Journalism on the Move: the special correspondent and Victorian print culture

Lead Research Organisation: University of Kent
Department Name: Sch of English

Abstract

This project analyses the significance of 'special correspondence' as a new, highly popular form of Victorian journalism and its evolution in the context of developments in the periodical and newspaper press throughout the second half of the nineteenth century. It identifies and charts the careers of individual 'specials', many of whom also wrote as novelists and periodical reviewers. Characterised by a vivid, descriptive style of reportage that was criticised by some contemporary commentators as sensational, special correspondence played a key role in forming the discourses of literature and journalism at a time when the boundary between them was contested. The impact of this remains evident today in debate about the relationship between fact and fiction in the press, and in its exploration of the cultural resonance of this writing the project will help to chart the emergence of the modern mass media.

Planned Impact

Who might benefit from the research and how?

1. Media organisations and members of the general public, by raising awareness of the histories associated with contemporary literary and journalistic formations through the communication of my research findings in forums that cross the town/gown divide.

While the current inquiry into media ethics in Britain has been triggered by the phone-hacking scandal, it is also part of a continuing debate about the role of the press and the commercial imperatives that drive it. Controversies associated with the fabrication of published memoirs or the manufacture of news in the press over the past decade indicate that the relationship between fact and fiction in contemporary print culture remains a vexed one. Such controversies are not new: they have their antecedents in the debates about the New Journalism and the relationship between literary and newspaper narrative in the latter part of the nineteenth century, although these connections have hitherto largely gone unnoticed. My project will bring them to light and help to inform public debate about contemporary journalistic formations. For example, the arguments about 'embedded' war correspondents used in the wars in Iraq or Afghanistan may be illuminated by understanding the historical context of debate about journalists' involvement in and reportage of Victorian military campaigns. Similarly, the desire for immediacy that seems to drive developments in new media may be illuminated by recovering its history, evident in the 'word-painting' of the special correspondents.

2. Students and teachers of nineteenth-century literature and history, by imaginatively incorporating Victorian periodicals in my own teaching and contributing to wider discussion of their use in the high-school classroom through engagement with cross-sector English- and History-teaching groups.

Periodicals have long been seen as essential source or background material for the study of Victorian literature and history; but as online resources improve, teachers at both secondary and tertiary levels are increasingly attempting to weave periodicals in imaginative ways into their teaching of nineteenth-century literature and history. For example, the Dickens Journals Online project, which digitises some 1,061 tightly-printed weekly issues of 'Household Words' and 'All the Year Round', is designed to enable high-school teachers and students to access this compendium of nineteenth-century Britain for use in the classroom. I was a co-applicant for the Leverhulme grant that is funding this project, I am a member of its Editorial Advisory Board and thus I am already involved in new efforts to bring Victorian journalism into high-school classrooms. In adding to the body of knowledge available about Victorian journalism, my project will be of benefit to those using these periodicals in the classroom. Children learning History today are taught about the importance of sources and their evaluation, so my work will contribute to critical reflection upon the relationship between the press coverage of events and the historical record of them. In explicitly addressing the problematic nexus of literature and journalism and the origins of anxiety about it in the nineteenth century, my research will encourage discussion about the history of subject formations like English or Media Studies: a matter of particular relevance in the context of recent debates about the rift between the teaching of subject English in schools and in higher education.

3. Potentially, the tourism and heritage industries, by adding new culturally and historically significant knowledge to resources associated with existing sites.

In recovering the journalism associated with the travels and tribulations of such colourful special correspondents as Sala and Forbes as they crossed the globe, the project may generate material (reports, sketches) that would add interest to existing archives or tourist trails.
 
