Enhancing resilient deaf youth in South Africa

Lead Research Organisation: University of Manchester
Department Name: Social Sciences

Abstract

Around 6,200 per year are born in South Africa with a significant degree of permanent deafness and many more become deaf through childhood illness. Over 95% of deaf children are born into hearing families with no prior experience of deafness. Deafness presents a major risk to the acquisition of language with poor literacy and very low educational attainment. For many families deafness also attracts unwelcome stigma, discrimination and society as a whole has low expectations of deaf people's potential despite a normal range of intelligence. The consequences for personal self actualisation, autonomous citizenship and contribution to broader society are far reaching with the majority of deaf adults struggling for employment, access to education and opportunities to lead a normal life. We will develop a series of social interventions using film and visual media to combat current and future public health burden that arises from these consequences.

Our project is focused on building resilience amongst deaf youth through enhancing self esteem, supporting hearing parents to develop their repertoire of emotions based (rather than merely functional) communication and developing practical keep safe resources in a context where deaf young people are especially vulnerable violent crime and abuse. Our chosen medium to achieve these goals is community based participatory film making because the visual is a highly accessible medium for both knowledge acquisition but also knowledge production for those for whom articulation, whether in spoken, signed or written languages, may be severely delayed and because of its non-dependence on the written word.

The project will work with deaf children/young people and their families to explore, produce and edit short films that demonstrate personal potential and ambition with the scope to influence wider public attitudes and act as an educational resource. In working with deaf and hearing filmmakers through workshops and community events the children will also acquire new social-relational skills, have the opportunity to restructure challenging daily experiences of being deaf into potentially inspiring futures through sharing and raising their ambitions of what is possible for them and having access to deaf adult role models through these processes.

Deaf mentors and parents of deaf children will co-create a new emotions-based workshop curriculum to inspire parental confidence in communication about the non-functional aspects of life so emotional worlds and concepts open up to deaf children/young people as resources to enable them to understand their own development and read the emotional reactions of others - both vital aspects of resilience building.

We will create with deaf children/young people a series of interactive films designed to explore keeping safe strategies, prevent abuse, reduce risk and provide deaf young people with a means of knowing of how seek help and support. The community context through which the potential film scenarios are explored, created, filmed, edited and responded to are also learning opportunities for those who will take part in growing their personal and social strategies to combat abuse, neglect and discrimination.

All products will be made freely available in multiple languages, including South African Sign Language, through a Web Doc that will be fully update-able and accessible through a variety of low cost digital means.

The deaf and hearing team working together combine internationally leading expertise in visual anthropology, deaf studies, social research with deaf people and on the ground NGOs providing family centred intervention free at the point of need, parent-led support groups, deaf film makers and supported by the public health office of Gauteng province. The project is process-evaluated by students in deaf education and Deaf studies in South Africa.

The delivery of the project cements a new partnership ready for further research.

Planned Impact

The project's outcomes are designed to have immediate and longer-term impacts encompassing a variety of stakeholders.

(i) the process itself of grant planning and delivery facilitates inter-disciplinary knowledge exchange and partnership building;
(ii) its aims and execution identify, provide evidence for and address key areas of risk and resilience building among deaf persons and their families for future development. In a research evidence poor context this is vital in supporting policy and practice innovation;
(iii) the methods being innovated are designed to bring about positive social change among persons who are routinely excluded in terms of language, education, employment and life-chances;
(iv) the products arising from the engagement are sustainable, updatable resources available to continue the work started through this grant to reach an even larger number of potential beneficiaries;
(v) training and capacity building amongst deaf people working with families with deaf children, parent led networks of support and deaf film makers are built in to all stages of the proposed project from first identification of focus, to delivery on the ground and longer term legacy of skills and resources for intervention;
(vi) the engagement and support of the Department of Health, South Africa and our named NGO partners place this project firmly within their agendas with the potential for leverage of future resources and policy development based on evaluation of the impacts of the work carried out.

Vision plays a key role in shaping experiences and understandings of deafness, including sign language and other linguistic and non-linguistic modes of visual communication and expression that have no equivalent in written or spoken language. Consequently, the project will develop new ways of working with visual methods and participatory film practice, alongside film and visual media training, in ways that are relevant to, and ultimately led by deaf persons and researchers, to provide an empowering and socially inclusive way of actively engaging persons living with or affected by deafness in the research process. This will build skills and capacity across a range of lay, activist and academic persons and as such the project's immediate impacts include training and development opportunities for deaf filmmakers, deaf mentors, parents of deaf children and deaf youth from a wide range of social, cultural and linguistic backgrounds. This also provides a practical means of transcending difference between deaf and hearing persons across South Africa's diverse cultural and linguistic communities.

