Decommissioning the Twentieth Century: Energy Landscapes, Heritage, and Community

Lead Research Organisation: Keele University
Department Name: Faculty of Humanities & Social Sciences

Abstract

This project investigates how humanities-driven, but co-produced practices can improve the environmental, cultural and social outcomes for communities affected by the changes to landscape, land-use and land assets associated with the past, present and future decommissioning of large twentieth-century industrial complexes.

Industrial Heritage - Decommissioning - Landscape - Participatory research - sense of place - co-creative - inter-disciplinary.

The United Kingdom recently passed ambitious targets to tackle climate change, requiring a radical transformation of the energy landscape over the next 30 years (HM Government, 2011, 69-73; Konadu, 2015; Price, 2018; Committee on Climate Change, 2019). Alongside new sites of power generation such as wind turbines and solar farms, this necessitates a rapid and complex process of land-use change, as the UK's vast 20th-century energy infrastructure is decommissioned, landscapes of electricity generation disappear, and the infrastructure of fossil-fuel production becomes redundant. These processes of landscape transformation have already begun, and the experience of the political decision to close many coal mines in the 1980s should alert us to the potentially disastrous consequences of decommissioning for local communities, cultures, environments and well-being (Johnstone and Hielscher, 2017; Foden et. al., 2014). This project provides an essential intervention for such sites, using cross-disciplinary arts and humanities methods to drive forward a more holistic and sensitive decision-making process for decommissioning.

Our project innovates by a) introducing co-creation as a humanities and arts driven contribution to land-use change decisions, b) by using inter-community networking as a core facilitating element of the research, and c) by understanding heritage and heritage planning as something that begins before the working life of industrial sites comes to an end (Avrami, 2000). Communities from three sites will join with academics to co-produce outputs and outcomes from the project. The sites have been chosen as examples of past, ongoing and future decommissioning - the former colliery of Chatterley-Whitfield on the outskirts of Stoke-on-Trent; the recently-closed oil power station at Fawley in Hampshire; and West Burton, one of two remaining coal power stations in the Trent Valley. Inter-community networking will enable the project and differing communities to take advantage of their respective experience and expertise in, for example, co-creative artistic practice and experience of heritage status at Chatterley-Whitfield, planning and professional expertise at Fawley, and aesthetic and visual presentation at West Burton. Bringing these groups together will provide continuity between three iterations of a two-day workshop, across which we and our stakeholders will improve co-creative methods as they are adapted to each site, to co-produce working documents that reflect the changing and dynamic character of heritage meaning across time. By bringing history, community engagement and contemporary questions about landscape together, we hope to create policy recommendations that help communities deal with the prospect and reality of declining twentieth-century energy infrastructure.

Planned Impact

This research aims to provide a more inclusive a sensitive framework for the potentially traumatic process of decommissioning large energy infrastructure sites, summarise this process in a policy paper, and then disseminate that paper to relevant planning and heritage authorities, to inform a new process for decommissioning. It will benefit any community living near to, or otherwise in close connection with such sites (for example, through high employment rates), whether the site is already decommissioned, is in the process of being decommissioned, or faces decommissioning in the short to medium term. If the UK is to meet its climate-change targets, this is likely to apply to almost all its twentieth-century power-generation and oil infrastructure.

On a more immediate basis, the project will also benefit the three communities with a stake in the sites that the research is focussed on - Chatterley-Whitfield Colliery near Stoke-on-Trent, Fawley power station in Hampshire, and West Burton Power station in Nottinghamshire. These communities will be brought into contact with each others' differing expertises in the experience of decommissioning, the creative use of disused industrial sites, planning and policy, or aesthetic and cultural presentation. Through these connections, we will increase their resilience, and capability to manage complex processes of decommissioning and their aftermath.

