Neuroscience meets Dance: Towards a neuroscientific approach to mental health and wellbeing
Lead Research Organisation:
Liverpool John Moores University
Department Name: School of Psychology
Abstract
We are seeking AHRC funding for a series of initiatives that will inspire new research at the edge of creative and performing arts, and medical humanities, particularly dance movement psychotherapy which takes advantage of contemporary neuroscience to make existing research accessible to communities of practice, as well as to the general public.
Dance movement psychotherapy is a type of psychotherapy that uses movement to help individuals achieve emotional, cognitive, physical, and social integration. Research has shown that dance movement psychotherapy can be used for stress reduction, disease prevention, and mood management as well as, as a treatment tool across specific psychiatric conditions, including depression and anxiety. The concepts and mechanisms by which this form of therapy may improve positive outcomes are rather opaque. Some reasons for these benefits may be related to stimulating brain plasticity, boosting neural circuitry important for body awareness, nervous system regulation, but also strengthening self-concept, empathy, and interpersonal connection. Nevertheless, researchers have typically assessed subjective measures of wellbeing and mood change, depression scores or other psychological outcomes pre- and post-intervention, which do not always provide reliable and valid outcomes. Therefore, there is a need for more rigorous experimental methods including mixed-methods quantitative and objective physiological and neurophysiological data collection in combination with subjective self-reports. This is where contemporary neuroscience can help both in terms of clarifying the mechanisms of how dance movement psychotherapy works, for example, by clarifying whether it improves people' body awareness and ability to listen to their internal bodily signals, but also by disentangling the specific cognitive and emotional mechanisms being targeted through therapy.
We will bring scholars, creative therapists, and performers to develop innovative collaborative research, including practice-based and practice-led research. Three activities will be developed by the network:
1) Three interdisciplinary workshops. The first two will focus on core questions around the brain mechanisms underlying dance observation (workshop 1) and dance performance (workshop 2). The third workshop will focus on the topic of the 'inner dancing body' that is how dance may help with shaping one's experience through body awareness and sensory-based imagination.
2) A one-day conference, including a public event. A forum for new and recent scholars in the field to present their work and develop their ideas in a friendly, supportive atmosphere with featured speakers from neuroscience, the arts, and creative therapies. Members of the public interested in dance and the use of the creative therapies will be also invited to attend. On the second half of the day, a public event will include a live dance performance aimed at creatively summarise key themes from the conference and to establish empirically testable measures of brain change and body movements.
3) A website and a blog platform hosting a variety of relevant content and interactive features.
The project will benefit scholars, mental health practitioners, artists, related stakeholders, e.g., arts centres and festival personnel, and the general public by enriching collaborative, interdisciplinary research possibilities, inspiring new research projects, and motivating new research applications and therapeutic interventions. Early career researchers and postgraduate students who are at the beginning of their academic careers will benefit from the exposure that their work will receive through the network. The virtual resources will ensure that the network will continue to develop outside the face-to-face events while enabling those who could not attend them to participate as well.
Dance movement psychotherapy is a type of psychotherapy that uses movement to help individuals achieve emotional, cognitive, physical, and social integration. Research has shown that dance movement psychotherapy can be used for stress reduction, disease prevention, and mood management as well as, as a treatment tool across specific psychiatric conditions, including depression and anxiety. The concepts and mechanisms by which this form of therapy may improve positive outcomes are rather opaque. Some reasons for these benefits may be related to stimulating brain plasticity, boosting neural circuitry important for body awareness, nervous system regulation, but also strengthening self-concept, empathy, and interpersonal connection. Nevertheless, researchers have typically assessed subjective measures of wellbeing and mood change, depression scores or other psychological outcomes pre- and post-intervention, which do not always provide reliable and valid outcomes. Therefore, there is a need for more rigorous experimental methods including mixed-methods quantitative and objective physiological and neurophysiological data collection in combination with subjective self-reports. This is where contemporary neuroscience can help both in terms of clarifying the mechanisms of how dance movement psychotherapy works, for example, by clarifying whether it improves people' body awareness and ability to listen to their internal bodily signals, but also by disentangling the specific cognitive and emotional mechanisms being targeted through therapy.
We will bring scholars, creative therapists, and performers to develop innovative collaborative research, including practice-based and practice-led research. Three activities will be developed by the network:
1) Three interdisciplinary workshops. The first two will focus on core questions around the brain mechanisms underlying dance observation (workshop 1) and dance performance (workshop 2). The third workshop will focus on the topic of the 'inner dancing body' that is how dance may help with shaping one's experience through body awareness and sensory-based imagination.
