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Human Computers as Instruments

Lead Research Organisation: University of Bristol
Department Name: School of Arts

Abstract

To understand how science works we need to understand how scientific knowledge is produced. This requires investigating both the roles of human beings who reduce, analyse, and interpret the data as well as how data is produced by instruments and experiments. The project undertakes a novel and interdisciplinary inquiry into the epistemic roles of the people historically reduced and analysed data in large-scale scientific enterprises before the advent of digital computers. In particular, the project investigates the epistemic roles of C1-the scanners within the Bristol Nuclear Research Group 1935-1955 and C2-the human computers at the Harvard Observatory 1880-1920. Both scanners and human computers were women, from relatively poor backgrounds, who were employed as 'unskilled' workers to 'mindlessly' analyse the data, being regarded as 'ideal' candidates for making discovery and scientific knowledge 'more objective'. But were these 'hidden figures' merely 'mindless machines'?

The particular philosophical value of the comparison between C1 and C2 consists in: a) identification of novel objectivity norms; and b) analysis of the dynamics between scientific discovery and credit and authorship. Additionally, the comparison is valuably contrastive in that the data analysed is significantly different: the scanners specialised in the detection of cosmic particles within photographic emulsions plates, whereas the human computers specialised in the identification of the spectral characteristics of stars and their classification.


The Human Computers as Instruments project will furnish analytical and ethical tools for a) the philosophical and normative assessment of epistemic work and epistemic injustice within large scale collaborations; b) the re-appraisal of norms of scientific objectivity and scientific discovery; c) the regulation and communication of credit, authorship, and reward systems in science and d) the engagement of the public in more complex narratives of instrumentation and experimentation, scientific discovery, and reward systems in science.


This project will provide an essential platform for a better understanding of how scientific knowledge is produced and legitimised in large scale collaborations, as well as of how scientific credit is apportioned in such scientific enterprises. This will be invaluable for future philosophical and historical work which investigates how scientific knowledge is produced and legitimised in i) other nuclear emulsions and bubble chamber projects which hired scanners (e.g. the UCL Emulsion Group and Bubble Chamber Group 1955-1975, the Brookhaven National Laboratory); other Observatories or enterprises which hired human computers (e.g. the Edinburgh Observatory mid 19th to mid 20th centuries, NACA/NASA 1940-1965); as well as iii) contemporary large-scale scientific projects such as big science2 enterprises (e.g. CERN) or citizen science3 projects (e.g. the Hubble Asteroid Hunter project).

Publications

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Ana-Maria Cre?u (2024) Human Computers as Instruments

 
Description Human Computers as Instruments 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact I gave a peer-reviewed talk at the First Feminist Philosophy of Physics Workshop in Ann Arbor, Michigan. This was an excellent opportunity to reach a wider audience of scholars and postgraduate students from a variety of fields, such as physics, astrophysics, history, and philosophy and to disseminate the findings of the project.
Year(s) Of Engagement Activity 2024
URL https://www.jingyiwu.org/fppm.html
 
Description Human Computers as Instruments 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact I gave the Departmental Seminar at the University of Bristol in March 2024 to a packed audience of students, colleagues, and external members of the university. The talk presented the first finding of the project on the negative epistemological and methodological consequences of instrumentalised scientific labour on science.
Year(s) Of Engagement Activity 2024
URL https://www.bristol.ac.uk/arts/events/2024/march/prsana-maria-cretu21-mar.html
 
Description Human Computers as Instruments 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact I was invited to participate in an interdisciplinary workshop of the Max Planck Society at Schloss Ringberg in April 2024. This was an opportunity to engage with historians of science and to present the first findings of the project on the negative epistemological and methodological consequences of instrumentalised scientific labour on science.
Year(s) Of Engagement Activity 2024
 
Description Stars and Supernovae: Stable Real Patterns in Astrophysics 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Professional Practitioners
Results and Impact This was an invited talk at the HPS Department at the University of Leeds. It was a joint talk, with Karim Thébault, on classifications in Astrophysics which focussed, in part on the work of the human computers at the Harvard College Observatory, 1880s-1920s. The talk was attended by colleagues in history and in philosophy, as well as by postgraduate students.
Year(s) Of Engagement Activity 2024
URL https://hpsleeds.wordpress.com/author/hpsleeds/