21st-Century Oboe: Re-activating interactions between composers, performers and makers
Lead Research Organisation:
Royal Academy of Music
Department Name: Research
Abstract
During the nineteenth century the oboe developed from a simple instrument with only a few keys to the more complex instrument that, in essence, is still used today. These changes were brought about by instrument-makers, oboists and composers (often all three were combined in the one person), in response to perceived limitations in the design of the instrument and developing demands in the music of the period. In the twentieth century this characteristic symbiosis faded, with ramifications for instrument design and performance techniques that have become increasingly pressing in recent decades. This research project proposes to create a new model for collaboration between performer, instrument-maker and composer, in order to address current problems in instrumental design, and to equip players to meet the challenges of the demanding repertoire being written for the oboe today.
During the last fifty years a number of major changes have occurred in the way some composers are writing for the instrument. These changes include the development of a wide range of 'extended techniques' (for example, playing beyond the current registral range, multiphonics, and quarter-tones), requiring the use of unorthodox and often exceptionally difficult fingerings. The oboe as it stands was not designed to be used in such a way. There is an urgent need to rethink significantly both the keywork design of the instrument and some areas of oboe technique.
Working in collaboration with composers, the instrument-maker T.W.Howarth and other oboists, I intend to explore viable options for a re-design of the oboe keywork through the creation of a prototype instrument and through commissioning and premiering new compositions that will demonstrate the outcomes of my research. T.W.Howarth have agreed a limited amount of support in kind for the development of the prototype instrument, but ideally I will need up to £10,000 to cover the full projected costs. I will be making a further application to the AHRC as well as other funding bodies to cover this cost.
Many of the developments in extended oboe techniques of the last fifty years have found very limited acceptance by most oboists. Much of the music written using these techniques has been identified with the avant-garde and has not been accepted into oboists' standard repertoire. Many performers are therefore missing out on music of great expressive potential, and on opportunities for extending their technical development. More significantly, there is a danger that the oboe repertoire is becoming ossified in an unsustainable 'museum culture'. As part of this project I will work collaboratively with composers to create music in a range of styles and levels of difficulty that, while using extended techniques, is designed to widen the appeal of new experimental oboe music.
A significant portion of the project will be carried out 'in public' through the performing of new works and improvisations, and though holding interactive workshops and seminars. These will climax in the organising of several major events at the Royal Academy of Music that will include discussion of some of the theoretical issues involved in re-designing the instrument, and of the cultural and aesthetic impact of composing for a changing instrument. All events will be documented as audio-visual recordings, which will form the basis of subsequent journal articles, of presentations on PRIMO (the IMR's e-repository), and of materials on the Academy's website. I will also record two commercial CDs of the new works and live improvisations created as part of the project. Ideally I will require an additional £6,000 to cover commercial production costs, and this figure will be added to my additional application. However, it will also be possible to record professional-standard CDs using the Academy's recording facilities, and disseminate the outcomes using internet resources.
During the last fifty years a number of major changes have occurred in the way some composers are writing for the instrument. These changes include the development of a wide range of 'extended techniques' (for example, playing beyond the current registral range, multiphonics, and quarter-tones), requiring the use of unorthodox and often exceptionally difficult fingerings. The oboe as it stands was not designed to be used in such a way. There is an urgent need to rethink significantly both the keywork design of the instrument and some areas of oboe technique.
Working in collaboration with composers, the instrument-maker T.W.Howarth and other oboists, I intend to explore viable options for a re-design of the oboe keywork through the creation of a prototype instrument and through commissioning and premiering new compositions that will demonstrate the outcomes of my research. T.W.Howarth have agreed a limited amount of support in kind for the development of the prototype instrument, but ideally I will need up to £10,000 to cover the full projected costs. I will be making a further application to the AHRC as well as other funding bodies to cover this cost.
