E-voices: Redressing Marginality

Lead Research Organisation: Bournemouth University
Department Name: Faculty of Media and Communication

Abstract

e-Voices: Redressing Marginality brings together a global network of academics and practitioners to explore the theme of marginalisation and how digital media can be used to support marginalised groups to make their voices heard within and beyond the borders of their communities to promote social inclusion. This network aims to document these emblematic uses to promote discussion and exchange of ideas, and to enable adaptation and adoption by similar groups within and across countries. In particular, the network is going to explore three case studies: how favela residents in Brazil are using digital media to foster community engagement and active citizenship, how Kenyan artists are using digital tools to promote a dialogue around human rights and power structures and how development organisations working with displaced population in Syria are using digital technologies to foster peace, and reconciliation in the country.

To do so, the network leverage the experience and expertise of its core partnership Bournemouth University in the UK (PI), Universidade Federal Fluminense (UFF) in Brazil (Co-I), TCF/SparkLab in Syria, and PAWA254 in Kenya. The network also includes a consistent number of members coming from local institutions, local organisations, activists, and academics, namely:
- Brazilian activists and local organisations: Youth Forum of Rio de Janeiro, Mare Vive, Coletivo Papo Reto, Coletivo Piratininga de Comunicação/ NGOs- Rio on Watch, catalytic communities, Amnesty International
- Kenyan artists and local organisations: The Nest, who worked with LGBT communities, Osborne Marcharia, who have albinism or dwarfism (Osborne Macharia), Ng'endo Mukii, who worked with migrants.
- Development organisations working in Syria: Syrian Telecentres Project-Salamieh, Telecentre & Studies Centre for Handicapped Research, Community organizers network

e-Voices: Redressing Marginality is structured in 5 main events over 12 months:
- Event 1: kick-off meeting - December 2017, Bournemouth UK, including 20 Participants: A representative from each institution involved in the network + several academics from Bournemouth University, and 3 UK academics experts in the field.
- Event 2: Digital Activism in Brazilian Favelas - March 2018, Rio de Janeiro, Brazil, including 30 Participants: A representative from each institution involved in the network + representatives from local organisations, city hall government, mainstream media, and local academics from UFF and UFRJ. The event will be covered/live streamed by the Coletivo Midia Ninja.
- Event 3: Digital Arts and Marginalised Identities - June 2018, Nairobi, Kenya, involving 50 Participants: A representative from each institution involved in the network + several affiliated Kenyan artists including award winning artists such as documentary animator, Ng'endo Mukii, photographer Osborne Macharia, artist Jim Chuchu, director Judy Kibenge, representative of local NGOs The Nest, GALK (Gay and Lesbian Coalition of Kenya), NoneonRecord, and marginalised groups.
- Event 4: Digital Media to Promote the Reconciliation Process- July 2018, Damascus, Syria, involving 40 Participants: given the current situation in the country, only remote, virtual participation from the core team institutions in envisaged; Nabil Eid from TCF/Sparklab will be in charge of running the event with community organisers, local and international organisations working with refugees and displaced population.
- Event 5: Dissemination Event - November 2018, San Jose, Costa Rica, including 200 Participants: A representative for each institution involved in the network + representative from the Ministry of Cultural Affairs, representative from the University of Costa Rica and representatives from Latin America civic and academic society. The event will be live streamed in each of the ODA countries involved in the project: Brazil, Kenya, and Syria, where, simultaneously, a 1 day dissemination event will be organised.

Planned Impact

e-Voices: Redressing Marginality explores the theme of marginalisation and how digital media can support marginalised groups to make their voices heard within and beyond the borders of their communities, to promote social change. The network aims at sharing strategies and modalities to fight marginalisation in three ODA countries, Brazil, Kenya and Syria, and focuses on the following four marginalised groups: slum residents, the LGBT community, people with disabilities, and refugees/displaced people. The network aims at producing transferable good practice guidelines to inform the activities of similar groups (within the countries involved in the network, but also globally) which, independent of the socio-political and cultural contexts, will be able to learn lessons for how to impact social opinions and policy in order to improve their lives. To do so it leverages the competences and the local networks of its partners:
- TCF/Sparklab is the world's largest association of Internet access and Internet training facilities, with over 750.000 centres around the globe, and a global network of more than 2600 non-profit and community-based and technical organisations specialised in digital empowerment.
- PAWA254 is an organisation that was setup to foster the creative arts for social impact in Kenya. It offers a collaborative space that brings together stakeholders from the creative sector to collaborate and share knowledge with the aim of social change.

