Hearing Trouble: Sound Art in Post-Conflict Cities

Lead Research Organisation: University of Oxford
Department Name: Music Faculty

Abstract

Hearing Trouble is a cross-disciplinary research project that seeks to better understand the urban environment through an examination of sound and sonic art, focusing on the particular conditions of post-conflict cities undergoing rapid and radical change. Our research will focus on Berlin and Belfast, cities that support vibrant communities of sound artists and that have similar architecture and planning cultures. In contrast to the vast majority of research projects that examine the built environment through a visual focus, our research will analyse and respond to rapidly changing cityscapes via multiple aural perspectives.

The project will be lead by a sonic arts historian/practitioner (PI), and an architect/architectural historian (Co-I), who have established a strong foundation of collaborative research through their research group Recomposing the City: Sonic Art and Urban Architectures (www.recomposingthecity.org). Hearing Trouble will be the first major international research project to emerge from this group, demonstrating the significant potential of collaborative research between sonic arts and architecture.

In the first instance, we will critically analyse sound art projects and initiatives in Berlin since 1989 that respond to the city's post-conflict conditions. Berlin is internationally recognized as a leader in sonic arts research and creation and has a rich history of sound art exhibition, education programmes, and initiatives that engage issues of the built environment. The projects we will analyse range from city-wide sound art festivals to site-specific sound installations in urban and public space. Key projects include the Tuned City festival in Berlin, and Peter Cusack's Berlin Sonic Places (2012), which brought together sound artists, planners, architects and communities in considering three major redevelopment sites in Berlin. We will further study Bonn Hoeren, an ongoing project conceived and directed by the Berlin-based curator Carsten Seiffarth in which the city of Bonn appoints a City Sound Artist each year (2010-2020). By examining archival material (i.e. project documentation and critique), and by interviewing artists, curators, arts administrators, community groups, architects/planners and audiences, we will show how sound art initiatives have affected the ways in which Berlin and Bonn are understood. Our critical analysis of different projects will emerge from combined sonic arts and architecture perspectives, presenting a unique merging of sound studies and architectural research.

Using Berlin and Bonn as sources of exemplar projects, we will then examine sound art since 1998 in Belfast, a post-conflict city with an emerging community of sound art practitioners and a growing discourse about the built environment. In Belfast we will similarly interview a wide range of practitioners and other stakeholders, including architects and city planners.

Our ultimate goal is for the research to inform the future development of Belfast, as a potential exemplar for other EU cities. Through Collaborative Workshops with architects, planners, and sound artists in Belfast, we will develop and propose new design strategies that consider sound in relation to the urban environment. Further, through Information Sessions with arts and architecture communities and city planning officials, we will show how a more nuanced understanding of the sound environment can help build better communities. These discussions and the earlier research will form the basis of an Advice Note which will give recommendations on good practice in relation to planning and sound, as well as a co-authored book, conference papers and a Web site. Hearing Trouble is proposed as Northern Ireland's planning powers are being devolved from centralised control to local authorities in 2015. Thus this research has the potential for significant and immediate impact on policy as well as its eventual repercussions in the built environment.

Planned Impact

Hearing Trouble has the potential to produce long-term societal and cultural impact through collaboration and discussion with several stakeholder groups. The main non-academic beneficiaries are: (1) those directly involved with the design and planning of cities, and 2) artists and arts communities. The general public, residents of Belfast, and business communities will also benefit from the improved quality of the built environment.

(1) The project aims to influence architects and city planners in Belfast. We will target practicing designers, professional associations and government bodies. We have existing relationships with these groups and are in a strong position to impact on their practice and decision making. They are:
-designers of the built environment: architects, urban designers, planners and landscape architects
-professional associations: Royal Society of Ulster Architects/Royal Institute of British Architects, Royal Town Planning Institute, Royal Institute of Chartered Surveyors and Landscape Institute
-government organisations: Belfast City Council, Dept of Culture Arts and Leisure, Dept of Social Development, Dept of Regional Development and Dept of the Environment
-heritage groups: Northern Ireland Environment Agency, Ulster Architectural Heritage Society
-lobbying bodies for built environment issues: Forum for Alternative Belfast (FAB), PLACE Architecture and Built Environment Centre
-private developers