2) A one-day conference, including a public event. A forum for new and recent scholars in the field to present their work and develop their ideas in a friendly, supportive atmosphere with featured speakers from neuroscience, the arts, and creative therapies. Members of the public interested in dance and the use of the creative therapies will be also invited to attend. On the second half of the day, a public event will include a live dance performance aimed at creatively summarise key themes from the conference and to establish empirically testable measures of brain change and body movements.
3) A website and a blog platform hosting a variety of relevant content and interactive features.
The project will benefit scholars, mental health practitioners, artists, related stakeholders, e.g., arts centres and festival personnel, and the general public by enriching collaborative, interdisciplinary research possibilities, inspiring new research projects, and motivating new research applications and therapeutic interventions. Early career researchers and postgraduate students who are at the beginning of their academic careers will benefit from the exposure that their work will receive through the network. The virtual resources will ensure that the network will continue to develop outside the face-to-face events while enabling those who could not attend them to participate as well.
Organisations
- Liverpool John Moores University (Lead Research Organisation)
- University of Haifa (Collaboration)
- University of Melbourne (Collaboration)
- Dortmund University of Applied Sciences and Arts (Collaboration)
- University of Hong Kong (Collaboration)
- UNIVERSITY COLLEGE LONDON (Collaboration)
- Edge Hill University (Collaboration)
- New York University (Collaboration)
- SRH University Berlin (Collaboration)
- Abertay University (Collaboration)
- Goldsmiths, University of London (Collaboration)
| Title | Neuroscience Meets Dance in Therapy 2024 - Promotional Video |
| Description | This is a legacy video which was produced by The Reel Thing. Captured on the day of the conference in June 2024, the video reflects the rich discussions and interdisciplinary collaborations that took place, making it a valuable resource for understanding the therapeutic power of Arts. |
| Type Of Art | Film/Video/Animation |
| Year Produced | 2024 |
| Impact | NA |
| URL | https://www.youtube.com/watch?v=BiQYWXnGIps |
| Description | 1. Establish an International Network of Scholars Focused on Bridging the Contemporary Neuroscience of Dance Performance with Therapeutic Uses of the Arts and Creative Forms of Therapies. First and foremost, we established a steering committee composed of experts from diverse fields, ensuring our network of collaborators was both broad and inclusive. Our esteemed partners and collaborators include: Dr. Bettina Bläsing, Dr. Corinne Jola, Prof. Felicity Baker, Dr. Guido Orgs, Prof. Dr. Hod Orkibi, Dr. Merritt Millman, Dr. Nisha Sajnani, Prof. Rainbow Ho, Prof. Sabine Koch, and Dr. Stergios Makris. Throughout the project, we held monthly meetings to discuss the development of the network and to organize our events, fostering a collaborative and dynamic working environment. These steering committee meetings were crucial in shaping the direction of the project, ensuring a seamless integration of ideas and expertise, which directly contributed to the success of our public events. Notably, we organized three workshops ("Observing Dance," "Inner Dancing," and "Dancing with Another") and culminated in a one-day conference titled "Neuroscience, Dance, the Arts, and Therapy: Translating Research into Practice". These events brought together leading figures in neuroscience, dance movement therapy (DMT), and creative arts therapies, fostering rich interdisciplinary dialogue and collaboration. The workshops, informed by the expertise of our steering committee, served as a foundation for the conference, which provided a platform for translating theoretical research into practical applications in the fields of therapy and the arts. This collaboration continues to build and sustain meaningful interdisciplinary partnerships, ensuring that the intersection of neuroscience and dance movement therapy remains a thriving area of inquiry and practice. 2. Develop Experimental, Ecological Methods that Attempt Micro-Investigations of Dance Practice as a Way of Identifying Key Therapeutic Components of Participants' Experience and Relative Beneficial Therapeutic Effects. While we did not conduct direct experimental research or collect data, our workshops and events provided an invaluable platform for theoretical exploration, discussion, and the sharing of insights on the potential therapeutic components of DMT. Presentations during these events helped to stimulate dialogue about how dance practices could be investigated and analysed in future research projects. This approach laid the foundation for future micro-investigations into the therapeutic benefits of dance and movement practices, particularly in terms of how such practices can affect the cognitive and emotional experiences of participants. 3. Provide, Through Dedicated Postgraduate Events, a Forum for Emerging Researchers to Present Work Within a Supportive Atmosphere Throughout our activities, postgraduate students and emerging researchers were actively invited to attend and participate in all events. Our workshops and the conference created a platform for students to engage with leading experts in neuroscience, dance movement psychotherapy, and related fields. A dedicated poster session at the conference provided an opportunity for students and early-career researchers (ECRs) to showcase their work. This initiative fostered an inclusive and supportive environment where students could engage in discussions, present ideas, and gain valuable feedback. Additionally, the involvement of early-career researchers, such as Dr. Merritt Millman, a key member of our steering committee, further contributed to the mentorship and guidance offered to emerging scholars, enriching the overall experience and supporting the development of their research trajectories. 