Exploring the potential of networked urban screens for communities and culture

Lead Research Organisation: University College London
Department Name: Bartlett Sch of Graduate Studies

Abstract

This project brings together University College London, the University of Nottingham, which also hosts the HORIZON Digital Economy Hub, the London Borough of Waltham Forest, the Commission for Architecture and the Built Environment (CABE) and Leytonstone Business Improvement District (e11bid) to investigate how the urban experience mediated through connected large screens can be designed to augment real world interactions, support communities, and promote and develop culture so as to maximise the quality of the public experience within the urban realm.This project is inherently cross-disciplinary bringing together methods from Architecture and Computer Science. We will work in 'action research' mode engaging research organisations with the end user communities and Waltham Forest council. We will also engage at a national level through the involvement of CABE and Mike Gibbons, Head of Live Sites (a network of permanent large-scale digital screens across the UK). Through an iterative prototyping methodology we will integrate the content development, placement, local interactivity and distributed connectivity of four re-locatable screen nodes connecting Nottingham with London. This set-up will allow us to explore remote connectivity by comparing two with three and four networked nodes, creating situations and experiences that differ in their urban settings and the types of populations they support through different seasons. The screen content will be compared across different locations, allowing us to identify outcomes that are site-specific and ones that can be generalised across different sites. We will develop the screen content (such as applications and experience) and evaluate mediated public interactions around these screens by engaging with the London Borough of Waltham Forest, the local communities around all four nodes locations, and commissioned artists in definition of the research challenges as well as in the programme of research itself. These creative experiments will, however, be carefully designed to contribute to our research understanding of the dimensions of possibility and acceptance by the community. We will document design, management and public meetings and, as research results are generated, feed research findings back into local and policy debate, and feed forward into the design of the experience and interactions mediated through connected screen technologies. Our research takes a targeted and longitudinal approach in order to understand a complex range of social, technical and interactional issues.

Planned Impact

Non-academic impact is fundamentally embedded in the structure of the funding call and our resulting research strategy. The London Borough of Waltham Forest is the core stakeholder partner which will enable our Research-in-the-Wild driven research programme through the public deployment of the urban screen network. The district of Woolwich in the London Borough of Greenwich Council is an additional supporting public sector partner, providing research input and aiming to help disseminate the results. The project's Advisory Board will play an important role in ensuring meaningful impact takes place in an iterative process whereby the insights of the project research are fed back to potential end users and revised as necessary. Pathways to impact will be considered for the following groups: the general public as inhabitants of urban space, screen managers and curators and content creators, the management of urban space at councils, designers of urban space and planners, community leaders and policy makers, and finally the research associates employed on the grant. The general public - Inhabitants of urban space including local and connected communities: Our emphasis on participative community engagement as a specific objective based on a framework of action research will result in iterative experiments, observation and documentation to engage the public and local community. This will contribute innovatively to the current debate on the potential of urban screens for serving as an exchange platform between people in a range of cities supporting novel forms of social interactions. Content creators and Artists - people making content for urban screens: We are committed to engage Christian Nold as Artist in Residence. Christian Nold is an artist, designer and educator working to develop new participatory models and technologies for communal representation. His involvement will not only allow for creative engagement of community members, but will also provide a pathway to impact. Managers of urban space - Town centre management at council(s): The project will generate an increased understanding of how the urban experience (mediated through connected urban screens) can be designed to augment real world interactions, support communities, and promote culture. This will be achieved by embedding multidisciplinary research directly within the community. Participating authorities will benefit from learning how such screens perform through different seasons, how they work in conjunction with surrounding uses within and near to a space, and how they may be used in respect to major events either of national or local significance, such as sporting fixtures or mass participation cultural events. Designers of urban space, and planning regulators: The project outcomes will be of direct relevance to those involved in designing new urban screen implementations, whether they are designers themselves or public bodies that advise those designers. This is particularly timely as urban screens are often considered as parts of regeneration strategies for urban renewal. The Research Associates employed on the grant: The research project will have a positive effect on the staff development and research careers of the three research associates employed on the grant. Pathways to Impact are inherent to the structure of the bid as already highlighted at the beginning. In particular, we will channel impact through CABE (Commission for Architecture and the Built Environment), the HORIZON DEH offering access to over 100 commercial partners. This will be complemented by dissemination in non-academic magazines and journal as well as the attendance at relevant Urban Screen gatherings.
 
Title 'Screens in the Wild' video series: Introduction 
Description A documentary video, which aims to introduce the research challenge and the applied methodology ie the action research and iterative design process through urban play in order to understand a complex range of spatial, social, technical and interactional issues. 
Type Of Art Film/Video/Animation 
Year Produced 2012 
Impact This video captured the early stages of the project. It gives a quick impression about the project objectives an methodology. The online version offers an opportunity for a wide exposure: national and international. 
URL https://www.youtube.com/watch?v=5RosPKc551g
 
Title 'Screens in the Wild' video series: Local interactions and interviews 
Description A documentary video of local interactions and public interviews 
Type Of Art Film/Video/Animation 
Year Produced 2013 
Impact The online version offers an opportunity for a wide exposure: national and international. 
URL https://www.youtube.com/watch?v=dbkePeZDK50
 
Title 'Screens in the Wild' video series: The Process 
Description A documentary video of the research process, which demonstrates the research challenge, the research methodology (action research and the iterative development) and shows the screen locations. The video includes interviews with the project researchers, the project partners and screen hosting venues, and members of the public. The movie contains a body of critical material, in documentary video aimed at the media creation and artistic communities as a stimulus for development of new forms of content. It also features local interactions and observed public behaviours and stated public responses to some of the experiences/content. 
Type Of Art Film/Video/Animation 
Year Produced 2013 
Impact the project documentary was published as a short paper and a video at Fatah gen Schieck, A., Schnädelbach, H., Motta, W., Behrens, M., North, S., Ye, L., & Kostopoulou, E. (2014). Screens in the wild: exploring the potential of networked Urban Screens for communities and culture. 3rd ACM International Symposium on Pervasive Displays (PerDis '14), 79-84. New York: ACM. doi:10.1145/2611009.2617199 (short paper and a video) 
URL https://www.youtube.com/watch?v=qXFONAaV4Rw
 
Title 'Screens in the Wild' video series: Trailer 
Description A trailer of the process, which demonstrates the research challenge, the research methodology (action research and the iterative development) and the screen locations and public interactions. 
Type Of Art Film/Video/Animation 
Year Produced 2013 
Impact The online version offers an opportunity for a wide exposure: national and international. 
URL https://www.youtube.com/watch?v=8S4vpUAz4jU
 
