Aqueous Territory: Learning from Louisiana's Colonial Histories and Watery Extremes
Lead Research Organisation:
UNIVERSITY OF EXETER
Department Name: History
Abstract
Global climate change is affecting the popular Western cultural perception of water as a stable resource. In the UK, major flood events have occurred every year since 2007 due to rainfall increases of 17% per year (Guardian, Feb. 2020); in the Southern US, hurricanes battering the Gulf Coast have increased by 15% since 1970 (Washington Post, Sept. 2020). Though citizens of both countries are calling on politicians to counteract such increasingly extreme weather phenomena through better infrastructure, the lackluster political response dramatically reveals the extent to which water's consistent presence, and the ability to control its fluidity, are still taken for granted.
In the Mississippi River Valley Basin (MRVB)--a region hard hit by climate change today--water's instability has been historically and visually documented from 1690 as a determinant factor in the livelihood of Indigenous Peoples and colonial settlers. The proposed Aqueous Territory Network aims to study and interrogate the material and oral histories of water's role in those societies that developed in the MRVB during the last 350 years: from the maps and texts of agronomist-engineer A-S. Le Page du Pratz (1695-1775) to the graffiti murals of contemporary African American artist B. Odums in buildings left abandoned since they were flooded in Hurricane Katrina (2005). These aqueous histories of the MRVB visualize the environmental challenges and social consequences of inequitable water distribution and its control mechanisms; more hopefully, parts of this long historical record also offer a blueprint for successfully managing an intemperate climate through cultural, infrastructural, and environmental actions. By bringing together researchers from the arts, humanities, social, and hard sciences to investigate the watery interfaces between history, biology, language, urban engineering, story-telling, politics, environment, policing, and the human body, the network will transcend the nature/culture divide--physically confronting the MRVB's ecosystem while critically examining human dependencies on it.
The network's research contends that the MRVB's historical and current relationship to aqueous extremes can be productively compared with issues that British estuarine communities are facing today, including: resource allocation, flood control, and sustainable conservation. This micro-analytic comparative focus, researched by an interdisciplinary team, will use past and present examples in the MRVB as a blueprint for shaping socio-climatic interactions in an increasingly wet Britain.
The network will accomplish its collective research goals by meeting frequently to exchange ideas, initially online in Fall 2021. Along with other invited field experts, the network members will then meet in Louisiana in May 2022. Through collective visits to various historical sites which are flashpoints in the debate on the importance of aqueousness to the MRVB--such as New Orleans's levees--as well as a conference featuring artists and activists from Indigenous and African American communities, we will identify interfaces between practical, historical, and social concerns that govern the treatment of aqueousness in the MRVB today. Over the next 10 months, the network members will develop their individual research, including creative and scholarly writing as well as musical composition. They shall keep in touch through online meetings involving colleagues dealing with similar themes of aqueousness in British estuarine communities. Collective research results on aqueousness in the MRVB and Britain will be published in a special issue of 'Humanities' (peer-reviewed), edited by the Pi and Co-I. The network's research will also be presented at the University of Exeter, UK, at a conference/performance in May 2023. The free, community-driven performance will feature network participants' poetry, prose, and music compositions, interpreted by local student music groups.
In the Mississippi River Valley Basin (MRVB)--a region hard hit by climate change today--water's instability has been historically and visually documented from 1690 as a determinant factor in the livelihood of Indigenous Peoples and colonial settlers. The proposed Aqueous Territory Network aims to study and interrogate the material and oral histories of water's role in those societies that developed in the MRVB during the last 350 years: from the maps and texts of agronomist-engineer A-S. Le Page du Pratz (1695-1775) to the graffiti murals of contemporary African American artist B. Odums in buildings left abandoned since they were flooded in Hurricane Katrina (2005). These aqueous histories of the MRVB visualize the environmental challenges and social consequences of inequitable water distribution and its control mechanisms; more hopefully, parts of this long historical record also offer a blueprint for successfully managing an intemperate climate through cultural, infrastructural, and environmental actions. By bringing together researchers from the arts, humanities, social, and hard sciences to investigate the watery interfaces between history, biology, language, urban engineering, story-telling, politics, environment, policing, and the human body, the network will transcend the nature/culture divide--physically confronting the MRVB's ecosystem while critically examining human dependencies on it.
The network's research contends that the MRVB's historical and current relationship to aqueous extremes can be productively compared with issues that British estuarine communities are facing today, including: resource allocation, flood control, and sustainable conservation. This micro-analytic comparative focus, researched by an interdisciplinary team, will use past and present examples in the MRVB as a blueprint for shaping socio-climatic interactions in an increasingly wet Britain.
The network will accomplish its collective research goals by meeting frequently to exchange ideas, initially online in Fall 2021. Along with other invited field experts, the network members will then meet in Louisiana in May 2022. Through collective visits to various historical sites which are flashpoints in the debate on the importance of aqueousness to the MRVB--such as New Orleans's levees--as well as a conference featuring artists and activists from Indigenous and African American communities, we will identify interfaces between practical, historical, and social concerns that govern the treatment of aqueousness in the MRVB today. Over the next 10 months, the network members will develop their individual research, including creative and scholarly writing as well as musical composition. They shall keep in touch through online meetings involving colleagues dealing with similar themes of aqueousness in British estuarine communities. Collective research results on aqueousness in the MRVB and Britain will be published in a special issue of 'Humanities' (peer-reviewed), edited by the Pi and Co-I. The network's research will also be presented at the University of Exeter, UK, at a conference/performance in May 2023. The free, community-driven performance will feature network participants' poetry, prose, and music compositions, interpreted by local student music groups.
