Silk cultivation in the Atlantic world, c.1500-1830: a history of imperial attempts, scientific & technological exchange, and political economy

Lead Research Organisation: University of Stirling
Department Name: History

Abstract

This project will unveil the extent to which colonial empires competed to grow silk in their outposts around the Atlantic world between c.1500-1830. Seeking to outdo one another, and bypass the expense of trading with the great silk regions in the East (specially China), European powers tried desperately to encourage the cultivation of silk in the Americas - bringing to bear cutting-edge scientific and botanical knowledge, as well as organised labour. Silk was outshone by a range of other New World products over the course of the Early Modern era: sugar, tobacco, rice, and slaves. But while these successful commodities have attracted a large amount of scholarship, the study of silk's failure has not, though it can also shed a great deal of light on contemporary societies (both in Old and New Worlds). The project will demonstrate that silk connected the desires of monarchs and courts to the designers of new colonies and their settlers. It connected the science of proto-industrial engines to the 'mystery' and art of specialised experts in winding and weaving. It witnessed the transformation of landscapes as thousands of mulberry trees and millions of silkworms were raised in New Spain, New France, British America, and across the fledgling United States. And more than anything else, the cultivation of silk in the Atlantic world connected people - from different countries, religions, races, and backgrounds.

The prospective research will be comparative, investigating the many attempts made by a range of nations, colonies, corporations, communities and entrepreneurs to foster silk in their territories. It will address both the theory of silk cultivation (utopianism, colonial ideology, mercantilism and botany) and the practice of silk cultivation (environmental history, productivity, proto-industrialisation, and labour history). It will outline the commonalities that inspired attempts to cultivate silk in places as diverse as Sweden, the Caribbean, Ireland, Mexico, Prussia, Virginia, and Louisiana, as well as the different problems that were faced in transferring the knowledge and materials. A wide range of sources will be deployed to underpin this research, including colonial records, Board of Trade minutes, customs reports, correspondence, published tracts on silk, mercantilist propaganda, and surviving fabric. Together, they will help answer questions such as: who was involved in silk cultivation? Could silk have succeeded as a New World product, and why did it fail? How did early modern administrators try to bend people and landscapes to their designs?

This research will have an impact in several ways on the many fields that the broad subject touches upon. For instance, the history of silk production both supports and defies popular geographical and chronological models. The notion of an integrating 'Atlantic world' between 1500-1830 seems to be upheld by tracing the connections between silk experts through their writings and employment history. But the obsession with home-grown silk also grew out of 'Pacific' interactions and global patterns in the exchange of goods and ideas, thereby challenging the integrity of an 'Atlantic' orientation. Silk, frequently a heavily-protected commodity, stood at the forefront of new ideas about technology, industrialism, empire, and trade. But if it was, on the one hand, a herald of modernisation (generating new factories and machines in Britain, and new schemes in the Americas), it was on the other hand an archaic, ancient craft whose workers - many of them female and most non-British - were secretive and unresponsive to pressure. Finally, in considering how (in)effectively man was able to deliberately reshape his environment, the project will have much to offer in the field of environmental history and political economy. Overall, I hope to show that a careful scrutiny of the theories, practices, and realities of silk cultivation can tell us much about the nature of the early modern world.

Planned Impact

Who will benefit?

A wide range of academics, postgraduates, and research users will benefit from the completion of the primary output of this research project, whereby they will be provided with an accessible, wide-ranging, and integrative survey of imperial attempts to direct and accelerate the establishment of a textile industry. Historians from a broad range of fields will find useful insights, contextual analysis, and challenges to conceptual and historiographical orthodoxies. Curators, museum researchers, collectors, archivists, and people working in the field of material culture (whether contemporary or historical) will discover linkages and discontinuities that stimulate further research, and encourage them to conceptualise new activities and cultural events (such as exhibitions) based around the rediscovered connections between many Atlantic regions and silk. Finally, in constructing a regionally-based narrative of silk cultivation, and devoting close attention to the ingredients of success or failure, the project would be of interest and use to individuals (amateur entomologists) and companies exploring the possibility of raising silkworms - either as a past-time or a business - in both the US and the UK. To this day, a number of businesses sell silkworm eggs and equipment in North Carolina, California, Canada, and Cornwall ('Worldwide Butterflies'), and it is often demonstrated in schools in the US though without awareness of their earlier history between 1500-1830 (see, for instance, http://www.suekayton.com/Silkworms/teacher.htm).

How will they benefit?

