The Data Art at BBC Backstage: information visualisation for the people

Lead Research Organisation: University of Westminster
Department Name: Faculty of Media Arts and Design

Abstract

This Knowledge Transfer Fellowship brings together researchers from the University of Westminster (UOW), Media Arts and Design department and the BBC in a 22-month project that develops flexible and innovative ways for BBC audiences to use its Internet services. The project draws from over 10 years of research carried out by the Fellow, Tom Corby, and Research Assistant, Gavin Baily, to develop online artworks that map information retrieved from the Internet into visual images that organize and reveal hidden information structures as visual, interactive, animations. The KT project seeks to exploit these research activities to create a new website platform (ARTLAB) providing innovate interactive and accessible ways for BBC audiences to repurpose and relate to online content.

The BBC founded its online platform, 'BBC Backstage' in 2005 as part of Learning Development to enable its audiences to recycle its online services and content through user-generated activities, in response to the Graf Report (2004) which stressed the need for the BBC to engage with 'Web 2.0' phenomena, and to develop opportunities for social interactivity. Backstage is tasked to encourage audiences to innovate new information structures using these assets and share the results under open standards remits (i.e. shareable, non-copyrighted material): for example, audiences can dynamically 'tap into' the BBC's 'content feeds' and web-based data streams (e.g. news, weather, financial and geographical data) in order to do this.

This project is important in that data visualization of this type has become an important contemporary tool for understanding and communicating the complex nature of interactions between the natural, social and economic worlds. This project presents a timely opportunity for a major public institution to directly engage non-specialist wider publics in understanding its practices in a structured and supportive environment.

The collaboration has a number of aims: to promote the idea that technology when used creatively can develop artifacts that delight, intrigue and move in the same way as other creative media; to enable understanding of scientific and technological processes using assessable visual formats, and to widen public engagement with BBC technological resources using art and design methods.

The project will be delivered in 3 overlapping phases outlined below with associated outputs: production, mentoring, dissemination.

1. A website will be built (The ARTLAB), to act as a public platform for communication with participants and to publish example artworks and tutorial materials supporting audiences in the creation of their own work. Outreach activities to the press and wider communities publicizing the project will occur as an ongoing project initiative.

2. An ongoing mentoring process will be instigated to support and provide feedback for participating audiences. In addition as part of a declared ethos of the project, audiences will be encouraged to share works and expertise via the site using dedicated online forums. The development of an active self-supporting community that engage via the ARTLAB'S forums will enable the sustainability of the project past its official end date.

3. Dissemination of the of project results will occur in a number of ways: THE ARTLAB DIY MANUAL will be published at the end of the project to provide a commentary and describe how to make works, a public blog will track development, a report for BBC managers will reflect upon and capture good practice, a public exhibition of works produced by participants and a conference will be hosted by the University of Westminster, and in-house BBC meetings will share production innovations developed during the collaboration amongst the wider BBC production community.


Planned Impact

The immediate individual and institutional beneficiaries of this Knowledge Transfer (KT) include: BBC audiences and staff and the University of Westminster's (UOW) KT research team, staff and students. Other beneficiaries include public sector institutions engaged with creative digital content outreach strategies (e.g. libraries and museums) and policy makers concerned with public education and skills agendas.

This KT is directly relevant to the efficient delivery of public policy regarding issues of digital inclusion, literacy and higher-level digital skill development (DCMS, Digital Britain: The Interim Report, 2009). By providing new ways engaging in creative digital output it delivers intrinsic social, cultural and educational benefits for participants that directly impact on their quality of life. Additionally by increasing the number of people able to demonstrate digital life, work and economy skills (e.g. through digital media manipulation) the project produces instrumental impacts that enhance the UK's social capital by increasing knowledge and understanding of digital processes for the wider public. Additionally, the KT produces a project model that helps other public institutions looking to engage in digital inclusion initiatives (Collections Trust, What can the UK Culture Sector do for Digital Britain? 2009) by demonstrating how to activate their existing digital archival assets for the public through processes of creative engagement. Impacts for the BBC occur at social and educational, cultural and organizational levels. The KT shows how the digital arts can operate to swiftly prototype content using emerging and new technologies. This positively impacts on the Corporations ability to efficiently innovate digital projects concerned with provision of user-generated content. BBC staff benefit by learning how academic skills in analysis and critical reflection can productively underpin digital innovation projects and through increased skill development in emerging technology (cognitive growth). As noted by Skillset (2009) there is an economic imperative to generate greater wealth from the development of world-class content which is highly dependent on these types of digital expertise. These impacts allow the BBC to build the public value of its media provision and contribute to wider UK skills needs. The project bequeaths the UOW, staff with current industrial experience enabling it to more effectively adapt it's teaching and learning support to industry skills requirements, e.g. Web based project production schemes derived from BBC Backstage produce direct benefits for staff and students in terms of providing industry level skill-sets that positively impact on career and employment opportunities. UOW also benefits from the increased research opportunities arising from the KT and the experience that participation brings in future development of public facing research initiatives. Timescales for impacts are variable. Immediate benefits for BBC, UOW and audiences are expected to accrue through direct knowledge exchange outcomes occurring during project life cycle.

