Roman and Late Antique Artefacts from Egypt: Understanding Society and Culture

Lead Research Organisation: University of Kent
Department Name: Sch of European Culture and Languages

Abstract

The research project will be the first in-depth study of the society and culture of Roman and Late Antique Egypt that uses everyday artefacts as its principal source of evidence. In this way it will transform our understanding of social experience and social relations in Roman and Late Antique Egypt.

UK museums hold significant collections of artefacts from Roman and Late Antique Egypt (c. 30 B.C. to A.D. 700) as a result of archaeological excavations carried out in the late nineteenth and early twentieth centuries. Yet because scholarly interest has focused on the Egypt of the Pharaohs, and on evidence about Egypt from ancient texts, most of these objects have never been studied. This situation is likely to continue, since most UK museums and universities do not have any specialists with relevant expertise.

We will focus on the collection of UCL's Petrie Museum, one of the largest and best-documented in the UK, designated by the UK govt. in 1998 as of 'outstanding importance'. The collection contains more than 8000 objects dating to the periods under study, most of which have not been the subject of any research. Moreover, the collection includes many objects that rarely survive elsewhere, and so is very important in terms of our overall understanding of Roman artefacts across the empire.

By examining the features of artefacts, the materials they were made from, evidence of modification that shows how they were used in daily life, and associated texts that provide further information, we will investigate aspects of social behaviour and experience and shed new light on daily life in Roman and Late Antique Egypt. We are particularly interested in investigating how experiences may have differed among people with varying status in society (children, adults, people of different social class), which can be investigated by examining objects that can be associated with these particular groups. By examining aspects such as wear and repair, we will also investigate the personal and sentimental meanings that may have been attached to objects. The categories of objects that we will study will comprise ordinary everyday artefacts such as dress accessories, shoes, toys, simple musical instruments such as bells, clappers and rattles, and other domestic items.

The potential of the material to transform understanding is amply demonstrated through pilot studies of selected artefact categories from Roman and Late Antique Egypt (baskets, dice, reed pens, and feeding bottles) already undertaken by the investigators and researcher on the project. These studies show that the research value of Roman material culture from Egypt is immense, and that similar approaches to a much wider data-set of everyday artefacts are likely to yield extremely significant results.

The research will bring together specialists in the interpretation of ancient Egyptian texts, and archaeological artefacts, drawing on new methodologies and interpretative approaches including the experimental recreation of objects using new technologies. It will result in a co-authored book that will be a significant departure from extant previous studies of the social history of Roman and Late Antique Egypt in its focus on artefact evidence. Further outputs will include a journal article on the 3D scanning and recreation of objects, online teaching and research resources for schools and universities, a workshop for museums and academics, and a museum display at the Petrie Museum open to the general public.

The museum display will present our research on the simple musical instruments in particular, displaying the originals from the Petrie collection, prototypes & replicas made via 3D scanning/printing technology (which may be handled and played by visitors), the sounds that can be made using the replica artefacts, and our interpretation of how the artefacts would have been used to create particular experiences, for instance in religious and ritual activities.

Planned Impact

In addition to academic beneficiares (see separate section) the following groups will benefit from the research project: Petrie Museum, other UK museums, UK schools and the wider general public, university students.

Petrie Museum
The project will contribute to the Petrie Museum's documentation of objects through the new research on the collections. Additional information will be added to the museum's current online database of artefacts. Most of the objects in the database have not been the subject of any research, and the current information generally comprises only basic identifications. In some instances one record covers 50+ individual objects. The research project will transform our knowledge of many objects, and thus the quality and quantity of information available on the online database.

The project will also facilitate a new display on artefacts from Roman Egypt which will take place at the museum and address the remit of the museum to present its material to the wider public and encourage public engagement with research. Associated web materials will enhance the Petrie Museum web site. A number of replica objects will also be donated to the Petrie Museum for future use in educational and outreach activities. The museum will therefore benefit from considerable enhancement of its records, from the opportunity to showcase materials from Roman Egypt in its collections in an innovative museum display and from additional project-generated impact activities and materials.

UK Schools and General Public
Since Dynastic Egypt is dominant in public perceptions of the region, the general public has very little knowledge or understanding of Roman and Late Antique Egypt. The museum display and associated online materials that are part of the project will foster greater understanding and knowledge of the period and region, for instance illuminating similarities and differences with the wider Roman world, and enhancing understanding of the complex cultural interactions of the period. The museum display will also provide information that will educate visitors on the history of musical instruments and the diverse contexts in which music was used in the ancient world. Schools will additionally be provided with a Learning Resource Pack with material related to coverage of the Roman period and of Egyptian civilization at Key Stage 2. The project will thus directly bring benefits to schools teaching the national curriculum by providing appropriate teaching materials.