Publications

10 25 50
 
Title Fawley 
Description A film about the decommissioning and demolition of Fawley power station, and its impact on residents. 
Type Of Art Film/Video/Animation 
Year Produced 2022 
Impact The film has emerged as a core focal point around which to discuss the power station. We were able to collect information about the memories of Fawley from around 30 people at viewings in March 2022, which will be used towards our Policy Paper (yet to be completed). In addition, the film won an award for Best International Short Film at the Sheffield Documentary Film Festival 2022. 
URL https://fawleyfilm.co.uk/
 
Title West Burton Creative outputs from Dana Olarescu 
Description A series of map-inspired prints documenting some of the responses to West Burton Power Station during the project. 
Type Of Art Artefact (including digital) 
Year Produced 2022 
Impact The artifact was used extensively in the exhibitions carried out in the summer of 2022, especially in West Burton, where it raised awareness of the site and the ideas surrounding it for around 20 people. In addition, it played an important role in the 'Creative Decommissioning Event', attended by 37 people and intended to collect information for the development of our Policy Paper (still to be completed). 
URL https://chatterleywhitfield.online/documents/9/West_Burton_Artwork.pdf
 
Description We have demonstrated the power of co-creative and co-produced art to allow people to tell different and diverse stories about sites as they enter into decommissioning. Our techniques have been varied, and we are still analysing our data, but each has specific advantages. The careful use of film in the case of Fawley allowed us to capture contested ideas about the potential role of heritage and memory of the site, and crucially, our screening of the film in a nearby village hall revealed that artistic productions like this could be a stimulus to productive discussions about the heritage of such sites in ways that standard consultations on their future can rarely be. Dana Olarescu's work at West Burton, which focussed on a series of artistic workshops at many different venues near to the site, demonstrated the ability of these forms of techniques to engage audiences whose voices are rarely heard in typical consultation processes surrounding decommissioning. Finally, Urban Wilderness's use of parody and character theatre 'flipped' the engagement by encouraging and allowing local people to position themselves as 'experts' over the heritage and memory of Chatterley Whitfield Colliery. Work continues into post-award but this research has already demonstrated the value of co-creative techniques in consultation surrounding the decommissioning of large carbon infrastructure.
Exploitation Route The outcomes will already be utilised in a project on Decommissioning nuclear power plants funded by the Nuclear Decommissioning Authority, and the project has contributed to regeneration plans, as well as further art community engagement projects in the Stoke-on-Trent area, in which Urban Wilderness are closely involved, and which also include a Collaborative Doctoral Award.
In the next year, we hope to complete the Policy paper using our research findings, which we hope will be adopted by heritage organisations such as Historic England and the National Trust as a guide and/or toolkit to successful consultation on the heritage of decommissioned industrial infrastructure. A chapter in a British Academy Proceedings publication, based on some of the historical research that we were eventually able to complete, will influence how historians, planners and architects understand trajectories of decommissioning and contribute to wider debates on deindustrialisation and decarbonisation. Finally, the article to Landscape Research (or similar) will contribute to an ongoing debate on the value of creative research methods in landscape research, benefitting both academic researchers and socially engaged artists.
Sectors Communities and Social Services/Policy,Creative Economy,Government, Democracy and Justice,Culture, Heritage, Museums and Collections

URL http://chatterleywhitfield.online
 
Description Aside from a general sense of impact on the development of a new vision for Chatterley Whitfield Colliery, the primary impact so far has been on our creative partners, Urban Wilderness CIC. We have been able to provide smaller supportive funding for this innovative and leading co-creative arts organisation through the crisis, by supporting the bid to the KISI Kapp fund for the Brownfields project (the product of which, the Urban Commons Charter document, has since been the inspiration for other successful funding bids from creative organisations in the area), and the Being Human Project. While Urban Wilderness also successfully gained other funding through the pandemic, our partnership has been an important part of their current position. Furthermore, the engagement of the organisation with the concept of 'commons' ownership, and with my research on trespass which has inspired much of my research, has altered and shaped their more recent place-based approaches. Over 2021, our research has been used in several other ways. First, officials of the Environment Agency have expressed an interest in carrying out similar research at Winfrith Nuclear research facility, and I have also bid for a new grant with the Nuclear Decommissioning Authority to fund work on Dounreay based on an expansion of the Decommissioning Projects. Our findings regarding co-creative art in public engagement are also core to the QR policy support fund highlighted in the relevant Researchfish section. As lead on the two (linked) projects here, I was invited as a collaborator on Stoke-on-Trent city council's 'Vision 2020' document, released in 2022. Our partners, Urban Wilderness CIC, have also developed the approaches and findings, connecting heritage to arts-based co-production on two major projects: their work, in collaboration with the National Trust on the 'Garden of Possibilities' project on the Castlefield Viaduct in Manchester. Second, Urban Wilderness have also partnered with Stoke-on-Trent City Council in a major heritage-led regeneration of Longton Town centre in Stoke-on-Trent. The 'Fawley' film project has attracted national and international attention, as demonstrated by its award at the Sheffield Documentary Film Festival. In the coming year, our forthcoming Policy Paper, if adopted by relevant bodies, offers an opportunity for further impact in this regard.
First Year Of Impact 2021
Sector Creative Economy,Energy,Culture, Heritage, Museums and Collections,Retail
Impact Types Cultural,Economic,Policy & public services

