Cultures of Anti-Racism in Latin America

Lead Research Organisation: University of Manchester
Department Name: Social Sciences

Abstract

In a global context of persistent racism and racial inequality, alongside the growing "post-racial" denial of their importance, this project will explore the role of the arts in challenging racism. The project aims to investigate the sociality, practices and discourses of contemporary cultural producers working in literature and visual and performing arts who focus on issues of racial difference, racism and anti-racism in three Latin American contexts: Brazil, Colombia and Argentina.

Why the arts? We work on the basis that the arts have always played a crucial role in anti-racist movements, serving as important tools with which to protest against and educate about racism. The arts have the ability to mobilise emotions through narrative and performance, and this makes them well suited to deal with racism's dependence on an emotive logic. By combining expertise from the arts and the social sciences in a cultural studies approach, we seek to locate artistic practices that address racial inequality and racism in their social and cultural context; we aim to map how the producers, their practices and their products circulate in the social world and produce effects there that contribute to the struggle against racism. While rationally devised social policy addressing socio-economic conditions is vital to correcting racial inequalities, it can simply by-pass, be undermined by and even exacerbate the visceral emotions that racial difference produces in a racially hierarchical society. It is these emotions we seek to approach and address through the medium of art and performance.

Why Latin America? Because the region has a long history in which "post-raciality" - by which we mean the tendency to deny or minimise the significance of racism and racial inequality, invoking a colour-blind universalism - has co-existed with marked racial inequality and with often veiled but still powerful racist attitudes. This paradoxical co-existence is becoming characteristic of other areas of the world, in the wake of post-World War II trends that made "race" politically toxic and made the denial of racism commonplace, while racial inequalities remain and even grow. We contend that the way struggles against racism in Latin America address this long-standing co-existence can hold lessons for anti-racism more widely. For example, the post-racial claim that increased inter-racial mixture indicates decreasing racism is belied by the fact that Latin American countries have often been majority mestizo (mixed-race) societies for over two centuries, without this having solved the problem of racial inequality and racism.

A notable feature of the project is that it encompasses anti-black and anti-indigenous racism in a region where practices and attitudes prejudicial to indigenous people are often not labelled as racism, but also at a time at which this label is becoming increasingly popular in struggles against such prejudice, highlighting the structural dimensions of indigenous disadvantage. A further strength of the project is its comparative approach, which seeks to use the rather different racial formations of Argentina, Brazil and Colombia to assess how generic or country-specific anti-racism strategies are.

Research teams in each country will bring together senior and junior, UK-based and Latin American researchers in the social sciences and arts to work with a range of artists and performers to explore diverse practices, including for example indigenous literatures, visual arts and cinema in Brazil, hip-hop music in Brazil and Colombia, Afro-Colombian art and an indigenous-black organisation that uses performance as a pedagogical tool, and street dance and commercial music forms alongside literature and political art in Argentina. Project researchers will work closely with artists and performers and will collaborate with them in project workshops, which will also have a public-facing component.

Planned Impact

We have identified these non-academic beneficiaries and impacts:

i) Artists and cultural producers from Brazil, Colombia and Argentina whose work addresses issues of racial difference and racism. This project will raise awareness about the potential their productions have for exposing and confronting the persistence of racism in Latin America. Workshops and public events in each country, to which these artists will be invited, will give them the opportunity to discuss their production, and the relationship between culture and anti-racism, with other artists, as well as academics, social activists and civil servants. These events will build on the extensive networks of the PI, the UK-COIs and the International COIs and will foster the networking of practitioners across artistic disciplines and national borders, enhancing anti-racist strategies in the region. The project's closing event in the UK will bring researchers and findings from the Latin American scene into exchange with British anti-racist artist/activists and, via feedback from the researchers to artists in Latin America, will enhance integration between the UK and Latin America with regards to these critical issues. This closing event will also launch an online exhibition of some of these artists' works, which will allow them to reach a broad public, thus enhancing their international status and visibility.

ii) Indigenous, Afro-descendant and other organisations from the third sector whose work focuses on race and racism will also benefit from the project. Its analysis of the role of affect in, and the potential of the arts for, articulating anti-racist practices will contribute to their capacity building, helping them design and develop more innovative action and strategy aimed at social inclusion.

iii) Governmental agencies dedicated to racial issues will draw on the results of this project to implement anti-racist initiatives in which the arts and emotions have a central role (for example, art festivals, competitions, educational initiatives). In order to engage these agencies, we will invite their representatives to the public event in each country.

iv) British cultural practitioners will also benefit from the Latin American experience. The coexistence of racism and 'post-raciality' is a relatively new development in the UK, yet it is a long-standing condition in Latin America. How Latin American artists navigate this particular racial dynamic through cultural production can provide learning points for their British counterparts. Furthermore, bringing these British and Latin American contexts together - something that is rare both in scholarship on race and in concrete anti-racist work - will help illuminate their shared features, usually neglected. The final symposium and impact event , which will put British and Latin American artists in dialogue, will create a platform for these exchanges.

v) Local communities that are the target of racial violence will benefit indirectly, since the project will build capacity and transfer knowledge to NGOs and state agencies, thus improving the quality and impact of their social work with these communities.

vi) Finally, the research could be appealing to a wider public, in Latin America and the UK, with an interest in Latin American art (who would learn about contemporary and groundbreaking cultural production from Brazil, Argentina and Colombia), the state of racial difference and anti-racism in Latin America, the relationship between art and race, and the possibilities of culture for fighting discrimination and strengthening of racial inclusion. The website and the online exhibition will allow access to material on the project and the artists featured. The public events in Argentina, Brazil, Colombia and Manchester and the online exhibition will offer the possibility of experiencing anti-racist cultural production first hand.

Publications

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Title Colheita Maldita 
Description This is a video by Indigenous Brazilian artist Denilson Baniwa. The title translates as "cursed harvest" and it is an audiovisual reflection on questions of land and environmental degradation in Brazil. It was made especially for the CARLA project. 
Type Of Art Film/Video/Animation 
Year Produced 2022 
Impact The video is currently unlisted on the project YouTube channel, as it will form part of the final online exhibition to be launched in April 2022 
URL https://youtu.be/8eRIpEIbDag
 
Title Cultures of Anti-racism in Latin America 
Description This exhibition presents works by artists with whom we built up collaborative relationships during the project "Cultures of Anti-Racism in Latin America", which aimed to explore how artists in Argentina, Brazil and Colombia address racial diversity and how they use their art to challenge racism and deeply entrenched racial inequality. The exhibition features over 30 works by more than 20 artists. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2022 
Impact The exhibition was launched at a Festival of Anti-Racist and Decolonial Art held on 23 April 2023 at the Contact Theatre in Manchester, UK. It has been extensively promoted on CARLA's social media channels, which have increased their numbers of followers as a result. 
URL https://www.digitalexhibitions.manchester.ac.uk/s/carla-en/page/home
 
Title Detrás del Sur: Danzas Para Manuel 
Description This video was created by Sankofa Danzafro, under the artistic direction of Rafael Palacios Callejas, with script and research by Carlos Correa Angulo. It shows the dance company rehearsing for and talking about a dance performance called Detrás del Sur (Behind the South), which is a homage to the Afro-Colombian writer, Manuel Zapata Olivella. The video was supported by the CARLA Project, in alliance with the Teatro Mayor Julio Mario Santo Domingo, Plu con Plá, the José Gutiérrez Gómez Metropolitan Theatre, the Fundación Escuela Folclórica del Pacífico Sur Tumac, the 14th Book and Culture Festival, Wangari Afro-contemporary dance, and the Nuevo Horizonte School of Music (Tumaco). 
Type Of Art Film/Video/Animation 
Year Produced 2021 
Impact The video is currently unlisted on the project YouTube channel, as it will form part of the final online exhibition to be launched in April 2022 
URL https://youtu.be/swza1FF4-gw
 
Title Fertile land: Véxoa and contemporary indigenous art at the Pinacoteca de São Paulo 
Description "Fertile land: Véxoa and contemporary indigenous art at the Pinacoteca de São Paulo" presents a record of the opening of the first exhibition dedicated to indigenous art in one of the most important art museums in Brazil, founded in 1905. Curated by researcher Naine Terena, "Véxoa: We Know" brings together 23 artists/collectives from different regions of Brazil, contributing paintings, sculptures, objects, videos, photographs, installations and performances. The exhibition opened on October 31, 2020. It features Interviews with Naine Terena - Curator; Denilson Baniwa - Artist; Tamikuã Txihi - Artist; Lucilene Wapixana - Artist; Gustavo Caboco - Artist; Jochen Volz - Director of the Pinacoteca; Fernanda Pitta - Curator of the Pinacoteca; Luciara Ribeiro - Curator; Beatriz Lemos - Curator; Paula Berbert - Researcher. Script, direction and production are by Débora McDowell and Jamille Pinheiro Dias. Videomaker was Loiro Cunha; Editing and Graphics by Beatriz Morbach. 
Type Of Art Film/Video/Animation 
Year Produced 2021 
Impact None as yet: the video was only uploaded to YouTube in February 2021 
URL https://www.youtube.com/watch?v=7VnYH4VgaAE
 