2) Hearing Trouble will also impact stakeholders in arts communities: artists, curators, festival directors, arts administrators, funding bodies, and promoters. In Belfast these include:
-contemporary arts festivals: Belfast Festival, Culture Night, Cathedral Quarter Arts Festival, Sonorities Festival
-contemporary arts centres, galleries, and music presenters: Metropolitan Arts Centre, Ulster Museum, Golden Thread Gallery, Black Box Belfast, PS2, Moving on Music
-arts administrators and funding bodies: Arts Council of Northern Ireland, British Council
-curatorial groups that focus on contemporary art: Brown&Bri, Household Belfast
-media that promote local arts initiatives: BBC Northern Ireland, Belfast Telegraph

The cross-disciplinary impact activities outlined below will be purposefully conversational; stakeholders will be involved directly in their design and delivery.

a. Collaborative Workshops will benefit designers and artists by enhancing their knowledge and skills. They will enable designers to better understand and shape Belfast in its current phase of post-conflict development. They will also help artists by showing the potential of their practice to impact upon urban design.

b. Information Sessions for debating and disseminating Workshop outcomes will benefit both groups by showing new ways to understand and regenerate Belfast as a post-conflict city. They will also enhance the knowledge and skills of those in public organisations. Further, by bringing together two normally distinct groups, these Information Sessions will put creative practitioners and decision-makers into dialogue in ways that have never been facilitated in Belfast.

c. An Advice Note, a standard means of impacting on planning policy, will benefit the city by providing a series of distinct and concrete suggestions for future development to the new Belfast Planning Authority. Our Workshop Facilitators Forum for Alternative Belfast and PLACE Built Environment Centre have established contacts with the intended recipients, which will help ensure the Advice Note is received by the most appropriate people. The Advice Note will be rooted in our evidence-based research.

d. A co-authored book will impact professional practice in architecture, planning, and sonic arts by showing how creative design strategies can emerge from collaboration across these groups. This book will enable us to share our research findings with the original communities that contributed to the research in Berlin, Bonn and Belfast.

Publications

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Title Acoustic Cities: London & Beirut 
Description Acoustic Cities: Beirut-London is a collection of works artists and scholars from Lebanon and the UK. It is a collaboration between: Recomposing the City; Institute for Global Prosperity, UCL; the RELIEF Centre; Theatrum Mundi; and Optophono. 
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Year Produced 2019 
Impact This project is due to be launched at Sursock Museum in Beirut (23 April 2019) and Bloomsbury Theatre in London (15 May 2019). As a result of this project we have been invited to take part in the 'Semaine du Son Liban' in Beirut in 2019. As a result of this project we have been invited to participate in 'La Semaine du Son Liban', a collaboration between the Unesco Lebanese National Commission, Semaine du Son France, and the American University of Beirut. 
 
Title Constructing a River 
Description We produced a multimedia project by the sound artist Matilde Meireles and photographer Chrysoula Draraki. The artists used field recording and photography to explore how the site of the River Lagan in Belfast has been shaped with different purposes in mind. The multidisciplinary nature of the project informed its publication: field recordings and photographs are designed to be experienced together through a book, a set of postcards, and a website. 
Type Of Art Artwork 
Year Produced 2018 
Impact This project has been featured in events in London (Whitechapel Gallery), Oxford (Modern Art Oxford). It was launched in a rare performance in the Lagan Weir in Belfast. 
URL https://www.optophono.com/crsound
 
Title Public Co Lab for Derry/Londonderry 3 sound pavilions along the River Foyle 
Description The architecture students have designed a number of interactive installations to bring vitality and joy to this part of the city. These interventions provide a place to pause and enjoy the landscape and, also, to showcase the output of one of two creative local enterprises. They were commissioned and initiated by the Public Health Agency for Northern Ireland and implemented by the Helen Hamyln Centre for Design at the Royal College of Art, London. 
Type Of Art Artefact (including digital) 
Year Produced 2018 
Impact Students changed their thinking about design; clients realised the importance of considering sound in any installation. 
URL http://recomposingthecity.org/news/2018/1/18/public-colab
 