 
Description Involvement in the New Vision for Chatterley Whitfield
Geographic Reach Local/Municipal/Regional 
Policy Influence Type Membership of a guideline committee
 
Description MA Creative Practice
Geographic Reach Europe 
Policy Influence Type Influenced training of practitioners or researchers
 
Description Chatterley Whitfield Lives Again! (later 'Memories of Mining').
Amount £2,000 (GBP)
Organisation Being Human Festival 
Sector Charity/Non Profit
Start 11/2020 
End 11/2020
 
Description Keele Institute for Social Inclusion KAPP Awards
Amount £5,000 (GBP)
Organisation Keele University 
Sector Academic/University
Country United Kingdom
Start 03/2020 
End 05/2020
 
Description North West Consortium Doctoral Training Partnership: Collaborative Doctoral Awards.
Amount £81,527 (GBP)
Organisation Arts & Humanities Research Council (AHRC) 
Sector Public
Country United Kingdom
Start 09/2023 
End 02/2027
 
Description Postdoctoral Research Associate Bursary.
Amount £145,839 (GBP)
Organisation Nuclear Decommissioning Authority NDA 
Sector Public
Country United Kingdom
Start 07/2023 
End 06/2024
 
Description UKRI: QR Policy Support Funding
Amount £14,807 (GBP)
Organisation United Kingdom Research and Innovation 
Department Research England
Sector Public
Country United Kingdom
Start 03/2022 
End 07/2022
 
Title Cost-effective crowd sourced heritage tool, with potential to integrate photogrammetric 3D modelling. 
Description Cost-effective crowd sourced heritage tool, with potential to integrate photogrammetric 3D modelling. 
Type Of Material Improvements to research infrastructure 
Year Produced 2021 
Provided To Others? No  
Impact We only launched the website last week, and the 3D model has not yet been integrated (it has been impossible to collect the data for during COVID19. 
URL http://chatterleywhitfield.online
 
Description Brownfields International Network 
Organisation Staffordshire University
Country United Kingdom 
Sector Academic/University 
PI Contribution I have collaborated with Dr Carola Boehm and Dr Anna Francis, along with colleagues from universities in Brazil and Finland, on funding grant applications on the history, heritage and contemporary uses of abandoned urban ('brownfield') sites. So far, our funding bids as a result of this network have not been successful; the most significant one was to the Trans-Atlantic Platform Recovery, Renewal and Resilience in a Post-Pandemic World.
Collaborator Contribution I have collaborated with Dr Carola Boehm and Dr Anna Francis, along with colleagues from universities in Brazil and Finland, on funding grant applications on the history, heritage and contemporary uses of abandoned urban ('brownfield') sites. So far, our funding bids as a result of this network have not been successful; the most significant one was to the Trans-Atlantic Platform Recovery, Renewal and Resilience in a Post-Pandemic World.
Impact 1. Funding bid to Trans-Atlantic Platform Recovery, Renewal and Resilience in a Post-Pandemic World (unsuccessful).
Start Year 2021
 
