The Afterlives of Genocide Archives: The Politics of the ICTR's Archive and Knowledge Making in Rwanda
Lead Research Organisation:
King's College London
Department Name: War Studies
Abstract
The ICTR's archive contains over 4,000 linear metres of documents, offering a window into the 1994 Rwandan genocide, as captured by the testimony of 3,200 witnesses, and further representing the ICTR's institutional memory. Despite the richness of the archive, scholars have yet to investigate the practice and politics of knowledge production within these transitional justice institutions, instead focusing on how they politically intervene in the post-conflict landscape. This project rectifies this and details the politics of the archive, how different actors were permitted to contribute to the production of knowledge at the ICTR, and what and who the archive and tribunal as a whole are for.
This proposal consolidates this research as I prepare for a large early career research grant. First, the project will strengthen the theoretical basis of the research. Working with Prof. Aradau (a scholar at the forefront of critical IR) as co-mentor, I will interrogate the relationship between Foucault's understanding of the archive, and conceptualisation of the archive developed through my project, as I examine the archive as a site where memory, agency, and politics are contested. This offers an intellectual contribution to IR and will clearly situate my research within critical IR. In line with this, I will produce two journal articles, 'Archives of Knowledge', and 'Witnessing Genocide' and secure a book deal with CUP.
Improving my publication record will also strengthen my application for an ESRC New Investigators (NI) award, the ultimate goal of this post-doc. Whilst my PhD research examined the way in which the archive was constructed, the NI proposal will explore the archive's afterlife. There are four strands to this: agency (how the trials affected the witnesses that participated in them, and how, in turn, the witnesses effected the trials); memory (how the archive influences how the genocide is remembered), responsibility (how the archive influences how law is practiced globally) and power (how the archive influences how actor's act in the 'real world'). Prof. Gow, who has secured numerous large research grants, will provide the guidance required in order to produce a successful application.
In developing the NI bid, I will conduct a preliminary research trip to the ICTR and Rwanda. This will allow me to, first, gain access to witnesses that participated in the trials (who remain protected by the tribunal) and, second, to design the NI bid in dialogue with the intended beneficiaries (both the tribunal and the witnesses) to ensure maximum impact. Returning to the ICTR, where I was a legal research in 2015, will also mean that I can continue to work an ICTR legacy project, the Genocide Story Project (GSP), the tribunal's official history of the genocide.
As such, the post-doc and the proposed NI will continue to develop my collaborative approach to research. To further this, I will work with an artist 'consultant' in order to integrate a significant art project into the NI bid. This will create a strong pathway to impact, both for the artist and the wider group of intended beneficiaries (such as the general public, former witnesses and legal practitioners) and enrichen the research design as a whole. Prototype artworks can be produced in the lifespan of this ESRC post-doc, which can also be used more immediately to engage with non-academic audiences.
This proposal has immediate and long-term impact. I will complete the GSP. Second, the collaboration with an artist will have impact both on the artist and, as a consequence of a series of exhibitions, the wider public. Long term, the realisation of the NI will, first, address the continued lack of information about how these processes affect the witnesses involved and offer a significant critique of the tribunal's engagement activities and role in post-conflict transformation. This will lead to a series of recommendations for ways practices can be improved upon.
This proposal consolidates this research as I prepare for a large early career research grant. First, the project will strengthen the theoretical basis of the research. Working with Prof. Aradau (a scholar at the forefront of critical IR) as co-mentor, I will interrogate the relationship between Foucault's understanding of the archive, and conceptualisation of the archive developed through my project, as I examine the archive as a site where memory, agency, and politics are contested. This offers an intellectual contribution to IR and will clearly situate my research within critical IR. In line with this, I will produce two journal articles, 'Archives of Knowledge', and 'Witnessing Genocide' and secure a book deal with CUP.
Improving my publication record will also strengthen my application for an ESRC New Investigators (NI) award, the ultimate goal of this post-doc. Whilst my PhD research examined the way in which the archive was constructed, the NI proposal will explore the archive's afterlife. There are four strands to this: agency (how the trials affected the witnesses that participated in them, and how, in turn, the witnesses effected the trials); memory (how the archive influences how the genocide is remembered), responsibility (how the archive influences how law is practiced globally) and power (how the archive influences how actor's act in the 'real world'). Prof. Gow, who has secured numerous large research grants, will provide the guidance required in order to produce a successful application.