Title Festival of Decolonial and Anti-Racist Art - A Documentary 
Description This is a documentary about a Festival of Decolonial and Anti-Racist Art, which took place one day in April 2022 and featured artists and researchers in the Cultures of Anti-Racism in Latin America (CARLA) project, based at the University of Manchester. This a three-year project (starting January 2020), funded by the Arts and Humanities Research Council (UK), that explores how artists in Argentina, Brazil and Colombia address racial diversity in their work and how they use their art to challenge racism. 
Type Of Art Film/Video/Animation 
Year Produced 2023 
Impact The documentary will be launched on 8 March 2023 so it is too early to assess the impact. 
URL https://youtu.be/WB1fKmYkP9M
 
Title Festival of Latin American Anti-Racist and Decolonial Art 
Description On Saturday 23 April 2022, we held a Festival of Latin American Anti-Racist and Decolonial Art at the Contact Theatre in Manchester, UK. The event launched a major online exhibition that has emerged from the CARLA project and also showcased the work of some of the Latin American artists with whom we have been collaborating over the past two years, who are creators of colour at the forefront of antiracist struggles in their countries. The festival featured performances and films by: Wilson Borja, an Afro-Colombian visual artist and graphic designer Sankofa Danzafro, Afro-Colombian dance company Denilson Baniwa, Brazilian Indigenous artist Identidad Marrón, Argentinian artistic collective Teatro en Sepia, Afro-Argentine theatre company Teatro El Katango, Argentinian Mapuche theatre company Margarita Ariza, Colombian performance artist Gustavo Caboco, Brazilian Indigenous artist Eskina Qom, Argentinian Indigenous hip-hop duo 
Type Of Art Performance (Music, Dance, Drama, etc) 
Year Produced 2022 
Impact Audience members reported being very impressed by the performances. A documentary film has been made of the festival, which will be launched on 8 March 2023 
URL https://sites.manchester.ac.uk/carla/2022/04/26/festival-of-latin-american-anti-racist-and-decolonia...
 
Title Fuego Amigo 
Description This video shows a short play, product of a collaboration between Alejandra Egido, director of the theatre company Teatro en Sepia, and Miriam Álvarez, director of the theatre company El Katango (Mapuche Theatre). It was produced especially for the CARLA project. Cast: Alejandra Egido and Miriam Álvarez Technical Team: Natalia Cano, Camera; José Ignacio López, Camera, editing and production. 
Type Of Art Performance (Music, Dance, Drama, etc) 
Year Produced 2022 
Impact The video is currently unlisted on the project YouTube channel, as it will form part of the final online exhibition to be launched in April 2022 
URL https://youtu.be/mUMKxsQKc2c
 
Title Hãhãw: Arte Indígena Antirracista 
Description The exhibition of Indigenous art, funded in part by the CARLA project and organised by CARLA co-investigator Felipe Milanez, was held from 3 November until 2 December 2022 at the Museo de Arte Sacra of the Universidade Federal da Bahia, Brazil. The exhibition formed part of a wider programme of events, also organised by Felipe Milanez, under the title Re-Ocupação de Arte Indígena Antirracista (Re-occupation by anti-racist Indigenous art), which included seminars, performances, five film screenings and mural painting. The programme of events was informed by and promoted CARLA's anti-racist approach. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2022 
Impact The exhibition attracted more than 1000 visitors and was covered in more than 10 press reports (inlcuding O Globo, A Tarde and Brasil de Fato) and local TV station, TVE Bahia, with an estimated audience of 50,000, published two videos about it (https://youtu.be/sat5zBNjlOE and https://www.youtube.com/watch?v=DW1IBDNJqe8). 
URL https://ihac.ufba.br/pt/35429/
 
Title Las Hierbas: Fragmento 
Description This video shows a shot play produced by the Katango Theater, Mapuche Theater Project. It shows two Mapuche women, Catalina and Feliciana, in the kitchen of a rural home, preparing an herbal remedy to cure Don Martiniano, a Mapuche longko (chief), who is ill. It ends with a segment of the film Escondidos al Oeste del Pichi Leufu in which Don Martiniano is heard talking about land dispossession. Dramaturgy and direction; Miriam Álvarez Interpreters: Lorena Cañuqueo; Miriam Álvarez Script produced in the Clandestine Dramaturgy Workshop, directed by David Arancibia-Chile Audiovisual Production: Natalia Cano Archive Material: Escondidos al Oeste del Pichi Leufu (2011); Don Martiniano is played by Pocholo Millache Illustration: Marina.hernalz Furilofche, January 2022 With the support of the University of Manchester, Arts and Humanities Research Council, National University of San Martín. 
Type Of Art Performance (Music, Dance, Drama, etc) 
Year Produced 2022 
Impact The video is currently unlisted on the project YouTube channel, as it will form part of the final online exhibition to be launched in April 2022 
URL https://youtu.be/R5BcDKc4yms
 
Title Minha avó foi pega a laço 
Description This is a video by Brazilian Indigenous artist and curator, Naine Terena. The title (my grandmother was caught in a lasso) refers to a well-known phrase in Brazil that refers to the capture and rape of Indigenous women by male colonisers, but is often used by white and light-skinned Brazilians to claim some Indigenous descent. Using audio take from a heated debate in the Chamber of Deputies about a proposal for a land demarcation law that undermines Indigenous land rights, the video makes the viewer reflect on the marginal place of Indigenous people in the Brazilian nation. 
Type Of Art Artwork 
Year Produced 2022 
Impact The video is currently unlisted on the project YouTube channel, as it will form part of the final online exhibition to be launched in April 2022 
URL https://youtu.be/bDwbnVSZl2M
 
Title Pará en la Raya 
Description The video shows the performance in a recording studio in Cartagena, Colombia, of a song by the female champeta group, Las Emperadoras, from Cartagena. The song was especially composed for and supported by the CARLA project. Las Emperadoras are: Carmen Elena - Vocals Eucaris Torres "Azúcar Morena" - Vocals Natalia Díaz "Nativa" - Vocals Margarita García - Bass Lidis Paternina- Congas Erika Ochoa - Guitar Diana Guardo- Piano Marcela Gómez - Trombone Leonor Palomino - Saxophone Mily Iriarte- Sampler Saray Lorduy - Drums 
Type Of Art Performance (Music, Dance, Drama, etc) 
Year Produced 2021 
Impact The video is currently unlisted on the project YouTube channel, as it will form part of the final online exhibition to be launched in April 2022 
URL https://youtu.be/8TUBt7ybnuA
 
Title Preconceito 
Description In this video, Brazilian Indigenous artist Olinda Yawar Tupinambá gives a performance denouncing racist stereotypes of Indigenous peoples that are common in Brazil. The soundtrack is "Xenofunk" by Nelson D. The video has English subtitles Performer: Olinda Muniz Wanderley - Yawar Direction, Screenplay and Editing: Olinda Muniz Wanderley Director of Photography, Operation and Camera and Lighting: Samuel Wanderley Art Direction, Costume Design: Olinda Muniz Wanderley Sound Design, Direct Sound: Samuel Wanderley Sound Direct Remastering: Anselmo Roberto - Estúdio Viasonora Editing: Samuel Wanderley and Olinda Wanderley Soundtrack: Night Forest - buscasons.com Musical score: Xenofunk - Nelson D Literary-musical work and recording kindly provided by Nelson D. Support: Tamboreira Percusiva 
Type Of Art Performance (Music, Dance, Drama, etc) 
Year Produced 2021 
Impact The video is currently unlisted on the project YouTube channel, as it will form part of the final online exhibition to be launched in April 2022 
URL https://youtu.be/zqUldyckYro
 