Public impact and engagement, in terms of the project's film and media outputs on resilience building and negotiating risk will be enhanced by combining visual and social media in order to reach a broad public audience, including the families and communities of deaf persons, hearing and non-hearing persons, policy makers and NGOs. Materials will be made freely available on websites and smartphone friendly platforms alongside downloadable formats, DVDs and a dedicated WebDoc site to increase access to the project among academic and non-academic beneficiaries. The project's public potential will be further realised by way of interactive multi-media that have the ability to engage with and communicate to a broad, non-specialised audience. These source materials will have enduring impact by providing a long term, freely available, database for researchers and general members of the public who are living with and/or affected by deafness and visit the website via feeder sites and search engines. The project's public outcomes are designed to benefit a broad range of parties beyond university contexts, including members of the public and their families, those working in professional or voluntary capacities within charities, NGOs and care settings, and among local and national policy makers.
 
Title "Deaf Lifeworlds: Expressions of Resilience" Exhibition at KwaZulu Natal SA Gallery, Durban 
Description Exhibition of photographs and films at KwaZulu Natal SA Gallery, Durban Film and photographic work made by deaf youth deriving from three months of workshops we ran across six schools in Soweto and Durban. The photographs show something that deaf children are excellent at - understanding the world visually. The exhibition tackles critical issues of social, educational and linguistic exclusion, alongside other ingrained challenges of stigma and abuse faced by deaf people in society. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2019 
Impact Through their photographs and films, deaf children are representing their lives and influencing how others see and understand them so as to change society. 
URL https://kznsagallery.co.za/Exhibitions/View/964/deaf-lifeworlds-expressions-of-resilience
 
Title "Deaf Lifeworlds: Fulton and VN Naik Schools." 
Description Produced by EyeBuzz - a South African Sign Language medium online channel that evolved from the research study - this film documents the interaction of deaf young people with their artistic/filmic products on exhibition in a gallery in KwaZulu Natal, South Africa. 
Type Of Art Film/Video/Animation 
Year Produced 2019 
Impact Raises the profile of deaf young people in South Africa; raises the self-esteem of the young participants; shows the validity and strength of South African Sign Language; exposes hearing people to the creativity of deaf signing young people. 
URL https://www.wits.ac.za/centre-for-deaf-studies/eyebuzz/videos/#d.en.1993826
 
Title "Deaf Lifeworlds: KwaVulindelebe School." 
Description This film was produced by EyeBuzz - an online digital channel aimed at deaf signing young people in SA that was a direct impact of the research project undertaken. Filmed and edited by Deaf signers working at the University of the Witwatersrand this film documents the reactions of the deaf young people at one school in SA - KwaVulindelebe - as they see for the first time the exhibition of the photographs they took as part of the research study. 
Type Of Art Film/Video/Animation 
Year Produced 2019 
Impact Impacts the self confidence and self belief of this group of deaf young people who have experienced multiple discrimination and reduced life chances. Raises the profile of deaf young people in South Africa as competent contributors to and recipients of citizenship rights. Provides key early content for the first deaf young people orientated online channel in South Africa in South African Sign Language. 
URL https://www.wits.ac.za/centre-for-deaf-studies/eyebuzz/videos/#d.en.1993826
 
Title CIVIC VISIONS: REFLECTIONS: Exhibition of photographs and films in partnership with The Children's Museum of the Arts, New York 
Description Exhibition of photographs and films in partnership with The Children's Museum of the Arts, New York Film and photographic work made by deaf youth deriving from three months of workshops we ran across six schools in Soweto and Durban. The photographs show something that deaf children are excellent at - understanding the world visually. Through their photographs and films, deaf children are representing their lives and influencing how others see and understand them so as to change society. The exhibition tackles critical issues of social, educational and linguistic exclusion, alongside other ingrained challenges of stigma and abuse faced by deaf people in society. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2019 
Impact The young people's photographs and films offer a form of civic engagement we termed "CivicVisions" in which they represent the diversity of community, address issues of interest or concern, and show themselves to be young citizens who are committed to making a difference. 
URL https://cmany.org/blog/view/meet-june-civickids-partner-deafcam/
 