Title Rhythm of a Stride: Sonic Essays 
Description The project, by the artist Matilde Meireles, and curated by the PI (Prof Gascia Ouzounian), takes the form of a Progressive Web App designed to be experienced through headphones on a smartphone or tablet. The project follows Matilde Meireles's interest to physically explore and sense space: to walk, listen, observe, and record as ways to understand places and their potential transformations. The project so far has two 'sonic essays': on Maputo and Belfast/China. Meireles will continue to add new material as the project evolves. 
Type Of Art Composition/Score 
Year Produced 2018 
Impact Launched as part of the Acoustic Cities Study Day at University of Oxford (2 March 2018). This work is still very recent so it's difficult to describe notable impacts at this stage. However, we are planning further public engagement activities around this work including a performance and installation at Modern Art Oxford in May 2018. 
URL https://www.optophono.com/rhythm
 
Description Hearing Trouble is a cross-disciplinary research project that seeks to better understand the urban environment through an examination of sound and sonic art, focusing on the particular conditions of post-conflict cities undergoing rapid and radical change. Our findings show how sound artists have contributed in positive and productive ways to shaping urban environments, especially in cities and communities that have experienced conflict: Belfast, Berlin, Bonn and Beirut. We show that, by studying urban sound art, we can understand the city in new ways that escape the visual gaze of the built environment professions (architecture, urban planning and urban design). Sound and sound art can therefore be new lenses through which to understand how cities are experienced and shaped; and they can be new tools through which to build better, more sustainable, healthier, more inclusive cities.
Exploitation Route Architecture and urban design, disciplines that are visually oriented, have long treated sound as 'noise': something to be reduced, managed, or eliminated. 'Hearing Trouble' offers architects and urban designers a route towards appreciating sound not as a secondary concern but as a key aspect of urban life. By embracing sound as a creative medium, architects, urban designers and city officials can be empowered with a new tool to create the prosperous and healthy cities they aspire to build. Our 2018 publication 'The Sound-Considered-City: An Advice Note for Decision-Makers' specifically guides policymakers and built environment professionals on how to embrace sound as a creative medium. We show that the sound-considered city is a more memorable, more vibrant, and more sustainable place. (see http://www.recomposingthecity.org/research).
Sectors Creative Economy,Environment,Culture, Heritage, Museums and Collections

URL http://www.recomposingthecity.org/research
 
Description The Hearing Trouble project has achieved impact beyond academia by enhancing creative output. In 2018 we hosted an exchange programme in Beirut involving exchange between sound artists and architects from the UK and Lebanon, on the theme 'Urban Sound and the Politics of Memory'. This has lead to the production of 'Acoustic Cities: London & Beirut,' a collection of 10 works by participating artists from London and Beirut. In 2019 we will host launch events for this publication in London's Bloomsbury Theatre and Sursock Museum, one of Beirut's leading contemporary art galleries. As a result of this work we have been invited to participate in 'La Semaine du Son Liban', a collaboration between the Unesco Lebanese National Commission, Semaine du Son France, and the American University of Beirut. We have also been awarded a Knowledge Exchange Fellowship for knowledge exchange with the London-based charity Theatrum Mundi, an organisation devoted to the crafts of city making. As part of this fellowship we will host workshops with over 80 sound artists and architects in 4 cities in 2019, in support of our aim of bringing sound into the built environment professions in new and creative ways.
First Year Of Impact 2019
Sector Culture, Heritage, Museums and Collections
Impact Types Cultural

 
Description The Sound-Considered City: Guide for Decision Makers and Designers We have written The Sound-Considered City for people who make decisions about cities: planners, architects, politicians, policymakers, developers, community groups and beyond. We hope that The Sound-Considered City will inspire you to rethink how sound might be used to create the ideal city. Our aim is not merely to reduce unwanted noise in urban areas. Rather we support creating urban spaces in which sound is considered an essential part of placemaking.
Geographic Reach Europe 
Policy Influence Type Influenced training of practitioners or researchers
URL http://recomposingthecity.org/news/soundconsideredcity
 
