Artificial Light Impacts on Coastal Ecosystems (ALICE)

Lead Research Organisation: Plymouth Marine Laboratory
Department Name: Plymouth Marine Lab

Abstract

Coastlines are illuminated with artificial light at night (ALAN) from piers, promenades, ports harbours, and dockyards. Artificial sky glow created by lighting from coastal settlements can now be detected above 22% of the world's coasts nightly, and will dramatically increase as coastal human populations more than double by year 2060. Life history adaptations to the moon and sun are near ubiquitous in the upper 200m of the sea, such that cycle's and gradients of light intensity and colour are major structuring factors in marine ecosystems. The potential for ALAN to reshape the ecology of coastal habitats by interfering with natural light cycles and the biological processes they inform is increasingly recognised.

Marine invertebrates are extremely sensitive to natural light throughout their life cycle. Examples include synchronised broadcast spawning in reef corals informed by moonlight cycles, zooplankton sensitivity to moonlight at >100m depth, and phototaxis of larvae under light equivalent to moonless overcast nights. The reproductive, larval and adult phases of marine invertebrates are all affected by night-time lighting of equivalent illuminances to those found in ports and harbours. Further, direct impacts on organism behaviour can indirectly affect other species in coastal food web's, changing ecosystem structure. The potential for coastal ALAN to disrupt marine organisms, species interactions, population dynamics, and organism distributions is clear.
The growing use of white Light Emitting Diodes (LEDs) (69% of global lighting by 2020) will exacerbate ALAN's impacts. LEDs emit more blue wavelength light that: i) penetrates deeper into seawater compared to older lighting technologies; and ii) many marine organism responses are most sensitive to. Tailoring LEDs to avoid blue wavelengths represents one mitigation option trialled on land that can be improved by investigating the spectral dependence of biological responses.
ALICE will tackle fundamental gaps in our understanding of marine ecosystem responses to ALAN, by carrying out the following research: -
1. Laboratory experiments to determine the impacts of ALAN on coastal organisms: Parallel experiments will quantify the impacts of ALAN interference with natural light cycles on the life history responses of marine invertebrates. These relationships will be used to model the growth rate of marine invertebrate populations exposed to different intensities of cool white LED light assuming optimal conditions with no predators or competitors.
2. Laboratory experiments to determine the impact of ALAN on species interactions: The relationships between white LED light intensity, and species interactions (predation,competition and mutualism) will be simultaneously quantified during the above experiments, and used to model the impacts of ALAN on marine invertebrate populations accounting for their relationships with one another in nature.
3. Mapping and modelling the distribution of ALAN in coastal marine habitats: The intensity of colour composition of ALAN in coastal waters will be mapped across three contrastingly urbanised UK estuaries. These data, and associated optical modelling, will be used with satellite data to globally map ALAN intensity from the sea surface to a depth of 100m.
4. Modelling ALAN impacts on species distributions: The population models (1,2) and the ALAN distribution model (3), will allow a synthesis assessment of long term changes in species distributions that may result from ALAN impacts.
5. Quantifying the benefits of avoiding ALAN wavelengths: we will quantify the ecological benefits of: i) removing blue light form LEDs blue using optical filters; ii) replacing white, with longer wavelength Amber LEDs. In addition we will quantify the responses of marine invertebrate larvae to different colours of light, so that the design of ecologically friendly LED lighting can be better informed.