Title Resistir pra Existir (Owerá) 
Description This video was made especially for the CARLA project by Owerá, indigenous Guaraní-Mbyá rapper, and Juninho Karai, his brother-in-law, under the direction of Dia Freixo. Rap: Owerá Music production: Kelvin Mbarete Video Direction: Owerá and Dia Freixo Special guest: Juninho Karai Manager: Thais Pimenta Executive Director: Jamille Pinheiro Dias (University of Manchester - Cultures of Anti-Racism in Latin America) 
Type Of Art Film/Video/Animation 
Year Produced 2022 
Impact The video was produced especially for the project's online exhibition 
URL https://youtu.be/o2E6wYSD7Cg
 
Title Sample from the Dance Network of Medellin (Sankofa) 
Description This video was made by the Colombian dance group Sankofa, supported the CARLA project, working with the children, adolescents and young people of Medellín's communities. It involved a collaboration with the Red de Danza (Dance Network) of Medellín City Council, ServiUf.com, Afrikans, and Wangari Afrocontemporary Dance. 
Type Of Art Film/Video/Animation 
Year Produced 2020 
Impact It has been viewed over 50 times on the CARLA YouTube channel since it was uploaded in 21 December 2020. 
URL https://www.youtube.com/watch?v=o4kEHiSfPpY
 
Title Seven short videos from Proyecto "Bailar para ser escuchados" (Project: "Dancing to be Heard") 
Description This video is the last of a series of seven short videos on the theme of "Dance and anti-racism", which pose the questions: How does dance work in anti-racist ways for Afro-Colombian artistic organizations? How is an anti-racist perspective developed by the dance company, Sankofa Danzafro Afro-Colombian Cultural Corporation of Colombia? The videos were all made by Sankofa Danzafro with young people from the city of Medellín, in the framework of the project "Dancing to be Heard". It features sequences of dance and of young people discussing their feelings about dancing and the dance performances they have witnessed. The workshops and the video had the support of the Colombian Ministry of Culture with the collaboration of the research project Cultures of Anti-Racism in Latin America (CARLA), based at the University of Manchester, England, and funded by the Arts and Humanities Research Council (AHRC). 
Type Of Art Film/Video/Animation 
Year Produced 2023 
Impact The videos register the outcomes of a series of workshops in which young people learned dance techniques and how dance can be aligned to the aims of anti-racism. 
URL https://youtu.be/VTOXxCJ6QF4
 
Title Seven short videos, made by young people, about leadership in the low-income neighbourhoods of Medellin, Colombia 
Description These short films were made by Afro-Colombian young people from the city of Medellin, Colombia, within the framework of the children's film screening of the VI International Kunta Kinte Festival of Afro Community Cinema (FICCA), 1-5 September 2021. The boys and girls are part of the Afro-Colombian Corporation for Social and Cultural Development, CARABANTÚ. In the videos, children and young people interview various leaders from their neighbourhood and also film dramatised stories about leadership in the barrios. The videos are: Construyendo el Liderazgo del Mañana; Mi Primer Reportaje Moravia; Los Líderes de Mi Barrio; Líderes y Lideresas en Resistencia; Tres Caminos de Vida; Oasis Tropical; Siembra. The CARLA project supported Carabantu in the production of these videos. 
Type Of Art Film/Video/Animation 
Year Produced 2021 
Impact The videos are currently unlisted on the project YouTube channel, as it will form part of the final online exhibition to be launched in April 2022 
URL https://youtu.be/cYSP0w1vrrk
 
Title Traspasar las Puertas de Cristal del Museo (Beyond the Glass Doors of the Museum) 
Description This video was filmed at the Cárcova Sculpture Museum in Buenos Aires, founded by Ernesto de la Cárcova in 1928 to train Argentine artists in the tradition of Western canonical art. The video explores the disruptions generated by "marrón" (brown) bodies in a white-European, Spanish-speaking space: a university museum. It consists of three performances. The first, "The unloved queen", by David Angel Gudiño performed by Daniela Ruiz, is a critique of the prevailing colonialism of white European, Latin American and Argentine art. The second, "Marrón", written and performed by David Gudiño, is a reflection on the current violence against brown bodies. The last scene, "Racism in Spanish", challenges whiteness by looking at notions of beauty, the limits of a middle-class performative anti-racism, and the discomfort generated by a brown body that shares the cultural capital of Argentine intellectuals. 
Type Of Art Film/Video/Animation 
Year Produced 2022 
Impact This video was made specifically for the project's online exhibition. 
URL https://youtu.be/otRu91pV2wc
 
Description In our research in Argentina, Brazil and Colombia, we have found that

Although the goal of being more visible in the nation as Black and Indigenous and dark-skinned people is an important one for many artists with whom we are working, several of them seek to go beyond visiblisation. They detect problems with the strategy of becoming more visible, because it may lend itself to superficial recognition that does not address the violence of the original negation. In some cases too there may be contexts in which Black, Indigenous and other groups racialized to disadvantage may be hyper-visible, but in negatively stereotyped ways. Thus the director of a Colombian Black dance, Sankofa Danzafro, talks of being heard rather than just seen. Many artists also talk about how Indigenous artworks may enter into gallery and museum spaces - which is one necessary form of being visible - while an Indigenous presence remains invisible and without a voice at the level of the curatorship and management of these institutional spaces. Some artists (e.g., Brazilian Indigenous artists) talk about the risks attached to institutionalisation. Many artists, at the same time, work to be regarded as artists in their own right. They identify state "politics of inclusion" as a potentially new form of exclusion if their works of art remain separated as "Indigenous-art" or "Afro-art" or "brown-art". They are careful about initiatives such as the creating of special galleries, events, or subcategories in the art world. They are openly against their exclusion from the art world by white supremacist tendencies that only recognize white artists, but also careful about inclusion as a hyphenated form of art. In this way, they are working to redefine the whole notion of art, and the institutions dedicated to its promotion. Given that they are bringing artistic traditions (for which "Afrodiasporic", "Indigenous", "Migrant" and "Brown" are shorthand categories) that have been shaped within sedimented colonial histories, their intervention within the realm of art transforms its limits, its aesthetic regime, its artistic expressions, and its temporality and spatiality.

The term anti-racism, as such, is not a common usage among all the artists we are working with. They may talk instead about "fighting racism", often understood as a structural process, but even then "a struggle against racism" is not always a clearly articulated and explicit aim of the artists. They may talk more in terms of decolonising bodies, memories, territories and other spaces - although of course such a discourse overlaps strongly with anti-racist approaches. Indigenous artists often refer to stopping or fighting genocide. Thus questions of racism are always in the air in these discourses and actions. In some cases, there is a very explicit recognition of the operation of racism as a structural, systemic and historically rooted process, which produces violence, both direct and structural in character. For example, Indigenous artists often recognize that genocide has been explicitly racist (e.g. poor European peasants were not a target for similar kinds of elimination). The artistic collective of brown visual artists in Argentina, Identidad Marrón, also explicitly uses the concept of "anti-racism" in their work.

For Indigenous Brazilian artists, an anti-racist agenda includes challenging the following traits: the relegation of Indigenous art to the past (e.g. confined to "Chapter 1" of art history books); the absence or very small presence of Indigenous art in the arts education curriculum; the absence or very small presence of Indigenous art in the collections of museums, galleries and related art institutions; the flattening and homogenisation of the immense variety and multiplicity of indigenous peoples, cultures and languages, as if "indigenous" were a generic signifier, that fits easily into current stereotypes; the appropriation or "theft" of indigenous cultural practices and artefacts by "white art"; the assumption that the use of technology - cameras, cell phones, computers, etc. - make someone less Indigenous; the reluctance of the music industry to find labels that recognise Indigenous musicians of different styles (rap, for example); the stereotyped casting of Indigenous actors; the hypersexualization of Indigenous women; the continued use "Indian" costumes at Carnival; and the criticism of Indigenous people for dating non-indigenous people.

Many artworks seek to create connections across time, evoking, recovering and re-elaborating histories and memories, for example in connecting urban Mapuche dwellers to the rural past.

Artworks also seek to create connections between artists and the wider community and within that community. Building these connections through art taps directly into the affective traction of artistic endeavour, by mobilising and socialising affective forces and intensities that connect people together.

At the same time, as artworks circulate in public spaces - physical and virtual - they necessarily address a wide audience, including those who identify as "white" or at least do not identify as Black, Indigenous or dark-skinned mestizo. In this way, art brings such people into the ambit of racialisation and racism, encouraging (and sometimes even forcing) them to recognise their privilege and their implication in the overall system of racialised hierarchy.