Many of the developments in extended oboe techniques of the last fifty years have found very limited acceptance by most oboists. Much of the music written using these techniques has been identified with the avant-garde and has not been accepted into oboists' standard repertoire. Many performers are therefore missing out on music of great expressive potential, and on opportunities for extending their technical development. More significantly, there is a danger that the oboe repertoire is becoming ossified in an unsustainable 'museum culture'. As part of this project I will work collaboratively with composers to create music in a range of styles and levels of difficulty that, while using extended techniques, is designed to widen the appeal of new experimental oboe music.
A significant portion of the project will be carried out 'in public' through the performing of new works and improvisations, and though holding interactive workshops and seminars. These will climax in the organising of several major events at the Royal Academy of Music that will include discussion of some of the theoretical issues involved in re-designing the instrument, and of the cultural and aesthetic impact of composing for a changing instrument. All events will be documented as audio-visual recordings, which will form the basis of subsequent journal articles, of presentations on PRIMO (the IMR's e-repository), and of materials on the Academy's website. I will also record two commercial CDs of the new works and live improvisations created as part of the project. Ideally I will require an additional £6,000 to cover commercial production costs, and this figure will be added to my additional application. However, it will also be possible to record professional-standard CDs using the Academy's recording facilities, and disseminate the outcomes using internet resources.
Organisations
People |
ORCID iD |
Christopher Redgate (Principal Investigator) |
Publications
Redgate C
(2011)
A New Oboe for New Music
in Reeding Matter, News Letter of the Australasian Double Reed Society Inc.
Redgate C
(2011)
The Birth of an Oboe
in Double Reed News Journal of the British Double Reed Society
Redgate C
The (Re)Sounding Experiment
Redgate C
(2015)
Artistic Practice as Research in Music: Theory, Criticism, Practice
Redgate C
(2009)
The 21st Century Oboe
in Double Reed News, Journal of the British Double Reed Society
Redgate C
(2011)
The Birth of an Oboe
in The Double Reed, Journal of the International Double Reed Society
Redgate C
(2009)
21st Century Oboe: Responding to the Challenges of Today's Music
in The Double Reed, Journal of the International Double Reed Society
Redgate C
(2013)
An Exhibition of Oboes from the 18th to the 21st Century
in Double Reed News, Journal of the British Double Reed Society
Redgate C
(2011)
Rethinking Multiphonic Notation
in The Double Reed, Journal of the International Double Reed Society
Title | A performance of Fabrice Fitch's Agricola for solo oboe |
Description | A performance as part of a lecture at the institute of musical Research of Fitch's Agricola for solo oboe. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2015 |
Impact | None known |
Title | CD release of Gorton's Austerity Measures 2 |
Description | A CD recording of David Gorton's Austerity Measures 2 for oboe and strings. |
Type Of Art | Artefact (including digital) |
Year Produced | 2015 |
Impact | A number of favourable press reviews. |
URL | http://www.divine-art.co.uk/CD/28550info.htm |
Title | Composition for the new Oboe by Redgate |
Description | Four Miniatures for oboe and piano written by Christopher Redgate for there Howarth-Redgate Oboe. |
Type Of Art | Composition/Score |
Year Produced | 2015 |
Impact | A first performance at the Buckingham Festival. |
Title | Concert at the Birmingham Conservtoire |
Description | A performance of both Roxburgh's The Well Tempered Oboe and other new works written for the new oboe. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2014 |
Impact | Both students and audience were stimulated to think about the new instrument and asked a number of questions. |
Title | Electrifying Oboe: Double CD |
Description | A double CD recording of experimental and exploratary works for oboe and electronics. |
Type Of Art | Composition/Score |
Year Produced | 2013 |
Impact | Excellent press reviews. |
URL | http://www.divine-art.com/CD/77204info.htm |
Title | Films of the Ferneyhough presentation |
Description | Three short films discussing Brian Ferneyhough's Schatten aus Wasser und Stein. Christopher Redgate and Brian Ferneyhough in conversation. iTunes U, School of Advanced Study, University of London. |
Type Of Art | Film/Video/Animation |
Year Produced | 2013 |
Impact | These films allowed the presentation of Ferneyhough's work and the Howarth-Redgate oboe to a wider audience. |
URL | http://music.sas.ac.uk/music-video/new-music-insight/christopher-redgate |