Title Augmented Urban Reality 
Description The video captures the experience during Leytonstone Arts Trail 2014: Using the combination of a mobile application and the live gallery screen in Leytonstone Library window, we explore the Arts Trail 2014 to its fullest potential. We aim to improve access to the local artists and their work, as well as allow users to share photos with the community on a larger scale via the live gallery screen. The Augmented Reality Project is developed by University College London in association with augmented reality specialists, Holition and in collaboration with Screens in the Wild. 
Type Of Art Film/Video/Animation 
Year Produced 2014 
Impact The online version offers an opportunity for a wide exposure: national and international. 
URL https://www.youtube.com/watch?v=gx1e8wPbfbo
 
Title Augmented Urban Reality - AR 
Description The aim is to support urban navigation and explore how to develop a compelling experience through the combination of the visible and invisible spatial and social narratives, which are supported by AR. This is achieved through the development of various engagement methodologies using a combination of Augmented Reality and Screens in both formats; situated and mobile to explore spatial, social and digital narratives. 
Type Of Art Artefact (including digital) 
Year Produced 2015 
Impact This is the FIRST Augmented Reality application (albeit only as a prototype) that was developed and tested in the real world, using an avatar for way finding in the urban realm. The project provided good insights into the challenges of urban navigation and the potentials offered by Augmented Reality Experiences. The project was presented in the Pervasive Displays Conference 2015 (as a short paper and a video): Fatah gen. Schieck, A., Moutinho, A., Kostopoulou, E., Freeman, R., Senevirathne, S., Grover, C. (2015). AUR: Augmented Urban Reality. 4th ACM International Symposium on Pervasive Displays (PerDis '15), Saarbrücken, Germany. New York: ACM. http://dx.doi.org/10.1145/2757710.2776822 
URL https://www.youtube.com/watch?v=gx1e8wPbfbo&t=19s
 
Title Augmented Urban: Arts trail 2014 
Description The video captures the experience during Leytonstone Arts Trail 2014: Using the combination of a mobile application and the live gallery screen in Leytonstone Library window, we intend to explore the trail to its fullest potential. This app improves access to the local artists and their work, as well as allowing users to share photos with the community on a larger scale via the live gallery screen. The Arts Trail Augmented Reality app and the live have been developed by University College London in association with augmented reality specialists, Holition and in collaboration with Screens in the Wild. 
Type Of Art Film/Video/Animation 
Year Produced 2014 
Impact The online version offers an opportunity for a wide exposure: national and international. 
URL https://www.youtube.com/watch?v=rCioEgXYYOM
 
Title Brief Encounters: Screen content in collaboration with artists D-FUSE 
Description As part of our methodology we have engaged with artists in residence to develop screen content, interactivity, connectivity between places. D-FUSE (artists in residency) developed networked screen content based on a collection of photos and descriptions that show the area from the view of the people who live there 
Type Of Art Artefact (including digital) 
Year Produced 2012 
Impact This digital screen content (Brief encounter) - running for one year 2013-2014 has helped to stimulate significant interest from people in their locality where the screen was installed 
URL https://www.youtube.com/watch?v=ESufOJjnqyQ&t=6s
 
Title Homeless by the Drawing Shed 
Description The drawing Shed (artists in residency) developed networked screen content based on a collection of photos on instagramcapturing the general public and their opinion about 'homelessness' to raise awareness of challenges in urban space such as 'homelessness'. 
Type Of Art Artefact (including digital) 
Year Produced 2013 
Impact This digital screen content (Homeless) - running for one year 2013-2014 and has helped to stimulate significant discussion from the community centres and people on the street about the topic. 
URL https://www.youtube.com/watch?v=ESufOJjnqyQ&t=6s
 
Title Moment Machine - interactive networked Screen Content 
Description The project team, has developed a series of networked experiences. The Moment Machine was developed with the project team, and visiting researchers, and more importantly in collaboration with the local communities and the general public.There are two fundamental modes within which content was created and /or experienced and shared between people. The Moment Machine: the content is shared 'as and when', similar to social networks. Through urban play, using the body as interface, and simple 'one-touch' interactivity, people can take a photo with their friends, scroll to see what their friends and neighbours left on the screen or peek in on what others are doing. 
Type Of Art Artefact (including digital) 
Year Produced 2012 
Impact Observations show that situated snapshots stimulate strong engagement within place-based communities. It attracts a variety of people - kids love it the most- Demographics of people returning to the screen overtime demonstrates its success in capturing attention of more than one single type of population. For more information see the paper published and presented at Media Architecture Biennale 16: 5. Memarovic, N., Fatah gen Schieck, A., Schnadelbach, H., Kostopoulou, E., North, S., Ye, L.,(2016). Longitudinal, cross-site and "in the Wild": a study of public displays user communities' situated snapshots. Proceedings of the 3rd Conference on Media Architecture Biennale. ACM. doi:10.1145/2946803.2946804 
URL https://www.youtube.com/watch?v=dbkePeZDK50&t=126s
 
Title Photo App (WildScreens) as part of the Art Trail 2014 
Description The aim is to develop various engagement methodologies using photo sharing through 'Screens' in both formats; situated and mobile. 
Type Of Art Artefact (including digital) 
Year Produced 2014 
Impact The app was implemented during the Arts Trail 2014 in Leytonstone, London. This platform on the screen provided a central location, where people could post photos, and they are shared with passers-by on the street, and this gives an interesting overview of what people have been experiencing in different galleries in the area during the art festival. It was used during the UCL Digital festival in 2014: See the video on people's reactions during the Arts Trail: https://www.youtube.com/watch?v=gx1e8wPbfbo&t=17s and the engagement during DigiFest at UCL 2014: https://www.youtube.com/watch?v=XKsVI5H5b8s&t=20s 
URL https://www.youtube.com/watch?v=gx1e8wPbfbo&t=17s
 
Title Screens in the Wild @ Car Free Day Leytonstone 2013 
Description This annual event was held on Sunday 8 September 2013 and was organised by the London Borough of Waltham Forest. Screens in the Wild offered an interactive platform for shared encounters locally and with other screen sites in Walthamstow and Nottingham 
Type Of Art Film/Video/Animation 
Year Produced 2013 
Impact The online version offers an opportunity for a wide exposure: national and international. 
URL https://www.youtube.com/watch?v=0OWu6wpY2zY
 