Specific timescales for long-term impacts are difficult to predict as many of the benefits are life-long. The persistence of the ARTLAB and its communities beyond project end will however enable the BBC to garner feedback and track future impacts. As a KT project interaction with BBC staff and audiences is central. Audiences are supported through the ARTLAB, a Web hub that disseminates expertise, tutorials and feedback. BBC staff benefit from access to UOW staff with a substantial research record over a 22-month collaborative period. Knowledge co-produced during this period concerning digital outreach programs will be disseminated for other beneficiaries through a project blog, public conference, exhibition, reports and publications.

Publications

10 25 50
 
Title Artwork 3D related content 
Description This application is an experiment in interactive story telling. Different modes allow users to either watch the documentary or explore source material that was used in the production of the film to find out more about the subject. 
Type Of Art Artefact (including digital) 
Year Produced 2010 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/3dexplorer/index.php
 
Title Artwork Graphviz Jungle 
Description This project is an experiment in sketching the BBC site map as static images of its underlying graph structure. In these sketches, each web page in the site is represented as a text node, showing the page URL and/or title, and the links between the pages are shown as lines. 
Type Of Art Artefact (including digital) 
Year Produced 2011 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/graphviz/index.php
 
Title Artwork Locus 
Description Locus is a news archive visualisation that maps Guardian articles to places over time - a spatial & temporal mapping of events and media attention in the last decade. 
Type Of Art Artefact (including digital) 
Year Produced 2011 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/index.php
 
Title Artwork News Cluster 
Description News Cluster analyses a set of news stories and groups them into related clusters using a statistical technique widely used in science and engineering. 
Type Of Art Artefact (including digital) 
Year Produced 2010 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/news_cluster/
 
Title Artwork NewsTraces 
Description The project allows you to search through the history of BBC and Guardina News headlines over the last 10 years. When you type in a search term you're presented with a timeline of relevant news items showing the pattern of reports as they unfold over time. Where clusters of reports emerge, they often mirror historically significant events. 
Type Of Art Artefact (including digital) 
Year Produced 2010 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/guardian_newstraces/index.php
 
Title Artwork Search Web 
Description Normally the BBC website allows you to search for information using a search tool similar to google which would give you a list of results on a page. SearchWeb lets you look for content on the BBC website by inputting search terms and generating a tree of information containing links to web pages with the BBC homepage at its centre. Displaying web pages visually allows an "at a glance" overview of a large number pages and content areas on the BBC website in a way that enables a quick understanding of connections between topics. You can then navigate the tree structure and follow specific topics by launching the web page associated with it. Different content areas are indicated by different coloured branches. In addition to topic navigation, SearchWeb displays all the tags that relate to a search term. "Tags" being, extra information or "hints" associated with the topic that the web page sends to SearchWeb. For example, if I search for "climate" the tags list on the right hand side of the visualisation will also give me a list of subjects that I might also be interested in such as "biodiversity". This tagging system relates to another Learning Development project "Taxonomer", which maps BBC content as a semantic web. 
Type Of Art Artefact (including digital) 
Year Produced 2010 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/searchweb/index.php
 
Title Artwork TV Related Content 
Description Like everyone else, we have been wondering what set top boxes connected to the internet will look like for the user. What kind of interfaces will work best when TV and the Web become bedfellows? We decided to mock up a prototype application to play around with some user interface ideas. The most useful application we could think of was something that would provide web content that was relevant to what was being talked about on TV. So we created a Flash application that pulls in live subtitles from an IRC channel and places them underneath a live feed of News 24. Thanks very much to Andrew McParland and his team in R&D for making the subtitles available. As the subtitles appear on the screen they are sent off to a natural language processing API and relevant concepts are extracted from the text (and in our case returned as DBpedia terms). When the concepts come back from the API they are placed over the EMP on the left of the picture. We've mapped these terms to BBC News content and clicking on them reveals links on the right. Clicking on these opens up the web page in a new tab. 
Type Of Art Artefact (including digital) 
Year Produced 2010 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/tvrelatedcontent/index.php
 