Title Picturing the News: the art of Victorian Graphic Journalism 
Description 'Picturing the News' is an online exhibition, co-curated by Catherine Waters and Ruth Brimacombe, hosted on the University of Kent server, that celebrates the rise of a new journalistic phenomenon in the mid-19th century: the emergence of the so-called 'Special Correspondents' and 'Special Artists', and reveals them to be distinct and related documentary professions. Taking advantage of the digital developments that have made these forms of print journalism accessible once more, this exhibition collects together a range of examples in order to demonstrate a renewed appreciation of the literary, historical and artistic significance of the graphic reportage produced by this pioneering group of individuals, who were despatched at short notice across the globe to report back from the scene of every newsworthy event of Queen Victoria's reign. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2017 
Impact The exhibition was launched at the end of January 2017 and the permissions obtained for the images used in it run for 10 years. A dedicated Facebook page and Twitter account were set up to publicise its availability, but at the time of writing (March 2017) it has only been live for just over a month, hence too soon to show notable impacts. 
URL https://research.kent.ac.uk/victorianspecials/
 
Description This project has revealed the significance of 'special correspondence' as a new, highly popular form of journalism in Victorian print culture. Although commonly associated with the reportage of war, my research has shown that these special correspondents were in fact tasked with routinely chronicling all manner of topical events, from engineering innovations, civic affairs and criminal trials to royal tours, municipal ceremonies and exhibitions as well as military campaigns at home and abroad. Having identified some 150 journalists who were said to have worked as Specials in Britain in the second half of the nineteenth century, summary information about their careers has been developed as an open access database. But I have also found that the by-line 'From Our Special Correspondent' was used imprecisely, sometimes referring merely to a specialist area of expertise (like cricket), and some journalists assumed the role only once because they happened to be on the spot when a particular event happened. A much smaller number emerged in my research as key protagonists amongst the first generation of Specials and they form the main focus of my cultural analysis. All household names in their day, they include William Howard Russell ('Times'), George Augustus Sala ('Daily Telegraph' and 'Illustrated London News') and Archibald Forbes ('Daily News').

What made them special was their capacity to fulfil the arduous demands of the role - they had to be able to function creatively under extreme pressure and deliver at speed - and the distinctive quality of their reportage: for what distinguished special correspondence was its mobility, versatility and descriptive power - an ability to observe and seize upon events wherever they happened, rendering them for the press in sufficiently graphic prose so as to transport readers to the scene described through vivid eye-witness accounts. This has led me to see that special correspondence and the journalists who wrote it are best understood as together constituting a new media technology. Like the railroad, the photograph or the telegraph, with all of which it was closely associated, special correspondence brought the world closer, shrinking space and time and conveying readers to distant places. Its practitioners were nineteenth-century media pioneers, responsible for creating the modern news culture that continues to shape our world. These findings have been developed in a monograph that was published by Palgrave Macmillan last month. I continue to deliver public engagement lectures to communicate these findings and the ways in which they shape our current media moment.

This research also led to collaboration in curating an online exhibition with Dr Ruth Brimacombe, whose work on the special artists of the period is directly complementary to my work on the special correspondents. Together we have found them to be distinct and related documentary professions distinguished by their 'first-person' perspective. For both artists and correspondents, the core value of graphic journalism lay in its ability to facilitate an affective, virtual experience of the news events they observed for readers of the metropolitan press. Our open access exhibition, 'Picturing the News: The Art of Victorian Graphic Journalism', collects together a range of examples of their work in order to demonstrate a renewed appreciation of the literary, historical and artistic significance of the graphic reportage produced by this pioneering group of journalists, who were dispatched at short notice across the globe to report back from the scene of every newsworthy event of Queen Victoria's reign.
Exploitation Route My findings regarding the work of the key protagonists amongst the first generation of special correspondents and the broader cultural significance of their writing are presented in the monograph which will is the main scholarly output of the project. In addition, the research data summarising individual career information of identified Specials in the open access database (including events reported, newspapers and periodicals they worked for and when, other careers and publications) may be used by other researchers wanting to study the evolution of reportage in the nineteenth-century press or to find out more about any journalist who worked in this role. Surveying their coverage of a wide range of topical events - from engineering innovations, civic affairs, parliamentary debates and judicial inquiries to royal tours, municipal ceremonies and military campaigns at home and abroad - my research shows that the work of the Specials remains a fundamental, but often overlooked, primary source for the social and cultural history of nineteenth-century Britain.