Title | Finnissy Premieres |
Description | Michael Finnissy's new work, Âwâz-e Niyâz, for the re-designed Howarth-Redgate oboe doubling Lupophon and piano had two sections premiered. This work is now complete and is 55 minutes in duration. The premiere of the complete work took place later the same year. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2012 |
Impact | The work was very well received on both occasions. |
Title | Howarth-Redgate Oboe - Thumb-plate version |
Description | The Howarth-Redgate is an oboe which incorporates a significant redesign of the key-work. It was developed for the performance of the most demanding repertoire written to date and to expand the potential of the instrument. The instrument includes increased microtonal facility, an extended altissimo range and a significantly expanded number of available multiphonics. |
Type Of Art | Artefact (including digital) |
Year Produced | 2011 |
Impact | The instrument has inspired a number of composers to write for it and to explore its extended capacity - therefore a repertoire specifically for the instrument is now available and expanding. Professional colleagues have responded warmly to the innovations and concert audiences have welcomed the innovative repertoire na the instrument. |
URL | http://www.21stcenturyoboe.com |
Title | Howarth-Redgate Oboe Conservatoire system |
Description | A version of the Howarth-Redgate system oboe including the redesigned multiphonic but am,ed at the European/ US market. |
Type Of Art | Artefact (including digital) |
Year Produced | 2012 |
Impact | The instrument has inspired a number of composers to write for it and to explore its extended capacity - therefore a repertoire specifically for the instrument is now available and expanding. Professional colleagues have responded warmly to the innovations and concert audiences have welcomed the innovative repertoire na the instrument. |
URL | http://www.21stcenturyoboe.com |
Title | Howarth-Redgate Oboe with redesigned multiphonic key |
Description | This is an upgraded version of the Howarth-Redgate oboe of 2011. The difference being a redesigned multiphonic key. |
Type Of Art | Artefact (including digital) |
Year Produced | 2012 |
Impact | The instrument has inspired a number of composers to write for it and to explore its extended capacity - therefore a repertoire specifically for the instrument is now available and expanding. Professional colleagues have responded warmly to the innovations and concert audiences have welcomed the innovative repertoire na the instrument.Further evidence of composer interest as a result of the new multiphonic key. |
URL | http://www.21stcenturyoboe.com |
Title | Launch concert of exhibition 'Re-thinking the Oboe'. |
Description | A concert including several works written for the Howarth-Redgate oboe which was the launch of the exhibition 'Rethinking the Oboe' |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2013 |
Impact | The performance recieved an extremely positive response to the oboe and the new works. |
Title | Multiphonic Mobile |
Description | A composition for the Howarth-Redgate oboe by Christopher Redgate |
Type Of Art | Composition/Score |
Year Produced | 2016 |
Impact | Contributed to a deeper understanding of the multiphonics of the new oboe. |
URL | http://divergencepress.net/articles/2016/10/27/multiphonic-mobile |
Title | Multiphonic Mobile - video |
Description | a video presentation of Multiphonic Mobile by Christopher Redgate |
Type Of Art | Artefact (including digital) |
Year Produced | 2016 |
Impact | A video recording of Multiphonic Mobile for solo oboe engaging with a mobile. |
URL | http://divergencepress.net/articles/2016/10/27/multiphonic-mobile |
Title | New Music for a New Oboe Volume one: Music for oboe and piano |
Description | A CD recording of the first two works written for the Howarth-Redgate oboe: Roxburgh's 'The Well Tempered Oboe' and Finnissy's Âwâz-e Niyâz. |
Type Of Art | Composition/Score |
Year Produced | 2012 |
Impact | Very good Press reviews. |
URL | http://www.divine-art.com/CD/28529info.htm |
Title | New Work by Edward Cowie for the Howarth-Redgate Oboe |
Description | A work written for the Howarth-Redgate Oboe and strings. |
Type Of Art | Composition/Score |
Year Produced | 2013 |
Impact | Two performances of the work and a recording in process. |
URL | http://ump.co.uk/catalogue/edward-cowie-the-colours-of-dark-light/ |
Title | New work by Nigel McBride for the Howarth-Redgate Oboe |
Description | A new work written for the Howarth-Redgate Oboe by Nigel McBride. |
Type Of Art | Composition/Score |
Year Produced | 2015 |
Impact | Well Received at the Premiere. |
Title | New work by Paul Archbold |
Description | A new work written for the Howarth-Redgate Oboe by Paul Archbold. |
Type Of Art | Composition/Score |
Year Produced | 2015 |