The research, by bringing to light and inter-connecting early modern initiatives around the Atlantic Ocean, will make a valuable cultural contribution to society, particularly though not exclusively in the UK and the US. In effect, it will salvage and rehabilitate the longstanding love-fail relationship that these polities had in the past with sericulture, and in so doing, deepen our appreciation of our complicated textile history, and our interdependence on global trade. The benefits that will accrue most visibly are liable to be found particularly in the fields of material culture, museum exhibitions, and amateur entomology, wherein practitioners will be enthused to discover innovative linkages and information that insists that Spitalfields, the Royal Court, and the East India Company were not the only sites of interest for British silk. Less visibly, but arguably more substantively, the research will nuance future discussions of a host of exciting and important subjects. To take one example, this research allows us to categorically refute the suggestion made by a number of nineteenth-century writers that silk failed because of the inadequacies of African-Americans as worm-raisers and cocoon-reelers. It provides grist for debates over the nature of slavery, the process of industrialisation, the efficacy of mercantilism or sumptuary legislation, the cultural symbolism of the American Revolution, the creolisation of Hispanic settlers, and many others. Ultimately, in forcing us to confront the failures of a myriad of commercial projects in the past, that had been sponsored by a wide spectrum of individuals, companies, and nations, it helps explain why and where commercial projecting has been successful.

Publications

10 25 50
 
Description Have discovered and connected the attempts to grow silk by European empires and their populations in the Americas. Have brought to light important examples of commodity production, and assessed the reasons for failure in different environments.
Exploitation Route I secured some seedcorn funding from the British Ecological Society to pursue some engagement and impact possibilities in relation to primary school education, using resource packs to connect up the history, environmental dimensions, biology and symbiosis (life cycle) of silkworms. Though the site (Lullingstone Castle - the last British silk manufacturing private enterprise) pulled out for 2017, they are keen to pursue the project using their "World Garden" in a subsequent summer.
Sectors Education,Culture, Heritage, Museums and Collections

 
Description Used to inform wider radio broadcast that changed people's appreciation of the history of silk production (BBC Radio 4), and part of an exhibition (Yale Center for British Art and Historic Royal Palaces) on Enlightened Princesses that underlined some of the distinctive ways in which empire, patronage, consumption and production were interlinked in the eighteenth century. The research on Eliza Pinckney and her audience (discussing silk, among other things, with Princess Augusta) was read and interpreted by international artist Yinka Shonibare, who created a sculpture that featured prominently in the international exhibition at Kensington Palace and has now been acquired by Yale: http://www.artfixdaily.com/artwire/release/3303-yale-center-for-british-art-acquires-yinka-shonibare-mbe-(ra)-art
First Year Of Impact 2013
Sector Culture, Heritage, Museums and Collections
Impact Types Cultural

 
Description A Revolting Fiber?: Silk and the Challenges of the American Revolution 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Participants in your research and patient groups
Results and Impact Video-conference jointly hosted by the University of Edinburgh and Omohundro Institute of Early American History & Culture, Williamsburg, Virginia, involving an hour-long discussion of a pre-circulated paper derived from the research on silk

This was an opportunity for both dissemination and feedback. It was the first ever Omohundro Seminar that took place simultaneously on both sides of the Atlantic, and established a model for future scholars to discuss research with British and American ex
Year(s) Of Engagement Activity 2013
 
Description BBC Radio 4 series presented by Steph McGovern in October 2013, Silk. 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact PI featured as a consultant and guest, explaining and contextualising the attempts at silk and the silk industry in a programme about the growth of silk manufacturing in Britain (and especially Macclesfield), and which ranged across history, science and technology.

This two-part programme was a Radio 4 "Pick of the Week," and the producer has since invited the PI to volunteer other projects for dissemination.
Year(s) Of Engagement Activity 2013
 
Description Enlightened Princesses exhibition contribution 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Other audiences
Results and Impact Research contributed to a sub-section of the wider international exhibition planned by the Yale Centre for British Art and Historic Royal Palaces, entitled "Enlightened Princesses" - with PI contributing to planning phase, identification of material objects (including a dress made of American silk), and the accompanying publication to be issued with exhibitions in 2017.
Year(s) Of Engagement Activity 2016
 
Description Talk to Historical Society 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact 50 historical society members attended, and there was healthy discussion afterwards, including insights from audience and raised awareness about Kent's agricultural history
Year(s) Of Engagement Activity 2018
URL http://www.open-sandwich.co.uk/community/organisations/history_society.htm