4. Extend the Insights of Our World-Leading Research into the Public Health Sphere Through Impact and Public Engagement Activities. Our public engagement activities played a key role in translating the insights from our research into practical applications for public health. For example, during our third workshop named "Dancing with Another" we collaborated with organizations such as Trinity College Dublin, the Jameel Arts and Health Lab, and others, to host an event that reached a broad audience comprised by the general public and professionals in neuroscience, dance therapy, and related fields. These public-facing activities facilitated the exchange of knowledge on the therapeutic benefits of dance-based interventions, helping to build bridges between research, clinical practice, and public health policies. Moving forward, our planned collaborations with the British Neuroscience Association (BNA) and British Science Festival (BSF) in 2025 will continue to promote evidence-based DMT in healthcare and policy discussions. 5. Promote, in the Long Term, the Development of New Symptom-Specific Dance-Based Treatments, Which Are Research-Informed and Based on a Better Understanding of the Key Elements and Brain Mechanisms of Dance Performance Underlying Its Clinical Efficacy. While we have not yet developed specific symptom-targeted dance-based treatments, our activities have provided a strong theoretical and collaborative foundation for such developments. Through the workshops and events, we have contributed to a better understanding of the key therapeutic elements of DMT and the underlying brain mechanisms. Discussions and presentations from experts, including those on the integration of neuroscientific principles into therapeutic practices, have set the stage for future research and the eventual development of symptom-specific dance-based interventions. |
| Exploitation Route | The "Neuroscience Meets Dance in Therapy" project will generate outcomes for both academic and clinical settings. Academically, findings will be disseminated via peer-reviewed journals (Frontiers in Psychology, NeuroImage: Clinical) and presented at IASAT 2025 (Jena, Germany) and Cognitive Futures (Messina, Italy) conferences. These results will inform curricula for DMT and neuroscience programmes (at Liverpool John Moores University and Edge Hill University). We are also collaborating with members of The Association for Dance Movement Psychotherapy UK to develop motion capture-based interventions enhancing attunement and embodiment in therapist-client interactions. The PI is also working with Italian collaborators to integrate dance-based interventions into neurological rehabilitation (e.g., Parkinson's and stroke recovery). In public engagement and policy, we are partnering with the British Neuroscience Association to raise awareness of dance-based interventions for lifespan wellbeing. Insights will be shared with health policymakers, contributing to arts-based mental health guidelines. |
| Sectors | Communities and Social Services/Policy Education Healthcare Culture Heritage Museums and Collections |
| URL | https://neurosciencemeetsdance.net/ |
| Title | Advanced Motion Tracking for Dance Movement Therapy Practice |
| Description | This research method involves the use of advanced motion-tracking technology, specifically a multi-camera motion capture system, to objectively analyse and quantify movement patterns within DMT sessions. Reflective markers placed on key anatomical landmarks of participants' bodies allow precise tracking and measurement of movement kinematics, including synchrony, imitation, and relational dynamics. By capturing fine-grained, three-dimensional data of movements, this approach provides empirical insights into therapeutic processes, such as embodiment, mirroring, and attunement. The method facilitates an evidence-based understanding of how movement dynamics relate to emotional, cognitive, and relational changes during DMT, supporting the integration of neuroscientific findings into clinical practice. |
| Type Of Material | Physiological assessment or outcome measure |
| Year Produced | 2025 |
| Provided To Others? | No |
| Impact | The implementation of this advanced motion-tracking method has notably enhanced the precision and objectivity of research in DMT. By enabling detailed analysis of movement dynamics and therapeutic interactions, it can provide robust empirical evidence supporting the efficacy of DMT practices. Clinicians and researchers can gain deeper insights into how specific movement patterns, such as synchrony and mirroring, relate to emotional regulation and relational attunement. This, in turn, can strengthen interdisciplinary collaborations between neuroscience and creative arts therapies, contributing to improved methodological rigour and increased acceptance of DMT as a scientifically grounded therapeutic approach within mental health and wellbeing contexts. |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Dr Bettina Bläsing |
| Organisation | Dortmund University of Applied Sciences and Arts |