University Students
Students across the UK will benefit from resource materials available via the Petrie Museum's Digital Egypt pages, aimed at students in higher education, which can be used in their studies. The enhanced information on the Petrie Museum online database of artefacts will be also useful to undergraduate students researching their dissertations, and to research students as a resource for M.A. and PhD. level research, who will have access to more accurate and complete information than previously available.

Other UK Museums
UK museums with collections pertaining to Roman Egypt will benefit from the increased documentation of comparable material in the Petrie Museum online database, and from a workshop presenting project results and the innovative methodologies used for the study of Roman/Late Antique Egypt. The workshop and associated exhibition private view will encourage future museum displays on artefacts from Roman/Late Antique Egypt at other UK museums by setting out new approaches, making clear the value of UK Roman/Late Antique Egypt artefact collections, and transforming research information available on artefacts from the period and region.
 
Title replica musical instruments 
Description Using 3D scans of ancient artefacts in the Petrie Museum collection, technicians at the University of Kent have created a number of musical instrument replicas as part of the project research and impact activities. 
Type Of Art Artefact (including digital) 
Year Produced 2018 
Impact See the engagement activity 'Sounds of Roman Egypt' exhibition for details of the impact achieved through the use of the replicas. 
 
Description 1. Our research on the artefacts and associated archives in the Petrie collection has been able to significantly improve fundamental research information about where many objects were found, what period they date to, and in some cases, where they were made. As well as identifying the sites where objects were found, we have also been able to re-associate objects with particular excavated tombs in about 50 instances. We have been able to show that some objects found in Egypt came from north-western Europe, Iran, and Sri Lanka. As regards dating, we have been able to show that a large proportion of the objects studied are Late Antique in date, rather than Roman as previously identified, an important correction to previous dating. This kind of information is very scarce for material from Egypt in UK collections and thus makes an important contribution to new knowledge. It will considerably enhance future research on artefacts from Egypt which has been very limited, in part because of widespread problems with the dating and provenance of artefacts.
2. We have made a significant contribution to understanding of everyday life in Roman and Late Antique Egypt through our research. We have examined the functions of artefacts within society both with regard to individual identities, and wider family and community relationships, and the social experience of everyday life. We have documented, in particular, how social structures centred on the life course and family status were constructed both through dress objects, and through everyday objects. These were used in the performance of age and gender-appropriate appearances and activities, which enacted and reinforced social roles and behaviour.Our second main interpretative contribution is to bring to life aspects of social experience that are not often considered in archaeological studies of objects. We have enriched our understanding of the contribution of artefacts to social experience and social relations with regard to both productive and leisure activities. Both are facilitated by the physical features of artefacts and the materials from which they were made. We have also examined the contribution of artefacts to the wider sensory environment of everyday life.
3. The research has also demonstrated that 3D scanning is a useful tool in the creation of replica artefacts for use in both research and museum education. We have documented a methodology for the creation of such replica artefacts, and generated artefact replicas, 3D scanning files, 3D models of artefacts, and sound recordings of replicas, that can be used by others in further research and education activities. 3D files and sound recordings have been made available Open Access via the Archaeology Data Service.
Exploitation Route The new research information we have provided will be essential to future scholars researching the Roman and Late Antique objects in the Petrie collection, enabling better understanding of, for example, the life course and how life course identities were created and embodied; social interactions, experience, and social structure; contact between different regions; long-distance trade; people travelling in antiquity; and social changes through time.

At our project workshop, museum curators confirmed they will use ideas or content from the project in museum education, and academics that they will use ideas or content from the project in university education. Museums have also expressed interest in using our data to create further replica artefacts for use in museum education.

Our article on replica instruments, to be published by Internet Archaeology, includes 3D scanning files (.stl files), 3D models, and sound recordings of artefact replicas, which scholars and museum professionals will be able to make use of in future research and education activities. The .stl files, for instance, can be used to make further 3D replicas of the objects which could be used in new experimental archaeology projects. The sound files are being used in a new archaeoacoustics research project in Greece, see details in 'datasets' section.
Sectors Education,Culture, Heritage, Museums and Collections

URL http://blogs.kent.ac.uk/egypt-artefacts
 
Description We are beginning to have an impact on both public perceptions and knowledge, and on the museum sector with regard to the use of ideas and knowledge from the project in future museum education. Data from the project is now available to a worldwide audience not only through the Open Access article in Internet Archaeology, but also updates to UCL's collections online database which is now live.
Sector Education,Culture, Heritage, Museums and Collections
Impact Types Cultural,Societal

 
Title Artefact datasets 
Description Each researcher on the project (PI, Co-I and RA) has been recording information about ancient artefacts gathered in museum study visits using a custom-made database in Excel or Access. 
Type Of Material Database/Collection of data 
Year Produced 2017 
Provided To Others? No  
Impact The databases will facilitate ongoing research. 
 