Impact | Well received at the premiere on November 27th. |
Title | New work by Roberto Rusconi for the Howarth Redgate oboe |
Description | A new work written for the Howarth Redgate Oboe. |
Type Of Art | Composition/Score |
Year Produced | 2015 |
Impact | Greatly welcomed at the premiere. |
URL | http://www.robertdavidrusconi.co.uk/robertdavidrusconi.co.uk/Recent_Projects.html |
Title | Performance of Ferneyhough's Schatten aus Wasser und Stein |
Description | A performance of Ferneyhough's Schaten aus Wasser und Stein for oboe and sting quartet at the Vitasaari Time of Music Festival, Finland. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2015 |
Impact | There was a great deal of interest shown both in the Howarth-Redgate system oboe and in the work by Ferneyhough. |
Title | Performance of Finnissy's work Âwâz-e Niyâz |
Description | A performance of Finnissy's Âwâz-e Niyâz at a midday concert as part of the University of Huddersfield's Finnissy Dialogues Conference. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2016 |
Impact | none known |
Title | Performance of Gorton work |
Description | A performance as part of a lecture presentation at the Royal Academy of Music of David Gorton's Austerity Measures 2 with the Kreutzer Quartet. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2015 |
Impact | None |
Title | Performance of Multiphonia |
Description | A performance of Multiphonia at the Institute for musical Research as part of their Celebration event. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2015 |
Impact | None known |
Title | Performance of new works by Rusconi and Fitch |
Description | A Performance at the Austrian Cultural Institute of new works written for the Howarth-Redgate oboe from Fabrice Fitch and Roberto Rusconi. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2014 |
Impact | There was a tremendous response tot he performance from the audience and significant interest from other composers in writing for the instrument. |
URL | http://acflondon.org/music/christopher-redgate-oboe-concert/ |
Title | Playing the Impossible |
Description | An introductory research seminar and performance which demonstrated the issues being addressed in the fellowship. Four pieces were performed: Paul Archbold's A Little Night Music, Michael Finnissy's Pavasiya, David Gorton's Errinerungsspiel and Roger Redgate's Ausgangspunkte. Gorton, Redgate and Archbold joining me in a discussion of the project. The event was filmed both for the Royal Academy archives and for a later DVD production. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2009 |
Impact | This launch event sparked a great deal of discussion about what could be possible in a redesign of the instrument. There were many questions and discussions after the event. |
Title | Premiere of David Gorton's Austerity Measures II |
Description | David Gorton's work Austerity Measures II was written for the Howarth-Redgate oboe and string quartet. The work explores a set of unique multiphonics and sixth-tones on the oboe. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2013 |
Impact | The premiere was recorded and the recording will be used in a CD to be released next year (2015). Ir enabled me explore a range of new multiphonics on the oboe and the develop sixth-tone scale fingerings. |
URL | https://soundcloud.com/davidgortonmusic/austerity-measures-ii |
Title | Premiere of Dorothy Ker's Clepsydra for Howarth-Redgate oboe |
Description | Clepsydra for solo oboe by Dorothy Ker was written after an intense time of collaborative research into the possibilities to be found on the new oboe. This was the premiere of the work. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2012 |
Impact | This work significantly expanded the potential and our knowledge of the new oboe. |
Title | Premiere of Sam Hayden Work surface/tension for oboe and ensemble BBC Broadcast |
Description | This was a BBC Radio Three broadcast of the premiere of Sam Hayden's surface/tension for oboe and ensemble at the Huddersfield Contemporary Music Festival. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2012 |
Impact | This reform was well received by the audience. |
Title | Premiere performance of Burrell's Vespers |
Description | Diana Burrell was at the time of this performance an AHRC fellow. As part of her fellowship she worked with me to write a significant solo oboe part in Vespers. This was the premiere performance. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2010 |
Impact | Unknown |
Title | Premiere performance of Ferneyhough |
Description | The première performance Brian Ferneyhough's Schatten aus Wasser und Stein for oboe and string quartet. The work was written for the Howarth-Redgate oboe. Performers: Christopher Redgate (Howarth-Redgate oboe) and Quatour Diotima Huddersfield Contemporary Music Festival, 17 November 2013 |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2013 |