Description Chatterley Whitfield Friends 
Organisation Chatterley Whitfield Friends
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution We have worked extensively with Chatterley Whitfield Friends over the last 1.5 years. The outcomes have been a new Being Human Festival Project (with Urban Wilderness CIC), involvement in a new regeneration bid for the site, and from 2023, a Collaborative Doctoral Award exploring the post-closure community heritage of the site through successive generations of local residents.
Collaborator Contribution The CWF have been instrumental in keeping the project running over the last year, and are now our most active community on the grant. In addition, they have leant, and allowed me to copy, their entire digital archive of documents for the research on the project. The are now also our collaborative partners on the Collaborative Doctoral Award beginning in 2023.
Impact 'Mining Migrations' Being Human Festival Exhibition, November 2020. The original funding bid for Decommissioning the Twentieth Century and Planning Creativity. The website and online Crowd Sourced heritage tool www.chatterleywhitfield.online - Interdisciplinary: Computer science, Geography, Heritage, History. Museum of Possibilities Artwork - Interdisciplinary: Art/History. AHRC North West Consortium Doctoral Training Partnership Collaborative Doctoral Award: 'Human and more-than-human pasts, presents and futures at Chatterley Whitfield Colliery', Supervisors: Dr Ben Anderson and Dr Pawas Bisht. Interdisciplinary: History/Heritage/Cultural Studies.
Start Year 2020
 
Description Potential Heritage Project at Winfrith 
Organisation Environment Agency
Country United Kingdom 
Sector Public 
PI Contribution The PI (Ben Anderson) along with Adam Gutch and Chu LI Shewring (see Flying Ant Productions partnership) attended an initial informal information sharing event on a potential collaboration at Winfrith Power Station.
Collaborator Contribution James Heavingham (EA) organised an informal information sharing event on a potential collaboration at Winfrith Power Station. James also attended project workshops for our two projects.
Impact None.
Start Year 2021
 
Description Urban Wilderness CIC 
Organisation Urban Wilderness CIC
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution We have provided valuable support to Urban Wilderness through the epidemic in the form of funding to support their existing work, and in allowing them to use previous projects as examples to gain other external funding (such as the Wastelands Project. Two key collaborations emerged during this period. 'Brownfield Land and Social Justice: The Urban Commons Charter', in which I acted as an academic facilitator on a project led by UW, and funded by the Keele Institute for Social Inclusion at Keele University. This has now become a core aspect of Urban Wilderness's methodology, as well as providing the intellectual basis for at least one other successful funding bid from Stoke's arts and cultural community. Together with the Chatterley Whitfield Friends, we also produced 'Mining Migrations', funded by the Being Human Festival, and bringing together research from both myself and Urban Wilderness. The exhibition, which existed in situ during November 2020, is now available digitally on Chatterley Whitfield Online (see below). More recently, I have helped Urban Wilderness bid (unsuccessfully) to become a Community Research Network.
Collaborator Contribution We have been working closely with Urban Wilderness since the beginning of our bid, but they are now at the centre of our COVID-19-friendly plans. I first worked with Urban Wilderness on the Being Human Project 'Feral Futures' in 2018. We had planned to involve them as creative consultants on Decommissioning the Twentieth Century, and in order to produce spectacular public art at Chatterley Whitfield in 2020 on it's sister project Planning Creativity. Now, with these two projects being run as one, Urban Wilderness are using their expertise to help us to commission a piece of large public art at each of our three sites of decommissioning. In the mean time, in 2020, we also worked together on the side project emerging from Decommissioning the Twentieth Century, the Being Human Festival Project 'Mining Migrations'. They have been instrumental in developing many of these projects; particularly the notion and process of creating public artworks and research for the Mining migrations project. More recently (2022-3) Urban Wilderness have contributed to teaching at Keele, and continue to be a prospective partner on funding applications (most recently to the Midland Innovation Fund).
Impact There are other websites associated with this collaboration: https://urbanwildernesscic.com/networkoflearning ; https://chatterleywhitfield.online/mining-migrations-being-human-festival-2020/ . The collaboration combines history with artistic practice.
Start Year 2020
 
Description Chatterley Whitfield Heritage Open Days 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact These visits involved me taking part in and listening to discussions related to Chatterley Whitfield. On occasion, this enabled me to develop my own research, but were more important in building trust with the c. 30-40 people who were there each week (they meet every Thursday morning). The attendees were generally active members of the Chatterley Whitfield Friends.
Year(s) Of Engagement Activity 2020,2021
URL http://www.chatterleywhitfieldfriends.org.uk
 