Title Dataset of 3D models and sound recordings 
Description This dataset relates to the publication 'Creation of Functional Replica Roman and Late Antique Musical Instruments through 3D Scanning and Printing Technology, and their use in research and museum education' in Internet Archaeology 56 (https://doi.org/10.11141/ia.56.1) It constitutes Appendices 1 and 2 of the Open Access article, App. 1, 3D models of musical instruments, and App. 2, sound recordings, both made as part of the AHRC project. The database is also available as a standalone resource from the Archaeology Data Service website. 
Type Of Material Database/Collection of data 
Year Produced 2021 
Provided To Others? Yes  
Impact The data (and related versions of it, i.e. without applied acoustic modelling) is being used in an ongoing research project titled 'Archaeoacoustic Research of Caves dedicated to Pan and the Nymphs' carried out at the University of Athens in collaboration with the University of Patra. I was contacted by post-doctoral researcher by Nektarios-Petros Yioutso about this project and they are using our sound recordings in their experimental research on the acoustics of ancient sacred caves. 
URL https://archaeologydataservice.ac.uk/archives/view/romaninst_ahrc_2020/downloads.cfm?archive=models
 
Description Updates to Petrie Museum database 
Organisation Petrie Museum of Egyptian Archaeology
Country United Kingdom 
Sector Learned Society 
PI Contribution As part of the AHRC project a number of activites are being undertaken with the UCL Petrie Museum (see engagement activites section) which has also included the improvement of museum resources through updates with more accurate data.
Collaborator Contribution Funded by the project, the museum assistant at the Petrie Museum entered updated information onto the museum catalogue. Updated information is available through the online collections search page https://collections.ucl.ac.uk/search/simple
Impact The project team has made c.700 updates to the Petrie Museum's online catalogue of artefacts including new information on dating, material, identification of unidentifed objects, alteration of misattributed items, measurements, site provenance, etc. 65 new photos, 18 sound files, and 24 3D pdfs were also provided to the Petrie Museum. The updates to the online catalogue are now live and available online to a worldwide audience. The contribution in-kind by the Petrie Museum to the research is the permission to use photographs of objects in our research publications for which there might otherwise be a copyright charge.
Start Year 2017
 
Description 'Sounds of Roman Egypt' exhibition 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact Sounds of Roman Egypt exhibition at the UCL Petrie Museum of Egyptian Archaeology 22 January - 22 April 2019

c.150 people attended the private view on 21 January

115 visitors filled in a visitor questionnaire about their experience of the exhibition and its associated activities. The completed questionnaires covered a broad spectrum of ages, with similar numbers across the different age categories. 38% of the respondents were in higher education.

The sensory experience of the sound, and how this helped to bring the past to life, and make it more relatable for visitors, was the strongest theme of the feedback. Using objects that were both audible and tactile, and listening to sound recordings, facilitated a more immediate experience, in which people felt more connected to the past, and were consequently better able to imagine people using the original objects within a living social environment ('they seem more realistic as humans [rather] than just history').

In response to the question 'What did you learn that was new?' 56% of respondents said that they learned something new about music, sounds, or instruments. They reported learning what instruments were played, and how to play them. They said they had learned what instruments sounded like and how loud or soft they were. These aspects were all directly communicated by the artefact replicas, and the sound recordings made using the replicas. Also mentioned were rhythms, musical notation, soundscapes, how the instruments were made, and how music contributed to everyday life.

Another common theme was how the exhibition had broadened people's conception of Egypt. 62% of visitors said that it had changed their view of Ancient Egypt. Some did not have much or any awareness of the Roman period ('I hadn't thought about Romans being in Egypt'; 'previously I had little sense of a Roman culture in Egypt'). For others, who had a popular image of Egypt as being mostly about things like burials and hieroglyphs, it broadened their conception to include aspects of everyday life ( 'Oftentimes we hear of Egypt in terms of elaborate tombs, and this showed the life of the everyday'; 'Nice to listen to Egyptian sounds rather than just funeral objects/graves'). Many people had not previously thought about music and sound in the ancient world at all (mentioned in 7 responses), demonstrating the value of the exhibition in transforming wider perceptions of the past.
Year(s) Of Engagement Activity 2019
 
Description Archaeology Day Kent 20 Oct 2019 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact Talk by Ellen Swift for day of public engagement activities 'Archaeology Day' at the University of Kent, 20 October 2018
Title 'Recreating the Sounds of Roman Egypt through experimental Archaeology'