In developing the NI bid, I will conduct a preliminary research trip to the ICTR and Rwanda. This will allow me to, first, gain access to witnesses that participated in the trials (who remain protected by the tribunal) and, second, to design the NI bid in dialogue with the intended beneficiaries (both the tribunal and the witnesses) to ensure maximum impact. Returning to the ICTR, where I was a legal research in 2015, will also mean that I can continue to work an ICTR legacy project, the Genocide Story Project (GSP), the tribunal's official history of the genocide.
As such, the post-doc and the proposed NI will continue to develop my collaborative approach to research. To further this, I will work with an artist 'consultant' in order to integrate a significant art project into the NI bid. This will create a strong pathway to impact, both for the artist and the wider group of intended beneficiaries (such as the general public, former witnesses and legal practitioners) and enrichen the research design as a whole. Prototype artworks can be produced in the lifespan of this ESRC post-doc, which can also be used more immediately to engage with non-academic audiences.
This proposal has immediate and long-term impact. I will complete the GSP. Second, the collaboration with an artist will have impact both on the artist and, as a consequence of a series of exhibitions, the wider public. Long term, the realisation of the NI will, first, address the continued lack of information about how these processes affect the witnesses involved and offer a significant critique of the tribunal's engagement activities and role in post-conflict transformation. This will lead to a series of recommendations for ways practices can be improved upon.
Publications
Henry Redwood
A CAT-AND-MAUS GAME: THE POLITICS OF TRUTH AND RECONCILIATION IN POST-CONFLICT COMICS
in Review of International Studies
Kostovicova D
(2022)
The "Digital Turn" in Transitional Justice Research: Evaluating Image and Text as Data in the Western Balkans
in Comparative Southeast European Studies
Partis-Jennings H
(2021)
War art and the formation of community
in Critical Studies on Security
Redwood H
(2019)
A cat-and-Maus game: the politics of truth and reconciliation in post-conflict comics
in Review of International Studies
Redwood H
(2024)
Towards Emancipatory Statebuilding in Kosovo? Spatial and Aesthetic Community Building After war
in Journal of Intervention and Statebuilding
Redwood H
(2021)
The Archival Politics of International Courts
Redwood H
(2020)
Archiving (In)justice: Building Archives and Imagining Community
in Millennium: Journal of International Studies
Title | IZAZOV |
Description | Four films have been produced in collaboration with young activists from Bosnia, the UK and Italy, describing the problems facing the youth today. |
Type Of Art | Film/Video/Animation |
Year Produced | 2019 |
Impact | Impact is in the produce of creative products that would otherwise not have been produced, and also in the visible change in the participants approach to creative work and society more generally. Planned next steps include dissemination of films to wider society. |
Title | The Notebook |
Description | Collaboration with Artist, Vladimir Miladinovic, producing new artwork based on the war time diaries of General Mladic. |
Type Of Art | Artwork |
Year Produced | 2020 |
Impact | Public exhibition in Belgrade, Serbia; and reported in Serbian press. |
Title | Undiscernible |
Description | Produce a series of artworks with Serbian artist, Vladimir Miladinovic. These 35 artworks were shown in a public exhibition as part of the visual and embodied methods project, and also helped form the basis of public faces workshops. |
Type Of Art | Artistic/Creative Exhibition |
Year Produced | 2019 |
Impact | New artwork product. Engaged workshop with general public and school children. |
Description | This was a consolidation award and so this grant helped reaffirm the core findings from my ESRC funded PhD research. It also, however, added further to this by expanding the research focus to consider the role that international archives - such as those at the ICTR - play in re-constituting communities after atrocity. In particular, this demonstrated the highly politicised understanding of the international community that this archive produced, pointing to the colonial and patriarchal power-dynamics that underpinned this. In addition, against the original objectives of this award, I have published an article, secured two book contracts and also two lots of additional follow on funding. Finally, I engaged in a successful research trip to Rwanda and the former Yugoslavia where I built strong partnerships which will form the basis of a major grant application this year. |
Exploitation Route | The broader implications of this research is to urge greater consideration of how international courts look to rebuild societies after war. Rather than seeing law as a technical exercise, it needs to be recognised as a highly political activity which has a significant impact in how and in what image communities are reformed. As such, closer attention needs to be paid to the question of what this community is, and some of the problematic assumptions underpinning these courts need to be challenge, particularly around their colonial and patriarchal ways of operating. |