The body is a central referent for many artistic practices that have a decolonial and anti-racist dimension. Such practices use the body - often deploying elements of stereotype against the grain - as a channel for affective forces that can disrupt social business as usual and carve out new spaces for Black, Indigenous and negatively racialised people. Many artists take the body (physical or symbolic) as the place where the effects of colonisation have been installed, leading to such phenomena as sexualisation, exoticisation, association with violence, silencing, and forms of what can be called internalised racism that shape the realm of intimacy and body image and care.

As the body is always gendered and sexualised, we have seen that many artistic practices - for example, Black and Indigenous theatre directors and the artistic collective Identidad Marrón in Argentina - explicitly and purposely engage with racism in an intersectional way, addressing how racism always operates in a gendered/sexed way, and conscious that disrupting racial imaginaries and hierarchies goes hand-in-glove with disrupting gender and sexual hierarchies. Their work is embedded in the complexity of gendered racialized positions such that an indigenous woman taken to the city to work as a maid is understood not only as a "victim" but also as a person who can rearticulate indigeneity in the city. Likewise a migrant Afro-Latin American woman who needs to resort to sex work to search for her mother asserts her agency, while highlighting the ever-present violence around sex work as entailed by the restricted choices open to Black and migrant feminized people.

In Argentina, especially, but also Brazil, anti-racism forms a useful frame in which diverse interests - of Black, Indigenous and brown people - can find common ground and work together.

Far from working in isolation (even in the pandemic), all the artists we are working with engage with networks of activism within their countries and internationally; these networks play a key role in mobilisations against social injustice. While their links to these networks are in some cases not of complete immersion, their work is always in dialogue and part of conversations with the larger movements. In some cases, their artwork is a form of commentary on the advances and redirections in antiracist struggle. For example, a politics of state recognition is a seen critically as both a moment of advance and also creating the danger of a cult of authenticity and forms of exclusion of important experiences and important coalitions within the movement if authenticity is seen as the only end (for example the exclusion of urban indigeneity as not authentic enough).

In terms of relationships with the state (much of the sponsorship of art and culture in Latin America comes from the state) artists are cautious about being co-opted by institutional forces and generally adopt a position in between inclusion and exclusion in terms their relationship with the state though its cultural institution and policies. One metaphor used by the art collective Identidad Marrón is to "take over" museums as a way of engaging in modifying their politics of representation but also participating in larger conversations around redefining national identity away from Eurocentric characterisations (a process very evident in Argentina since the Fernández government came to power and long-time activists have taken directive roles in cultural institutions). At the level of cultural policy and cultural institutions, however, anti-racism remains a marginal element of official agendas.

These findings are relevant to goals of improving inclusivity and equality. They demonstrate that anti-racism forms a general perspective that brings many different people and priorities together - including gender/sex equality - while art has the capacity to mobilise and engage people both within specific communities and in the wider society.
Exploitation Route In academic circles, we hope that our findings can be used by other academics interested in the relation between art and anti-racism. Especially we think that our findings will encourage other researchers to seek out and help build bridges between Afro and Indigenous people in seeking to challenge racism; and to broaden the scope of anti-racism beyond the idea of specific minorities (Afro and Indigenous) to embrace "brown" anti-racism too.

For non-academic circles, we describe in the Narrative Impact section some ways in which our findings are already being used, mostly by the artists with whom we are working, who have used insights from our research to inform and adapt their creative processes. We are also engaged in audience research and we hope our findings will be used by cultural sector institutions as well as the artists themselves. We have produced a lot of online material for our online exhibition, YouTube channel and website blog, but while viewing figures for these sites show steady traffic, we have not yet had indications of how audiences are reacting or changing their views and behaviours.
Sectors Communities and Social Services/Policy,Creative Economy,Culture, Heritage, Museums and Collections

URL https://sites.manchester.ac.uk/carla/
 
Description CARLA researchers and artists people have engaged with publics in the countries and internationally, via an online exhibition, a Festival of Anti-Racist and Decolonial Art held in in Manchester (23 April 2023), and many events in Latin America. CARLA's YouTube channel hosts 17 videos, with online discussions, interviews with artists and bespoke films. The channel has 639 subscribers and 13.3K views since March 2020. In April 2022, we launched a tri-lingual online exhibition curated by CARLA researchers, featuring 21 artists and over 30 artworks. The online exhibition has 21,000+ page impressions. The exhibition launch coincided with a Festival of Decolonial and Anti-Racist Art in Manchester's Contact Theatre (23/4/2022), featuring many of the artists in person (with 3-way simultaneous translation) and attracted over 100 people. Audience feedback from the Festival included these comments: "I was able to experience how antiracist fights can be expressed through diverse cultural practices such as art, dance, video, performance". A documentary of the festival will be launched on 8 March 2023. Carlos Correa worked with the dance company, Sankofa DanzAfro. His findings have been generated in collaboration with them in a process of dialogue. One outcome was the organisation of three workshops with children and young people as part of a Dance Network sponsored by the Town Hall of Medellin. The objective of the workshops was to work with the finding that the naming of identity is a process of social construction shaped by many factors - such as power, control and self-regulation - and to use this insight to support creative processes of developing Afro-urban and traditional dance as means for the expression of identity. The workshops resulted in a video "Red de danza: Laboratorios de creación en casa con énfasis en Danza Afro-contemporánea" (Dance Network: Home-based Creation Laboratories with an emphasis on Afro-contemporary Dance). Carlos Correa has carried out audience studies with consumers of the artistic and cultural products of Sankofa Danzafro and of champeta popular music in Cartagena among impoverished and racialised sectors. The latter collaboration contributed to the discussion and creation of a strategic plan led by a local champeta music promoter in order to strengthen the current process of patrimonialization of champeta music and culture in Cartagena. In the case of Afro contemporary dance, the audience studies contributed to strengthening collaboration that underpinned the creation of an artwork "Detras del Sur: Danzas para Manuel" through which the dance company seek to engage audiences in reflecting on the heritage of Manuel Zapata Olivella, an Afro-Colombian intellectual and writer who has been recently honoured by the Colombian Ministry of Culture. From Sept to Dec 2022 Carlos Correa worked in collaboration with Sankofa Danzafro in the project "Dance To Be Heard" funded by the Ministry of Culture in Colombia. Informed by the approach taken by CARLA, Carlos and Sankofa worked on the development of an anti-racist approach in Afro contemporary dance. Through workshops organised by Sankofa with help from Carlos, the project reached more than 60 children and young people in the city of Medellin, most of them Afro-Colombian, who reflected on experiences of racism in their daily life and strategies for facing racial injustice. The results of the project were: a) a series of 7 videos with testimonies from children and young people about the feelings they experience with dancing and their thoughts about racism and anti-racism; b) a performance called "Ancestors of the Future" launched at the Metropolitan Theatre in Medellin with more than 700 spectators; c) an academic article called "'Ancestors of the Future': toward an understanding of an anti-racist approach in Sankofa's Afro-contemporary dance company in Colombia", submitted to Latin American Research Review; d) six posters designed by young black participants in the workshops featuring quotes related to anti-racism. Correa has an ongoing collaboration with the Wi Da Monikongo, the Colombian Afrodescendant Audiovisual Council. This involved sponsoring and supporting a series of video and photographic workshops for children and young people, organized by CARABANTU (Afro-Colombian Corporation for Social Development and Culture). The workshops also resulted in seven short video projects, developed by young (mostly Afro-Colombian) people that were screened as part of the VI Festival Internacional de Cine Comunitario Kinte Kunta in September 2022. Correa's findings about Afro-Colombian participation in the film world were used to inform this sponsorship and support. Correa also helped Wi Da Monikongo in delivering workshops and training to a group of young Afro-Colombian people who were applying to study at the Universidad de Antioquia. The main activity consisted of working with students doing "a pre-university course" organized by CARABANTU in the city of Medellín and training them on how to write an academic text as well as advising on "career planning". In conjunction with Liliana Angulo, the project's advisor in Colombia, Correa has collaborated with Wi Da Monikongo in the organisation of an online film festival of Afro-Colombian productions. Using project funds, English-language subtitles have been added to these films for the purposes of the festival and to allow the films to circulate more widely in international film festivals. In conjunction with Mara Viveros, the project's academic lead in Colombia, Correa organised a major event with the title Entrecaminos Antirracistas y Feministas, which was held on 3 November 2022 under the aegis of the Universidad Nacional de Colombia's Escuela de Estudios de Género. The programme consisted of roundtables, the launch of the CARLA exhibition, a film screening and a musical performance. Participants included CARLA artists in Colombia: Sankofa Danzafro, Liliana Angulo, Wilson Borja, Margarita Ariza and champeta band Las Emperadoras. In Ana Vivaldi's work with the Argentinian theatre company, Teatro en Sepia (TeS), her findings have been integrated in a collaborative dialogue that involved the reconstruction of the trajectory of the company through a narrative of their plays, leading to a document that can function as institutional presentation and a press release. Vivaldi's findings about Indigenous and Afro commonalities and interconnections also led directly to the facilitation of an exchange between TeS and a Mapuche theatre company, Teatro el Katango, about the shared and specific experiences of invisibility and erasure of their communities. This exchange resulted in the creation of short plays involving TeS and Teatro el Katango about themes of colonization, dislocation, land loss and urban dwelling in pandemic conditions. The previously unplanned participation of an Afrodescendant company in a play that was considered to focus on Indigeneity and colonialism acts as a reminder of the intertwined histories of slavery and Indigenous land dispossession. The plays have a street art format that will produce an irruption into public space to challenge the Europeanness of urban spaces that erase and hide the histories of Indigenous dispossession and genocide. In Argentina, the occasion of the Día Nacional de lxs Afroargentinos y la Cultura Afro (8 Nov) was used to show the play No es país para negras, II, presented by Teatro en Sepia. This was followed by a debate on structural racism, which featured special guest Lorena Cañuqueo, a project Research Assistant and member of Teatro Mapuche El Katango. These performances were covered by press articles citing CARLA (July and November 2022) and a participant said: "It widened my horizons greatly and gave me conceptual tools a seed was planted for the future". Vivaldi's findings have been used by the Argentinian art collective Identidad Marrón in the production of didactic material on brown visual art and brown identities in Argentina. The material, written and designed by the collective, integrates research data to produce educational material for cultural institutions and schools in the form of a book, Marrones Escriben, published in early 2022 with project funds. A second edition of this book (1000 copies) was produced by Identidad Marrón in 2022, and launched in various places, including Hamburg and Granada, Spain. Audience members said: "It made me question things I've taken as natural all my life" The film, Traspasar las Puertas de Cristal, produced by Identidad Marrón for the CARLA online exhibition, has been screened in various locations in Argentina, including in an event about Discursos del Odio y Producción Visual Antirracista, organized with Chola Contracultural, a Peruvian indigenous women's filmmaking collective. Vivaldi conducted research on audience reception of a curated exhibition "What do museums need to learn?". This was an exhibition in the national museum Palais de Glace that reflected on the multiple forms of representation of brown bodies in Argentine art that explicitly silences the voices of brown bodies. The research findings were presented in a report which has generated useful information for the artists about public interpretations of and reactions to the exhibit. The report has also been useful for the authorities of the museum. In Brazil, Jamille Pinheiro Dias's collaboration with Pinacoteca de São Paulo, the oldest and one of the most prestigious art museums of the State of São Paulo, led to the production of the short documentary "Fertile Land: Véxoa and Indigenous Art at Pinacoteca de São Paulo," about the Pinacoteca exhibition "Vexoa: Nos Sabemos," and to a series of live streamings focused on Indigenous art, which have helped disseminate the contemporary Brazilian Indigenous art scene in the country and elsewhere. The film's impact includes a request from the artistic director of the German festival Theaterformen, who, after watching the documentary, contacted Pinheiro Dias for advice on creating an Indigenous arts programme for the 2021 festival, which aims to integrate performing arts and anti-racism. Additionally, the documentary and the live streamings were useful materials for the director and curators of Pinacoteca, who have used them as part of negotiations to take the Véxoa exhibition to institutions in other parts of the world. Pinheiro Dias's research findings have also been useful in her collaborations with our Indigenous partners in the making of books to be published by Brazilian presses. In Brazil, an exhibition, funded in part by the project, was held from 3 November until 2 December 2022 at the Museo de Arte Sacra of the Universidade Federal da Bahia. This formed part of a wider programme of events, organised by CARLA co-investigator Felipe Milanez under the title Re-Ocupação de Arte Indígena Antirracista, which included seminars, performances, five film screenings and mural painting. The programme of events was informed by and promoted CARLA's anti-racist approach. The exhibition attracted over 1000 visitors, ten press articles and regional TV coverage; the five films were broadcast on regional TV, reaching an estimated 50,000.
First Year Of Impact 2021
Sector Creative Economy,Education,Culture, Heritage, Museums and Collections
Impact Types Cultural,Societal