The talk is also available as a podcast (internal) via the University of Kent website
Year(s) Of Engagement Activity 2018
 
Description Donation of replica artefact to Ure Museum Reading 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Third sector organisations
Results and Impact Following networking with the education officer at Ure Museum, University of Reading, where an exhibition on ancient music was taking place, a replica object created during the project (set of panpipes) was donated to the Ure museum for use in their own public engagement activities.
They used it in a workshop for school children, years 9 and 10.
Year(s) Of Engagement Activity 2018,2019
 
Description Folkestone and Hythe Express newspaper article 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact Article in Folkestone and Hythe Express local newspaper on the 3D scanning of ancient artefacts undertaken for the AHRC project, April 4 2018
Year(s) Of Engagement Activity 2018
 
Description KM Extra newspaper article 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact Article in KM Extra local newspaper on the 3D scanning of ancient artefacts undertaken for the AHRC project
Year(s) Of Engagement Activity 2018
 
Description Museums Association Website Entry 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Third sector organisations
Results and Impact The project exhibition at the UCL Petrie Museum of Egyptian Archaeology 'Sounds of Roman Egypt' was featured in the 'New Practice' section of the Museums Association Website.
Year(s) Of Engagement Activity 2019
URL https://www.museumsassociation.org/museum-practice/new-practice/07022019-Petrie-Egypt-musical-instru...
 
Description Petrie Friends Handling session 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Supporters
Results and Impact Artefact handling session run by Ellen Swift for Petrie Museum Friends Group, including original musical instruments from the Petrie Museum collection and artefact replicas made during the AHRC project.
Year(s) Of Engagement Activity 2019
 
Description Petrie Museum General Public Workshops 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact A series of 5 two- hour workshops for the general public relating to the AHRC project exhibition 'Sounds of Roman Egypt' at the UCL Petrie Museum. The workshops took place between Jan and April 2019 while the exhibition was on.
Project team members provided information about musical instruments in Roman Egypt, showed visitors the full range of object replicas made as part of the project, and with musician Alan Bryant, demonstrated the instruments for visitors, and taught visitors how to play the instruments including the use of authentic ancient rhythms.
Year(s) Of Engagement Activity 2019
 
Description Public Engagement Vindolanda Roman Fort 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact Public Engagement day of Experimental archaeology activities for the general public, part of a 2-day workshop on experimental archaeology. Project participants Ellen Swift and Jo Stoner ran a stall on musical instruments with replicas for the public to play with and further information provided.
Year(s) Of Engagement Activity 2018
URL http://trac.org.uk/tracamp-2018/
 
Description Schools Short Story Competition 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Schools
Results and Impact Short Story competition for Schools. Entrants were invited to write a short story inspired by one of the artefacts featured on the AHRC project's blog. There were 100 entries from Year 7-11 pupils at UK schools. The content of the stories demonstrated that pupils had learned from the project blog and developed their own views about the meanings of artefacts in the past. The winning entry was published on the Departmental blog, see weblink.
Year(s) Of Engagement Activity 2019
URL https://blogs.kent.ac.uk/clas/2019/05/28/short-story-competition-winners/
 
Description Specialist workshop for museums and academics 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Third sector organisations
Results and Impact Specialist workshop 'Society and Culture in Roman and Late Antique Egypt: artefact research and museum education', attended by 6 museum curators, 8 university academics, and 1 independent scholar plus the 3 AHRC project team members. The workshop presented some results from the project research, promoted the Petrie Museum's online database of artefacts (including c. 700 updates to text on catalogue made by the project team), and brought together university and museum professionals to discuss how they could work together more effectively in the future on both research projects and museum education.
15 questionnaires were completed following the workshop:
14 participants confirmed that they were more likely to use the Petrie Museum online database after the workshop
4 participants had not previously used the Petrie Museum online database but would do so in future
13 participants confirmed they would use ideas or content from the workshop or wider AHRC project in future research
9 participants confirmed they would use ideas or content from the workshop or wider AHRC project in future teaching
5 participants confirmed they would use ideas or content from the workshop or wider AHRC project in future museum education
Year(s) Of Engagement Activity 2019
 
Description University of Kent Blog 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact A blog was set up in September 2017 to provide monthly updates on project activities. Data on audience views are being collected and each month 2017- end Feb 2020 was around the 200 mark, with a greater number in the first month of the blog, around 750 maximum. Between Mar 2020 and end Feb 2021, the average number of views per month was 120. A visitor to the blog requested .stl files to make further replica objects, and this information was sent to them.
A Schools Pack has also been made available for download via the blog page.
Year(s) Of Engagement Activity 2017,2018,2019,2020
URL http://blogs.kent.ac.uk/egypt-artefacts/