Impact | The performance was recorded by the BBC (Radio Three). And reviewed very favourably in the national press. |
Title | Radio Broadcast of Ferneyhough |
Description | A radio broadcast on Radio Finland of the live performance of Ferneyhough's Schatten aus Wasser und Stein from the Time of music Festival in Finland. |
Type Of Art | Film/Video/Animation |
Year Produced | 2015 |
Impact | Unknown. |
Title | Radio Broadcast of Ferneyhough |
Description | Radio broadcast on BBC Radio Three of Brian Ferneyhough's Schatten aus Wasser und Stein. Christopher Redgate (Howarth/Redgate oboe) and Quatour Diotima BBC Radio 3: 30 November 2013 |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2013 |
Impact | Presented both the work and the oboe to a radio new music audience. |
Title | Re-defining the Oboe |
Description | A research event held at the Royal Academy of Music which explored approaches to instrument redesign and included presentations from a flute player, Jos Zwaanenburg and new insturument specialist, Patrick Ozzard-Low. The event was filmed and is available in the Royal Academy archives. |
Type Of Art | Artistic/Creative Exhibition |
Year Produced | 2010 |
Impact | The event stimulated a great deal of thought about approaches to instrument design. |
Title | Recital and Masterclass, Royal Northern College of Music 'Wind Weekend'. |
Description | A recital of new works for the Howarth-Redgate Oboe |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2012 |
Impact | The concert stimulated many questions about the new instrument and a number of students and professionals trying it out. |
Title | Recital as part of the Sounds New Festival, Canterbury |
Description | A recital which included the premiere of Matthew Wright's English Landscape Painting which was written for me as part of my research work. The work has since had other performances and has been recorded on CD. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2010 |
Impact | The performance and the new work were very warmly received and generated a great deal of interest. |
Title | Recital at the International Double Reed Society conference USA |
Description | A performance of new works written for the Howarth-Redgate oboe including Barrett's 'Fold' and works of my own. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2012 |
Impact | There was a great deal of interest in the new oboe and in the works performed. |
Title | Recital at the first Beijing international Oboe Festival. |
Description | A recital as part of the Beijing International Oboe Festival which included new works for the redesigned oboe. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2012 |
Impact | The audience was packed and the recital was filmed/ recorded and broadcast live on the Chinese internet. There was a tremendous amount of interest from the professionals present and from the students. |
Title | The Re-birth of an Oboe |
Description | A presentation and performance to launch the Redgate-Howarth system oboe. The Presentation included premiere performances of Roxburgh's The Well Tempered Oboe and the first two parts of Finnissy's Awaz o Niyaz as well as a performance of my own Multiphonia as well as including a presentation from me about the redesigned oboe. The event was filmed for the Royal Academy archives and also for later commercial DVD publication. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2011 |
Impact | This was the launch event for the new oboe - the hall was packed and after the performance/presentation there were many questions and a number of interested parties tried the new instrument. |
Title | Three New Concertos project |
Description | Three new concertos were written for solo oboe and small ensemble. I gave the premieres of these works at the Huddersfield Festival. The composers were Paul Archbold, David Gorton and Roger Redgate. A second performance followed the following week in London as part of the Cutting Edge Series promoted by the British Music Information Centre. |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Year Produced | 2009 |
Impact | Well received by the Audience. |
Title | Transcendental Etudes (solo oboe) |
Description | A set of Etudes developed to explore the limits of the standard oboe as a preparation for the development of the Howarth-Redgate Oboe. |
Type Of Art | Composition/Score |
Year Produced | 2012 |
Impact | none |
URL | https://itunes.apple.com/gb/album/transcendental-etudes/id525661152 |
Title | Transcendental Etudes (solo oboe) - recording |
Description | A web recording of the Transcendental Etudes for solo oboe written by Christopher Redgate. |
Type Of Art | Composition/Score |
Year Produced | 2012 |
Impact | none |
URL | https://itunes.apple.com/gb/album/transcendental-etudes/id525661152 |