Sectors | Government, Democracy and Justice |
Description | See prior submissions in this respect. |
First Year Of Impact | 2018 |
Sector | Creative Economy,Culture, Heritage, Museums and Collections |
Impact Types | Cultural,Societal |
Description | BISA Outreach Award |
Amount | £1,000 (GBP) |
Organisation | British International Studies Association |
Sector | Learned Society |
Country | United Kingdom |
Start | 09/2017 |
End | 12/2018 |
Description | Changing the Story Bosnia |
Amount | £30,000 (GBP) |
Funding ID | RG.MODL.114343.011 |
Organisation | Arts & Humanities Research Council (AHRC) |
Sector | Public |
Country | United Kingdom |
Start | 02/2019 |
End | 02/2020 |
Description | PI Incentive Fund |
Amount | £3,000 (GBP) |
Organisation | King's College London |
Sector | Academic/University |
Country | United Kingdom |
Start | 01/2020 |
End | 07/2020 |
Description | Teaching Methods Fund |
Amount | £10,000 (GBP) |
Organisation | King's College London |
Sector | Academic/University |
Country | United Kingdom |
Start | 03/2019 |
End | 12/2020 |
Description | The Afterlives of Genocide Archives: The Politics of the ICTR's Archive and Knowledge Making in Rwanda |
Amount | £98,321 (GBP) |
Funding ID | ES/S01117X/1 |
Organisation | Economic and Social Research Council |
Sector | Public |
Country | United Kingdom |
Start | 10/2018 |
End | 09/2019 |
Description | Changing the Story Bosnia |
Organisation | Humanity in Action |
Country | United States |
Sector | Academic/University |
PI Contribution | Working with CSO, Opera Circus, and ECR from the SSST University in Sarajevo, to convene and research as series of participatory filmaking workshops in Bosnia and Herzegovina. Participants will be youth activists, and training designed to increase their voice within civil society. |
Collaborator Contribution | Providing practical expertise - film making - and contacts to networks of actors on the ground |
Impact | Project only just begun |
Start Year | 2018 |
Description | Changing the Story Bosnia |
Organisation | Opera Circus |
Sector | Public |
PI Contribution | Working with CSO, Opera Circus, and ECR from the SSST University in Sarajevo, to convene and research as series of participatory filmaking workshops in Bosnia and Herzegovina. Participants will be youth activists, and training designed to increase their voice within civil society. |
Collaborator Contribution | Providing practical expertise - film making - and contacts to networks of actors on the ground |
Impact | Project only just begun |
Start Year | 2018 |
Description | Changing the Story Bosnia |
Organisation | Sarajevo School of Science and Technology |
Country | Bosnia and Herzegovina |
Sector | Academic/University |
PI Contribution | Working with CSO, Opera Circus, and ECR from the SSST University in Sarajevo, to convene and research as series of participatory filmaking workshops in Bosnia and Herzegovina. Participants will be youth activists, and training designed to increase their voice within civil society. |
Collaborator Contribution | Providing practical expertise - film making - and contacts to networks of actors on the ground |
Impact | Project only just begun |
Start Year | 2018 |
Description | UKRI working group |
Organisation | Forum ZFD |
Country | Germany |
Sector | Charity/Non Profit |
PI Contribution | Both of these partners are in the process of helping me produce a new large research grant application to critical explore post-conflict society through the prisms of space, aesthetics, and sound. This would see major public engagement and the commissioning of new community driven outreach projects in both Bosnia and Rwanda |
Collaborator Contribution | Partners have dedicated time and expertise to the development of the bid. |
Impact | Grant application in process - interdisciplinary: arts, international relations, sociology, political science. |
Start Year | 2019 |
Description | UKRI working group |
Organisation | Institute of Research and Dialogue for Peace |
Country | Rwanda |
Sector | Charity/Non Profit |
PI Contribution | Both of these partners are in the process of helping me produce a new large research grant application to critical explore post-conflict society through the prisms of space, aesthetics, and sound. This would see major public engagement and the commissioning of new community driven outreach projects in both Bosnia and Rwanda |
Collaborator Contribution | Partners have dedicated time and expertise to the development of the bid. |
Impact | Grant application in process - interdisciplinary: arts, international relations, sociology, political science. |
Start Year | 2019 |
Description | 'A Cat and Maus Game: The Politics of Truth and Reconciliation in Post-Conflict Comics.' International Studies Association annual conference, San Francisco, US. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Postgraduate students |