| Country | Germany |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Through their active participation in the monthly steering committee meetings, our collaborator Dr Bettina Bläsing has contributed significantly to the discussion of the mechanisms involved in Dance Movement Therapy (DMT). As an expert in the fields of movement science and body cognition, Dr Bläsing has provided valuable insights into the neurocognitive processes that underlie the therapeutic effects of dance. Her contributions have been particularly impactful in shaping the theoretical framework and refining research methodologies used within the project. Additionally, Dr. Bläsing has actively participated in all events organized within this grant, bringing her expertise to both academic and clinical contexts. She has presented her work at the workshops and and served as one of the panellists at our conference organised in June, sharing insights on how DMT can enhance motor skills and emotional well-being. Dr Bläsing's involvement has strengthened the collaboration between research teams across disciplines, including neuroscience, psychology, and dance, and has helped bridge the gap between theoretical research and clinical practice. Her commitment to the project has not only enriched the quality of the research but has also fostered a stronger international network, creating opportunities for continued collaboration and knowledge exchange between academic and clinical institutions involved in the NMDT project. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Dr Corinne Jola |
| Organisation | Abertay University |
| Country | United Kingdom |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Dr. Jola's research merges Cognitive Neuroscience with the performing arts, including dance, theatre, and music, making her a leading expert in this interdisciplinary field. As one of the founders of modern empirical psychological research in dance, with over 15 years of experience, she has provided invaluable insights into the psychological and neurocognitive processes that underlie the therapeutic effects of dance. Her contributions have been instrumental in shaping the theoretical framework and refining the research methodologies used within the project. Dr. Jola has actively participated in all events organized within this grant, bringing her expertise to both academic and clinical contexts. She served as one of the panellists at our conference organized in June, sharing insights on how DMT can improve psychological well-being, body awareness, and emotional regulation. Dr Jola's involvement has strengthened the collaboration between research teams across disciplines, including neuroscience, psychology, and dance, and has helped bridge the gap between theoretical research and clinical practice. Her commitment to the project has not only enriched the quality of the research but has also fostered a stronger international network, creating opportunities for continued collaboration and knowledge exchange between academic and clinical institutions involved in the NMDT project. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Dr Guido Orgs |
| Organisation | Goldsmiths, University of London |
| Department | Department of Psychology |
| Country | United Kingdom |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Dr Guido Orgs is Associate Professor of Cognitive Neuroscience at UCL. He has been a central contributor to the network project, bringing his expertise in cognitive neuroscience of dance and the performing arts to discussions on the therapeutic applications of DMT. Through his active participation in the monthly steering committee meetings, he has provided valuable insights into the cognitive and neural mechanisms underlying movement and dance, helping to shape the thematic direction of the project. Beyond his role in shaping the project, Dr Orgs has actively participated in all workshops and the conference, engaging in interdisciplinary discussions and fostering collaboration between researchers in psychology, neuroscience, and the performing arts. Notably, he was instrumental in organising the performance iDog Kennel Hill Project (featuring artists Ben Ash, Heni Hale, and Rachel Lopez de la Nieta) for the June 2024 conference. This performance seamlessly integrated artistic and scientific perspectives, offering a powerful exploration of the role of movement in both therapeutic and creative contexts. His efforts helped bridge the gap between research and artistic practice, fostering a deeper understanding of the impact of dance and movement on well-being. His contributions have been instrumental in bridging research and practice, strengthening connections between academic and clinical communities, and enhancing the project's overall impact. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Dr Guido Orgs |
| Organisation | University College London |
| Country | United Kingdom |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Dr Guido Orgs is Associate Professor of Cognitive Neuroscience at UCL. He has been a central contributor to the network project, bringing his expertise in cognitive neuroscience of dance and the performing arts to discussions on the therapeutic applications of DMT. Through his active participation in the monthly steering committee meetings, he has provided valuable insights into the cognitive and neural mechanisms underlying movement and dance, helping to shape the thematic direction of the project. Beyond his role in shaping the project, Dr Orgs has actively participated in all workshops and the conference, engaging in interdisciplinary discussions and fostering collaboration between researchers in psychology, neuroscience, and the performing arts. Notably, he was instrumental in organising the performance iDog Kennel Hill Project (featuring artists Ben Ash, Heni Hale, and Rachel Lopez de la Nieta) for the June 2024 conference. This performance seamlessly integrated artistic and scientific perspectives, offering a powerful exploration of the role of movement in both therapeutic and creative contexts. His efforts helped bridge the gap between research and artistic practice, fostering a deeper understanding of the impact of dance and movement on well-being. His contributions have been instrumental in bridging research and practice, strengthening connections between academic and clinical communities, and enhancing the project's overall impact. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Dr Merritt Millman |