Description John Fell Fund
Amount £7,500 (GBP)
Organisation University of Oxford 
Sector Academic/University
Country United Kingdom
Start 01/2017 
End 06/2017
 
Description KE Fellowship
Amount £7,500 (GBP)
Organisation University of Oxford 
Sector Academic/University
Country United Kingdom
Start 02/2019 
End 07/2020
 
Description Project funding for 'Acoustic Cities: London & Beirut'
Amount £7,500 (GBP)
Organisation Theatrum Mundi 
Start 01/2019 
End 05/2019
 
Description Public Co-Lab 
Organisation Queen's University Belfast
Country United Kingdom 
Sector Academic/University 
PI Contribution RTC's Dr Sarah Lappin and sound artist and composer Dr Matilde Meireles offered advice on design and sound elements of the student proposals for Public CoLab.
Collaborator Contribution Public CoLab, led by Dr Nuala Flood with Niek Turner and Dr Jasna Mariotti is a live project that harnesses the skills, talents and creativity of the architecture students at Queen's University Belfast. It directs them towards a pressing and pertinent issue facing the people of Derry-Londonderry. The project has been developed in collaboration with a riverfront regeneration initiative called Our Future Foyle. It aims to understand the negative connotations associated with the River Foyle and promote a greater sense of health and wellbeing along its banks. It was commissioned and initiated by the Public Health Agency for Northern Ireland and implemented by the Helen Hamlyn Centre for Design at the Royal College of Art, London.
Impact The architecture students have designed a number of interactive installations to bring vitality and joy to this part of the city. These interventions provide a place to pause and enjoy the landscape and, also, to showcase the output of one of two creative local enterprises. The first is a musical composition that reflects the River Foyle and the second is a number of 3D prints created as part of Remake, Reimagine Replay - a national lottery funded project that invites the children of Northern Ireland to reinterpret items for the regions museums using 3D printing technologies. A number of the installations, designed by the QUB students, will be built and tested in-situ in late April 2018. The Derry/Londonderry based Fablab will play a key role in the manufacturing process and they have worked closely with the students for the duration of the project.
Start Year 2018
 
Description Theatrum Mundi 
Organisation Theatrum Mundi
PI Contribution The research group Recomposing the City (www.recomposingthecity.org) contributed with in-kind support (staff time, facilities, advertising, etc.).
Collaborator Contribution The independent charity Theatrum Mundi (http://theatrum-mundi.org/) contributed with in-kind support (staff time, facilities, advertising, etc.).
Impact 1. Acoustic Cities Study Day in Oxford (co-sponsored by Recomposing the City, Theatrum Mundi, and the Oxford-based group Urban Rhythms). 2. Unlearning Listening workshop (Paris). 3. Sonic Urbanism workshops and public talks (Beirut, Lebanon).
Start Year 2017
 
Description 'Sound Making Space' at Royal Academy of the Arts, London 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact The PI was invited to give a talk as part of a public event, Sound | Making | Space, co-hosted by the Bartlett School of Architecture and the Royal Academy of the Arts, London. The event was sold out, with over 200 attendees, and generated a great deal of discussion and interest on the part of the audience. Following the talk the Royal Academy expressed an interest in hosting workshops by the research team on the 'Hearing Trouble' project.
Year(s) Of Engagement Activity 2017
URL https://www.royalacademy.org.uk/event/sound-making-space
 
Description 'Supersonic' event at Ashmolean Museum 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact The PI Dr Gascia Ouzounian was invited to present a 'bitesized' lecture at a public engagement event, Supersonic, at the Ashmolean Museum in Oxford. The event was co-presented by Oxford Contemporary Music, TORCH (The Oxford Research Centre in the Humanities), and the Faculty of Music at the University of Oxford. The event itself drew over 3,000 people, and the talks were attended by approx. 80-100 people each. After the talk Dr Ouzounian was invited by TORCH to discuss future collaborations with them.
Year(s) Of Engagement Activity 2017
URL http://www.ashmolean.org/livefriday/2017-03/
 
