Time for Rights/Rights for Time: Responding to the times of violence, conflict, and displacement
Lead Research Organisation:
University of Birmingham
Department Name: School of Psychology
Abstract
Humanitarian policy and practice are driven by the immediacy of crisis and urgency. But in contexts of protracted conflict and displacement, it is often the hidden damage that takes place over time that sets the terms for future violence, change, and possible peace.
One of the major stumbling-blocks to protection is the failure to measure and identify needs and problems not currently obvious to external actors in policy, law, and local contexts. Aid and protection that reacts to only the most 'recent' abuse or threat not only fails to understand the nature of injury, but limits the sustainability of possible solutions. Uncovering layers of time and hidden damage will reveal the specific needs of the most vulnerable and disenfranchised. Multiple, layered and even simultaneous experiences of violence, displacement, and generational trauma persist into future generations, creating new challenges and blocking change.
What is our main aim?
The Rights for Time/Time for Rights Network Plus (R4T+) will co-create a research network+ that supports and delivers a new understanding of how time conditions war, displacement, and violence, and shifts the possibilities and frame of action for humanitarian protection and human rights.
What will we do?
We will meet these challenges by developing a network that stimulates and supports interdisciplinary, peer-peer, case-based research, drawing together 6 in-country partners from 5 DAC-list countries, including Rwanda, Lebanon, Palestine, Jordan, and Kenya, and academic experts from the arts and humanities, psychology, medical anthropology, refugee studies, gender studies, human rights, transitional justice, humanitarian law, and protection policy. We have chosen to work both within and across specific contexts where the long periods of violence produce enduring and intractable challenges, particularly for vulnerable communities and groups, such as refugees, people who have been displaced, women, and children. We will develop the concept of 'Rights for Time' to build a network+ that can bring the hidden legacies of conflict directly into humanitarian protection, and human rights policy and practice.
What will the network+ look like?
Co-Investigators based at the universities of Birmingham, KCL, SOAS, Taghyeer (Jordan) and the Lebanese American University will work with 6 Project Partners to establish the Network+. Partners include the Wangu Kanju Foundation, We Love Reading, BLAST, the African Initiative for Mankind Progress and the Kigali Center for Photography. We will begin by piloting a series of initial case studies. These will inform the research projects we will commission in our countries of focus as well as in other DAC-list countries as the network grows. The projects will generate new evidence bases, impact communities at the ground level, and develop new policy and practice to make the forms of injury of protracted violence culturally visible at local, national and international levels. In doing so, partner countries will have the necessary tools and an increased ability to develop effective protection solutions for those most affected by conflict and violence, especially vulnerable groups, such as refugees, people living in informal settlements, women, children, the elderly, and those in 'extreme poverty'.
How will this be done?
The network will:
- Fund and support research projects that address protection and the long times of violence for vulnerable communities;
- Undertake a range of activities that create change on the ground and in policy for vulnerable communities, such as through workshops, a Research Summit, a dedicated website and social media;
- Build the capacity of partners and academics to fully reach their potential via training;
- Use creative ways of engaging with people, particularly those who usually miss out.
One of the major stumbling-blocks to protection is the failure to measure and identify needs and problems not currently obvious to external actors in policy, law, and local contexts. Aid and protection that reacts to only the most 'recent' abuse or threat not only fails to understand the nature of injury, but limits the sustainability of possible solutions. Uncovering layers of time and hidden damage will reveal the specific needs of the most vulnerable and disenfranchised. Multiple, layered and even simultaneous experiences of violence, displacement, and generational trauma persist into future generations, creating new challenges and blocking change.
What is our main aim?
The Rights for Time/Time for Rights Network Plus (R4T+) will co-create a research network+ that supports and delivers a new understanding of how time conditions war, displacement, and violence, and shifts the possibilities and frame of action for humanitarian protection and human rights.
What will we do?
We will meet these challenges by developing a network that stimulates and supports interdisciplinary, peer-peer, case-based research, drawing together 6 in-country partners from 5 DAC-list countries, including Rwanda, Lebanon, Palestine, Jordan, and Kenya, and academic experts from the arts and humanities, psychology, medical anthropology, refugee studies, gender studies, human rights, transitional justice, humanitarian law, and protection policy. We have chosen to work both within and across specific contexts where the long periods of violence produce enduring and intractable challenges, particularly for vulnerable communities and groups, such as refugees, people who have been displaced, women, and children. We will develop the concept of 'Rights for Time' to build a network+ that can bring the hidden legacies of conflict directly into humanitarian protection, and human rights policy and practice.