| Organisation | Goldsmiths, University of London |
| Department | Department of Psychology |
| Country | United Kingdom |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Dr Merritt Millman is a postdoctoral research associate with a mixed background in both science and the arts. She contributed to the network project, bringing her expertise in DMT and creative arts therapies to discussions on their therapeutic applications. As an early-career researcher, her perspectives have been particularly valuable in shaping interdisciplinary conversations and ensuring that emerging voices in the field are represented. Through her active participation in the monthly steering committee meetings, she has contributed important insights into the integration of dance and movement within therapeutic and research contexts. Dr Millman has also actively engaged in all workshops and participated in the "Inner Dancing" panel discussion during our conference, playing a key role in fostering collaboration between researchers and practitioners across psychology, neuroscience, and the arts. Her contributions have helped to strengthen the dialogue between academic and clinical communities, ensuring a broad and inclusive exchange of knowledge. As an early-career researcher, her involvement in this network has provided opportunities to further develop her leadership in the field, contributing not only to the project's success but also to the future of DMT research and practice. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Dr Nisha Sajnani |
| Organisation | New York University |
| Country | United States |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Dr Nisha Sajnani has been a key contributor to the network project, bringing her expertise in drama therapy and the role of the creative arts in mental health and well-being. Through her active participation in the monthly steering committee meetings, she has provided valuable insights into the intersection of theatre, movement, and psychotherapy, shaping discussions on the therapeutic applications of Dance Movement Therapy (DMT). Dr Sajnani has actively participated in all workshops and played a significant role in the conference during the "Observing Dance" panel discussion. Her contributions enriched interdisciplinary dialogue, offering critical perspectives on how creative arts therapies can enhance emotional expression, social connection, and psychological resilience. Her engagement has helped to strengthen collaborations between researchers, clinicians, and artists, fostering meaningful exchanges between academic and clinical communities. Dr Sajnani's involvement has been instrumental in advancing the project's goals of promoting knowledge exchange and interdisciplinary collaboration. Her participation has not only deepened discussions within the network but has also contributed to the broader dissemination of ideas on the role of movement and performance in therapeutic contexts. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Professor Felicity Baker |
| Organisation | University of Melbourne |
| Country | Australia |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Felicity Baker is a Professor in Music (Music Therapy). She has played a key role in shaping the organisation of the network project, contributing her expertise in music therapy and its applications in health and well-being. Through her active participation in the monthly steering committee meetings, she has provided valuable insights into the relationship between music, movement, and emotional regulation in the context of DMT. Her contributions have been particularly important in shaping the thematic focus of the project's workshops and conference, helping to facilitate interdisciplinary discussions and promote collaboration between researchers in psychology, neuroscience, and the creative arts. While not directly involved in the events themselves, her input has supported the overall coordination of the project, ensuring a strong foundation for knowledge exchange between academic and clinical communities. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Professor Hod Orkibi |
| Organisation | University of Haifa |
| Country | Israel |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Hod Orkibi is a certified psychodrama therapist and an Associate Professor at the School of Creative Arts Therapies, University of Haifa. His research areas include drama, creativity, and well-being; psychodrama process and outcomes; arts-based community rehabilitation; and systematic reviews. He has been a key contributor to the network project, bringing his expertise in drama therapy and creative arts therapies to discussions on the therapeutic applications of DMT. Through his active participation in the monthly steering committee meetings, he has provided valuable insights into the psychological and therapeutic mechanisms of creative arts-based interventions, helping to shape the project's thematic focus. Professor Orkibi has also actively participated in all workshops, fostering interdisciplinary dialogue and collaboration between researchers in psychology, neuroscience, and the arts. Furthermore, as one of the co-editors of the special issue in The Arts in Psychotherapy journal, he has played a crucial role in ensuring the dissemination of knowledge generated through the network. His editorial leadership has helped consolidate key discussions from the project, contributing to the broader field of creative arts therapies and advancing scholarly engagement with the therapeutic impact of movement and performance. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Professor Rainbow Ho |