Title Artwork World Events Visualiser 
Description The World Events Visualiser aims to expose the connections between historical events. Each dot on the map represents a place and the list on the right hand side shows the people and events related to these places. 
Type Of Art Artefact (including digital) 
Year Produced 2011 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Networked and Electronic Media (NEM) Festival, Barcelona, Spain, October 11-15, 2010 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Littledale, A. 'Guardian NewsTraces', The Guardian, online, November 30, 2010 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 Vande Moere, A. 'DataArt Visualization on BBC Backstage', Information Aesthetics, blog, April 8, 2010 Kirk, A. 'Going Deeper into Visualization', Visualizing Data, blog, December 6, 2010 McAthy, R. 'BBC Prototype App Feeds Related Web Content into Live TV', Journalism.co.uk, online periodical, August 26, 2010 
URL http://data-art.net/mapline/
 
Title Artwork flared music 
Description Flared music lets you visually research relationships between musicians and bands using the Musicbrainz database an online community resource that the BBC is working with to collate music information.The project uses a tree structure to display the results of search terms that you enter into it as a kind of musical family tree. For example submitting The Rolling Stones will grow a tree starting from the initial search term to show the individual band members such as Mick Jagger and Ronnie Wood, collaborators such as Billy Preston, and other information including wives and girlfriends. Further connections between individual members of the band fan out, as the search gets deeper. We can see for example that Ronnie Wood was involved with the Jeff Beck group who themselves had connections with Rod Stewart, Jon Lord and The Yardbirds. 
Type Of Art Artefact (including digital) 
Year Produced 2010 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/flared_music/index.php
 
Title Exhibition: 17th International Symposium of Electronic Art (ISEA), 14 Sept - 21 Sept, 2011, Istanbul, Turkey 
Description A number of artworks from the project were exhibited. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2011 
Impact Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 
URL http://data-art.net/index.php
 
Title Exhibition: FutureEverything Festival, UK, 11 May - 22 May, 2011, Manchester, UK 
Description Selection of artworks produced during research exhibited. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2011 
Impact Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 
URL http://data-art.net/index.php
 
Title Exhibition: Networked and Electronic Media (NEM) Festival, 11 Oct -15 Oct, 2010, Barcelona, Spain 
Description A number of artworks arising out of the DataArt project were exhibited. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2009 
Impact The project was selected for exhibition at the following festivals: International Symposium of Electronic Arts (ISEA), Kasa Gallery (plus other venues), Istanbul, Turkey, September 14-21, 2011 FutureEverything Festival, Manchester, UK, May 11-22, 2011 Was featured in the following reviews: Rowlands, N. Hacking the BBC: A Backstage Retrospective, 2011, p.34 Burn-Murdoch, J. 'Interactive Visualization Provides a New Way to Browse Our Coverage of Iraq and Afghanistan', The Guardian, online, June 7, 2012 Hemment, D. and Smith, K. 'The Data Dimension at FutureEverything 2011', online, Rhizome, May 6, 2011 
URL http://data-art.net/index.php
 
Description The project made contributions to the digital arts by providing a collaborative model of practice for actively engaging with large-scale institutions. While the use of data is commonplace within media arts, practitioners generally work at arms-length from the organisations producing it. By developing practices and methods for working with institutionally-sited data sets the project uniquely devised solutions for a methodological lacuna. Conversely, it developed insights for institutions in how to extend the value of their existing data resources using experimental methods of cultural production.

Particular contributions included:

a) Innovative integration of media and data types to produce 'new content from old'.

DataArt developed several novel practices for the mashing of online data with broadcast material, e.g., 3D Documentary Explorer combines a BBC2 documentary The Virtual Revolution with browsable web material to enable contextualization of the viewing experience.

b) Produced new ways of perceiving trends in the historic archives of news reports.

In visualizing news archives over extended periods of time, DataArt showed how experimental visual, animated and behavioral languages articulate hidden patterns in media, thereby enabling critical analysis of news reporting. For example, in Locus and NewsTraces data was formatted using a timeline in ways that enabled reflection on how media organizations prioritize specific topics.

c) Insights into how critical digital arts practices can produce deeper understandings of institutional data archives by laying bare programmatic data structures.