Title Situated local maps Mapify - on Church Street, London 
Description This interactive experience was developed together with local stakeholders in one of the new locations, Church Street, and with Mapify team. The aim is to provide various engagement methodologies with the local community through the co-creation of screen content in collaboration with the local artist community in Church Str | Edgeware. It uses Mapify ( with social networking, mapping and social capital and advises how best to apply this methodology to redevelopment processes. It is piloted first in Church Street West London, and backed by Westminster Council). Mapify is an online platform, and with the project team, we developed a situated version to be displayed on the screen 
Type Of Art Artefact (including digital) 
Year Produced 2014 
Impact Moving a digital platform from being ONLY online (i.e. viewed mainly through smart phones and on a PC), to being situated on the street, provides a very new experience -mainly a shared experience with local passer-by and local businesses 
 
Title Wild Screens @ UCL Digifest 
Description The video captures the experience during UCL's Digifest 2014: Using the combination of a mobile application and a live gallery screen, we aim to enable users to share photos with the community on a larger scale via the live gallery screen. 
Type Of Art Film/Video/Animation 
Year Produced 2014 
Impact The online version offers an opportunity for a wide exposure: national and international. 
URL https://www.youtube.com/watch?v=XKsVI5H5b8s
 
Title a series of experiences networked and 
Description During the project, we developed in co-creation with the local communities and passers by, a series of networked screen experiences. There are two fundamental modes within which content was created and /or experienced and shared between people. 1) synchronous (eg SoundShape): content is shared in real-time, similar to an online multi-player game. It is popular in particular with pre-school children and provides for collaborative music making between people in different physical locations who could draw a musical pattern by touching 25 buttons. Buttons higher up have a higher pitch. People can listen to patterns that others have created across boundaries. Live video feed from the video panel shows everyone who is currently in front of any of the 4 screens. 2) asynchronous (eg Moment Machine): the content is shared 'as and when', similar to social networks. Through urban play, using the body as interface, and simple 'one-touch' interactivity, people can take a photo with their friends, scroll to see what their friends and neighbours left on the screen or peek in on what others are doing. Observations show that situated snapshots stimulate strong engagement within place-based communities. It attracts a variety of people - kids love it the most- Demographics of people returning to the screen overtime demonstrates its success in capturing attention of more than one single type of population. 
Type Of Art Artefact (including digital) 
Year Produced 2012 
Impact see the video on the design and implementation process: https://www.youtube.com/watch?v=qXFONAaV4Rw 
URL https://www.youtube.com/watch?v=8S4vpUAz4jU&t=15s
 
Description The Screens in the Wild project has iteratively developed and deployed an integrated hardware and software infrastructure to operate a network of four interactive public screens. These screens were installed at two locations in Nottingham, UK (an Arts Centre and an Independent Cinema) and two locations in East London (with a Business Improvement District and at a volunteer-run community centre respectively.) Each of the four nodes has a touch screen, a camera, a microphone and a speaker. This technology brings interactivity into the public realm as anyone can interact with content created for the network from the street.



The project developed a framework to tackle the challenge of embedding the screen network in the public realm and within the community. It has engaged in detailed urban analysis of flows, activities and behaviours to define the nodes' locations and to support content creation. The project then lead the development of initial experiences to provide seed content, e.g: an experience to generate music across the four sites. The project has engaged with local businesses and venues, which represent possible screen placement locations (identified through the urban analysis). The project has further engaged with local, creative and academic communities to build up a 'set' of experiences over time. These include experiences to express your mood, share photos, take photos, and to interact over video. These are run on the screen network via a scheduler, changing the content of the interactive screen network in unison with the urban flow at the various locations. The full network of four screens has been operational for more than 12 months and continues to operate beyond the end of the project.
here are links to interviews with project partners and local communities (it was not possible to add it to the URL field): | https://www.youtube.com/watch?v=dbkePeZDK50 | Local interactions and interviews https://www.youtube.com/watch?v=dbkePeZDK50 | Project sites, partners and the local communities https://www.youtube.com/watch?v=r8RkKzESfgw&t=31s | Screens in the Wild: The process https://www.youtube.com/watch?v=qXFONAaV4Rw&t=777s


The availability of the network long-term has given rise to detailed insights into the functioning of a screen network in a diverse set of urban spaces. This lead to an increased understanding of how the urban experience (mediated through connected urban screens) can be designed to augment real world interactions, support communities, and promote culture:



- The project has lead to a well-understood and fully deployed network of interactive screens, including a technical and managerial support infrastructure.



- The project has resulted in multiple levels of engagement with members of the local, creative and academic communities, both nationally and internationally.



- The project has demonstrated how to operate a set of screens where interactivity is networked, combining global automatic scheduling with locally relevant content.



- The importance of the relationship with host venues cannot be overemphasized. Venues are key in enabling the network, supporting it technically; providing a platform for community engagement and guiding content development. They are also key partners in taking the project forwards.



- Significant tensions exist between multiple venues over what content should be running and when. The project has used the strategy of scheduling diverse content over time to cater for multiple requirements.



- Community engagement is fruitful when it occurs on a spectrum between 'invited', or semi planned ('part of an existing community event') and 'serendipitous'. The project has deliberately engaged through workshops and events producing content that is relevant to specific communities. The project has also created experiences that engage passers-by in unexpected ways.



- The project has created a core set of experiences that engages people on the street, for example, to express their mood, share one of their existing photos, draw musical patterns, or to take a photo with their friends. Simple 'one-touch' interactivity enables this. Levels of local engagement have been persistent at all four nodes. However, the nature, timing and duration of interactions is largely framed through the interplay between the venue related activities; the urban rhythm and the adjacent activities taking place in the surrounding area, in addition to the affordance of the medium.

- Creating open access and understanding what it takes is challenging. More research and testing needs to be carried out on this front.

- Creating network interactivity remains a challenge with few of the project's current experiences creating synchronous engagement with someone at another site. Some local content triggered such engagement, and longer-term engagement across sites was possible.

- The project has provided the four participating venues with a core understanding of the use of urban interactive screens throughout different seasons and times of day; the relationship to surrounding uses in the vicinity and their use with respect to major events in their respective areas.

- The project has provided an understanding of the dynamic nature of interaction spaces around interactive urban screens and people and how people relate to such screens (a typology of interaction spaces).
Exploitation Route Screens in the Wild was funded under a Research in the Wild call and the non-academic context was at its heart from the outset. All experiences created with the network directly engaged with members of the public as users and content generators. It is only now that we are investigating more academic uses, for example as a platform for the streaming of teaching content in university outreach work or as a living lab and research test platform embedded in the local communities.



The activities conducted during the project can also be continued in a non-academic context. For example, project activities covered a number of community engagement events. This included researcher-led community engagements, and artist-led workshops. The involvement of the project 'artists in residence' allowed for creative engagement with members of the local artists' and residence community. With the right funding, such activities can be continued to enable the potential of the SITW network in future.