The network adopts the following strategies to ensure impact
- National impact: each event taking place in a LMICs country (Brazil, Kenya and Syria) is going to produce impact for the communities and local organisations involved in the event, by fostering self-reflection and promoting international cross-fertilisation of experiences.
* In Brazil: we will work closely with the residents in Favela da Maré and local NGOs and activists in Rio de Janeiro;
* In Kenya: the network will include local artists such as The Nest, who worked with LGBT communities, Osborne Marcharia, who have albinism or dwarfism (Osborne Macharia), Ng'endo Mukii, who worked with migrants;
* In Syria: we will work with local development organisations, such as Syrian Telecentres Project-Salamieh, Telecentre & Studies Centre for Handicapped Research, Community organisers network.

- From an international point of view, Event 5 - Dissemination Event, which will take place in Costa Rica, will open up the border of the network: the event will be co-hosted by the Costa Rica Ministry of Cultural Affairs. The event will be live streamed in each of the ODA countries involved in the project: Brazil, Kenya, and Syria, during a 1 day dissemination event which will be organised simultaneously and which will allow the involvement of local activists, artists and organisations in the dissemination process.

- Finally, the GIS multimedia platform will ensure the network will reach an even wider impact: by documenting the experiences of the three in depth case studies, and by allowing other communities and activists working on the topic of marginalisation to get inspiration and to implement the guidelines in their particular context.
 
Title Art Installation - Chembamba Kina siri kubwa 
Description This piece, by Tom Davis and Paula Callus, emerged from reflections upon the voices of marginalised people. It recognised that marginalised groups in different cultures and places may or may not speak about their experiences publicly, as they may face persecution and be socially stigmatised. Chembamba Kina siri kubwa is also Swahili idiom on the Kanga, meaning "Small things old big secrets". 
Type Of Art Artwork 
Year Produced 2018 
Impact Reflection about ethics and how to work with marginalised communities without putting them in danger. 
 
Title In/Visible Margins Exhibition 
Description In/visible Margins is an exhibition about Kenyan artists reflecting on marginality, representing marginalised groups and portraying human rights and social challenges. It was first displayed in the Shift-Eye Gallery in Nairobi Kenya and then at the Lees Gallery, Bournemouth University. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2018 
Impact Give visibility to Kenyan art-ivists working with several artistic modes, both within and outside Kenya. 
 
Title Portrait of Marielle 
Description During our third event in Kenya, a group of young Kenyan artists led by Ng'endo Mukii and Paula Callus produced an experimental animation to pay homage to Marielle Franco, the Brazilian activist recently killed in Rio de Janeiro: 
Type Of Art Film/Video/Animation 
Year Produced 2018 
Impact During the workshop Kenyan art-ivists learnt to: - reflect on global social issues, acknowledging how same issues affect people from all over the world (in this case the story of Marielle Franco from Brazil was the input for this reflection) and how activists could work cross-nationally to be more impactful and effective in fighting their causes - learnt new animation techniques to be transferred to their practice - learnt to work as a team to reach a bigger goal After the workshop: - The animation became part of a permanent exhibition at Museu da Maré, the community based museum of the favela where Marielle Franco came from. An opening event at the museum put in dialogue media activists from Rio de Janeiro with art-ivists from Nairobi. - Ng'endo Mukii, one of the facilitator of the workshop, started a series of animation on black female activists, and using the same methodology developed during our experimental workshop, co-created with young artists in Salvador de Bahia, an animation about Wangari Maathai. 
URL https://www.youtube.com/watch?time_continue=5&v=rPsqlwZ2_WY
 
Title Storymaps 
Description A series of StoryMaps have been produced todocument the experiences of Brazilian Media Activists, Kenyan Art-ivists and Syrian Community-based Organisations. 
Type Of Art Artefact (including digital) 
Year Produced 2018 
Impact This maps have been shared and viewed, through our Facebook page, by 3000+ people, mainly in Syria, Brazil and Kenya. 
URL http://evoices.cemp.ac.uk/creative-outputs/
 