The online exhibition is the main vehicle for public engagement with the project. In showcasing the work of key special artists and correspondents, it reveals that their presswork raised issues for the Victorians which still have current resonance for today's media audience, such as the desire for immediacy that drives our own 24-hour news culture; arguments about the use and influence of 'embedded' war correspondents and the complex skill of blending accurate fact with compelling detail to meet popular demand without erring into embellishment. It is being promoted on an ongoing basis through social media and talks to professional organisations and the general public. But the digital component of the exhibition has itself attracted interest from other scholars working in digital humanities, as illustrated by the LAHP workshop at Kings College London last year and Dr Meaghan Clarke's work at the University of Sussex, detailed elsewhere in the report of public engagement activity associated with the project.
Sectors Digital/Communication/Information Technologies (including Software),Education,Culture, Heritage, Museums and Collections

URL https://research.kent.ac.uk/victorianspecials/
 
Description The main public engagement vehicle for my research is the online exhibition, 'Picturing the News'. Its emerging cultural and social impact has been demonstrated though a combination of tracking visitor numbers (using Google analytics) and feedback (oral and written) on presentations given about it. We have had 2,202 visits to the exhibition over the past year, including 87% new visits, the majority from the UK (46%), but also a substantial amount from (in descending order) the USA, India, Canada, Germany, Czechia and Australia, showing an increase in visitor numbers upon the first year and that we are still reaching a broad global audience. The most frequently visited pages of the exhibition continue to be those devoted to the Crimean War and William Howard Russell, suggesting continuing research interest in this conflict and reports by the Times's special correspondent on it. Peaks in visitation of these pages correspond with the annual RSVP conference held in July last year at which I was able to promote the online exhibition. We have also been building a digital community around the research in the exhibition by finding hooks of interest in current events reported in the media and linking them to Victorian coverage via Twitter and Facebook (we have 752 people following our Facebook page and 719 'likes'). Responses on social media suggest users find this research material culturally valuable and/or interesting.
First Year Of Impact 2017
Sector Creative Economy,Education,Culture, Heritage, Museums and Collections
Impact Types Cultural,Societal

 
Title Victorian Specials Database: Journalism on the moveĀ§ 
Description This database covers the first generation of special correspondents working in Britain in the second half of the nineteenth century and also includes some special artists who provided occasional correspondence. Listing summary information regarding the careers of identified specials, including events reported, newspapers and periodicals they worked for and when, the database was developed to provide the basis for new entries in the eBook version of the 'Dictionary of Nineteenth-Century Journalism', edited by Laurel Brake, and to form a resource for the broader cultural analysis of special correspondence that is being developed in the monograph that is the major scholarly output of the project - currently in preparation. The aim was not to provide an exhaustive catalogue of Victorian special correspondents, nor to adjudicate ambiguous cases where writers pursued multiple careers (as both journalists and novelists, for example) or wrote in other genres. Instead, the aim was to gather a sufficiently comprehensive overview of the Victorian special to be able to identify recurring or characteristic features of the role and the writing associated with it. It is available as an open access resource on the University of Kent website. 
Type Of Material Database/Collection of data 
Year Produced 2017 
Provided To Others? Yes  
Impact No impacts as yet. 
URL https://research.kent.ac.uk/victorianspecialsdatabase/
 