Impact

The non-academic context was at the core of the project and we are witnessing growing interest in exploiting the screens network by various parties.



Project activities covered community-driven engagement events, both researcher-led and artist-led workshops. These activities were culminated by the project show-and-tell event,



The involvement of the project 'Artists in Residence' allowed for creative engagement with members of the local artists community and the residence community, which is continuing to grow, but also offered a pathway to impact.



On the content level, this collaboration has lead to a tried-and-tested experience, running on the screen and captured through non-academic material. We anticipate that the content creators will pick up these as appropriate.



The London Borough of Waltham Forest (the core stakeholder partner) has enabled our 'in the Wild' driven research programme through the support of the public deployment of the urban screen network. The e11BID (public private partnership representing Leytonstone's town centre businesses) is a strong supporter and enabler of the project implementation and engagement with the local businesses, youth and women's organisations as well as the residents. It continues to support our attempts to explore suitable business models beyond the actual research project life time.



The research project resulted in a body of critical visual and descriptive case material detailing the urban screens network and the applications and experiences developed for it. Through documentary videos (made available on YouTube) and publicly available non-academic published material (available on the project website), other content creators and artists will be able to draw on our findings and further their own project and design work.



Managers of urban space in the partner organisations and at other organisations looking after urban space elsewhere will have access to practical documentary evidence on individual media experiences, observed public behaviours and stated public responses.



In addition to the above, we have targeted conferences aimed at non-academics, such the Media Architecture Biennale 12 and Media City, TodaysArt 2013 and Urban Screens series to ensure the widest possible exposure to our project findings. Moreover, we have continued developing our national and international links through the Urban Screens Network UK, and the 'In the Wild' talk series we have establish to engage nationally and internationally in the debate around the implementation of networked screens.



The project was invited to be exhibited in a series on digital media events such as 'Digital Shoreditch 2013' and 'Digital Futures: Urban Open Space 2013 at the V&A in London.



The project was also part of the street expositions at the local art festivals, such as the Art Trail 12 in Walthamstow and the council led event 'Love Your High Street 13' in Leytonstone, where thousands of residents came out to enjoy the free events and celebrate their local high street. In addition the project was an attractor in the high street during the Car Free Festival in Leytonstone 2012, and continued to paly a significant role beyond the project life time during the recent Car Free Day on 8th Sept 2013.



The project aimed to draw up with CABE (Commission for Architecture and the Built Environment) detailed best practice guidance on the technical, social, managerial, editorial and ethical issues involved in the placement of urban screen technologies. The aim was to take on a broader perspective, generalising from our case study projects. However, due to significant changes introduced in Oct 2010, CABE's role was affected, meaning that CABE was unable to be a formal partner on this project as initially planned. This has hampered the delivery of the intended best practice guidance and, as a result, we are actively working on developing a way of replacing this input.
The project is currently exploring various models to attract commercial funding for the network and experiences to continue operating the network. The Partnerships built up during the funded period will form the basis for this. The University of Nottingham has provided the base funding for maintaining the existing screen network until the end of 2014, which will enable the exploration of these pathways. UCL has provided base funding to explore viable business models. The screen network can already be put to use to link people to explore content together in urban space, might this be educational, informational or entertainment.
Sectors Communities and Social Services/Policy,Creative Economy,Digital/Communication/Information Technologies (including Software),Culture, Heritage, Museums and Collections,Retail,Other

URL http://www.screensinthewild.org
 
Description The screens network has been adopted by the community centre in which they are installed. This project provides a good example of co-creating and developing technology and screens content in collaboration with the stakeholders.
First Year Of Impact 2011
Sector Communities and Social Services/Policy,Creative Economy,Digital/Communication/Information Technologies (including Software),Other
Impact Types Cultural,Societal

 
Description Advisor: interactive installation Sentiment Cocoon 2015 (winner of ARUP Competition 2015).
Geographic Reach Multiple continents/international 
Policy Influence Type Influenced training of practitioners or researchers
 
Description Augmented urban Reality
Amount £9,586 (GBP)
Funding ID EP/K03745/1 
Organisation Engineering and Physical Sciences Research Council (EPSRC) 
Sector Public
Country United Kingdom
Start 05/2014 
End 09/2014
 
Description Augmented urban Reality -extension
Amount £9,969 (GBP)
Funding ID K503745/1 
Organisation University College London 
Sector Academic/University
Country United Kingdom
Start 09/2014 
End 07/2015
 
Description Community led Co-production of Heritage
Amount £2,000 (GBP)
Organisation University College London 
Sector Academic/University
Country United Kingdom
Start 06/2015 
End 06/2016
 
Description Connecting Communities through Situated Media Screens
Amount £2,000 (GBP)
Organisation University College London 
Sector Academic/University
Country United Kingdom
Start 06/2014 
End 06/2015
 
Description Funding for developing a business model for long term use
Amount £5,000 (GBP)
Organisation University College London 
Department School of the Built Environment, Engineering and Mathematical and Physical Sciences
Sector Academic/University
Country United Kingdom
Start 08/2013 
End 07/2014
 
Description Funding for developing ideas to create a Community Smart Meter (COSMET)
Amount £3,400 (GBP)
Funding ID Grant Reference EP/J501396/1 
Organisation University College London 
Sector Academic/University
Country United Kingdom
Start 12/2011 
End 06/2012
 
Description Knowledge Exchange and Enterprise Funding
Amount £10,000 (GBP)
Funding ID Grant reference EP/ K503745/1 
Organisation Engineering and Physical Sciences Research Council (EPSRC) 
Sector Public
Country United Kingdom
Start 05/2014 
End 08/2014
 
Description Knowledge Exchange and Enterprise Funding
Amount £10,000 (GBP)
Funding ID Grant reference EP/ K503745/1 
Organisation Engineering and Physical Sciences Research Council (EPSRC) 
Sector Public
Country United Kingdom
Start 09/2014 
End 12/2014
 
Description Screens in the Wild: Paddinton Development
Amount £9,905 (GBP)
Funding ID EP/K03745/1 
Organisation Engineering and Physical Sciences Research Council (EPSRC) 
Sector Public
Country United Kingdom
Start 05/2015 
End 10/2015
 
Title a design process that tackles the complex challenges: social, spatial and regulatory around urban screens and implementation of urban screen in urban communities. 
Description a design process that tackles the complex challenges: social, spatial and regulatory around urban screens and implementation of urban screen in urban communities. 
Type Of Material Improvements to research infrastructure 
Year Produced 2012 
Provided To Others? Yes  
Impact inform the design, implementation and evaluation of situated and networked media screens in the urban context 
URL https://www.youtube.com/watch?v=8S4vpUAz4jU
 