Planned Impact

ALICE will target four distinctive groups of stakeholders in order to maximise the impact of the project. These will be: 1) conservation organisations; 2) the outdoor lighting industry; 3) the aquarium, agriculture and aquaculture industry and; 4) the general public.
Importantly, to maximise impact, ALICE will hold a series of five one-day structured workshops to facilitate knowledge transfer to and between our project partners from marine conservation, coral reef management, lighting industry and public outreach organisations to co-design ecologically sustainable lighting practices and technologies. Specifically, ALICE will use a real-life test case within the North Devon UNESCO site where the project science team, conservationists and industry can co-design technological solutions with the knowledge gained from the project.
The knowledge gained will be presented in a detailed report summarised by 'codes of best practice', for publication and wider circulation across project partner networks.
1) We will ensure that the outcomes of ALICE will be considered by governmental and non-governmental conservation organisations, particularly those concerned with the EU Marine Strategy Framework Directive descriptor 11 (Energy - which includes light, and noise) and achieving Good Environmental Status by 2020 are engaged with ALICE as project partners from the proposal writing stage (Natural England; Natural Resources Wales; North Devon UNESCO Man and Biosphere Reserve; The Society for the Protection of Nature in Israel; Israel Nature and Parks Authority and the Mideast Coral Reef Society).
2) We will engage with the outdoor lighting industry is increasingly aware of the ecological concerns associated with the use of white LED lighting which is popular in maritime industries. ALICE will capitalise on established relationships between the science team and major players in the UK lighting industry including the Institution of Lighting Professionals (representing the whole UK lighting industry), Kingfisher Lighting (developer of ecologically friendly lighting technologies), and Lighting Technology Products (exterior lighting architects whose coastal projects include the O2 Arena London, Dragon Bridge in Rhyl, and Bristol harbourside).
3) ALICE will build on established relationships with project partner Tropical Marine Centre (London) in order to create the most advanced indoor natural lighting solutions for aquarists, aquaculture, indoor farmers and scientific laboratories. This will use Java translations of Davies' existing lunar sky brightness models and recent advances on the CIE standard model, will allow the team to fully simulate moon and sun light irradiance and spectra in real time for any location on Earth using TMC's existing lighting control technology.
4) Coral reefs are ideally suited to communicate marine conservation topics to the general public as members are increasingly aware of the significance of reefs among the biologically most diverse ecosystems and the associated importance for humanity. The concern about the potential loss of the reefs is correspondingly high. We will therefore communicate our progress in providing a scientific knowledge base for marine conservation to a large public audience will be reached via the established Communication channels of the Horniman Museum, London previously utilised by Co-Is Wiedenmann and D'Angelo, including "Project Coral" headed by project partner Jamie Craggs.
Finally, all ALICE project outputs will be publicised in the global media (online, print, television and radio) using the science teams' respective press offices'. A website will inform the public about coastal light pollution and the ALICE project, contain an archive of published scientific outputs including an interactive global map of marine light pollution, links to online data repositories, and dedicated web pages to the impact plan.

Publications

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Title Aquavideo 2020 
Description Collaboration with artist Michela de Mattei, in the context of NERC project ALICE. Ana Queiros (project CoI) provided visuals and an interview that featured in the following work, which was on display as part of the exibition "Aquaria or the illusion of a boxed sea" at the Museum of Art, Architecture and Technology (Lisbon, Portugal) in 2021. https://www.maat.pt/en/exhibition/aquaria-or-illusion-boxed-sea Two-channel video installation (10'15"), 4.1 audio system. Courtesy of the artist and Belmacz. The video-installation takes as a starting point a water leakage that occurred at the Dubai Aquarium inside the Dubai Mall in 2010. Juxtaposing the Internet footage of the recordings of the incident with the artist's recent first hand recordings inside the Dubai Aquarium, the video wants to question the idea of aquarium both as a window into an underwater world, a display of marvels, as well as an artificial and problematic reproduction holding wonder and anxiety tightly together. Projected into two separate screens Acquavideo links visually and conceptually the fish tank and the Dubai Mall as enclosed spaces of desire, imagination, power and control. The first section of the video suggests captivity, playing with excessive point of views; glimpses and gazes of this extreme visibility. The editing of the moving images creates constricted architectural partitions, planes and perspectives. The shops in the Mall reflects their logos and lights onto the glass panels of the fish tanks creating a visual intoxication of these two enclosed spaces. This excessive tension escalates into a short circuit, a figurative and symbolic crack into the system that make the second part of the video collapse into a nocturnal dimension. Darkness envelops what is visible and the viewer slips into an immersive acoustic space, sliding into a submerged world that is both hypnotic and fictional, realistic and surreal. The soundscape registers this shift, from a sound pollution to an absorbing acoustic atmosphere. The video installation hold together, reverses and mirrors these perspectives. The two screens interplay these dimensions like communicating vessels. Both a visual and symbolic outflow, Acquavideo is an intimate journey into subliminal desires, pressures and mesmerising visions. Ultimately, the work reflects on the relationship between consumerism and wonder using the affinities of fish tanks or the aquarium to windows displays, as both are carefully designed to allow viewers (or consumers) to imagine, escape and disengage from their own everyday reality. ©Credits. Acquavideo 2020 by Michela de Mattei. Music & Sound Design - Emanuele de Raymondi Voiceover Actor - Aaron Surtees Graphics - Simone Marziali Color Grade - Domenico Nicoletti With special thanks to: Alserkal Art Foundation (Dubai); Belmacz; Simone Bertuzzi; Giorgio Mega; Valerio Pacetti; Ana M. Queiros, Plymouth Marine Laboratory (PML); Filipa Ramos; Anna Sbiera; Wet Sound 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2021 
Impact Work delivered as a science-arts collaboration, around the impacts of light pollution on marine organisms. 
 