Description From Research to Outputs: Digital Archives and Exhibitions A LAHP funded workshop 
Organisation King's College London
Department Faculty of Arts & Humanities
Country United Kingdom 
Sector Academic/University 
PI Contribution Dr Brimacombe and I gave a presentation about our 'Picturing the News' project in the morning session at this workshop and then participated in small group workshops to discuss with doctoral candidates how their own work may lend itself to digital archival research/exhibition.
Collaborator Contribution The workshop was organised by Dr Ana de Medeiros from King's College London and funded by the London Arts and Humanities Partnership.
Impact A presentation on our project for doctoral students from King's College London and other LAHP member institutions.
Start Year 2018
 
Description Picturing the News: the Art of Victorian Graphic Journalism 
Organisation National Portrait Gallery
Country United Kingdom 
Sector Public 
PI Contribution I contributed knowledge and expertise about the Victorian Special Correspondents to the co-curation of this online exhibition, which was supported by the AHRC funding from my project. The funding covered the costs of obtaining high resolution images and copyright permissions for many of the images used in the exhibition. It also covered the cost of the web development work provide by the University of Kent.
Collaborator Contribution My partner, Dr Ruth Brimacombe, formerly curator of the Nineteenth-Century Collections at the National Portrait Gallery, contributed knowledge and expertise about the Victorian Special Artists to the co-curation of this exhibition. Her contribution was made as an independent researcher, but as a National Portrait Gallery employee, she also provided in-kind support from the NPG by obtaining high resolution images from the 'Illustrated London News' and the 'Graphic' produced by the NPG's Digitisation team free of charge; providing access to the Staff Research Seminar as a forum to publicise our work and providing the chance to view the original illustrations in the NPG Special Collections.
Impact 'Picturing the News: the Art of Victorian Graphic Journalism' is an online exhibition hosted on the University of Kent's server. It is a multi-disciplinary collaboration in combining the expertise of Professor Waters in Victorian literature and print culture with that of Dr Brimacombe in Victorian Art History.
Start Year 2015
 
Description Rediscovering the Art of Victorian Graphic Journalism 
Organisation The British Library
Country United Kingdom 
Sector Public 
PI Contribution I contributed knowledge and expertise about the Victorian Special Correspondents to the delivery of a public engagement lecture given with my co-researcher, Dr Ruth Brimacombe, in partnership with Dr Luke McKernan from the Newsroom at the British Library on 23 November 2017. I also contributed Public Engagement with Research funding from the University of Kent towards the costs of publicity and the reception held following the event.
Collaborator Contribution The Newsroom at the British Library provided in-kind support by providing the venue free of charge (Foyle Room at the British Library) and assisted with publicity of the event.
Impact A public engagement lecture - 'Rediscovering the Art of Victorian Graphic Journalism' - delivered in partnership with the Newsroom at the British Library on 23 November 2017 as part of the 2017 'Being Human' Festival.
Start Year 2017
 
Description Researching Nineteenth-Century Periodicals: Text and Context Workshop 
Organisation University of Ghent
Country Belgium 
Sector Academic/University 
PI Contribution I organised and participated in a one-day workshop for postgraduate students on the use of nineteenth-century periodicals and newspapers in research. Drawing upon examples from my project, as well as materials available in the Templeman Library at the University of Kent, the workshop was designed to make students aware of the research value of nineteenth-century periodicals as both foreground and background in the study of print culture in the long nineteenth century: ie both as a resource for contextual material and as primary text or object of study in their own right.
Collaborator Contribution From the University of Ghent, Professor Marysa Demoor brought with her 3 postdoctoral fellows, 3 Postgraduate Research students and 3 Postgraduate Taught students to join postgraduate students at the University of Kent for the workshop. She gave talks on interpreting significant features of nineteenth-century periodicals and her current research on WW1 periodicals.
Impact We collaborated on a second postgraduate workshop in 2015, this time held at the University of Ghent.
Start Year 2014
 