| Organisation | University of Hong Kong |
| Country | Hong Kong |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Professor Rainbow Ho has made significant contributions to the network project, bringing her expertise in dance movement therapy and creative arts therapies to interdisciplinary discussions. As a respected leader in the field, she has played a crucial role in shaping the project's focus on the therapeutic potential of movement and performance. Through her participation in the monthly steering committee meetings, she has provided valuable insights into the psychological and physiological benefits of dance-based interventions, helping to guide the project's themes and discussions. Professor Ho has also been actively engaged in all workshops and the conference, where she contributed to key discussions on the integration of movement and therapy in both clinical and community settings, such as the 'Dancing with Another' discussion panel. Her participation has helped to foster meaningful collaborations between researchers, practitioners, and artists, strengthening the connections between academic research and real-world applications of dance movement therapy. Her involvement has been instrumental in promoting cross-cultural perspectives on dance and health, further enriching the network's interdisciplinary dialogue. Through her contributions, Professor Ho has played a vital role in advancing the project's mission of fostering collaboration and expanding the understanding of movement-based therapeutic practices. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee and all grant events - Professor Sabine Koch |
| Organisation | SRH University Berlin |
| Country | Germany |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Sabine Koch is a Professor of Dance Movement Therapy. She has been a vital contributor to the network project, bringing her extensive expertise in dance movement therapy and embodied research. As a leading scholar in the field, she has played an important role in shaping the project's discussions on the therapeutic effects of movement and the integration of embodied approaches in psychological and clinical practice. Through her active participation in the monthly steering committee meetings, she has provided valuable insights into the mechanisms underlying dance-based interventions and their broader applications. Professor Koch has actively engaged in all workshops and the conference, contributing to interdisciplinary discussions that bridge research, practice, and the arts. More specifically, she led an experiential DMT session and participated in the "Inner Dancing" panel discussion. Her participation has strengthened collaborations between experts in psychology, neuroscience, and creative arts therapies, fostering meaningful knowledge exchange across disciplines. Her contributions have been particularly impactful in emphasising the evidence-based foundations of DMT ensuring that the project remains grounded in rigorous research and clinical relevance. By facilitating interdisciplinary dialogue and supporting the integration of movement-based approaches into therapeutic contexts, Professor Koch has helped to advance the project's mission and strengthen connections between academic and professional communities. |
| Impact | None |
| Start Year | 2023 |
| Description | Partner/Collaborator - Participation to the NMDT Steering Committee, organisation of all grant events - Dr Stergios Makris |
| Organisation | Edge Hill University |
| Country | United Kingdom |
| Sector | Academic/University |
| PI Contribution | Dr. Cazzato and Professor Karkou have both made significant contributions to the monthly discussions and panel boards at the NMDT conference in June, enriching the field with their respective expertise in neuroscience and Dance Movement Therapy (DMT). Dr. Cazzato brought her in-depth knowledge of clinical neuroscience, particularly focusing on body representation and its relationship with well-being. Her insights were central to the steering committee's discussions, offering a neuroscientific perspective that complements DMT's therapeutic practices. This has been crucial in advancing the understanding of the neural mechanisms involved in body-oriented interventions and their impact on mental health and neurological conditions. Professor Karkou, a leading expert in DMT, contributed her extensive experience in the therapeutic applications of dance. She provided valuable perspectives on the clinical effectiveness of DMT in addressing both mental health issues and neurological disorders. Her leadership and research have been instrumental in ensuring that the NMDT partnership's work reaches both academic and clinical communities. Together, Dr. Cazzato and Professor Karkou have strengthened the NMDT partnership by bridging the gap between neuroscience and DMT, facilitating interdisciplinary collaboration, and promoting innovative methodologies in dance-based therapeutic interventions. Their combined expertise has significantly advanced the research and practice within the field. |