Description | It is possible to rethink the mechanism of a traditional instrument in order to meet new challenges. It is possible to create a new oboe which expands the possibilities of the instrument. A new instrument, which is used professionally has been developed. |
Exploitation Route | It will be possible to build upon the work of this redesign. Similarly composers and oboists can begin to work with the instrument or use the technical findings on the traditional oboe. |
Sectors | Education,Culture, Heritage, Museums and Collections,Retail,Other |
URL | http://www.21stcenturyoboe.com |
Description | A range of compositions which have inspired more composers to write for the instrument. |
First Year Of Impact | 2011 |
Sector | Creative Economy,Education,Culture, Heritage, Museums and Collections,Other |
Impact Types | Cultural |
Description | ARTikulationen Festival presentation |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | A presentation about the Howarth-Redgate oboe with reflections upon artistic research. The aims were to demonstrate research and its potential in this field. |
Year(s) Of Engagement Activity | 2016 |
Description | BBC interview for Music Matters Radio Three |
Form Of Engagement Activity | A press release, press conference or response to a media enquiry/interview |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | There was great deal of response to this interview with colleagues and professionals commenting on the interview for many months afterwards. The interview stimulated a great deal of discussion with professional colleagues and the general public. |
Year(s) Of Engagement Activity | 2011 |
Description | BBC presentation on InTune - Radio Three |
Form Of Engagement Activity | A press release, press conference or response to a media enquiry/interview |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | The interview sparked a great deal of interest with many people commenting on it in the following months. Raised the profile of the new instrument and Finnissy's new work (a section was performed live from the studio). |
Year(s) Of Engagement Activity | 2013 |
Description | Exhibition of oboes. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Public/other audiences |
Results and Impact | The exhibition ran from the 15th January to the 28th March 2013. It placed the Howarth-Redgate oboe in its historic context. The exhibition was visited by many members of the public and was very positively received. There was a very good public response to the exhibition. |
Year(s) Of Engagement Activity | 2013 |
URL | http://21stcenturyoboe.com/Re-Thinking-the-Oboe-Exhibition.php |
Description | Joint paper with Paul Archbold "Concerning metastable sonorities: multiphonics, birdsong and merging black holes." Goldsmiths College, London |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Postgraduate students |
Results and Impact | Joint paper with Paul Archbold "Concerning metastable sonorities: multiphonics, birdsong and merging black holes." Goldsmiths College, London. A presentation pf research undertaken on the multiphonics on the Howarth-Redgate Oboe |
Year(s) Of Engagement Activity | 2016 |
Description | Lecture at the International Double Reed Society conference. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | There were many questions after the talk and during the remainder of the conference including performers seeking out the maker and trying the instrument. A number of musicians showed a great deal of interest in the new instrument and in the repertoire discussed. |
Year(s) Of Engagement Activity | 2012 |
Description | Lecture demonstration with Brian Ferneyhough at the Institute of Musical Research, London University. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Other academic audiences (collaborators, peers etc.) |
Results and Impact | The presentation stimulated a lively question time after the presentation and further discussion at the close of the official session. The presentation generated a great deal of interest in the new work and the following performance and radio broadcast. |
Year(s) Of Engagement Activity | 2013 |
Description | Lectures and Masterclass - Rotterdam |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | The presentation stimulated a great deal of discussion about the new oboe as well as a number of students trying out the instrument. The central impact was taking the new instrument to an international audience. |
Year(s) Of Engagement Activity | 2014 |
Description | Masterclass and presentation at Wells School of Music |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Schools |
Results and Impact | A presentation of the new oboe and a masterclass to the school students (oboists). There was a great deal of interest in the oboe from the young students. |
Year(s) Of Engagement Activity | 2015 |
Description | Multiphonic Research presentation |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Professional Practitioners |