Description Collaboration with 'Visual Planet' manufacturer of the screens 'touch foil' 
Organisation Visual Planet
Country United Kingdom 
Sector Private 
PI Contribution During the 'Great Digital Exhibition 2013' at Digital Shoreditch '13, we partnered with 'Visual Planet', a company who design, develop, and manufacture touchfoils in large format sizes. As part of this partnership, Visual Planet donated one touch foil to the project.
Start Year 2013
 
Description Collaboration with St James Big Local 
Organisation St James Big Local Trust
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution St James Street Big Local group is still in an early Stage. First announced in Dec 2012. The group will run visioning exercises in Walthamstow between between January and June 2014 and is keen on collaborating on collaborative projects with UCL. The Big Local area in Walthamstow contains the Mill. One of the project close partners and supporters. The Big Local Trust?s mission is to enable people to make their communities better places to live. It provide a mix of funding and finance to enable long-term sustainable change, maximise impact and make the best use of scarce resources.
Start Year 2013
 
Description Collaboration with the VEIV: Engineering Doctorate in Virtual Environments, Imaging and Visualisation at UCL 
Organisation University College London
Department Centre for Virtual Environments, Interaction & Visualisation (VEIV)
Country United Kingdom 
Sector Academic/University 
PI Contribution The VEIV centre at UCL supported the Screens in the Wild project through the allocation of funds to enable the involvement of international visiting researcher(s) in the project. Collaboration with the same institution (UCL) to support the collaboration with an international visiting researcher from the University of Lugano, Switzerland. The collaboration with the vising researcher is continuing beyond the project end date.
Start Year 2012
 
Description Partnership with the Mill community centre in Walthamstow 
Organisation The Mill Community Centre in Walthamstow
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution During the project life time a partnership was established with 'The Mill' community Centre in Walthamstow. The fourth venue, which hosts one of the screen nodes in London. The Mill has provided strong support to the project implementation since Sept 2012. It provides staff/volunteers time, Internet connection and electricity and continues to do so beyond the project life time.
Start Year 2012
 
Description Urban Prototyping London 2013: Physical Prototyping Exposition, Hackney Council 
Organisation Imperial College London
Country United Kingdom 
Sector Academic/University 
PI Contribution During April ? June 2013, Sustainable Society Network+ and NEMODE Network+, ran the ?Urban Prototyping London? festival. An initiative of the Gray Area Foundation for the Arts (GAFFTA), Urban Prototyping (UP Festivals), which explores how technology, art, and design can serve as new tools for civic participation in a digital age. The festival theme in London: Digital Innovation to create resilient environments, economies and communities. UP London explored how digital technologies can be used to create a Sustainable Society through empowering, engaging and connecting citizens tin order o create resilience in their local communities. The significance of this collaboration can be summarised below: +provide a unique networking opportunity with a variety of disciplines, SMEs and Start Ups who are involved in digital innovation and connected communities. +provide exposure to our outcome during the UPLondon Festival. +provide funding opportunity to build on the 'Screens in the Wild' project outcome in relation to digital innovation, change on behaviour and local communities.
Start Year 2013
 
Title A framework and a design process for the implementation of networked urban screen in urban space 
Description The Screens in the Wild project has iteratively developed and deployed an integrated hardware and software infrastructure to operate a network of four interactive public screens. These screens were installed at two locations in Nottingham, UK (an Arts Centre and an Independent Cinema) and two locations in East London (with a Business Improvement District and at a volunteer-run community centre respectively.) Each of the four nodes has a touch screen, a camera, a microphone and a speaker. This technology brings interactivity into the public realm as anyone can interact with content created for the network from the street. 
Type Of Technology Systems, Materials & Instrumental Engineering 
Year Produced 2013 
Impact inform the design, implementation and evaluation of situated and networked media screens in the urban context 
URL https://www.youtube.com/watch?v=8S4vpUAz4jU
 
Description a member of the advisory group for the project: Sustainable Digital Neighbourhoods, 2012-15 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Professional Practitioners
Results and Impact The focus group is organised by the University of Plymouth and runs from October 2012- September 2015.
advisor/member of the advisory board to advise and review progress on the 'Sustainable Digital Neighbourhoods' project, which investigates how the implementation of superfast broadband access can be designed to support transformational impact on deprived neighbourhoods in Cornwall. The project is partially funded by the European Regional Development Fund bringing greater connectivity to Cornwall & the Isles of Scilly (Superfast Cornwall), 2012-2015.

Other members are from:

University of Plymouth, SiDE, Newcastle University, Dublin University, BT Research, Rutgers, USA. . Awarding Body - University of Plymouth, Name of Scheme - Focus Group
Year(s) Of Engagement Activity 2013
 
Description 'in the Wild' talk series at UCL 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Postgraduate students
Results and Impact We have established an international talk series, which aims to explore related work by national and international researchers and engage with discussions around the 'Screens in the Wild' project.

Invited researchers are from: QUT (Australia), Oulu University (Finland), Lancaster University (UK), University of Plymouth (UK), Pompeu Fabra University (Spain), University of Lugano (Switzerland), Barcelona Tech (Spain), University of Amsterdam (The Netherlands) and University of Minho (Portugal).

Most of the speakers have visited the screen onsite and were offered an interactive demo of the screen node in Leytonstone.
Year(s) Of Engagement Activity 2011,2012
 
Description Artists-led community workshops: 'homeless' workshop series in Collaboration with 'the drawing shed' 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact 'the drawing shed' (artists in residence) led a series of workshops on the streets of Leytonstone and Walthamstow. The workshops invited the residents (including homeless people) to be active participants and participate in developing screen content, which would help raise awareness to the issue of 'homelessness'.

We have engaged with artists to develop screen content.

'the drawing shed' developed a series of workshops to engage with the locals (including homeless people) on the streets of Leytonstone, Walthamstow, Arlington House (a hostel for homeless men in Camden Town)



4 workshops were carried out in collaboration with 'the drawing shed':

on 5, 12, 13, 19 March 2013
Year(s) Of Engagement Activity 2013
 
Description Artists-led community workshops: Brief Encounters workshop series in Collaboration with D-FUSE, The Mill Community Centre 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact D-Fuse (artists in residence) led a series of workshops. The workshops invited the residents of Walthamstow to be active participants and help develop screen content through a collection of photos, which offer insights into their personal views and the place they live in.

As part of our methodology we have engaged with artists to develop screen content, interactivity, connectivity between places.

D-FUSE developed a series of workshops to engage with the locals and enable them to be active participants and offer insights into their personal views and the place they live in through a collection of their personal photos.

