The imagined made real: the interaction between sculpture and painting in the work of Carlo Crievelli (c. 1435- c.1495)
Lead Research Organisation:
Oxford Brookes University
Department Name: Faculty of Humanities and Social Sci
Abstract
The primary aim of this project is to develop an understanding of how and why the fifteenth century Venetian artist Carlo Crivelli made use of three-dimensionality, both materially and representationally, in his work. By combining an in-depth study of his pain tings, particularly the superlative collection housed in the National Gallery alongside textual evidence, this PhD will allow for a broader understanding of the pictorial and sculptural techniques used by Crivelli and his contemporaries as well as the novel ways in which they respond to the religious needs of their patrons.
People |
ORCID iD |
| Marika Leino (Primary Supervisor) | |
| Amanda Hilliam (Student) |
Publications
Hilliam A
(2020)
Hybridity in Early Modern Art
Hilliam A
(2017)
Set in Stone: Signing Carlo Crivelli of Venice
in Venezia Arti
Hilliam A
(2018)
Review of Carlo Crivelli et le matérialisme mystique du Quattrocento By Thomas Golsenne
in Burlington Magazine
| Description | Conference grant |
| Amount | $500 (USD) |
| Organisation | Samuel H. Kress Foundation |
| Sector | Charity/Non Profit |
| Country | United States |
| Start | 04/2020 |
| End | 04/2020 |
| Description | Conference grant for emerging scholars |
| Amount | $500 (USD) |
| Organisation | Italian Art Society |
| Sector | Charity/Non Profit |
| Start | 04/2020 |
| End | 04/2020 |
| Description | Grant for Research in Venice |
| Amount | £1,800 (GBP) |
| Organisation | Gladys Krieble Delmas Foundation |
| Sector | Charity/Non Profit |
| Country | United States |
| Start | 01/2018 |
| End | 02/2018 |
| Description | Studentship |
| Amount | € 1,935 (EUR) |
| Organisation | Erasmus + |
| Sector | Public |
| Country | United Kingdom |
| Start | 05/2017 |
| End | 09/2017 |
| Description | Ikon Gallery, Birmingham |
| Organisation | Ikon Gallery |
| Country | United Kingdom |
| Sector | Charity/Non Profit |
| PI Contribution | The grant recipient was invited to co-curate an exhibition related to the subject of her research at Ikon Gallery, Birmingham, in partnership with the National Gallery, London. This also involved organising the international conference, 'Encountering Carlo Crivelli: from the Workshop to the Museum'. |
| Collaborator Contribution | The grant recipient was invited to co-curate an exhibition related to the subject of her research at Ikon Gallery, Birmingham, in partnership with the National Gallery, London. This also involved organising the international conference, 'Encountering Carlo Crivelli: from the Workshop to the Museum'. |
| Impact | The exhibition catalogue, 'Carlo Crivelli: Shadows on the Sky'. |
| Start Year | 2020 |
| Description | Studentship |
| Organisation | University of Camerino |
| Country | Italy |
| Sector | Academic/University |
| PI Contribution | Carried out technical analysis on paintings by Carlo Crivelli and his circle. The results will be communicated in a conference scheduled for 2020. |
| Collaborator Contribution | Carried out technical analysis on paintings by Carlo Crivelli and his circle. The results will be communicated in a conference scheduled for 2020. |
| Impact | The results were incorporated into my PhD thesis. |
| Start Year | 2017 |