Description Researching Periodicals in the Long 19th Century: Transnational Networks 
Organisation University of Ghent
Department Department of Literary Studies
Country Belgium 
Sector Academic/University 
PI Contribution This was the third in a series of workshops bringing together staff and postgraduate students from the University of Kent and University of Ghent working on periodicals and newspapers in the long nineteenth century. In the year of the E. U. referendum, questions on the nature of the relationship of the United Kingdom to its European neighbours, governmental but also cultural, were at the forefront of public debates to a stronger extent than ever in the past few decades: hence the focus on transnational networks. I contributed a presentation on using periodicals and newspapers as primary sources in research, based upon case studies taken from my AHRC project. One of the most prominent aspects of my work on special correspondents in nineteenth-century British newspapers is their mobility and coverage of news both at home and abroad. Staff from the Templeman Library Special Collections mounted a display of nineteenth century periodicals and newspapers for postgraduate students to browse throughout the course of the day.
Collaborator Contribution Professor Marysa Demoor, Dr Marianne Van Remoortel and Dr Koenraad Claes brought with them a dozen postgraduate students and postdoctoral researchers from the University of Ghent. Prof. Demoor has produced a book-length history of the representation of the Southern Netherlands throughout British literary history and headed several research projects on the contacts between specific British and Belgian or French authors in the Victorian, Edwardian/Georgian and modernist eras. Prof. Marianne Van Remoortel leads an ERC-funded research group that investigates the role of female editors in Britain and across the Europe, on which Dr Jasper Schelstraete is a postdoctoral researcher. Dr Koenraad Claes investigates amongst others the impact of the French Revolution on political debate in Britain. They contributed presentations on introducing postgraduate students to significant features of nineteenth-century periodicals and their ongoing research in the area of transnational networks.
Impact This workshop built upon the successful collaborative workshops held in 2014 (at Kent) and 2015 (at Ghent). The main outcomes from this collaboration are long-term: the training and development of postgraduate students working with print culture of the long nineteenth century. Participants were asked to complete an evaluation of the workshop. They commented in the evaluation survey on the value of the opportunity to interact with peers from another university who have similar research interests. They appreciated the variety of topics presented over the course of the day and commented on the interest and value of having a display of hard copy versions of a range of periodicals and newspapers to look at alongside the digitised versions.
Start Year 2014
 
Description 'Picturing the News' in digital form: the curation of an online exhibition 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Professional Practitioners
Results and Impact 200 delegates attended a joint subject-specialist network conference for museum professionals and researchers, entitled 'Why Exhibitions?: Strategies, Audiences and future Directions', at which I gave a presentation with Dr Ruth Brimacombe about our online exhibition, 'Picturing the News', in which we discussed the curatorial decisions faced in its development. We were part of a panel held at the National Gallery on 'Exhibition Strategies'
and chaired by its Director. As a result of our talk and publicity associated with it, we achieved a spike of interest in visitors to our online exhibition and to the Facebook page associated with it.
Year(s) Of Engagement Activity 2018
URL http://ssn.nationalgallery.org.uk/news/2017/11/7/joint-conference-why-exhibitions-strategies-audienc...
 
Description Blog - Rediscovering the Art of Victorian Graphic Journalism 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact I wrote blog post in connection with the public engagement lecture of the same title to publicise and engage interest in both the event and the online exhibition with which it was associated. The blog was posted on both the British Library Newsroom blog and the Being Human Festival blog. The public lecture free tickets were sold out and approximately 45 people attended the event, which sparked questions and discussion afterwards.
Year(s) Of Engagement Activity 2017
URL http://blogs.bl.uk/thenewsroom/2017/10/rediscovering-the-art-of-victorian-graphic-journalism.html
 
Description Celebrating the Brotherhood of the Pen: George Augustus Sala on Dickens and Thackeray 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact I gave my talk on 'Celebrating the Brotherhood of the Pen' to the Canterbury branch of the Dickens Fellowship on 10 February 2020. Around 25 members attended and following questions and discussion afterwards reported a new awareness of the combined rivalry and camaraderie that characterised relationships amongst the nineteenth century journalists I have been studying. I was asked to return and speak again next year.
Year(s) Of Engagement Activity 2020
 