| Collaborator Contribution | Dr Stergios Makris is a Senior Lecturer in Psychology and Deputy Director of the Arts and Wellbeing Research Centre at Edge Hill University (Led by Prof. Vicky Karkou). As part of his research, Dr Makris has worked with professional athletes to look at the brain mechanisms involved in human perception to investigate their superior perceptual and action skills. He has been a central contributor to the network project, in shaping and organising all events delivered within this project. He has also brought his expertise in the cognitive neuroscience of dance and the performing arts to discussions on the therapeutic applications of DMT. Through his active participation in the monthly steering committee meetings, he has provided valuable insights into the cognitive and neural mechanisms underlying movement and dance, helping to shape the thematic direction of the project. Beyond his role in shaping the project, Dr Makris has actively participated in all workshops and the conference, engaging in interdisciplinary discussions and fostering collaboration between researchers in psychology, neuroscience, and the performing arts. His contributions have been instrumental in bridging the gap between research and artistic practice, fostering a deeper understanding of the impact of dance and movement on well-being. His work has strengthened connections between academic and clinical communities, enhancing the overall impact of the project and contributing to its goal of integrating neuroscience with therapeutic practices. |
| Impact | NA |
| Start Year | 2023 |
| Description | Dancing with Another workshop (online) |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Professional Practitioners |
| Results and Impact | The "Dancing with Another" workshop, held online on 22 January 2024. It aimed to explore therapeutic processes such as imitation, mirroring, attunement, and synchrony within dance movement therapy. This workshop was carefully structured to provide a comprehensive, interdisciplinary exploration of the topic. The session began with a theoretical presentation delivered by a neuroscientist (Dr Orlandi, IT), offering insights into the underlying brain mechanisms and cognitive processes relevant to the theme. This was followed by an experiential workshop, allowing participants to engage first-hand with the concepts through movement-based exercises. Next, a practitioner (Dr Fontanesi, USA) demonstrated the practical application of these theoretical principles within Dance Movement Therapy (DMT), bridging the gap between research and clinical practice. The workshop concluded with an interactive discussion, inviting audience participation to foster dialogue, reflection, and knowledge exchange across disciplines. The event featured two keynote presentations: Dr. Andrea Orlandi a postdoctoral researcher in Cognitive Neuroscience at Sapienza University of Rome, discussed the neural mechanisms underlying the aesthetic appreciation of dance and the perception of interactions between individuals. Dr Cecilia Fontanesi-a dancer, choreographer, performing artist, certified movement analyst, neuroscientist, and dance/movement therapist-brought a uniquely interdisciplinary perspective to the discussion. A graduate of the Laban/Bartenieff Institute of Movement Studies (LIMS) in New York and holder of a Ph.D. in Neuroscience from CUNY, The Graduate Center, Dr Fontanesi explored the foundational principles of dance therapy. She emphasised the critical role of connection-both within the self and with others-as a fundamental prerequisite for facilitating transformative change. Through her expertise, she illuminated how movement can serve as a bridge between mind and body, fostering emotional resilience, self-awareness, and therapeutic growth. The workshop facilitated interdisciplinary dialogue, deepened understanding of therapeutic interactions in dance, and fostered the integration of neuroscientific principles into dance movement psychotherapy practices. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://neurosciencemeetsdance.net/events/dancing-with-another/ |
| Description | Inner Dancing workshop (online) |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Professional Practitioners |
| Results and Impact | The Inner Dancing workshop, held online on 8 March 2024, attracted an audience of 450 attendees and was featured as part of the Creative Brain Week programme. This event was organized in partnership with esteemed institutions, including Trinity College Dublin and the Jameel Arts & Health Lab. This workshop was carefully structured to provide a comprehensive, interdisciplinary exploration of the topic. The session began with a theoretical presentation delivered by a neuroscientist (Dr Meletaki, USA), offering insights into the underlying brain mechanisms and cognitive processes relevant to the theme. This was followed by an experiential workshop, allowing participants to engage first-hand with the concepts through movement-based exercises. Next, a practitioner (Prof. Payne, UK) demonstrated the practical application of these theoretical principles within DMT, bridging the gap between research and clinical practice. The workshop concluded with an interactive discussion, inviting audience participation to foster dialogue, reflection, and knowledge exchange across disciplines. As the third and final workshop in the series, it focused on inner dance, exploring internal sensations and body awareness as catalysts for movement and deeper self-perception. During this session, we examined the brain mechanisms that enable dance to foster observation and tracking of internal phenomena through kinaesthetic awareness. The discussion centred on the neurocognitive processes involved in the reception and integration of bodily signals-such as muscle tension (interoceptive signals) and the sense of body position in space (proprioceptive signals). Two leading scholars in dance neuroscience and DMT provided expert insights from their respective fields: 1) Prof. Helen Payne (University of Hertfordshire, UK), a pioneer and leading figure in DMT in the UK; 2) Dr. Vasiliki Meletaki (Postdoctoral Research Scholar, Penn Center for Neuroaesthetics, USA), whose research bridges neuroscience and the aesthetics of movement. This workshop offered an interdisciplinary perspective on the profound connection between movement, self-awareness, and well-being. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://creativebrainweek.com/event/creative-and-associate-programme/ |