Description - The Visibility Model: we are developing a new model to explain how visibility affects (positively and negatively) activists around the globe.
- Animation as a powerful tool to address social issues and link activists
- Lesson learnt from the project case studies: (i) media activism in Brazil and how favela residents use digital media to foster community engagement and active citizenship; (ii) art-ivism, the use of art to serve activism causes, and how Kenyan artists use digital tools to promote a dialogue around human rights and power structures; (iii) digital media for social good and how development organisations working with displaced populations in Syria use digital technologies to foster peace and reconciliation in the country; and (iv) digital media for active citizenship and how the state of Costa Rica is working with arts and technologies to promote inclusion and well-being among the youth.
Exploitation Route - we have developed a guide for practitioners that we hope will inform the activities of similar groups, which, independent of the socio-political and cultural contexts, will be able to learn lessons for how to gain a share of voice and impact policy in order to improve their lives.
Sectors Digital/Communication/Information Technologies (including Software),Culture, Heritage, Museums and Collections

URL http://evoices.cemp.ac.uk
 
Description March 2019: This grant just ended, however we can already report societal impacts related to one of the creative output produced: the Portrait of Marielle animation, which was created as part of an experimental animation workshop with young Kenyan artists/activists. During the workshop Kenyan art-ivists learnt to: - reflect on global social issues, acknowledging how same issues affect people from all over the world (in this case the story of Marielle Franco from Brazil was the input for this reflection) and how activists could work cross-nationally to be more impactful and effective in fighting their causes - learnt new animation techniques to be transferred to their practice - learnt to work as a team to reach a bigger goal After the workshop: - The animation became part of a permanent exhibition at Museu da Maré, the community based museum of the favela where Marielle Franco came from. An opening event at the museum put in dialogue media activists from Rio de Janeiro with art-ivists from Nairobi. - Ng'endo Mukii, one of the facilitator of the workshop, started a series of animation on black female activists, and using the same methodology developed during our experimental workshop, co-created with young artists in Salvador de Bahia, an animation about Wangari Maathai.
First Year Of Impact 2018
Sector Digital/Communication/Information Technologies (including Software),Culture, Heritage, Museums and Collections
Impact Types Cultural,Societal

 
Description Dual Netizenship
Amount £20,000 (GBP)
Organisation British Council 
Sector Charity/Non Profit
Country United Kingdom
Start 01/2021 
End 03/2021
 
Description Local Heritage and Sustainability: promote reflection and sharing within and across communities
Amount £54,521 (GBP)
Funding ID AH/T008466/1 
Organisation Arts & Humanities Research Council (AHRC) 
Sector Public
Country United Kingdom
Start 02/2020 
End 03/2021
 
Description YLAMP
Amount £20,000 (GBP)
Organisation British Council 
Sector Charity/Non Profit
Country United Kingdom
Start 01/2022 
End 03/2022
 
Description Memorandum of Understanding with Parque La Libertad in Costa Rica 
Organisation Parque La Libertad
Country Costa Rica 
Sector Charity/Non Profit 
PI Contribution - Organisation of the last international event in Costa Rica - Discussion on possible future bids - Content for the website network
Collaborator Contribution - Organisation of the last international event in Costa Rica - Discussion on possible future bids - design of the new website network, to be developed in 2019
Impact - International Event in Costa Rica with the participation of the government.
Start Year 2018
 
Description A series of dissemination events 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact We held a series of dissemination events in Costa Rica, Kenya, Brazil and UK.
Year(s) Of Engagement Activity 2018
URL http://evoices.cemp.ac.uk
 
Description British Council - Strengthening Resilience Event 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Present the outcomes of the eVoices project to participants involved in the Strengthening Resilience in the MENA region.
Year(s) Of Engagement Activity 2019
 
Description Digital Activism and Marginal Voices. Some Insights from the AHRC International Network e-Voices: Redressing Marginality. 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Postgraduate students
Results and Impact Talk about the project, its findings and its methodology
Year(s) Of Engagement Activity 2018
 
Description Digital Activism and Marginal Voices. Some Insights from the AHRC International Network e-Voices: Redressing Marginality. Technology and Society: Diversity, Development and Community Change Workshop 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Postgraduate students
Results and Impact talk and discussion about the methodological aspects of the project and the main findings.
Year(s) Of Engagement Activity 2018
 