Title Deaf lifeworlds: expressions of resilience 
Description An exhibition of deaf young people's photographic and film outputs at the KwaZulu Natal Society for the Arts. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2019 
Impact The young people travelled to see their artwork exhibited - for many this was the first time in an art gallery. The gallery adapted to the needs of deaf exhibitors raising community understanding of the population of deaf young people in the locality. A wide range of hearing people previously unexposed to deaf signing young people were able to learn of the the strengths and needs of this population in South Africa. 
URL https://kznsagallery.co.za/Exhibitions/View/964/deaf-lifeworlds-expressions-of-resilience
 
Title Web site of photographic and film outputs 
Description This website recorded the outputs by deaf young people from our first study visit as part of the project. 
Type Of Art Artefact (including digital) 
Year Produced 2018 
Impact Raised the profile of the study and provided material that could be used in future activities. 
URL http://deafcamsa.net
 
Description The project has established a strategic on the ground network between six deaf schools across KwaZulu Natal and Guateng Provinces and the two major South African NGOs working with deaf children and their families (Hi Hopes and THRIVE). The project has been formally supported by the Director of Non-communicable Diseases, Department of Health, SA; the Department of Education, and commended by the President of the World Federation of the Deaf.

The network has both a research and social intervention focus and has developed a unique transdisciplinary alliance between visual anthropology, deaf studies and social science, in order to develop skillsets, enhance resilience and effect social change among deaf youth. Co-ordinating expertise in visual methods and communication, sign language and practice-based visual teaching and learning, the project innovated, developed and implemented key social interventions using film and visual media to develop resilience, combat stigma, and explore issues around safety and well-being. The workshops needed to be designed to work with and deliver skills to deaf children, many of whom had little language or had significant language delays deficits and challenges (e.g. theory of mind, understanding or accessing abstract concepts, minimal incidental learning), but the majority of whom were in the 'normal' range of intelligence. A total of ten bespoke film, photographic and visual methods workshops, ranging from two to ten days, were delivered between March to September 2018 across the six schools and at the two partner NGOs Hi Hopes and THRIVE, to over 100 children and twenty families with deaf children
Exploitation Route The project findings can be taken forward so as to (a) embed film making and film teaching skills as a sustainable resource within a train the trainers model that crucially is deaf-led and in SASL; (b) produce a means of perpetuating new, linguistically accessible, public health and personal development resources within school curricula and classroom delivery to address ongoing deficits in child safety and personal development; (c) enhance the professional skills and development of three key deaf professionals who will be in a position to contribute to the work of the centre for deaf studies, University of the Witwatersrand as well as acting as nationally recognised role models for deaf youth aspirations; (iv) all of these developments enhance the infrastructure and resources available for activation in future large scale research and development projects that utilise the university/community - deaf/hearing - parent/teacher networks that we have built through our original grant and this impact accelerator. Overall findings address in a novel way one aspect of the social protection agenda in South Africa through indirectly impacting on personal agency, economic independence, avoidance of harm/exploitation and raising aspirations of deaf individuals and wider society with respect to its deaf citizens.

By way of an impact accelerator grant, four deaf role models were trained both in filmmaking and the teaching and pedagogy of film to form a deaf educators film training unit who can deliver classes to continue the work after the end of the grant

In technical terms young deaf people became outstanding and active media practitioners, as evidenced by a exhibition at a major gallery, the; KwaZulu Natal Society of the Arts Gallery, Durban. The skills the young people developed were employed in terms of developing an understanding of key issues-including rights, political processes, safeguarding, employment and relevant social challenges-through guided, interactive and peer learning in order to facilitate key stages in social and cognitive development that might otherwise be difficult to achieve. This offers a more effective mechanism and engaging pedagogy for delivering other kinds of knowledge. As such, a legacy of the project were plans to develop a new curriculum whereby the teaching of film and photography is adaptable to cover subjects that are useful, relevant and can be tailored to the specific needs of the school.

There is currently no national forum to connect and engage young people in society. An outcome taken forward by partners in South Africa as a direct outcome of the project is the planned development of a national, monthly deaf led chat show to be web-cast that will be made for and by young people. The show will combine stories, current events, health and safeguarding issues with aspirational content (eg we have interviews with deaf athletes, business people etc) to show that deaf people can succeed in society in different ways.
Sectors Communities and Social Services/Policy,Education,Healthcare,Culture, Heritage, Museums and Collections