 
Description ESRC FESTIVAL OF SOCIAL SCIENCE
Amount £1,200 (GBP)
Organisation Economic and Social Research Council 
Sector Public
Country United Kingdom
Start 11/2020 
End 12/2020
 
Description UKRI COVID-19 Grant Extension Allocation
Amount £44,000 (GBP)
Organisation United Kingdom Research and Innovation 
Sector Public
Country United Kingdom
Start 05/2021 
End 01/2023
 
Description University of Manchester Additional UKRI ODA Funding
Amount £9,550 (GBP)
Organisation United Kingdom Research and Innovation 
Sector Public
Country United Kingdom
Start 11/2022 
End 03/2023
 
Description CARLA-Pinacoteca collaboration 
Organisation Pinacoteca de São Paulo Museum
Country Brazil 
Sector Public 
PI Contribution Jamille Dias, CARLA researcher, worked with people in the Pinacoteca, to produce a video film about an exhibition, Vexoa; Nos Sabemos, which was the first exhibition in the museum to be curated by an Indigenous female artist and involved many Indigenous artists.
Collaborator Contribution The Pinacoteca facilitated access for the researcher and a video team, during a time of Covid restrictions; Pinacoteca personnel agreed to to interviewed for the film.
Impact A video film about an exhibition was produced. It is reported as an Artistic or Creative product.
Start Year 2020
 
Description CARLA-Sankofa collaboration 
Organisation Sankofa Danza Afro
Country Colombia 
Sector Charity/Non Profit 
PI Contribution Carlos Correa, CARLA researcher, worked with Sankofa over several months in Colombia to explore the dance practice of the company and understand the priorities and activities of its director. He helped them with some of their activities that involved engaging with the local community and, specifically, with a collective community dance project funded by the city of Medellin in Colombia
Collaborator Contribution Sankofa facilitated the access of the researcher to their activities and also him and a video team to make a video about the collective community dance project funded by the city of Medellin.
Impact A video about the collective community dance project is listed as an Artistic or Creative product.
Start Year 2020
 
Description CARLA-Teatro en Sepia-Proyecto de Teatro Mapuche 
Organisation Teatro en Sepia
Country Spain 
Sector Charity/Non Profit 
PI Contribution Ana Vivaldi, CARLA researcher, has been working with TES and PTM for many months, exploring their theatrical work and priorities; she has collaborated with them in many discussions of racism, anti-racism, and theatre and provided a channel through which Black- and Indigenous-oriented theatre projects have worked on themes of common interest. Ana has stimulated the cross-fertilisation of ideas by working with both theatre companies, providing feedback to students involved with PTM, and developing collaborative conference presentations with the directors of both companies. In the future, CARLA will contribute funds to support two works of theatre being developed by these companies.
Collaborator Contribution The partners facilitated Ana's access to their activities and devoted a good deal of their time to her. They will also co-author conference presentations with Ana.
Impact No outputs as yet.
Start Year 2020
 
Description UK-Argentina-Colombia-Brazil collaboration 
Organisation Federal University of Bahia
Country Brazil 
Sector Academic/University 
PI Contribution All partners and my team collaborated equally in the research project, participating in project workshops and collaborating with team members
Collaborator Contribution All partners collaborated equally in the research project, participating in project workshops and collaborating with team members
Impact Publications (in process), engagement activities, conference presentations
Start Year 2020
 
Description UK-Argentina-Colombia-Brazil collaboration 
Organisation National University of Colombia
Country Colombia 
Sector Academic/University 
PI Contribution All partners and my team collaborated equally in the research project, participating in project workshops and collaborating with team members
Collaborator Contribution All partners collaborated equally in the research project, participating in project workshops and collaborating with team members
Impact Publications (in process), engagement activities, conference presentations
Start Year 2020
 
Description UK-Argentina-Colombia-Brazil collaboration 
Organisation National University of San Martin
Country Argentina 
Sector Academic/University 
PI Contribution All partners and my team collaborated equally in the research project, participating in project workshops and collaborating with team members
Collaborator Contribution All partners collaborated equally in the research project, participating in project workshops and collaborating with team members
Impact Publications (in process), engagement activities, conference presentations
Start Year 2020
 