Results and Impact | A lecture as part of a colloquium at Guildhall School of Music focusing on the work I have undertaken with Dr Paul Archbold on multiphonics on the new Howarth-Redgate Oboe. The opportunity to talk and discuss the research with performers form other parts of Europe was especially significant. |
Year(s) Of Engagement Activity | 2015 |
Description | Oboe masterclass at the Royal Northern College of Music - presenting the new oboe |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Undergraduate students |
Results and Impact | The purpose of this class was twofold: first to introduce the class to the new instrument and the background research and, second, to give the young performers a masterclass. The students were very interested in the development of the instrument. |
Year(s) Of Engagement Activity | 2015 |
Description | Physics Lecture |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | Regional |
Primary Audience | Postgraduate students |
Results and Impact | A presentation to the Warwick University Physics Colloquium about the Howarth-Redgate Oboe. It was linked to the development of the new Physics and Music Module at the University. The purpose of the presentation was to introduce the physics department to a musician's research which includes physics related areas and especially acoustics. One significant outcome was the discussion and follow up of a related research path which we will explore soon. |
Year(s) Of Engagement Activity | 2015 |
Description | Presentation at Late at Tate, London. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Public/other audiences |
Results and Impact | The presentation inspired a great deal of interest from the general public in the new oboe. Unknown |
Year(s) Of Engagement Activity | 2011 |
Description | Presentation at Middle Tennessee State University. USA |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Undergraduate students |
Results and Impact | The presentation stimulated a large number of questions and inspired some of the composers to show an interest in writing for the instrument Further discussions about writing for the new oboe. |
Year(s) Of Engagement Activity | 2012 |
Description | Presentation at the Graduate Forum of Goldsmiths College, London. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | Regional |
Primary Audience | Postgraduate students |
Results and Impact | The presentation stimulated many questions and interest in the new oboe. The composers were interested in acquiring more information in order to write for the new oboe. |
Year(s) Of Engagement Activity | 2012 |
Description | Presentation in Rotterdam |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Study participants or study members |
Results and Impact | A masterclass and presentation about the Redgate Howarth Oboe at Codarts University, Rotterdam. Students showed a great interest in the new oboe. |
Year(s) Of Engagement Activity | 2015 |
Description | Presentation to composers |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Study participants or study members |
Results and Impact | Presentation of the Redgate-Howarth oboe to Brian Ferneyhough's composition class at the Vitasarri Time of Music Festival, Finland. A great deal of interest was shown in the oboe which may result in new works being written for the instrument. |
Year(s) Of Engagement Activity | 2015 |
Description | Presentations at Vanderbilt University, Nashville USA |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Undergraduate students |
Results and Impact | The talk stimulated a great deal of interest in the new oboe. The students demonstrated an increased awareness of European performance practices. |
Year(s) Of Engagement Activity | 2012 |
Description | Talk at the Seventh International Symposium on Music/Sonic Art. Karlsruhe, Germany. Titled New Multiphonics for a New Instrument: some preliminary results. |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | A joint presentation with Paul Archbold demonstrating the preliminary research undertaken upon the multiphonics on the Howarth-Redgate oboe. |
Year(s) Of Engagement Activity | 2016 |
Description | The Big Double Reed Day |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Professional Practitioners |
Results and Impact | There was a great deal of interest and questions from this activity. It introduced the new oboe to a wide audience of practitioners from junior school children through to professional performers and teachers. |
Year(s) Of Engagement Activity | 2011 |
Description | keynote Speaker Canterbury Christchurch University - Conference: Actions, Speaking and Words |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | Regional |
Primary Audience | Other academic audiences (collaborators, peers etc.) |
Results and Impact | There were many questions about my research and the process which led to the new oboe. none |
Year(s) Of Engagement Activity | 2013 |