URL http://deafcamsa.net/
 
Description There have been 4 major impacts of the work so far: 1) Impact on public awareness of deaf children's lives, challenges and talents through artistic production. The young people's work was outstanding by any standards including in comparison to workshops delivered to hearing adults at postgraduate and faculty level. It is important to bear in mind that most had never used a camera before. For examples of the work see the project web site: www.deafcamsa.net. Given the high standard of the work that was produced by the deaf youth, a new output from the project has been confirmed in the form of an exhibition at a major international museum, the New York's Children's Museum of the Arts in June and September 2019, and we have also been invited to become on the museum's twelve official partners. We are planning to tour the exhibition and are in negotiation with a South Africa based gallery and are meeting Manchester Museum in December. We will be actively be seeking funds to finance the exhibition and put on associated educational events. 2) Impact on deaf children's self-esteem and self-advocacy. Deaf young people's exploration and representation of their lives and aspirations through visual media built confidence and enabled them to explore personal agency without language barriers. The opportunity for them to learn how to script and shoot short films with expert teaching enabled them to create short documentaries about their lives and issues that effected them as deaf young people who usually have no public voice or representation in South Africa in general. Some of these tackled very sensitive issues head on such as the prevalence of rape and violence as a part of everyday life in the townships. Others considered local and personal experiences such as a school day and friendships. 3) Educational and social learning impacts. A number of the schools we worked with have requested that we assist in the development of teaching and learning formats that use visual media based on the workshops that were delivered, including exploring the possibility of film and photography being integrated into the curriculum. The schools reported the direct pedagogical benefits and impacts of the workshops, alongside secondary values in terms of social skills, the development of interactional strategies (many deaf children experience significant deficits in pragmatic skills quite apart from those of syntax and semantics) and the enhancement of linguistic and theory of mind deficits (film and photography were chosen in terms of their being excellent mediums to tackle issues of how we know what another might think or feel). 4) Vocational and skills impacts. A number of students demonstrated outstanding potential and abilities in a vocation that could be entirely realistic in the SA context for someone who is deaf and who has limited (or no) spoken language. This was recognised by some of the school principals where we worked who were keen to use some of the older deaf young people in making SASL films that could be used as teaching, learning and classroom resources in the future. From the young people's perspective, there was a strong enthusiasm to continue to develop their technical skills as well as continuing to experience enjoyment through film and photography production as a peer group. Two groups of students explicitly requested we set up film clubs for them to do and we have donated large amounts of equipment for continued use in South Africa.
First Year Of Impact 2018
Sector Education,Culture, Heritage, Museums and Collections
Impact Types Societal

 
Description SA University 
Organisation University of the Witwatersrand
Country South Africa 
Sector Academic/University 
PI Contribution This was a collaborative GCRF project between the University of Manchester and the University of the Witwatersrand Centre for Deaf studies. The research project was led by UoM (Granada Centre and SORD).
Collaborator Contribution The SA department (Centre for Deaf Studies) received funds from the UK but also contributed additional time and resources in kind.
Impact Photogrpahy exhibitions in SA and the UK; films made by deaf young people in SA; academic presentations and publications
Start Year 2016
 
Description Diversity calendar 
Form Of Engagement Activity A magazine, newsletter or online publication
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Other audiences
Results and Impact The University of Manchester Diversity Calendar featured a phtograph from our research project as illustrative of the diversity of research in the university at home and overseas.
Year(s) Of Engagement Activity 2020
 
Description ESRC Festival of Social Science: Language, Film and the Visual Politics of Inclusion 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact ESRC Festival of Social Science: Language, Film and the Visual Politics of Inclusion
Screening of films made by deaf young people as part of the project. The films were aimed at a wide audience in order to enhance public understanding of the linguistic and cultural diversity of deaf communities, including the importance of sign language to deaf communities. The films themesleves are part of the project's innovative approach in using film as a creative and inclusive pedagogical practice in the deaf schools we worked with.
Year(s) Of Engagement Activity 2019
 
Description International Conference Presentation - Deaf children Now 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Paper given at the 'Deaf Children Now ' international conference, Manchester, June 2019
Year(s) Of Engagement Activity 2019
 
Description Keynote Talk at the Finish Oral History Society 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Other audiences
Results and Impact Keynote Talk at the Finish Oral History Society to a mixed audience of academics, society members, general public and postgraduate researchers.
Year(s) Of Engagement Activity 2022
 
Description Short film on the work shown through the Manchester Histories Digi-festival to celebrate 50 years since the Chronically Sick and Disabled Person's Act was passed. 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The Digifestival which was focused on artistic and historical work led by Deaf and disabled people, was designed to raise awareness of the progress made in disabled people's rights in the past 50 years since the world's first piece of legislation to secure those rights. It celebrated the contribution to society of Deaf and disabled people and resulted in a body of artistic work that has an enduring digital presence.
Year(s) Of Engagement Activity 2020