Description 'CASA ADENTRO' prácticas artísticas antirracistas 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact 'CASA ADENTRO' prácticas artísticas antirracistas (In-House: anti-racist artistic practices): a conversation between Afro-Colombian artists held on May 21, 2021, within the framework of Afro-Colombian Day. The conversation included the participation of Sankofa Danzafro and the Agua Turbia Collective. Creative anti-racist processes of both groups were addressed and the documentary Detrás del Sur: Danzas para Manuel, by the Afro-Colombian Cultural Corporation Sankofa, was premiered. The artistic modalities are Afro-contemporary dance and plastic, audiovisual and performance arts.
Year(s) Of Engagement Activity 2021
URL https://youtu.be/hNtgI6SwbTo
 
Description Anti-racist art in the UK and Latin America: An online conversation 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact This was an on-line conversation between Black and Indigenous artists based in Latin America and in the United Kingdom, discussing questions of racism and racial difference in the domain of art and culture. Speakers were: Daiara Tukano: Indigenous Tukano artist and activist from Brazil; Liliana Angulo Cortés: Black artist and activist from Colombia; SuAndi: Black artist and activist from the UK; Ekua Bayunu: Black artist and activist from the UK. It was chaired by Peter Wade. It took place under the aegis of the ESRC Festival of Social Science.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=HOPwGVBNMXM
 
Description CARLA Facebook page 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact This is the Facebook page for CARLA, which has about 170 followers.
Year(s) Of Engagement Activity 2020,2021
URL https://www.facebook.com/CARLAUoM
 
Description CARLA Twitter account 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact This is the project Twitter account, which has had between 2500 and 11,000 Tweet impressions per month since March 2020.
Year(s) Of Engagement Activity 2020,2021
URL https://twitter.com/CulturesAnti
 
Description CARLA YouTube channel 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact This is the project's dedicated YouTube channel, created in May 2020, which has had 3700 views in its lifetime and has over 320 subscribers. It hosts nearly 20 videos.
Year(s) Of Engagement Activity 2020,2021
URL https://www.youtube.com/channel/UCf2aulENOdu3-oKIvIj-R7w/featured
 
Description CARLA blog 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact This is a blog dedicated to CARLA's activities and research, accessed through its website. Most of the website's over 3700 unique pageviews by external visitors are of the over 20 blogposts uploaded since May 2020.
Year(s) Of Engagement Activity 2020,2021
URL https://sites.manchester.ac.uk/carla/home/blog/
 
Description CARLA website 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact This is the project website. Between August 2019 and January 2020, it had over 3750 unique pageviews from external visitors.
Year(s) Of Engagement Activity 2020,2021
URL https://sites.manchester.ac.uk/carla/
 
Description Coma Colonial, An Exhibition 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact Coma Colonial, An Exhibition by Gustavo Caboco - Center for Latin American Studies, UC Berkeley, 18 Feb, 2023
Year(s) Of Engagement Activity 2023
URL https://spanish-portuguese.berkeley.edu/news/coma-colonial-exhibitionintervention-gustavo-caboco
 
Description Decolonising the Arts in Latin America: Anti-Racist Disruptors in the Art World 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact An on-line conversation between Black and Indigenous artists who are staking out new territory in the art world in Latin America. The conversation was streamed on 29 July 2020 and was held in Spanish and Portuguese. The meeting featured an exchange of experiences between Black and Indigenous creative practitioners who have been challenging art museums, cultural institutions, theatres, and publishers in the domain of art and culture more generally in relation to questions of racism and racial difference. The artists participating were: Miriam Álvarez: Director of the Proyecto de Teatro Mapuche; Alejandra Egido: Director of the Teatro en Sepia in Buenos Aires; Arissana Pataxó: Indigenous Brazilian visual artist; Denilson Baniwa: Indigenous Brazilian visual artist; Rafael Palacios: Colombian choreographer and dancer, director of the dance company Sankofa; Ashanti Dinah: Afrodescendent poet, researcher and activist from Colombia.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=5-xs-DR7Yr0&t=32s
 
Description El arte como respuesta anti racista (art as an anti-racist response) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact An online conversation event (part of Octubre Marron - Brown October), organised by the national museum Palais de Glace. It involved brown and indigenous artists who shared their work challenging racist representations and discussed questions of access to cultural institutions. CARLA researcher Ana Vivaldi took part. Date: 22 Oct 2021
Year(s) Of Engagement Activity 2021
URL https://www.youtube.com/watch?v=y7fdL_zsYAA
 
Description Eskina Qom podcast 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact In this audio, the members of the hip hop group, Eskina Qom, talk about their music and experiences, answering questions asked by Ana Vivaldi and Lorena Cañuqueo, two researchers from the CARLA project.
Year(s) Of Engagement Activity 2021
URL https://youtu.be/56lRGxep6us
 
Description Festival of Latin American Anti-Racist and Decolonial Art 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact On Saturday 23 April 2022, we held a Festival of Latin American Anti-Racist and Decolonial Art at the Contact Theatre. The event launched a major online exhibition that has emerged from the CARLA project and also showcased the work of some of the Latin American artists with whom we have been collaborating over the past two years, who are creators of colour at the forefront of antiracist struggles in their countries. The festival featured performances and films by:
Wilson Borja, an Afro-Colombian visual artist and graphic designer
Sankofa Danzafro, Afro-Colombian dance company
Denilson Baniwa, Brazilian Indigenous artist
Identidad Marrón, Argentinian artistic collective
Teatro en Sepia, Afro-Argentine theatre company
Teatro El Katango, Argentinian Mapuche theatre company
Margarita Ariza, Colombian performance artist
Gustavo Caboco, Brazilian Indigenous artist
Eskina Qom, Argentinian Indigenous hip-hop duo
Year(s) Of Engagement Activity 2022
URL https://sites.manchester.ac.uk/carla/2022/04/26/festival-of-latin-american-anti-racist-and-decolonia...
 
Description From the South to the North, between the academy and social movements: presentation of the Brown Perspectives Guide 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact Online conversation event, titled "Desde el Sur al Norte, otras formas de articulación entre las academias y los movimientos sociales: presentación de Guía de Perspectivas Marrones" (From the South to the North, other forms of articulation between the academy and social movements: presentation of the Brown Perspectives Guide"). The conversation was between researchers and artists racialized as non-white and about the possibilities of collaborative research. Members of the artistic collective Identidad Marron took part, along with CARLA researcher Ana Vivaldi. It was hosted by national museum Palais de Glace. Date 29 October 2021
Year(s) Of Engagement Activity 2021
URL https://www.youtube.com/watch?v=8PE1_gJa5rM
 
Description Interview to newspaper 'Valor Econômico' 
Form Of Engagement Activity A magazine, newsletter or online publication
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact INterview to Newspaper 'Valor Econômico'. Weekend edition (04/02/2022)
Year(s) Of Engagement Activity 2022
URL https://valor.globo.com/eu-e/noticia/2022/02/04/semana-de-22-em-centenario-criticos-apontam-mitos-e-...
 
Description Interview with CARLA researchers in Argentina for government research institute 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Interview with CARLA researchers, Ezequiel Adamovsky and Ana Vivaldi, for news channel of the government research agency, CONICET, giving details of the CARLA project. Title "Un estudio comparativo analiza los mensajes antirracistas en el arte de Latinoamérica".
Year(s) Of Engagement Activity 2021
URL https://www.conicet.gov.ar/un-estudio-comparativo-analiza-los-mensajes-antirracistas-en-el-arte-de-l...
 
Description Interview with Kunumi MC (English subtitles) 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The video (with subtitles in English) features an interview with the Guarani rapper and writer Kunumí, in the Krukutu village, Parelheiros, São Paulo, Brazil. The video was made with the assistance of his father Olívio Jekupé, and CARLA researcher Jamille Pinheiro Dias. Julia Biagiolli and Micoli Cerqueira were responsible for the production, filming, post-production and translation, along with Kunumí.

In the video we learn about Kunumí's career trajectory, the importance of rap in his life, and his fight for land demarcation for Indigenous peoples.