Description Celebrating the brotherhood of the pen: George Augustus Sala on 'Dickens and Thackeray' 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact I gave a Plenary Panel address on an aspect of my project at Dickens Day, 'Dickens, Families and Communities', co-sponsored by the international Dickens Fellowship, Birkbeck, University of London and the University of Cardiff at Senate House, London, 20 October 2018. Although members of the Dickens Fellowship (general public) made up the bulk of the audience, postgraduate students, fellow academics and museum curators also participated in the discussion. My talk resulted in invitations to repeat it for three local branches of the Dickens Fellowship: in Broadstairs, Canterbury and Rochester.
Year(s) Of Engagement Activity 2018
 
Description Celebrating the brotherhood of the pen: George Augustus Sala on 'Dickens and Thackeray' 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact I gave an expanded version of my Dickens Day talk to the Broadstairs branch of the Dickens Fellowship on 6 February 2019. Around 50 members attended and following questions and discussion afterwards reported a new awareness of the combined rivalry and camaraderie that characterised relationships amongst the nineteenth century journalists I have been studying. I was asked to return and speak again next year.
Year(s) Of Engagement Activity 2019
 
Description From Research to Outputs: Digital Archives and Exhibitions 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Postgraduate students
Results and Impact Around 12 postgraduate students attended this workshop on 16 June 2018 for London Arts and Humanities students at Kings College London as well as other Doctoral candidates in the partner institutions. Dr Brimacombe and I gave a presentation about our 'Picturing the News' project in the morning session and then participated in small group workshops to discuss with doctoral candidates how their own work may lend itself to digital archival research/exhibition. The organiser, Dr Ana de Medeiros, afterwards reported: 'the work in itself is fascinating but it was also of great interest to learn more about your journey from conception of the idea to finished product and it is wonderful to know that it is reaching such a wide audience.' Participants reported how helpful the workshop had been in terms of developing methodologies for their own doctoral research.
Year(s) Of Engagement Activity 2018
 
Description Public engagement lecture (Broadstairs) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact Approximately 25 members of the Broadstairs Dickens Fellowship attended my talks about different aspects of my current research project as they relate to Charles Dickens, which sparked questions and discussion afterwards.

Interest in my talks has helped to sustain membership and activity of the Broadstairs Dickens Fellowship.
Year(s) Of Engagement Activity 2013,2014,2015,2016,2017
 
Description Public engagement lecture (Canterbury) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact Approximately 15 members of the Canterbury Dickens Fellowship attended these talks based on different aspects of my current research as they relate to Charles Dickens, which sparked questions and discussions afterwards.

Interest shown in my talks has helped to sustain the ongoing membership and activities of the Canterbury Dickens Fellowship.
Year(s) Of Engagement Activity 2013,2014
 
Description Rediscovering the Art of Victorian Graphic Journalism 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact Approximately 45 people attended a public engagement lecture given as part of the Being Human Festival. It was held at the British Library on 23 November 2017 in partnership with the Newsroom. The event sparked questions and discussion afterwards. Evaluation questionnaires indicated attendees found the talk to be informative, stimulating and entertaining.
Year(s) Of Engagement Activity 2017
URL https://beinghumanfestival.org/event/rediscovering-the-art-of-victorian-graphic-journalism/
 
Description The Artist Reporter 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact My co-researcher, Dr Ruth Brimacombe, wrote a blog post in connection with the public engagement lecture we gave, 'Rediscovering the Art of Victorian Graphic Journalism' to publicise and engage interest in both the event and the online exhibition with which it was associated. The blog post was posted on both the British Library Newsroom blog. The public lecture free tickets were sold out and approximately 45 people attended the event, which sparked questions and discussion afterwards.
Year(s) Of Engagement Activity 2017
URL http://blogs.bl.uk/thenewsroom/2017/11/the-artist-reporter.html