Description Acoustic Cities Study Day 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Undergraduate students
Results and Impact Three interdisciplinary research groups Recomposing the City, Theatrum Mundi (London) and Urban Rhythms (Oxford) co-hosted the 'Acoustic Cities' Study Day at the Faculty of Music, University of Oxford. The event featured fifteen speakers; it was attended by approximately sixty undergraduate and postgraduate students, the general public, professional practitioners (artists, architects) and others. Members of Oxford City Council attended the event and requested information following the event. There was a full day of presentations, workshops and discussions.
Year(s) Of Engagement Activity 2008
URL http://recomposingthecity.org/events/2018/3/2/acoustic-cities-study-day
 
Description Architectural Humanities Research Association International Conference Eindhoven Nov 2018: Panel Chair 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Other audiences
Results and Impact With Prof Gascia Ouzounian and Conor McCafferty, PhD Student, I called a session on the topic " Sound and the Smart City: Mapping Sound and Noise". We chose papers from Professor Eric Lewis, McGill University, Canada; William Renel, Royal College of Art, London and Dr Dietmar Offenhuber, Northereastern University, Boston and Sam Auinger, Sound Artist. The session made up one of the panels of the international conference in Eindhoven which included guest speakers such as Professor Antoine Picon, Harvard University; Professor Geeta Mehta, Columbia University, and Professor Stephen Graham, Newcastle University. All papers from our submission were submitted for possible publication Nov 2019 in either the long-standing Critiques series or the award-winning journal Architecture and Culture.
Year(s) Of Engagement Activity 2018
URL https://www.smartness-discoursepractice.org
 
Description Interview for regional radio 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Media (as a channel to the public)
Results and Impact Feature-length interview on BBC Radio Oxford show 'Global Echoes', hosted by Marcos.
Year(s) Of Engagement Activity 2017
URL http://www.bbc.co.uk/programmes/p05st1nm
 
Description Invited Talk at Royal Academy of Arts 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact I was invited to give a talk at the inaugural event of the "Sound Making Space" series to a sold-out hall at the Royal Academy of the Arts. This was given to general audiences and practitioners in the arts and architecture-there were approximately 200 people in attendance. The remit of the event was: "Bringing together practitioners that engage with space through sound, join us for an evening of short performances, followed by a discussion, to explore how the making of sound and music open up new ways of thinking about architecture." There were lively discussions and opportunities to share research with diverse audiences. Following the talk I was approached by several key practitioners in London who are working with architecture and sound. I have since been in touch with these practitioners in developing plans for future collaborations and future research.
Year(s) Of Engagement Activity 2017
URL https://www.royalacademy.org.uk/event/sound-making-space
 
Description Keynote Speaker for 'Sound and Sounding Arts in Public Urban Environments' (Leiden) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact The PI was invited to be a Keynote Speaker at an international conference on 'The Role and Position of Sounds and Sounding Arts in Public Urban Environments' at Leiden University. 28-29 November 2016. The conference attracted a broad mix of professional practitioners, academics from sound studies, music and applied acoustics, as well as postgraduate students, undergraduate students and the general public. After the conference the PI was contacted by a number of European researchers who were interested in discussing future collaborations.
Year(s) Of Engagement Activity 2016
URL https://www.universiteitleiden.nl/en/news/2016/11/conference--sounds-in-urban-spaces
 
Description Launch of The Sound-Considered City: A Guide for Decision Makers 19 February 2018 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Policymakers/politicians
Results and Impact The Recomposing the City Research Group introduced their new publication, The Sound-Considered City, a guide to urban sound for decision makers and designers. We presented the motivation behind the publication and the aim of its publication. We were delighted welcomed three guest speakers:
Richard Dougherty, Hall McKnight Architects
Dr. Ken Sterrett, City Reparo
Adam Turkington, Seedhead Arts
The event took place in the Reception Room in Belfast City Hall on Monday 19th February 2018.
This event was supported by:
Arts & Humanities Research Council: Hearing Trouble project,
Queen's University School of Natural and Built Environment, Culture and Society Research Cluster
Belfast City Hall
Year(s) Of Engagement Activity 2018
URL http://recomposingthecity.org/news/2018/2/7/launch-for-the-sound-considered-city-monday-19-feb-4-5-p...
 