Production/filming: Micoli Cerqueira and Julia Biaggioli
Translation from Guarani to Portuguese: Jeguaka Mirim, Micoli Cerqueira and Julia Biaggioli
Post-production: Micoli Cerqueira
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=oWfpRRfEmMY&t=229s
 
Description MANZANA MARRÓN: ¿Podrán eliminarnos? ¡Ni en 500 años! 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact The event was called Manzana Marrón, organized as of Octubre Marrón - Brown October (a series of events to celebrate "brown" identity). It was billed as "An afternoon of dance, music, readings and art, to celebrate that which colonization has aimed to destroy. To honour decolonial life that animates present, past and future cultural productions". It took place in La Manzana de las Luces, a national museum, which supported the event. CARLA researchers Ana Vivaldi and Pablo Cossio assisted in the organization of a music segment. Their research also enabled the creation of connections between urban indigenous and brown identities in the conception of the event. Date: 17 October 2021
Year(s) Of Engagement Activity 2021
URL https://www.instagram.com/p/CVIcqpcAmGE/?utm_source=ig_web_copy_link
 
Description Mediator at FLIP - International Literary Festival of Paraty (Brazil) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact I was invited to mediate one of the conversations in the Paraty International Literary Festival, titled 'Vegetal Politics/Policies'. This particular conversation, between write Kim Stanley Robinson and journalist Eliane Brum was about the Amazon rainforest, literature, art, and the environment.
Year(s) Of Engagement Activity 2021
URL https://www.youtube.com/watch?v=jg_8yW2z6zI
 
Description Online conversation on ethnic identity and new trends in photography (Brazil) 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Ethnic emergence and new references in photography: an online conversation about ethnic emergence and new references in photography, with special attention to tackling racism against indigenous peoples in Brazil. Invited guests were Gê Viana (Maranhão), Cruupooh're Akroá Gamela (Maranhão), Ana Mendes (Maranhão) and Nayara Jinknss (Pará). The conversation was held in Portuguese.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=f4okF2exGkI
 
Description Online conversation with Brazilian Indigenous women artists 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact An online conversation with Indigenous women artists to discuss gender issues in production and recognition. The conversation was sponsored by The Pinacoteca (an art museum in Sao Paulo), on the occasion of their exhibition "Véxoa: We Know". The women indigenous artists were Anarrory Yudjá, Daiara Tukano, Kaya Agari and Yone Terena. Moderation was by Naine Terena (exhibition curator) and Jamille Pinheiro Dias (CARLA researcher). The conversation took place on January 13, 2021, at 6 pm, on the YouTube and Facebook channels of the Pinacoteca (https://www.youtube.com/watch?v=MtuFcD2L9JE) and the Cultures of Anti-Racism in Latin America project (https://www.youtube.com/watch?v=AQox-9DWB4w).
(The Véxoa: We Know exhibition was awarded the Sotheby's Prize 2019 and was sponsored by Itaú. To visit the exhibition, which runs until March 22, 2021.)
Year(s) Of Engagement Activity 2021
URL https://www.youtube.com/watch?v=AQox-9DWB4w
 
Description Online conversation: Afro-descendant film narratives in Colombia 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Narraciones Fílmicas Afrodescendientes en Colombia; Perspectivas y Retos

In this public online conversation participants addressed the main themes raised by Afro-Colombian narratives in film in order to explore the continuities and current changes in them. They also talked about the urgent concerns of filmmakers and the challenges they face in the context of audiovisual production among local, regional, and national contexts. Finally, they looked at the ways in which racism is approached and tackled by Afro-Colombian filmmakers in their film productions.

In this public talk, we will address the main themes raised by Afro-Colombian narratives in film in order to explore the continuities and current changes in them. We'll also talk about the urgent concerns of filmmakers and the challenges they face in the context of audiovisual production among local, regional, and national contexts. Finally, we will look at the ways in which racism is approached and tackled by Afro-Colombian filmmakers in their film productions.

Participants:

Ángela María Jiménez Cano: Producer, Festival Internacional de Cine Comunitario Afro Kuna Kinte

John Narvaez : Actor, Escuela de Cine en Cuba

Laura Yineth Asprilla Carrillo: Founding producer of Cine Cimarrones

Emiliana Bernard Stephenson: Manager, Teleislas

Johan Miguel Asprilla Gutiérrez: Producer; Legal Representative of SJ Production & Entertainment; Producers' Representative in the Consejo Departamental de Cinematografía del Chocó; Member of the Red Nacional de Consejeros Departamentales y Distritales de Cinematografía; Member of Consejo Nacional Afrodescendiente Wi Da Monikongo.

Carlos Correa: CARLA Researcher
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=KDRUtqXaHcY
 
Description Online conversation: Champeta music and anti-racism 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact This video presents an online conversation with Rafael Escallón and Mily Iriarte who both support the patrimonialisation of a Colombian music and dance style called champeta. Champeta emerged in the Caribbean coastal cities of Cartagena and Barranquilla in the 1970s and 1980s, drawing on African musical styles, and it is strongly associated with the black working classes of these cities. Recently a movement has emerged to recognise the music as an intangible patrimony of the nation and to counter its dominant image as a vulgar and worthless lower-class product. In this video, CARLA researcher Carlos Correa talks to Rafael Escallón, founder of the Fundacion Roztro, which supports champeta, and with Mily Iriarte.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=rshfDB5AoNU&t=186s
 
Description Online conversation: Denilson Baniwa and Jamille Pinheiro Dias, Part 1 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Denilson Baniwa and Jamille Pinheiro Dias: Online conversation

This is Part 1 of a two-part video in which Denilson Baniwa (Barcelos, Amazonas, Brazil, 1984), a Brazilian Indigenous artist from the Baniwa people, talks to CARLA researcher Jamille Pinheiro Dias about decolonial and anti-racist practices in the arts. This online conversation was held on Denilson Baniwa's Instagram profile (https://www.instagram.com/denilsonban...) on June 25th 2020.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=E_-3Bxt-2hY&t=18s
 
Description Online conversation: Denilson Baniwa and Jamille Pinheiro Dias, Part 2 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Denilson Baniwa and Jamille Pinheiro Dias: Online conversation

This is Part 2 of a two-part video in which Denilson Baniwa (Barcelos, Amazonas, Brazil, 1984), a Brazilian Indigenous artist from the Baniwa people, talks to CARLA researcher Jamille Pinheiro Dias about decolonial and anti-racist practices in the arts. This online conversation was held on Denilson Baniwa's Instagram profile (https://www.instagram.com/denilsonban...) on June 25th 2020.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=j7WQTKaOero&t=1s
 
Description Online conversation: Indigenous arts and cultures of resistance (Brazil) 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact An online conversation on Indigenous arts and cultures of resistance in Brazil, sponsored by the Pinacoteca (art museum in Sao Paulo, Brazil), on the occasion of the exhibition "Véxoa: We Know". With Ailton Krenak, Daniel Munduruku, Naine Terena (exhibition curator) and organised and moderated by Jamille Pinheiro Dias (CARLA researcher). The event was broadcast on 2 December 2020 and feaytured on the YouTube and Facebook channels of the Pinacoteca (https://www.youtube.com/watch?v=ml7FMPXWwCo: Over 1200 views) and the Cultures of Anti-Racism in Latin America project.
It was supported by Itaú, Casa do Povo, Tekoa Kalipety and Guarani Yvyrupa Commission - CGY.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=MDnwfKJvJmE
 
Description Online conversation: Indigenous rapper Katu Mirim talks to Kae Guajajara 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Katu Mirim and Kae Guajajara: Online conversation

This is a video in a series of online conversations between Brazilian Indigenous artists on the topic of anti-racism. In this video, rapper Katu Mirim talks with Kaê Guajajara, who is also a singer.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=x_PWjUe6Vws&t=1891s
 
Description Online conversation: Indigenous rapper Katu Mirim talks to Renata Tupinambá 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Katu Mirim and Renata Tupinambá: Online conversation

In this video, Indigenous rapper Katu Mirim talks to Renata Tupinambá, co-founder of Rádio Yandé and the YBY Contemporary Indigenous Music Festival, about anti-racist practices in Indigenous cultural production. Renata is also a poet, a journalist, and a screenwriter. This online conversation was held on Katu Mirim's Instagram profile (https://www.instagram.com/katumirim/) on June 30th 2020. (Note: the image of Renata is blurred due to a technical problem, but the audio is clear.)
Year(s) Of Engagement Activity 2020
 
Description Online conversation: Photography through Indigenous lenses / A fotografia pelas lentes indígenas 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Photography through Indigenous lenses / A fotografia pelas lentes indígenas

This was an online conversation between Brazilian photographers about the affordances of photography as an art form that allows one to challenge racism against Indigenous peoples. Guests were Edgar Kanaykõ (Minas Gerais), Tayná Sateré (Amazonas), Priscila Tapajowara (Pará), João Roberto Ripper (Rio de Janeiro) e Nayara Jinknss (Pará). The conversation was held in Portuguese.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=NjyT57ZfmOU&t=8s
 
Description Online conversation: Shared loneliness in times of pandemic 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Soledades compartidas en tiempos de pandemia

"Shared loneliness in times of pandemic"
This online conversation between members of the Colombia Afro-contemporary dance company, Sankofa, evoked old and new dances in order to configure alternative solutions to the reality that surrounds them. The participants talked about the individual creative processes that are accompanied and sustained in community.
@alcaldiademed
Graphic design: @ dianaechandia.design
Photographs: Murcy Photography
#SankofaMiUniversidad
Pensamiento Afrodiaspórico en Movimiento
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=YM0rCH6Y4kw&t=6s
 
Description Online conversation: When I sing about politics, I never forget Nhanderu 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact "Quando canto falando da política, nunca esqueço de Nhanderu - Kunumi MC, Oz Guarani e Wera Sandro" (When I sing about politics, I never forget Nhanderu [god] - Kunumi MC, Oz Guarani and Wera Sandro)

The Guarani-Mbya rappers Kunumi MC, from the Tekoá [native territory] Krukutu, and Oz Guarani, a group made up of Jeferson Xondaro and Mirindju Glowers, from the Tekoá Pyau, in a conversation about native rap, led by Wera Sandro. The conversation took place in Guarani. Available with Portuguese subtitles.

