Nambawan Piksa Bilong Papua New Guinea / Papua New Guinea's First Films: Connecting Moving Images from 1904 to Descendant Communities Today
Lead Research Organisation:
LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE
Department Name: Anthropology
Abstract
Nambawan Piksa is a cultural heritage project that will connect film footage created in Papua New Guinea in 1904 with descendant communities today. The British Film Institute (BFI) in London holds 12 short reels of silent, black-and-white film featuring 20 dances recorded in Port Moresby in 1904 by members of the Daniels Ethnographical Expedition to British New Guinea, as the southern half of Papua New Guinea (PNG) was known then. The expedition was organised by British anthropologist Charles Seligmann (1873-1940) from the London School of Economics (LSE). These films are the earliest known moving images from PNG and have never been officially shared with communities there.
The project will fund the digitisation of these films and related copyright research and will share these with Papua New Guinea's National Film Institute (NFI) and Institute of Papua New Guinea Studies (IPNGS). IPNGS will facilitate reconnection activities with communities related to the 1904 performing groups to explore the significance of the historical dances today and record related contemporary cultural activities. NFI will archive the digitised films and produce a documentary on the reconnection work. A team from the LSE Film and Audio Unit will produce two documentaries on the history of the films in the UK, including the context of the Seligmann expedition and its related collections of archives, artefacts, and photographs held at the LSE, the British Museum (BM), and the Cambridge Museum of Archaeology and Anthropology. The project website will showcase the films, historical and related collections work, selected material from the reconnection work, and the documentaries.
Michael Scott of the LSE will be the Project Lead (PL). Naomi Faik-Simet, Assistant Director - Dance at IPNGS, will be the Project Co-Lead (International) (PCL (I)), supervising the reconnection work. Michelle Baru, Director of NFI, will be a Specialist team-member, responsible for archiving the digitised film and producing the PNG documentary. Vicky Barnecutt will undertake historical and related collections research as a research and innovation associate at the LSE. Don Niles will assist with reconnection activities as a research and innovation associate at IPNGS. The BFI, NFI, and BM will be Project Partners.
The project addresses and remedies the fact that the earliest films recorded in PNG, a significant part of the country's cultural heritage, are in archives in the UK and have never been shared in PNG. The team will undertake comprehensive historical research and reconnection activities and will create and curate new content based on this research. This research will actively problematise the colonial history of the films and reconnect them with descendant communities today in a meaningful and dynamic way, with documentary films recording project activities. The rich cultural history documented in the films will benefit communities and institutions, including schools and universities, in PNG. On local and international levels, the project website will promote knowledge of the expedition, the dances, and their significance in PNG's colonial history and British social anthropology. Publications and conference presentations will disseminate information about the project's work to diverse academic audiences
The project will fund the digitisation of these films and related copyright research and will share these with Papua New Guinea's National Film Institute (NFI) and Institute of Papua New Guinea Studies (IPNGS). IPNGS will facilitate reconnection activities with communities related to the 1904 performing groups to explore the significance of the historical dances today and record related contemporary cultural activities. NFI will archive the digitised films and produce a documentary on the reconnection work. A team from the LSE Film and Audio Unit will produce two documentaries on the history of the films in the UK, including the context of the Seligmann expedition and its related collections of archives, artefacts, and photographs held at the LSE, the British Museum (BM), and the Cambridge Museum of Archaeology and Anthropology. The project website will showcase the films, historical and related collections work, selected material from the reconnection work, and the documentaries.
Michael Scott of the LSE will be the Project Lead (PL). Naomi Faik-Simet, Assistant Director - Dance at IPNGS, will be the Project Co-Lead (International) (PCL (I)), supervising the reconnection work. Michelle Baru, Director of NFI, will be a Specialist team-member, responsible for archiving the digitised film and producing the PNG documentary. Vicky Barnecutt will undertake historical and related collections research as a research and innovation associate at the LSE. Don Niles will assist with reconnection activities as a research and innovation associate at IPNGS. The BFI, NFI, and BM will be Project Partners.
The project addresses and remedies the fact that the earliest films recorded in PNG, a significant part of the country's cultural heritage, are in archives in the UK and have never been shared in PNG. The team will undertake comprehensive historical research and reconnection activities and will create and curate new content based on this research. This research will actively problematise the colonial history of the films and reconnect them with descendant communities today in a meaningful and dynamic way, with documentary films recording project activities. The rich cultural history documented in the films will benefit communities and institutions, including schools and universities, in PNG. On local and international levels, the project website will promote knowledge of the expedition, the dances, and their significance in PNG's colonial history and British social anthropology. Publications and conference presentations will disseminate information about the project's work to diverse academic audiences
People |
ORCID iD |
| Michael Scott (Principal Investigator) |
Publications
| Description | British Museum |
| Organisation | British Museum |
| Country | United Kingdom |
| Sector | Public |
| PI Contribution | Photograph and film artefacts featured in Papua New Guinea's 'first films'. |
| Collaborator Contribution | Access to the museum stores, filmed commentary on artefacts, and formal interviews. |
| Impact | Research on objects and documentary film (in progress). |
| Start Year | 2025 |
| Description | The British Film Institute (BFI) |
| Organisation | British Film Institute (BFI) |
| Country | United Kingdom |
| Sector | Charity/Non Profit |
| PI Contribution | We are helping the BFI to decolonise its collections and actively engage with both the material and theoretical ramifications of the colonial legacy that Papua New Guinea's 'first films' represent. |
| Collaborator Contribution | Digitisation of the Papua New Guinea's 'first films' - twelve short reels of silent, black-and-white films featuring twenty dances recorded in Port Moresby in 1904 by members of the Daniels Ethnographical Expedition. |
| Impact | Digitisation of films |
| Start Year | 2025 |
| Description | Project webpage |
| Form Of Engagement Activity | Engagement focused website, blog or social media channel |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | Public-facing webpage presenting the project's aims and activities to general and professional audiences. |
| Year(s) Of Engagement Activity | 2025,2026 |
| URL | https://www.nambawanpiksa.org |