Following digital arts practices that seek to demystify and enable public access to digital technologies, DataArt argued that the production of singular 'black-boxed' information visualizations in their own right should be supplemented with extended information around their programming and use of data. Wherever possible visualizations were released with open-source computer code, data resources and production notes showing how the work was made and enabling others to produce their own versions of the work.

d) Creative strategies for multi-level public dissemination of institutional data sets through the use of online and offline social activities.

The project argued that public consumption of institutional data be augmented by activities that enable deeper understandings of what it is. To do this, the project established resources and events that enabled direct access to researchers via a web forum/blog, and hands-on engagement with the project via public workshops held at the BBC, University of Westminster and the various festivals where the project was shown.

In disseminating these contributions the project was exhibited at 3 international digital arts festivals, was presented at 4 conferences and symposia, was the subject of 1 peer reviewed paper published in Leonardo, and was nominated for an award at the Networked and Electronic Media (NEM) Festival, Barcelona in 2012. The Guardian newspaper twice featured the project in the 'Data Store' section of its website, evidencing interest in the project beyond digital arts disciplines and demonstrating the wider reach and relevance of research.

Additionally I organized a 1-day conference at Westminster Public 2.0: Culture, Creativity and
Audience in an Era of Information Openness (2011). As with the previous Data Landscapes symposium, I brought together a wide spectrum of contributors from industry, thereby demonstrating my ability to attract and coalesce contributors from disparate subject domains to engage issues of shared concern. Speakers included: Simon Rogers, editor of the Guardian Datablog, Ian Forrester, Senior Producer at BBC R&D, Roland Harwood, co-founder of 100%Open an innovation agency; Rob Myers, artist, writer, hacker and Chief Technology Officer for Philter Phactory; Julian Tate lead developer on the Manchester Open Data Cities project and Ruth Catlow, media artist and co-director of Furtherfield.org media arts organization amongst others.
Exploitation Route As detailed in the impact narrative a range of models of practice, approaches to integrating data and broadcast material were developed including a 3-D interface for the Virtual Revolution series on BBC 2. The particular integration of data and moving image formats has produced an augmented model of TV broadcast which is innovatory in its potential applications for broadcast institutions.
Sectors Creative Economy,Digital/Communication/Information Technologies (including Software),Culture, Heritage, Museums and Collections

URL http://data-art.net
 
Description The project benefits the digital arts by developing practices and methods for working with institutionally sited data sets. Conversely it develops insights for institutions in how to extend the value of their existing data resources using methods of cultural production. Particular achievements include: In Innovative integration of media and data types to produce 'new content from old'. DataArt developed several novel practices for the integration of online data with video broadcast material, e.g. 3d Documentary Explorer combines a BBC 2 documentary The Virtual Revolution with browsable web page material in a 3D interface enabling viewers to research topics connected to the broadcast at the same time as viewing it (an approach further refined in TV Related Content). Produced new ways of perceiving trends in the historic archives of news reports. In visualizing news archives over extended periods of time, DataArt showed how experimental visual, animated and behavioral languages articulate hidden patterns in media, thereby enabling critical analysis of news reporting. For example, in Locus and NewsTraces data was formatted using a timeline in ways that enabled reflection on how media organizations prioritize specific topics. Insights into how critical digital arts practices can produce deeper understandings of institutional data archives by laying bare programmatic data structures. Following digital arts practices that seek to demystify and enable public access to digital technologies, DataArt argued that the production of singular 'black-boxed' information visualizations in their own right should be supplemented with extended information around their programming and use of data. Wherever possible visualizations where released with open-source computer code, data resources and production notes showing how the work was made and enabling others to produce their own versions of the work. Creative strategies for multi-level public dissemination of institutional data sets through the use of online and offline social activities. The project argues that public consumption of institutional data be augmented by activities that enable deeper understandings of what it is. To do this, the project established resources and events that enabled direct access to and feedback from the researchers via a web presence (the DataArt forum/blog), and hands-on engagement with the project via public workshops held at the BBC, University of Westminster and the various festivals where the project was shown.
First Year Of Impact 2009
Sector Creative Economy,Digital/Communication/Information Technologies (including Software),Culture, Heritage, Museums and Collections
Impact Types Cultural

 
Description Materializing Data, Embodying Climate Change
Amount £705,588 (GBP)
Funding ID AH/S00369X/1 
Organisation Arts & Humanities Research Council (AHRC) 
Sector Public
Country United Kingdom
Start 02/2019 
End 02/2022