People |
ORCID iD |
| Camille Mathieu (Principal Investigator) |
| Title | Aqueous Territory |
| Description | Dan Mar- Molinero, a Jazz composer, produced 3 original compositions related to this work. They are entitled: - Ebb & Flow* - Of Violence* - Tributaries* These 3 new pieces, each over 5 minutes, were the direct result of the research we did as a group in New Orleans. "Ebb and Flow" was based on our trip into the swampland of the bayous, which we did the head of the Atchafalaya basin- keepers on his boat. He talked to us about the ecology of the region, and we in turn recorded 'found' sound of frogs and the wind in the trees and birdcalls. These were then re-used as part of Jazz improvisation sections in the piece. 'Of Violence' featured the recorded sound of the Steamboat on the River. Steamboats are synonymous with the economic faciliation of the enslavement and exploitation of people of African origin in America, but the noise itself is joyful; Dan's piece showed this contrast with the music he wrote and the music of the steamboat duelling together. 'Tributaries' was a tribute to New Orleans style Jazz, which Dan spoke extensively about his well trained Jazz musicians having issues understanding extensively-- he had to train them on beat reading, the tempo of the Tuba, etc. It was based on the work that we did in our visits to Preservation Hall and on the streets on New Orleans. |
| Type Of Art | Composition/Score |
| Year Produced | 2025 |
| Impact | These compositions formed the center point of our Jazz and Poetry performance in January of 2025 that engaged the public. The idea was to make them think differently about contemporary Jazz-- many commented on the ways in which Dan integrates solo work with group performance work reflects the collectivity of group work undertaken for our workshops in New Orleans. |
| Description | As a result of the research undertaken in April 2024 as a collective group in the field in and around New Orleans and the public conference in Exeter in January 2025, the PI has developped a stronger, more integrated network with engineers both at her institution (University of Exeter) and beyond. She was invited by individuals from the Engineering Community both within and outside Exeter who spoke at her conference in Exeter to be the Humanist on an EU Horizon Innovation grant, workshopped over the summer of 2025 and submitted in the Fall of 2025. She has continued to network with these individuals in Exeter and beyond to create new working groups for future grant capture. |
| Exploitation Route | The networking outcomes of this grant help the PI to create, maintain, and show qualification for, participation in interdisciplinary working groups that draws on everyone's backgrounds and tries to find a space of mutuality in diversity. It is helping me to create a tool kit for my department and peers on how to integrate our work into that of disciplines distant to ours. |
| Sectors | Creative Economy Environment Leisure Activities including Sports Recreation and Tourism Culture Heritage Museums and Collections |
| Description | There has been extensive creative outputs to this grant-- much of which will be consolidated later this year in the publication associated with this grant. Linda Chavers, a key member of this Grant, wrote a spoken word essay: Second Line, which she performed at our Poetry Conference. This made people think extensively about enslavement and visuality, according to comments on our anonymous comment board. Dan-Mar Molinero's original Jazz compositions made people reflect on the nature of Jazz and improvisation, and whether recorded sound belongs in it, according to comments shared individually with me and on our anonymous comment board. These pieces will be performed at a wider audience and have increased Dan's reknown across the UK as a cutting edge composer |
| First Year Of Impact | 2025 |
| Sector | Creative Economy,Culture, Heritage, Museums and Collections |
| Impact Types | Cultural |
| Description | ByWater Institute Tulane |
| Organisation | Tulane University |
| Country | United States |
| Sector | Academic/University |
| PI Contribution | The ByWater Institute, run by Tulane, will be hosting our conference when it occurs as part of the initial information-gather workshop for the Grant in New Orleans in April of 2024. The ByWater Institute is technically separate from the University in that it is not on its campus, but it is a part of the university as a whole. |
| Collaborator Contribution | We are presenting parts of our research relevant to the individuals at this conference. The ByWater Institute has been key in getting us in contact with some key participants. |
| Impact | This collaboration will result in a conference, which will result in material that can be used on our website. The Website is one of the outputs of the grant. |
| Start Year | 2023 |
| Description | Poetry and Jazz performance, Exeter Phoenix |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Public/other audiences |
| Results and Impact | 100 people from the general public (including the owners of my favorite coffee shop, members of the Exeter community Soul Choir, with whom I reached out via social media) as well as staff and students from the University of Exeter came to a poetry and jazz performance at the Phoenix, which is an independent performance venue in central Exeter. It was a full house. This sparked discussion during the intermission and many comments on the anonymous comment wall, which will be used to gage future impact. The composer, who is a member of the Network, was emailed individually by atendees telling him how great his work was. |
| Year(s) Of Engagement Activity | 2025 |