3 workshops were carried out in collaboration with D-FUSE:

on Dec 14 2012, 2-4pm & 6-8pm and Feb 7 2013, 6-8pm
Year(s) Of Engagement Activity 2012
 
Description Communication/Networking to enable Local Organisations engagement 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Supporters
Results and Impact Dissemination and knowledge exchange with the aim to engage with local organisations (target: women and youth organisations). Over 193 organisations in LBWF (Leytonstone and Walthamstow) were contacted. Follow up communications (face to face meetings, demo) were carried out with 11 organisation who showed real interest to be involved in the project.
Year(s) Of Engagement Activity 2013,2014
 
Description Communication/network and dissemination events at Connected Communities Edinburgh Showcase 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach National
Primary Audience Other audiences
Results and Impact 'Through a mix of presentations, workshops, interactive and participatory break-outs, posters, exhibitions and performances, the event highlighted the rich and exciting research being undertaken through the Connected Communities Programme across the UK.'

'Screens in the Wild' project material was disseminated and project approach was communicated to the event participants.

http://www.ahrc.ac.uk/News-and-Events/Events/Pages/Connected-Communities-Edinburgh-Showcase.aspx.
Year(s) Of Engagement Activity 2013
URL http://www.ahrc.ac.uk/News-and-Events/Events/Pages/Connected-Communities-Edinburgh-Showcase.aspx
 
Description Communication/network and dissemination events at PINIC, Amsterdam 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Project material was disseminated and project approach was communicated to festival participants:

http://www.picnicnetwork.org/PICNIC12.
Year(s) Of Engagement Activity 2012
URL http://www.picnicnetwork.org/PICNIC12
 
Description Community workshop series: Workshop for children, toddlers and parents at the Mill community Centre in Walthamstow 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact The project researchers carried out a series of workshops to engage with the users (the local communities) in the London Borough of Waltham Forest and to communicate the project aims and vision. The first workshop was carried out in Leytonstone Library (28 June 2012) with demo sessions on the street in front of the screen node to demo and test local community reactions/feedback for the first interactive experiences.
Year(s) Of Engagement Activity 2012
 
Description Community workshop series: Workshop with the 'Digital Generation'/Young Adults 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Undergraduate students
Results and Impact The project researchers carried out a series of workshops to engage with the diverse inhabitants groups in the London Borough of Waltham Forest.The third workshop was carried out at The Mill community Centre in Walthamstow (2 Nov 2012) with the 'Digital Generation'/Young Adults group. Demo sessions were carried out on the street in front of the screen node to test their reactions and feedback towards the interactive experiences and the presence of the screen.
Year(s) Of Engagement Activity 2012
 
Description Community workshop series: Workshop with the 'Knitting Group', at the Mill community Centre in Walthamstow 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact The project researchers carried out a series of workshops to engage with the users (the local communities) in the London Borough of Waltham Forest and to communicate the project aims and vision. The second workshop was carried out at The Mill community Centre in Walthamstow (24 Oct 2012) with one of the Mill's communities ie 'The Knitting Group'. Demo sessions were carried out on the street in front of the screen node to demo and test local community reactions/early feedback for the first interactive experiences at the Mill.
Year(s) Of Engagement Activity 2012
 
Description Community workshop series: Workshop with the 'Recycled Teens' a group of Elderly at The Mill 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact The project researchers carried out a series of workshops to engage with the diverse inhabitants groups (the local communities) in the London Borough of Waltham Forest and to communicate the project aims and vision. The fourth workshop was carried out at The Mill community Centre in Walthamstow (19 Feb 2013) with one of the Mill's elderly groups ie 'The Recycled Teens'. Demo sessions were carried out on the street in front of the screen node to demo and test their reactions/early feedback towards the presence of the screen in their neighbourhood.
Year(s) Of Engagement Activity 2013
 
Description Community workshop series: Workshop with the 'teens' group at the Mill Community Centre, Walthamstow 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Schools
Results and Impact The project researchers carried out a series of workshops to engage with the diverse inhabitants groups (the local communities) in the London Borough of Waltham Forest and to communicate the project aims and vision. The fifth workshop was carried out at The Mill community Centre in Walthamstow (7 March 2013) with the 'Teens' group. Demo sessions were carried out on the street in front of the screen node to test teenagers reactions and feedback towards the interactive experiences and the presence of the screen in their neighbourhood.
Year(s) Of Engagement Activity 2012
URL https://www.youtube.com/watch?v=ESufOJjnqyQ
 
Description Exhibition Screens in the Wild at Cities Methodologies, UCL, 2013 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact Cities Methodologies is an annual exhibition and programme of events by the urban Lab showcasing innovative urban research methodologies, at UCL since 2009.

The Screens in the Wild project carried out a series of events and activities including the Interactive Installation 'Shared encounters: situated and remote' and a curated programme of invited talks by 'Screens in he Wild' artists in residence 'the drawing shed' and Dr. Katharine Willis, Plymouth University (UK) April 2013, London, UK.
'Artists in residence' the drawing shed (Sally Labern and Bobby Lloyd) presented their work using situated screen and Instagram to raise awareness of challenges in urban space such as 'homelessness'.




23-26 April | UCL Urban Lab, London
Year(s) Of Engagement Activity 2013
 
Description Exhibition Screens in the Wild at Urban Prototyping London Festival 2013 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The project carried out activities and event as part of the Showcase held on the 28 May in Hoxton Square, part of the Urban Prototyping Festival - UPLondon Festival.


The Urban Prototyping Festival London 2013 explores digital innovation for a sustainable society. Bringing together technologists, academics, artists, governments and community groups, UP London 2013 explores how digital technologies can stimulate and sustain resilient environments, economies and communities.
Year(s) Of Engagement Activity 2013
 
Description Exhibition Screens in the Wild at Walthamstow ART Trail, 2012 (dissemination) 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact The project carried out events and activities as part of the street exhibition during Sept 2012. The Arts Trail in Walthamstow is an annual festival of visual arts. It provides a forum for the creative talent in the area and builds connections between local artists, businesses and residents.
Year(s) Of Engagement Activity 2012
 
Description Exhibition: Screens in the Wild at Digital Futures: Urban Open Space, V&A, 2013 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact Screens in the Wild team joined a V&A's special event with engineers, scientists, artists, technologists and tinkerers for a Digital Futures showcasing brilliant projects and prototypes built during the NASA led International Space Apps Challenge and Urban Prototyping hackathon.



In collaboration with the Met Office, NASA, Imperial College and the Royal College of Art.



