Creative Approaches to Race and In/security in the Caribbean and the UK (CARICUK)

Lead Research Organisation: University of Birmingham
Department Name: Sch of Geography, Earth & Env Sciences

Abstract

Creative Approaches to Race and In/security in the Caribbean and the UK (CARICUK) is a year-long collaboration between artists and educators. It aims to transform discussions about race and anti-racism in UK higher education institutions. It will redefine race as an in/security. This is based on the model of Caribbean In/securities, which sees security and insecurity as perspectival and relational terms that people negotiate in their everyday lives and through creative means. Understanding race as an in/security means that education institutions and black communities should negotiate anti-racist outcomes between them, with listening and change on both sides. The implication is that the fellowship aims to push institutional race discourse beyond inclusion and deficits, and towards education institutions actively participating in anti-racist learning and institutional transformation.

Over a twelve-month period, Dr Pat Noxolo's fellowship will move through three stages: provocation, participation and transformation. Three artistic provocations, designed to provoke discussion about Caribbean and racialised in/securities, will each be followed by public discussion events. An online learning pack for schools, about Caribbean and racialised in/securities, will lead into a large-scale arts participation and exhibition. Finally, three short films and a publishing experiment will push towards institutional transformation.

The bedrock of the project is that UK higher education can learn from Caribbean In/securities, because the UK's current racial disparities are an outcome of its historical relationships with the Caribbean, whilst the environmental and climatic in/securities that the Caribbean is now facing show the UK, itself a collection of small islands, the in/securities it will have to deal with in the future. Historically it was in the Caribbean, during the five centuries of European colonial rule (featuring enslavement, indentureship, and the establishment of crucial aspects of global production and trade) that the UK created its own peculiar forms of racialised hierarchy. These broadly informed the racialised hierarchies in Britain's later colonial practice across Asia and Africa, and have also informed everyday struggles over race relations in the UK for at least the last seventy years, since the symbolism of the arrival of the Empire Windrush from the Caribbean in 1948. Moreover, in the 21st century the Caribbean, rich in global resources and connections, is also key to revealing everyday negotiations over many other forms of in/security that the UK, and islands across the world, will have to negotiate for survival - for example storms and hurricanes, sea level rise, food in/security and the struggle for sustainable livelihoods.

Geography is a key discipline through which to engage a range of overlapping publics - academics, educators, black communities, and arts practitioners - in thinking about this wide range of shared in/securities, whilst centring black perspectives on race in UK higher education. In addition to its expertise around climate science, UK Geography is in the middle of a slow and painful process of reflecting on the discipline's historical and contemporary complicity in the explorations and exploitations that laid the groundwork for the racialised inequalities and global catastrophes that we now face. In particular, decades of calls to transform institutions and to promote anti-racist practice in secondary and higher education teaching and research are building towards an effective shift, and Dr Noxolo, as part of the RACE group of the Royal Geographical Society (RGS), is at the forefront of this effort. UK Geography is therefore a highly fertile terrain for mounting a year-long programme of creative engagements that draw on existing research on Caribbean in/securities in order to transform institutional practices around race.

Publications

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Title Dreading the Map 
Description Dreading the Map was created by artist Sonia Barrett and commissioned by CARICUK. It was made by bringing together a group of Black women co-creators who spent three days shredding and plaiting maps, which were then twisted together to float across the Royal Geographical Society's historic Map Room. Photographs and a film were published online, and there was an accompanying discussion event. 
Type Of Art Artwork 
Year Produced 2021 
Impact The Royal Geographical Society has said that the installation "catalysed conversations and actions" about their approach to decolonising the artwork in their building. 
URL https://caricuk.co.uk/provocations/dreading-the-map/
 
Title The Noise My Leaves Make 
Description The Noise My Leaves Make is a film by Dr Tia-Monique Uzor, created as part of the AHRC-funded project CARICUK (Creative Approaches to Race and In/secu rity in the Caribbean and the UK). This is a contemporary dance film that explores Black womanhood and British rurality. 
Type Of Art Film/Video/Animation 
Year Produced 2022 
Impact The film won the 2023 Cannes Short Film Festival's Best Experimental Film category, and was a finalist in the Dance Camera West Film Festival in Los Angeles. 
URL https://www.youtube.com/watch?v=2cS90wx8YDc
 
Title Walking Old Lands, Drawing New Lines 
Description This is a short film, created by the artist Annalee Davis, and commissioned by the AHRC-funded project CARICUK (Creative Approaches to Race and In/security in the Caribbean and the UK). It reflects on the artist's relationship to the postcolonial landscape in Barbados, and the postcolonial relationships between Barbados and the UK. 
Type Of Art Film/Video/Animation 
Year Produced 2021 
Impact This film has had 1,300 views, and was used as a stimulus for discussion in a recorded public event that has had over 380 views. 
URL https://www.youtube.com/watch?v=nf4ccxt8vgU
 
Description This was an engagement award, rather than a conventional research award. However, during several online engagement events, we demonstrated that the engagement of online Black audiences nationally and internationally is tightly related to a sense of academic and artistic community that builds from event to event, with a clear sense that they are engaging with research that is founded in Black cultural practice and is led by Black scholars.
Exploitation Route We would expect that anyone wanting to engage effectively with large-scale online Black audiences would ensure that their projects are led by Black scholars/organisations, are clearly embedded in Black cultural practice, and build community through regular and frequent opportunities for further engagement.
Sectors Communities and Social Services/Policy,Creative Economy,Education,Culture, Heritage, Museums and Collections