Results and Impact | Presentation at prestigious conference |
Year(s) Of Engagement Activity | 2018 |
Description | 'Aesthetic Approaches to IR', Round table at BISA ((I co-convened the roundtable)), London, UK. June 2019. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Other audiences |
Results and Impact | Participated in a roundtable on the aesthetics of peace at BISA annual conference. |
Year(s) Of Engagement Activity | 2019 |
Description | 'Evaluating Reconciliation after War.' Practitioner Workshop at the Belgrade Security Forum, Belgrade, Serbia. Oct. 2018. |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Policymakers/politicians |
Results and Impact | Half day workshop on the issues of evaluating reconciliation and expanding ideas about how it is achieved with leading policy makers and practitioners from Western Balkans and EU. |
Year(s) Of Engagement Activity | 2019 |
Description | 'Re-thinking Reconciliation through the Arts: Artistic Peacebuilding in Bosnia and Herzegovina.' Transitional Justice in the Balkans, Prishtina, Kosovo. Sept. 2018. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Other audiences |
Results and Impact | Gave a paper on alternative pathways to post-conflict reconciliation at a conference in Prishtina, Kosovo. |
Year(s) Of Engagement Activity | 2018 |
Description | 'Reconciliation Histories: a Historical Perspective on Reconciliation in the Aftermath of Violence.' Keeping Memories, Sarajevo, Bosnia and Herzegovina. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Postgraduate students |
Results and Impact | Presentation at international conference |
Year(s) Of Engagement Activity | 2018 |
Description | 'The Aesthetics of Peace', CEEISA annual conference (I co-convened the panel), Belgrade, Serbia. June 2019. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Other audiences |
Results and Impact | Provided paper on the aesthetics of peace to an audience of around 25 academics and policy makers. |
Year(s) Of Engagement Activity | 2019 |
Description | 'Traumatic Testimony: Exploring War Photography as Aesthetic Provocation.' BISA annual conference (I co-convened the panel), Bath, UK. June 2018. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Other audiences |
Results and Impact | Gave paper on the aesthetic politics of war photography at BISA annual conference. |
Year(s) Of Engagement Activity | 2018 |
Description | 'Traumatic Testimony: Exploring War Photography as Aesthetic Provocation.' British International Studies Association annual conference, Bath, UK. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Postgraduate students |
Results and Impact | Presentation at prestigious conference |
Year(s) Of Engagement Activity | 2018 |
Description | Feminist Foreign Policy Workshop |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Policymakers/politicians |
Results and Impact | Workshop with policy makers to explore how feminist concerns can be better represented in foreign policy discussions. |
Year(s) Of Engagement Activity | 2020 |
Description | IZAZOV - Changing the Story Bosnia |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Undergraduate students |
Results and Impact | Two week long participatory workshops with youth activists in Bosnia, training them in filmmaking and political engagement. 8 participants in total, 6 from BiH and 2 from other European countries. A total of four films finished as a result. |
Year(s) Of Engagement Activity | 2019 |
Description | Roads of Empire |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Public/other audiences |
Results and Impact | Participation arts project working with migrants living in london. 17 london residents worked with, 3 researchers and 3 artists, and co-produced a public art exhibition (seen by 50-100 people) |
Year(s) Of Engagement Activity | 2021 |
URL | https://openresearch.lsbu.ac.uk/item/8yv5y |
Description | School Workshop - Opera Circus |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Schools |
Results and Impact | Ran a workshop with the NGO Opera Circus with international youth activists and UK students to discuss the role of art in activism. |
Year(s) Of Engagement Activity | 2019 |
Description | The Legacy of the International Criminal Tribunal for Rwanda', BISA annual conference (I co-convened the panel), London, UK. June 2019. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Other audiences |
Results and Impact | Presented paper on the legacy of the ICTR to around 15 academics at BISA annual conference. |
Year(s) Of Engagement Activity | 2019 |
Description | Visual and Embodied Methods |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Undergraduate students |
Results and Impact | Co-curated a public exhibition with partners from a range of institutions to examine the role of the arts in influencing approaches to research and practice in social sciences. Numerous workshops held throughout the 1 month exhibition including events that formed part of the ESRC festival. |
Year(s) Of Engagement Activity | 2019 |