used, although some of the sound takes were. Screened 25 Feb 2008. TV(Channel 4, AUDIENCE SIZE 2730000) |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2009 |
Impact | - |
Description | Blogposts (multiple) |
Form Of Engagement Activity | A magazine, newsletter or online publication |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | Multiple blogposts pertaining to Machaut posted to http://eeleach.wordpress.com/tag/machaut/ - |
Year(s) Of Engagement Activity | 2007 |
Description | Chaired session at 'Breaking into Song' |
Form Of Engagement Activity | A formal working group, expert panel or dialogue |
Part Of Official Scheme? | No |
Type Of Presentation | workshop facilitator |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | a symposium of the IMR's Medieval Song Project at Cambridge - |
Year(s) Of Engagement Activity | 2008 |
Description | Contemplating Poetic Creation: Machaut's De triste/Quant/Certes (B29)' |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Type Of Presentation | paper presentation |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | Paper given at the Renaissance Society of America Meeting, Chicago - |
Year(s) Of Engagement Activity | 2008 |
Description | Identity and Analogy: Nostalgia for a Golden Age' |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Type Of Presentation | paper presentation |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | Paper given at the Society for Music Analaysis Autumn Study Day: Analysing Popular Music, Liverpool, 16 November. - |
Year(s) Of Engagement Activity | 2008 |
Description | Invitations to visit overseas HEIs: Invited to Basel to give a graduate seminar on Machaut project |
Form Of Engagement Activity | A formal working group, expert panel or dialogue |
Part Of Official Scheme? | No |
Type Of Presentation | keynote/invited speaker |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | Paper included Machaut material as part of a critique of analyses of popular love songs. - |
Year(s) Of Engagement Activity | 2008 |
Description | Machaut's Masculinity', at 'Ave/Eva: Text, Music and Gender in the Middle Ages |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Type Of Presentation | paper presentation |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | Plainsong and Medieval Music Society conference, Bristol,The Society's members include non-academics. - |
Year(s) Of Engagement Activity | 2008 |
Description | Music Making in the Later Middle Ages' |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Type Of Presentation | paper presentation |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | Plenary (individual) lecture to be given to the Basel section of the Swiss Musicological Society in Dec 2008 - |
Year(s) Of Engagement Activity | 2008 |