Description London Design Fair 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Displayed projects at London Design Fair as part of the AHRC Design Research for Change Showcase led by Paul Rodgers. The Showcase, which was viewed by thousands of visitors, was selected by Design Week as one of the highlights of the London Design Fair 2018.
Year(s) Of Engagement Activity 2018
URL https://www.designweek.co.uk/issues/17-23-september-2018/top-picks-of-exhibitors-to-see-at-london-de...
 
Description Northern Visions Television 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Media (as a channel to the public)
Results and Impact Our publication The Sound-Considered City, was launched in Belfast City Hall Feb 2018. Authors Lappin, Ouzounian and O'Grady were all interviewed for a 10-minute spot on Northern Visions television weekly show Focal Points. The interviews and report of the launch was shown for the first time on 26 Feb and was on the on-demand aspect of the channel's website for several weeks.
Year(s) Of Engagement Activity 2018
URL http://www.nvtv.co.uk/on-demand/
 
Description Panel at Royal College of Arts 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact The PI was invited to give a talk as part of an expert panel on 'Sound Art and Music' at the Royal College of Arts, London. The panel was attended by over 80 artists, curators, postgraduate students and faculty. The event organisers expressed an interest in potentially developing the conversations into a new book.
Year(s) Of Engagement Activity 2017
URL http://www.crisap.org/event/colloquium-sound-art-music-book-launch/
 
Description Panel at Sursock Museum (Beirut) 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Around 60 people attended a panel on 'Sonic Urbanism' at Sursock Museum, Beirut. This panel discussion explored how urbanism can be done sonically, and how this method resonates within Beirut.
Year(s) Of Engagement Activity 2018
URL https://sursock.museum/content/sonic-urbanism
 
Description Presentation to Northern Ireland Assembly as part of the Knowledge Exchange Seminar Series 2017-2018 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Policymakers/politicians
Results and Impact We presented our publication, The Sound-Considered City as part of the invited Knowledge Exchange Seminar Series to the Northern Ireland Assembly and other policy makers, political parties and subject experts.
Year(s) Of Engagement Activity 2018
URL http://www.niassembly.gov.uk/assembly-business/research-and-information-service-raise/knowledge-exch...
 
Description Talk at Live Fridays: Supersonic at Ashmolean Museum 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact I gave a public talk on 'Sound and Space' for general audiences at the Live Fridays: Supersonic event at Ashmolean Museum, Oxford. The entire event was attended by over 3,000 people and featured dozens of acts including live music, sound installations, and other events. Following the talk I was invited by TORCH - The Centre for Humanities at Oxford to participate in outreach programmes relating to my research.
Year(s) Of Engagement Activity 2017
URL https://www.ashmolean.org/event/livefriday-supersonic
 
Description Workshop 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Our researchers supported the 'Unlearning Listening' workshop hosted by the independent charity Theatrum Mundi at the Laboratoires d'Aubervilliers, Paris. The workshop involved approximately 15 invited international participants: urbanists, artists, architects and researchers in the urban humanities. There were group discussions and practical activities that lead to future collaborations.
Year(s) Of Engagement Activity 2017
URL http://theatrum-mundi.org/activities/unlearning-listening/
 
Description Workshop - Young Womens Music Project 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Other audiences
Results and Impact Dr Gascia Ouzounian lead a workshop on conducting research for a group of young women at the Young Women's Music Project. YWMP is an educational charity based in Oxford. It provides an inclusive and supportive space for young women aged 14-21 to make music together, learn new skills, express themselves, and grow in confidence. The event was supported by TORCH-The Oxford Centre for the Humanities.
Year(s) Of Engagement Activity 2018
URL http://www.ywmp.org.uk/changing-herstory-blog