Description Digital Activism in Favelas 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact This second event of e-Voices: Redressing Marginality was held in Federal Fluminense University (UFF), Brazil, from 14 May to 17 May 2018. It was organised in partnership with UFF's 7th Research Seminar in Media and Everyday Life whose theme was "Mediatisation and Connected Society". The event was structured as follows:

The activities for the first day, 14 May, were held in the Maré Museum in Complexo da Maré, the first museum in Brazil to be located in a favela. During the afternoon, researchers, media activists, media professionals and students promoted a debate on how media activism can promote Human Rights and foster the memory and identity of people living in the Brazilian favelas. The event gathered researchers and students from various parts of Brazil and media collectives and grassroots organisations such as Maré Vive, Na Favela, Coletivo Papo Reto, Defezap, Casa Brota, Providência Cineclube, Impacto das Cores and the Network of Social Museology. Claudia Rose Ribeiro, Director of Museu da Maré, also conducted a guided tour of the museum in which she explained the importance of preserving the favela's memory for residents' self-esteem and sense of self.
After the debate and guided tour at Museu da Maré, the event's participants returned to UFF where they had two keynote lectures by Professor Cicília Peruzzo, a reference in community communication studies in Brazil and by Claudia Magallanes-Blanco from Universidad Iberoamericana Puebla, Mexico.
In the second day, 15 May, the eVoices network offered a morning workshop open for students and media activists on "Artivism: Arts and Creativity to Combat Marginalisation", conducted by Eve Wagema (PAWA 254). In the afternoon, members of the network convened to discuss the network's development. The Seminar in Media and Everyday Life's programme included roundtables with the Brazilian scholars Muniz Sodré (Universidade Federal do Rio de Janeiro), Laan Mendes Barros (Universidade Estadual Paulista), Christina Musse (Universidade Federal de Juiz de Fora) and Marcelo Ridenti (Universidade Estadual de Campinas).
In the third day, 16 May, the eVoices network offered morning workshops on "Financing, Funding and Storytelling Strategies for Social and Community Projects", conducted by Miguel Raimilla (Sparklab) and on "Social Media for the Protection of Human Rights", conducted by the Maré Vive Collective. In the afternoon, the programme included roundtables with Orlando Berti (Universidade Estadual do Piauí, Piauí, Brazil) and a Keynote Lecture by Darren Lilleker (Bournemouth University). The closing session was delivered by members of the eVoices Network: Isabella Rega and Darren Lilleker (Bournemouth University), Andrea Medrado and Renata Souza (Universidade Federal Fluminense), Eve Wagema (PAWA 254) and Miguel Raimilla (Sparklab). The day finished with a book lunch, dinner, and live music session.
The event's last day, on 17 May, was fully dedicated to a meeting with all the members of the eVoices network. They discussed preliminary insights, the production of outputs and plans for future events.
The Brazil event was very successful in gathering a very diverse group of attendees. It is estimated that almost 300 people took part in the event's different activities. During these four days, undergraduate and postgraduate university students, senior scholars, media activists, media professionals, residents of favelas, people from various parts of Brazil and the world gathered to discuss issues of technologies, Human Rights and marginalisation.
Year(s) Of Engagement Activity 2018
URL http://evoices.cemp.ac.uk/event-2/
 
Description Digital Arts and Marginalised Identities 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact This third event of e-Voices: Redressing Marginality will be held in Nairobi, UK, from August 20 to August 23. Key objectives for Event 3 are to explore the intersection between Digital Arts and Marginalised Identities, by promoting a dialogue involving artists, activists and the non-profit sector, and to foster the exchange of experience between Kenyan and Brazilian activists.

The Kenya event, dubbed, 'In/Visible Margins' will bring out the diverse ways in which artistic strategies such as storytelling, visual and performing arts are being used to re-present marginalized groups. This includes their lives, identities, everyday experiences and the use of digital technology to tell these stories. 'In/Visible Margins' in Kenya will be explored in four sub-events as follows:
Year(s) Of Engagement Activity 2018
URL http://evoices.cemp.ac.uk/event-3/
 
Description Open Event: E-Voices Redressing Marginality 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Professional Practitioners
Results and Impact http://evoices.cemp.ac.uk/wp-content/uploads/2018/01/OpenEvent-e-Voices-Program-January-17-2018-4.pdf
Year(s) Of Engagement Activity 2018
URL http://evoices.cemp.ac.uk/event-1/