URL https://caricuk.co.uk/about-caricuk/
 
Description We would expect the impact from our engagement activities to develop over time. However, what we can say now that the project has just finished is that we have generated a lot of interest amongst Black scholars, artists and activists across a range of countries, particularly in relation to Geography and in relation to the concept of in/security. This has resulted in a range of enquiries from a range of organisations and individuals, on social media primarily and from event to event, with some academic colleagues requesting in particular to reflect on our artworks and discussion events in their own publications and collaborations. We expect this interest to build into more projects, publications and collaborations as time goes on.
First Year Of Impact 2021
Sector Creative Economy,Education,Culture, Heritage, Museums and Collections
Impact Types Cultural

 
Description Geographical Association 
Organisation Geographical Association
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution Called several meeting to discuss the learning pack, drawing on GA guidance about the KS3 Geography curriculum. Devised and wrote the learning pack. Organised two CPD events, which were publicised by the GA.
Collaborator Contribution (i) Secondment of a member of staff or consultant to the GA to collaborate and produce the online learning pack for KS3 learners in the UK (ii) Access to GA staff time. There would be a time commitment from several GA staff from both the CPD and Editorial teams to be involved in both launching and promoting the pack (one day @ £300)
Impact Learning pack for schools
Start Year 2021
 
Description Royal Geographical Society 
Organisation Royal Geographical Society
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution The project team arranged and facilitated an original art installation by Sonia Barrett, called 'Dreading the Map', which was constructed within the RGS building for three days, flooding the space (its stairwells, corridors and rooms) with carefully curated paper maps of the Caribbean and UK that have been shredded into strips. The artist and a number of black women co-creators, including the project team, used African-Caribbean hair styling techniques to segment, twist and plait the shredded maps. Culturally, such female spaces of hair styling are filled with discussions around self- and community-care, and this black woman-centred cultural practice juxtaposed intriguingly with the wood-lined walls, globes and portraits of white explorers that typify the building. As a response to the RGS's stated desire to reflect on their history and their building, this filling of the space with black women's language, perspectives and practices was a reimagining of what the space can and should mean. This dramatic and large-scale installation was fully filmed and photographed, and Sonia Barrett curated the footage online and launch it via an online public discussion event that was hosted by/at the RGS. The film How the Land Lies was commissioned by the project team and made by an independent film maker, with the full cooperation of RGS staff. It is hosted on the CARICUK youtube channel.
Collaborator Contribution The RGS plays a key role in defining and promoting Geography as a discipline in the UK. They have committed to using the fellowship as a springboard for investigating the longer-term establishment of a Centre for Black Geographies, headed by Dr Noxolo and mainly with an online presence, but with a physical base in the RGS building. This will draw on insights and partnerships coming out of the fellowship, including with the GA and UoB's School of Education. Building on Dr Noxolo's call for openness towards an emergent Black British Geography (Noxolo, 2020), the RGS has been open to a close and active partnership both during and after the fellowship. In line with its commitments to "[t]hink critically about the Society's history and how [they] represent it within [their] building" (see RGS website), the RGS opened its doors to two 'takeover' events (an installation and a film) designed to recontextualise the RGS's archives and the histories of its building, provoking online debate about Geography's pasts and its futures. To support each of these, the RGS also hosted two online discussion events.
Impact Installation - Dreading the Map Online event - Dreading the Map Film - How the Land Lies Online event - Beautiful Experiments Collaboration is Geography-based
Start Year 2021
 
Description Beautiful experiments event and associated film 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Around 90 people attended this online discussion event or watched the recording. An associated film was also published online to accompany the event.
Year(s) Of Engagement Activity 2022
URL https://www.youtube.com/watch?v=WEBssSvv6fE
 
Description CARICUK online exhibition 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Around 200 people attended or watched the recording of an online discussion event, which discussed the CARICUK online Caribbean in/securities exhibition, curated by Dr Marsha Pearce and commissioned by CARICUK
Year(s) Of Engagement Activity 2021
URL https://caricuk.co.uk/provocations/caribbean-in-securities-exhibition/
 
Description Dreading the Map art installation 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Over 800 people have watched the film 'Dreading the Map' based on the art installation of the same name, and over 300 participated in or watched the recording of the associated discussion event. The film and installation were commissioned by CARICUK.
Year(s) Of Engagement Activity 2021
URL https://www.youtube.com/watch?v=Wnfd4HRMn3M&t=69s
 
Description Flipping the campus film and discussion event 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Around 90 people watched the film or participated in or watched the related discussion event.
Year(s) Of Engagement Activity 2022
URL https://www.youtube.com/watch?v=EPJEIRzHIMM&t=1283s
 
Description Global Black Geographies Zine 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Over 120 people accessed this zine, and attended or watched the recording of the related online discussion event, both of which were commissioned by CARICUK
Year(s) Of Engagement Activity 2021,2022
URL https://gbgzine.com/
 
Description Learning pack for schools 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Schools
Results and Impact Over 50 people in total engaged with the learning pack, or attended the two related CPD events for practitioners.
Year(s) Of Engagement Activity 2021
URL https://caricuk.co.uk/our-courses/
 
Description The Noise My Leaves Make - film and discussion 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Over 180 people worldwide watched the limited preview and took part in/watched the recording of the related online discussion event.
Year(s) Of Engagement Activity 2022
URL https://www.youtube.com/watch?v=2cS90wx8YDc&t=24s
 
Description Walking Old Lands film and discussion event 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Over 1000 people have watched this film Walking Old Lands, Drawing New Lines', which was made by Annalee Davis and commissioned by CARICUK. Over 300 people attended or watched the recording of the associated discussion event.
Year(s) Of Engagement Activity 2021
URL https://www.youtube.com/watch?v=nf4ccxt8vgU&t=245s