| Description | Neuroscience, Dance, the Arts and Therapy: Translating research into practice. One-day conference at Edge Hill University. |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Professional Practitioners |
| Results and Impact | The conference, held on 7 June 2024 at Edge Hill University's Arts and Wellbeing Research Centre, served as a culmination of prior workshops, aiming to foster interdisciplinary collaboration among scholars in neuroscience, dance, and therapy. It provided a platform to explore concepts such as embodiment, relationality, movement metaphor, and narrative, with the goal of advancing dance movement psychotherapy practices to enhance well-being and mental health. The event commenced with a compelling keynote address by Dr Asaf Bachrach (France), a leading expert in the field, who delivered a thought-provoking presentation titled "Improvising Science." His talk explored the dynamic intersection of improvisational practices and scientific research, shedding light on how spontaneity, embodiment, and creative movement contribute to our understanding of cognition and therapeutic processes. This keynote set the stage for in-depth discussions on the synergy between neuroscience and Arts Therapy, providing a foundational framework for the panels and performances that followed. This was followed by three dynamic panel discussions, bringing together scholars, clinicians, and practitioners to explore key themes, including the neurocognitive mechanisms underpinning DMT, Music Therapy, Psychodrama and Digital Arts, as well as their clinical applications and the integration of technology in arts-based interventions. The conference culminated in a final performance, ~ snakeskin in the wild ~, a thought-provoking work created in 2023 by Dog Kennel Hill Project (artists Ben Ash, Heni Hale, and Rachel Lopez de la Nieta). Blending formalism with anarchy, the performance examined liveness and the aesthetics of science, offering a visceral, immersive experience that resonated with the conference's core themes. This artistic showcase not only highlighted the therapeutic potential of movement but also provided a powerful space for creative expression, reinforcing the role of embodied practices in enhancing well-being. Overall, the event offered a dynamic platform for the audience to actively engage in open discussions, encouraging the exchange of ideas and perspectives on the evolving field of Arts Therapy and its intersection with neuroscience. It facilitated the development of an international network of experts, fostering valuable interdisciplinary collaborations that have paved the way for innovative approaches in applying DMT. These collaborations have contributed to the advancement of DMT as an effective tool for stress reduction, disease prevention, mood management, and the treatment of specific psychiatric conditions, such as depression and anxiety. By bringing together leading researchers, clinicians, and practitioners, the event not only deepened our understanding of the therapeutic potential of movement but also highlighted the growing impact of DMT in both clinical and everyday settings. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://neurosciencemeetsdance.net/events/neuroscience-dance-the-arts-and-therapy-translating-resear... |
| Description | Observing Dance Workshop (Online) |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Professional Practitioners |
| Results and Impact | The "Observing Dance" workshop, held online on 9 November 2023, provided an interdisciplinary platform to bridge contemporary neuroscience with dance, performing arts, and creative therapies. The workshop explored how movement observation influences emotion recognition and social perception, shedding light on its implications for both research and therapeutic practice. This workshop was carefully structured to provide a comprehensive, interdisciplinary exploration of the topic. The session began with a theoretical presentation delivered by a neuroscientist (Prof. Calvo-Merino, UK), offering insights into the underlying brain mechanisms and cognitive processes relevant to the theme. This was followed by an experiential workshop, allowing participants to engage first-hand with the concepts through movement-based exercises. Next, a practitioner (Dr Perris, UK) demonstrated the practical application of these theoretical principles within DMT, bridging the gap between research and clinical practice. The workshop concluded with an interactive discussion, inviting audience participation to foster dialogue, reflection, and knowledge exchange across disciplines. The keynote lecture was delivered by Professor Beatriz Calvo-Merino, a leading Cognitive Neuroscientist at City, University of London (UK), renowned for her work on how sensorimotor memories and experiences shape cognition and social perception. She provided valuable insights into the neural mechanisms underlying action observation. This was followed by an experiential session led by Emma Perris, a Dance Movement Psychotherapist, Lecturer, and Research Assistant at Edge Hill University (UK), who introduced participants to Laban Movement Analysis as a tool for enhancing movement observation and understanding non-verbal communication. The workshop attracted 100 professionals from neuroscience, dance therapy, and related disciplines, fostering rich interdisciplinary dialogue. Participants gained practical and theoretical insights into the integration of neuroscientific principles into DMT, enhancing their observational skills and deepening their understanding of the connections between movement, emotion, and social cognition. The event successfully strengthened collaboration across fields, furthering the application of dance-based interventions in both clinical and research settings. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://neurosciencemeetsdance.net/events/observing-dance/ |