Description Global maps of in-water Artificial Light At Night have been created at 4 km resolution. This shows for the first time the extent of light pollution within the global ocean. It also allows a quantification of how much an individual countries EEZ is impacted by light pollution, which has an impact on marine lifeforms, food webs and ecosystems.

Local scale maps of the River Tamar have also been created at 10 - 100 m resolution showing the impact of light pollution in different parts of the optical spectrum and at different states of the tide. This is important for intertidal species and also for similarly urbanised areas which fringe oceans / estuaries.

Preparation for the mesocosm experiments has been happening this year: purchase of equipment and assembly of the components.
Exploitation Route Formation of policy on how we light our cities. What wavelengths to use, what strategies should we evolve to stop wasting energy and impacting the natural world.
Sectors Aerospace, Defence and Marine,Construction,Energy,Environment,Transport

 
Description Multiple news outlets covering papers when published (Global Atlas; Global Megacities)
First Year Of Impact 2022
Sector Creative Economy,Education,Energy
Impact Types Cultural,Societal,Economic,Policy & public services

 
Title A Global Atlas of Artificial Light At Night Under the Sea 
Description Coastlines globally are increasingly being illuminated with Artificial Light At Night (ALAN) from various urban infrastructures such as houses, offices, piers, roads, ports and dockyards. Artificial sky glow can now be detected above 22% of the world's coasts nightly and will dramatically increase as coastal human populations more than double by the year 2060. One of the clearest demonstrations that we have entered another epoch, the urbanocene, is the prevalence of ALAN visible from space. Photobiological life history adaptations to the moon and sun are near ubiquitous in the surface ocean (0-200m), such that cycles and gradients of light intensity and spectra are major structuring factors in marine ecosystems. The potential for ALAN to reshape the ecology of coastal habitats by interfering with natural light cycles and the biological processes they inform is increasingly recognized and is an emergent focus for research. This dataset is derived from two primary satellite data sources: an artificial night sky brightness world atlas (Falchi et al., 2016) and an in-water Inherent Optical Property (Lee et al., 2002) dataset derived from ESA's Ocean Colour Climate Change Initiative (OC-CCI https://www.oceancolour.org/). These primary datasets are both used in conjunction with in-situ derived measurements and radiative transfer modelling in order to quantify the critical depth (Zc) to which biologically relevant ALAN penetrates throughout the global ocean's estuarine, coastal and near shore regions, in particular the area defined by an individual country's Exclusive Economic Zone. The critical depth is defined as the depth at which the modelled light level in the water column, illuminated by ALAN, drops below 0.102 µWm-2, the minimum irradiance of white light that elicits diel vertical migration in adult female Calanus copepods (Batnes et al., 2015). This is function of incident ALAN irradiance at the surface as well as the in-water transparency (governed by in-water optically active constituents). 
Type Of Material Database/Collection of data 
Year Produced 2020 
Provided To Others? Yes  
Impact First global distribution of underwater impacts of Artificial Light at Night 
URL https://doi.pangaea.de/10.1594/PANGAEA.922885
 
Title A Global Atlas of Artificial Light At Night Under the Sea 
Description Global Atlas Database: https://doi.pangaea.de/10.1594/PANGAEA.929749 
Type Of Technology Software 
Year Produced 2021 
Open Source License? Yes  
Impact Altmetric score of 128 (top 5% of all research) 
URL https://doi.pangaea.de/10.1594/PANGAEA.929749
 
Title Software and data maps showing global in-water impact of Artificial Light At Night 
Description IDL code to produce global maps of in-water ALAN. Uses maps of ALAN (Falchi et al. 2016) and in-water light modelling (Hydrolight FORTRAN) to determine the penetration depth of biologically relevant ALAN. 
Type Of Technology Software 
Year Produced 2019 
Impact Global maps of in-water ALAN for the first time. Impact of ALAN in EEZ 
 
Title Tidal Light model 
Description Tidal light model for ALAN, Lunar, Solar 
Type Of Technology Software 
Year Produced 2022 
Impact Publication on Global Megacities; much media coverage (paper Altmetric score 91) 
URL https://github.com/timjsmyth/TidalLight
 
Description Presented at EUROMARINE workshop, Pisa, January 2020. 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Presented the NECR ALICE project and planned experimental and modellign activities to a multidisciplinary group of researches of Artificial Light at Night.
Year(s) Of Engagement Activity 2019
URL https://www.euromarinenetwork.eu/activities/emergent-impacts-coastal-areas