Description Chatterley Whitfield Online 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact We have just launched our website, chatterleywhitfield.online. Alongside information about the project, it is also a crowd-sourced heritage tool, providing a place for the collection of material on Chatterley Whitfield. We hope it provides a focus for research into the site and the collection of people's memories of it, but engagement is currently only a week old.
Year(s) Of Engagement Activity 2021
URL http://chatterleywhitfield.online
 
Description Claybody Theatre Dirty Laundry Podcast 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact As a result of connections made while developing Decommissioning the Twentieth century and Planning Creativity, I was invited to take part in the 'Airing the Issues' Podcast alongside other local figures, discussing the environmental history and heritage of the pottery industry in Stoke.
Year(s) Of Engagement Activity 2020
URL https://claybodytheatre.com/dirty-laundry-podcast/
 
Description Creative Decommissioning 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Study participants or study members
Results and Impact Creative Decommissioning was our end-of-project event. It aimed to bring together representatives from all of the site-project teams in order to begin the process of devising the Policy paper. It constituted two physical parts - one half of the event was an exhibition, and the other half was a series of co-creative exercises designed to introduce participants to our research process and/or collect their views on what should be included in, and what the emphasis should be in the policy paper.
Year(s) Of Engagement Activity 2022
URL https://www.eventbrite.co.uk/e/creative-decommissioning-tickets-254428190567
 
Description Exhibition tour. 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact Following Creative Decommissioning, we toured the exhibition element of the project to all three project sites, in part to 'give back' to the study participants, and in part to collect final details about changed minds regarding the future heritage of these sites. The Exhibition 'How to Say Goodbye to a Power Station', at West Burton (St John's Terrace, Gainsborough) on 16.09.2022 for 40 people; A screening of the Fawley Film at Quay Arts Centre, Newport, Isle of Wight, 22.09.2022 for 58 people; and Museum of Possibilities: Exploring Chatterley Whitfield, on 13.10.2022, for 38 people. Other URLs: https://www.eventbrite.co.uk/e/artist-tour-exploring-chatterley-whitfield-tickets-423216410677 https://fb.me/e/23MtsakVn
Year(s) Of Engagement Activity 2022
URL http://www.eventbrite.co.uk/e/fawley-film-screening-talks-exhibition-tickets-400645570687
 
Description Fawley Film Project 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Study participants or study members
Results and Impact Partnering with Adam Gutch and Chu Li Shewring, we have co-created a film based on the heritage of Fawley Power Station. Public engagement activities on this aspect of the project (there are an unreasonably large number to list separately, and many will have been informal and beyond the scope of the direct research), are currently limited to those related to actually producing the film - viewings will take place on the 26th March 2022, and will thus fall into the next Researchfish reporting period. Among the various activities that the filmmakers have undertaken have been around 10 site visits to locations including the power station itself, Southampton, the Isle of Wight, and specific installations such as beekeepers hives. In addition to this, a series of c. 10 interviews have been conducted by the filmmakers, some of which appear in the film, and numerous other individuals have provided imput into its contents, including participants from our other local partners, Friends of the New Forest.
Year(s) Of Engagement Activity 2021,2022
 
Description Fawley Film Screening 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Study participants or study members
Results and Impact In this workshop/research event, we screened our major co-produced artistic output for the Fawley site across three screenings on a Saturday. This enabled us to gain access to numerous different groups, predominantly nearby residents and past workers at Fawley power station, as well as engineers and those involved in the construction of the site. The designation of 'national' above belies the more local and regional character of the engagement - it is not, however, 'local' to Keele. After the film screening, we collected community memories and heritages of the site as defined by those who were there, which we will use to assess the usefulness of film as a means to promote community ownership and engagement with their own heritages. NB. The following section does not include an outcome/impact of this activity for situations in which engagement is also the research: the most important outcome/impact of this activity was the collection of research data.
Year(s) Of Engagement Activity 2022
URL https://fawleyfilm.co.uk/
 