21-22 May 13 | V&A, London
Year(s) Of Engagement Activity 2013
 
Description Exhibition: Screens in the Wild at Digital Shoreditch 2013 (dissemination) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The Project 'Screens in the Wild' was exhibited as part of the' Great Digital Exhibition' at Digital Shoreditch, an immersive and engaging journey of interactive discovery. This exhibition was open for 12 days and it had 6,000 visitors.


20-31 May| 380 Old Street, London



Exhibition website:

http://digitalshoreditch.com/the-great-digital-exhibition/
Year(s) Of Engagement Activity 2013
 
Description Exhibition: Screens in the Wild at the Appetite Festival - Street Exposition, 2013 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact Screens in the wild carried out activities and events, in addition to special remotely connected digital experiences on the Screens, as part of the Festival of Food Drink and Art, held in Walthamstow, Leytonstone, Leyton and Chingford. Over 250 local individuals and small businesses have been part of the festival.



Screens in the Wild, invited people to share an exciting dinning experience with other people at The Mill in Walthamstow and in Leytonstone, London. This event enabled a communication about food in Leytonstone and at the Mill, and a shared experience.



Leytonstone | 2-6 pm

The Mill | 3-6 pm



website project:

http://www.appetitefestival.co.uk
Year(s) Of Engagement Activity 2013
 
Description Exposition Screens in the Wild at Event Love your High Street (dissemination) 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact Exhibition: Screens in the Wild -- running activities as part of this event in the urban space. Love Your High Street Day is organised by the London Borough of Waltham Forest and E11 BID, and consists on a day with different activities in Leytonstone Town Centre (June 2013).
Year(s) Of Engagement Activity 2013
 
Description Innovations in dissemination using Social Media 'Twitter' 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact A twitter account was set up to communicate ongoing project activities, which targets, local, national and international audience.

The 'WildScreens' twitter account has around 300 followers and the number is growing steadily beyond the project life time.

There is no planned end date. The account is still being used beyond the project life time to communicate project related activities and beyond.
Year(s) Of Engagement Activity 2012,2013,2014,2015,2016,2017,2018
URL https://twitter.com/WildScreens/followers
 
Description Innovations in dissemination using Social Media Site 'YouTube' 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact A YouTube Channel was set up, which targets, local, national and international audience. It communicates a series of documentary videos with a body of critical material aimed at researchers, and the media creation and artistic communities as a stimulus for development of new forms of content. It also features local interactions and observed public behaviours including stated public responses to some of the experiences/content.



URL:

http://www.youtube.com/user/WildScreens?feature=watch

There is no planned end date. The channel is still being used beyond the project life time to communicate project related activities and beyond.
Year(s) Of Engagement Activity 2012,2013,2014,2015,2016,2017,2018
 
Description Invited: Steering Committee member 'Creative City & Digital Innovation Hub', 2012, Enghien les Bain, France 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Ava Fatah was invited to act as a member of the Steering Committee 'Creative City & Digital Innovation Hub in the prestigious Centre des Arts (CDA),Enghien Les Bain, France. The aim is to draw on her expertise in the field of media fassades and the use of large urban screens for culture. Steering committee meetings were planned to advise on the potentials and challenges of implementing large urban screen to display art works in the city of Enghien in France:

Feb 2012

May 2012

Nov 2012. Awarding Body - CDA: Centre des Arts, Enghien les Bains, France, Name of Scheme - Steering Committee: Steering Committee Creative City & Digital Innovation Hub
Year(s) Of Engagement Activity 2012
 
Description Knowledge exchange and engagement with students from Michigan University 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Postgraduate students
Results and Impact A group of students from the Media studies ( Michigan State University), were invited to engage with the project activities at UCL. A project presentation was given to engage the students with aspects of situated media in the UK.
.
Year(s) Of Engagement Activity 2012
 
Description Panel member in the event "Urban data: From fetish object to social object @ LSE", 2013 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Invited as a panellist - Panel Session at the event 'Urban data: From fetish object to social object at LSE' 2013. The one-day event was chaired by Adam Greenfield (Senior Research Fellow LSE cities) who assembled a group of experts from Istanbul, Los Angeles, New York, Brazil, Oslo, London and Sheffield to discuss questions surrounding the Age of Big Data.



Speakers presented cases in which local communities from all over the world have used participatory practices to open up questions of distributional justice, make claims against power, and gain a sense of themselves as having agency and competence with networked tools.

in the New York.

The event was hosted by LSE Cities; is an international centre at the London School of Economics and Political Science that carries out research, education and outreach activities in London and abroad.
Year(s) Of Engagement Activity 2013
URL http://lsecities.net/media/objects/events/urban-data-from-fetish-object-to-social-object
 
Description Panellist at the ever POWER TO THE CITIZEN! at UCL, London 25th July 2017 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Professional Practitioners
Results and Impact POWER TO THE CITIZEN! is a UCL collaboration between the Engineering Exchange, UCL Institute for Digital Innovation in the Built Environment, UCL Urban Lab and CASA.This The panel session, brings together community groups, academics and digital practitioners into dialogue with the joint aims of understanding the challenges of engaging in this new paradigm and with this knowledge, identify new collaborative mechanisms for citizen-led digital city making.
Year(s) Of Engagement Activity 2017
 
Description Paper presentation (Conference) at Media City: spectacular/ordinary/contested 15-17 May 2013 Helsinki 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Work in progress was presented during the Media City conference in Helsinki 2013.

Presentations were invited that deal particularly with the following issues:



- the role of media and surveillance technologies in the spectacularisation of urban public spaces and events

- the ways in which media technologies and representations become part of the taken-for-granted perceptions and routinised practices and rhythms of urban life

- the contributions of mass and personalised media forms to the contestation of economic, political and cultural hegemonies in cities
Year(s) Of Engagement Activity 2013
 
Description Presentation at (Conference) Media Places 2012: Infrastructure, Space, Media 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Other audiences
Results and Impact Ava Fatah was invited to give a presentation at the Media Places Symposium on Architecture and Space. She communicated aspects of the project as part of this presentation. Umea, Sweden.
Year(s) Of Engagement Activity 2012
 
Description Presentation at FLOSSIE, Queen Merry, London 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact The project was presented at the FLOSSIE event that aims to bring the benefit of open thinking, which brings together women: developers, entrepreneurs, researchers and policy-makers, digital artists and social innovators for an exciting mix of talks, spontaneous discussions and open workshops.
Year(s) Of Engagement Activity 2013
 
Description Presentation at Festival Bains Numeriques: Digital Media, Urban Public Space and Participation 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Ava Fatah gen Schieck was invited to give a presentation on the panel <> at the Festival Bains Numeriques, in Enghien-les-Bains, France.