Editing and subtitling: Julia Biaggioli and Micoli Cerqueira
Translation: Kunumi MC
Production: Thais Pimenta (Café8) and Jamille Pinheiro Dias (Cultures of Anti-Racism in Latin America, University of Manchester, AHRC)
Acknowledgments: Olívio Jekupé
Year(s) Of Engagement Activity 2021
URL https://www.youtube.com/watch?v=C36-tixAldI
 
Description Online interview with Indigenous rapper Katu Mirim (English subtitles) 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact An interview with Indigenous Brazilian rapper Katu Mirim. In this video, Katu responds questions (posed to her by CARLA project researcher Jamille Dias) about her work in relation to anti-Indigenous racism from an intersectional perspective. She also discusses the Covid-19 crisis in Brazil from the point of view of an Indigenous person living on the outskirts of São Paulo; and also the Carnival costume controversy. (The video was recorded by Rayssa Oliveira, an Indigenous videomaker based in São Paulo.)
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=T6AQDKSNZ60&t=126s
 
Description Online interview: with Guarani writer, Olívio Jekupé, 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Interview with Olívio Jekupé

This video is an interview with Guarani writer, Olívio Jekupé, from the Krukutu village (in Parelheiros, São Paulo, Brazil). He talks about the importance of Indigenous literary writing to fight discrimination, prejudice and racism. He is joined by his sons, Jeguaka Mirim (a.k.a. Kunumí MC) and Tupã Mirim.

Production/filming: Micoli Cerqueira and Julia Biaggioli
Post-production: Micoli Cerqueira
Assistance: Jamille Pinheiro Dias (CARLA researcher)
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=hvlrvlLzEfE&t=8s
 
Description Online news article 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Long article "El mito de la Argentina blanca y sus contradicciones urgentes" published in elDiarioar.com, an Argentinian on-line news outlet, authored by Ana Vivaldi and Pablo Cossio.
Year(s) Of Engagement Activity 2021
URL https://www.eldiarioar.com/sociedad/mito-argentina-blanca-contradicciones-urgentes_129_8144506.html
 
Description Participation in Pinacoteca de São Paulo Debate Cycle about Modernism 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact I was invited to participate in a online debate sponsored by Instituto Moreira Salles and Pinacoteca de São Paulo (one of São Paulo's most important art museus) on the wake of their exhibition 'Vexoa', which included several indigenous artists. Date: September 2021.
Year(s) Of Engagement Activity 2021
URL https://ims.com.br/eventos/1922-modernismos-em-debate/
 
Description Presentation at Brown University 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact Voro'pi: Art and Education Inbetween Worlds.
With Naine Terena, Gustavo Caboco and Jamille Pinheiro Dias
Sponsor: Department of Portuguese & Brazilian Studies, Brown University, 22 Feb, 2023
Year(s) Of Engagement Activity 2023
URL https://events.brown.edu/portuguese-brazilian/event/241803-dr-naine-terena
 
Description Presentation at Duke University 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact An Inter-American Conversation on Indigeneity, Art and Education
With Gustavo Caboco, Jessica Clark, Jamille Pinheiro Dias, Wesley Nóog
Sponsored by Amazon Lab at the John Hope Franklin Humanities Institute, with: Art, Art History & Visual Studies; Center for Latin American and Caribbean Studies (CLACS); Cultural Anthropology; Duke Brazil Initiative; Franklin Humanities Institute (FHI); Gender, Sexuality, and Feminist Studies; International Comparative Studies (ICS); Kenan Institute for Ethics; Program in Education; Romance Studies. Duke University, 27 Feb, 2023
Year(s) Of Engagement Activity 2023
URL https://culturalanthropology.duke.edu/events/inter-american-conversation-indigeneity-art-education
 
Description Presentation at Harvard University 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact Voro'pi: Art and Education Inbetween Worlds.
With Naine Terena, Gustavo Caboco and Jamille Pinheiro Dias
Sponsored by David Rockefeller Center for Latin American Studies (DRCLAS) in collaboration with Harvard University Native America Program and Harvard Museums of Science and Culture, Harvard University, 23 Feb, 2023
Year(s) Of Engagement Activity 2023
URL https://drclas.harvard.edu/event/voropi-art-and-education-between-worlds
 
Description Presentation at Instituto Superior de Formación Docente Artística 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact Talk by Miriam Alvarez, director of Grupo de Teatro Mapuche El Kantango and CARLA collaborator.
"Las prácticas escénicas mapuche contemporáneas como formas de abordar el racismo y la desigualdad: el Grupo de Teatro Mapuche El Katango". Given as part of "Primer encuentro de teatro mapuche tehuelche cordillerano", 26-29 Oct 2022, Instituto Superior de Formación Docente Artística no. 814, Lago Pueblo, Chubut.
Sponsored by Instituto Nacional de Teatro; Ministerio de Cultura Argentina; Atech Noreste; Cultura Lago Puelo; Cultura Epuyen
Year(s) Of Engagement Activity 2022
URL https://youtu.be/6o58vjcWolw
 
Description Presentation at Johns Hopkins University 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact Voro'pi: Art and Education Inbetween Worlds.
With Naine Terena, Gustavo Caboco and Jamille Pinheiro Dias
Sponsored by the Department of Modern Languages and Literatures, the Portuguese Program, and Latin American, Caribbean, and Latinx Studies; Johns Hopkins University, 20 Feb, 2023
Year(s) Of Engagement Activity 2023
URL https://krieger.jhu.edu/humanities-institute/event/voropi-art-and-education-in-between-worlds/
 
Description Presentation at UC Berkeley 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact Voro'pi: An Encounter with Naine Terena, Gustavo Caboco, and Jamille Pinheiro Dias
Panel Sponsor: Center for Latin American Studies and Department of Spanish & Portuguese, UC Berkeley
17 Feb 2023
Year(s) Of Engagement Activity 2023
URL https://spanish-portuguese.berkeley.edu/news/voropi-encounter-naine-terena-gustavo-caboco-and-jamill...
 
Description Presentation at UNSAM, Argentina 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact "Culturas del antirracismo en America Latina", invited paper, Universidad Nacional San Martín, Buenos Aires, Argentina, 31 May
Year(s) Of Engagement Activity 2022
URL http://nu.unsam.edu.ar/2022/05/26/charla-con-peter-wade-culturas-del-antirracismo-en-america-latina/
 
Description Public event in Buenos Aires 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact Arte contra los discursos del odio. Event organised by Identidad Marron, Chola Contravisual; with support of CARLA and the participation of Ana Vivaldi
Plagio Cultural (Cultural centre), Buenos Aires, 6 December 2022
Year(s) Of Engagement Activity 2022
 
Description Visiones del Racismo en Argentina (Visions of racism in Argentina) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Public conversation in the context of Brown Marron activities, a month for recognizing racism against indigenous peoples and their descendants. CARLA researcher Ana Vivaldi took part alongside CARLA art collaborators, Identidad Marron. Organized by Instituto de Sociología Gino Germani and Identidad Marrón, 19 Oct 2021
Year(s) Of Engagement Activity 2021
URL https://youtu.be/qNeN_z7u3jo
 
Description Workshop at UBC, Canada 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Postgraduate students
Results and Impact Workshop on transformational knowledge, organised by Leslie Robertson (Anthropology, UBC), with members of Identidad Marron - Florencia Alvarado and America Lopez.
University of British Columbia, Vancouver, 14 Feb 2023
Year(s) Of Engagement Activity 2022,2023