Description General Project Workshops, online. 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact Alongside our in-person engagement activities, we have held a series of six (so far) workshops. Initial workshops were related to planning, while the second group of three were related to each of the individual sites. We plan to hold a further three workshops either before or after a larger event on the 13th June 2022. Around 15 people have attended each workshop, and they have each led to other activities - increased interest in the local or national project, inspired new activities elsewhere (see Winfrith) or engagement with local artists.
Year(s) Of Engagement Activity 2021
URL http://chatterleywhitfield.online
 
Description Green Thinking: Energy. BBC Radio Three Podcast. 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Media (as a channel to the public)
Results and Impact I took part in a BBC radio 3 'Green Thinking' podcast, in a panel alongside Prof. Frank Trentmann. Much of the discussion was directly about the two DTC projects.
Year(s) Of Engagement Activity 2021
URL https://www.bbc.co.uk/programmes/p0b2774q
 
Description Mining Migrations Exhibition 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact This featured a series of six banners (still available electronically on chatterleywhitfield.online) exploring different 'migrations' to and from Chatterley Whitfield. QR codes on the banners allowed visitors to listen to audio commentary on the banners, and they were also invited to leave their own comments on them (10 responses were gained).
Year(s) Of Engagement Activity 2020
URL https://chatterleywhitfield.online/mining-migrations-being-human-festival-2020/
 
Description Project Relaunch 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Other audiences
Results and Impact This short workshop introduced our newly-planned, covid-19 friendly projects.
Year(s) Of Engagement Activity 2021
 
Description Twitter account 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact We run a project specific twitter account (@ruralmodernism) which informs followers of our activities. It also reports on other projects.
Year(s) Of Engagement Activity 2020,2021,2022
URL https://twitter.com/ruralmodernism
 
Description Urban Wilderness - Chatterley Whitfield Project. 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact Alongside commissioning and managing co-creative activities at West Burton and Fawley, Urban Wilderness carried out our most innovative forms of public engagement activities at Chatterley Whitfield. I have grouped them together in on heading here on researchfish for ease, but really, this constituted a series of co-ordinated engagement activities based on methods developed alongside professional French-style clown training. The method was accordingly to 'send up' figures of expertise at the site, as well as offering symbolic figures representative of local people's identity. The engagement activities were spread over several weeks and constituted: 1. appearing as the 'spirit' of coal and industrial labour in the Whitfield nature reserve adjoining the site, over the course of a week. Objective: establish appearance in the site for local people. 2. Appearing as workers in the reserve next to the site, undertaking apparently pointless manual labour (sorting rocks and coal), during a weekend. The objective here was to attract curious visitors to ask questions about activities, invite them to take part in the exercise, and establish a confidence of engagement to begin conversations about the meanings of the site. 3. Appear as heritage 'experts' (ie. historians, archaeologists), moving around the site, attempting, but comically failing to find any 'heritage' there, positioning visitors and locals as 'experts', able to tell incomers about the site and establish it as a narrative over which they have ownership. 4. Appearing as 'planning experts' attempting to carry out community engagement over an obviously fake plan to build a huge multistorey car park over the entire site. 5. Exhibiting the material in situ over three heritage open days. This workshop targeted local children and young people from the nearby Fegg Hays community. Exactly how many people were engaged is unclear because of the nature of the activities, but very poor weather for 1-3 meant that engagement was not as hoped - between 10 and 20 in total. Number 4 was indoors, and engaged 15 young people, with significant outcomes and finding for the project - particularly, the continuing importance of the site as an (illegal and dangerous) rite of passage for young people. The Heritage open days were more successful, reaching 38 people in total.
Year(s) Of Engagement Activity 2021
URL https://urbanwildernesscic.com/
 
Description West Burton Project 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact The West Burton part of the project was commissioned to co-creative artist Dana Olarescu, and was, to date, the most successful of the three projects. It included 7 workshops at a variety of venues, such as primary schools, local village halls, and urban community centres - in total, about 50 people attended these, most of which included elements of co-creative art. In addition, Olarescu hired market stalls, carried out interviews with local artists, formed partnerships in the local community (see report below)
Year(s) Of Engagement Activity 2021,2022
URL https://chatterleywhitfield.online/documents/9/West_Burton_Artwork.pdf