Festival Bains Numeriques is a professional Meeting attempt to question the role of digital creation in the development of an intelligent and sensitive city, keen to restore power to citizens' decisions and actions within the public place.



The diversity of speakers and their international origin (Canada, Korea, Japan, Taiwan, and Europe) helped to understand the variety of political and societal stakes bound to the integration of digital creation in the public place.

website:

http://www.cda95.fr/en/content/professional-meetings-bn7
Year(s) Of Engagement Activity 2012
 
Description Presentation at Screen City Festival, Norway 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Ava Fatah was invited to give a presentation on Urban Screens and Social Interactions at the Symposium: Spaces, Images, Communication: Improving New Urban Models (during Screen City 2013 Festival) . As part of this presentation she communicated aspects of the project (in addition to her previous research on the topic).

http://www.screencity.no/.
Year(s) Of Engagement Activity 2013
URL http://www.screencity.no/symposium/
 
Description Presentation at Southampton University: "A consideration of the potential and challenges of urban screens for communities and culture". 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Postgraduate students
Results and Impact Ava Fatah was invited to present the project at Southampton University (Web Science Doctoral Training Centre):

Session:

Sustaining cities through technology.

Tile:

A consideration of the potential and challenges of urban screens for communities and culture.

invited presentation 18/11/2013 (stated wrongly online as 19 Nov 2013)
Year(s) Of Engagement Activity 2013
URL http://dtc.webscience.ecs.soton.ac.uk/category/ue/
 
Description Presentation at TodaysArt: The Builing as Interface Panel 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Ava Fatah was invited to give a presentation at TodaysArt 2013 Festival on Urban Screens and participation. She communicated aspects of the project as part of this presentation.

TodaysArt is a platform organization that revolves around the presentation and development of adventurous and contemporary visual arts and performing arts in the urban environment. Since 2005, TodaysArt has brought local and international artists, thinkers and audiences together worldwide. - See more at: http://todaysart.nl/2013/info/#sthash.JSvSjW2F.dpuf
Year(s) Of Engagement Activity 2013
 
Description Presentation/co-chair at 'Remediating Urban Space: Exploring Design Responses' Symposium' 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Media (as a channel to the public)
Results and Impact Ava was invited to chair the session 'Urban screens, urban public space and participation' at the 'Remediating Urban Space' Symposium in June 2012. She presented work in progress on Screen in the Wild among other projects, which she addressed in her presentation. Plymouth, UK
Year(s) Of Engagement Activity 2012
 
Description Project Description as part of the book - What Urban Media Art Can Do: Why, When, Where & How 
Form Of Engagement Activity A magazine, newsletter or online publication
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact The project Screens in the Wild is featured in the book: S. Pop, T., Toft, N. Calvillo, M, Right (Eds.), What Urban Media Art Can Do: Why, When, Where &How. Avedition. The book studies the effects of urban media art on urban culture and its environment, architecture and participative urban development. The aim is an expanding worldwide network of media façades, urban screens and projection surfaces ...Urban media art is one of the most significant trends currently unfolding in contemporary art. It enables artists to develop new participative and interactive forms of art. The wealth of examples in this volume show how these scenarios are reflected in an urban context, including themes such as urban activism, telepresence, placemaking, sensing and ecology.

The book is based on the cultural project "Connecting Cities" sponsored by the EU, which studies the effects of urban media art on urban culture and its environment, architecture and participative urban development. The aim is an expanding worldwide network of media façades, urban screens and projection surfaces within the urban space.
Year(s) Of Engagement Activity 2016
 
Description Project presentaion at the 'Scocial Cities of Tomorrow' International conference & workshop 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact The project was selected as a showcase for presentation at the conference, which targeted various disciplines, such as architecture, art, design, and policy.
Year(s) Of Engagement Activity 2012
 
Description Screens in the Wild 'Show and Tell' event at The Mill, Walthamstow, London 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact A set of presentations, demo slots and a reception took place at The Mill (30 may 2013) to share stories of local interactions (and across the network) with people through the screen and other experiences throughout the project life time.



The event offered opportunities for everyone to experience the project, ask the people who were involved in developing the project, engage in discussions, or simply have fun and interact during the day.
.
Year(s) Of Engagement Activity 2013
 
Description Screens in the Wild -project youtube channel 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Other audiences
Results and Impact The project web site and the Youtube channel (Living MA Lab) and twitter account @WildScreens aim to communicate the project aims and objectives and the main outcomes. It is designed to engage with the various types of audiences including the general public, researcher, content developers, town centre managers, and the project stakeholder.
Year(s) Of Engagement Activity 2012
URL https://twitter.com/WildScreens/followers
 
Description Screens in the Wild in Output Magazine, 2013 
Form Of Engagement Activity A magazine, newsletter or online publication
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Geny Caloisi (Journalist and Communications Consultant) conducted an interview with the Project PI (Ava Fatah) for the Digital Signage online Magazine:Output:
.
Year(s) Of Engagement Activity 2013
URL http://www.outputmagazine.com/tags/screens-in-the-wild/
 
Description Street Exhibition: Screens in the Wild at a community event 'the Mill's Birthday' 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact During the community event in Sept 2012, the project researchers engaged with the local communities who were present at the Mill to communicate the project vision and engage with discussions around the interactive medium.
Year(s) Of Engagement Activity 2012
 
Description Street Exhibition: Screens in the Wild at the Car Free Day 2012 in Leytonsonte 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact During the annual car free day in Sept 2012, the project researchers engaged with the local communities and the public. During this day the researcher communicated the project vision and supported interactions and discussions around the screen.
Year(s) Of Engagement Activity 2012
URL https://www.youtube.com/watch?v=0OWu6wpY2zY&t=179s
 
Description Talk at the Cities Methodologies event series: 'homeless' by 'the drawing shed' 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach Regional
Primary Audience Professional Practitioners
Results and Impact Talk about the role the artists played within 'Screens in the Wild': 'the drawing shed' (artists in residence) lead a series of workshops on the streets of Leytonstone and Walthamstow. The workshops invited the residents (including homeless people) to be active participants and participate in developing screen content, which would help raise awareness to the issue of 'homelessness'.
Year(s) Of Engagement Activity 2013
 
Description informal presentation at the Helen Hamlyn Centre, RCA. London 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? Yes
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact Ava presented the project to researcher at the Helen Hamlyn Centre, RCA, London.

Ava gave an informal presentation at the Helen Hamlyn Centre, RCA. The aim was to engage with researcher involved in the Creative Exchange Hub/ Digital Public Space
Year(s) Of Engagement Activity 2012