What will the network+ look like?
Co-Investigators based at the universities of Birmingham, KCL, SOAS, Taghyeer (Jordan) and the Lebanese American University will work with 6 Project Partners to establish the Network+. Partners include the Wangu Kanju Foundation, We Love Reading, BLAST, the African Initiative for Mankind Progress and the Kigali Center for Photography. We will begin by piloting a series of initial case studies. These will inform the research projects we will commission in our countries of focus as well as in other DAC-list countries as the network grows. The projects will generate new evidence bases, impact communities at the ground level, and develop new policy and practice to make the forms of injury of protracted violence culturally visible at local, national and international levels. In doing so, partner countries will have the necessary tools and an increased ability to develop effective protection solutions for those most affected by conflict and violence, especially vulnerable groups, such as refugees, people living in informal settlements, women, children, the elderly, and those in 'extreme poverty'.
How will this be done?
The network will:
- Fund and support research projects that address protection and the long times of violence for vulnerable communities;
- Undertake a range of activities that create change on the ground and in policy for vulnerable communities, such as through workshops, a Research Summit, a dedicated website and social media;
- Build the capacity of partners and academics to fully reach their potential via training;
- Use creative ways of engaging with people, particularly those who usually miss out.
Planned Impact
Our ambition is to get policy makers, law workers and local and national governments to take the long times of atrocity and protection seriously. Too often, the invisible injuries of memory and trauma are consigned the role of extra or collateral abuse and atrocity. Whilst it is acknowleged that justice is intimately connected with memory claims, the extent to which the deep times of injury hinder protection, and reproduce harm, are not well understood. We aim to produce a sea-change by providing a new knowledge and evidence base that will allow local, national and international policy models to respond more effectively, deeply, and enduringly to the deep times of conflict.
The network will work with researchers, policy makers, local community groups and activists, Non-Governmental Organisations (NGOs) and Civil Society Organisations (CSOs) for the benefit particularly vulnerable groups, such as refugees, women, children, and other marginalised communities, bringing academic and creative work into dialogue with the expertise of those who are directly subject to the long-term effects of protracted conflict and violence. Three pathways to impact follow from these collaborations:
1. The generation of new evidence bases will be showcased in our Times for Rights Pamphlets and launched with Policy and Citizen Seminars in each LMIC. This will begin with our pilot projects in Kenya, Jordan, Rwanda, and Lebanon which will develop a range of new creative and critical forms of gathering and presenting evidence, targeted specifically at existing challenges (e.g. forthcoming elections in Kenya, Syrian refugee movement in Lebanon). This impact model will be repeated in subsequent calls, which will be required to target a specified need (what evidence is needed, where and when?) and encouraged to experiment with innovative forms of evidence presentation (film, digital, tracking, simulation, art).
2. The development of new policy, practice, and law in action will be realised through our Policy Briefing, Policy and Citizen Seminars, and our Rights for Time Manifesto and our education programmes. Working with our Policy Engagement Team, local partners, and with the PI and Co-I's established connections with UNHCR, UNDP, Amnesty International, our calls will target specific requirements (e.g. 2030 Agenda for Sustainable Development), so as to secure direct impact at local and international levels. Responding to the need for a new interdisciplinary human rights education that communicates the deep-times of injury and protection, we aim to work with the Mellon-Volkswagen 'Global Curriculum' Project to produce new syllabi and resources.
3. Making forms of injury of protracted violence culturally visible at local, national, and international levels. Arts advocacy, photography, poetry readings, research-based journalism, archiving, film thread through the network. Underpinning our Impact Strategy will be a proactive public engagement strategy. Drawing on best practice from the AHRC/ESRC/GCRF project, Refugee Hosts (led by Stonebridge as Co-I), this will begin with the launch of an outward focused website including the evolving Critical Lexicon and a creative blog series, working between English, French, and Arabic. Drawing on the investigators' extensive public engagement work, we will pitch for articles and programmes on the long-times of rights with Prospect, Middle East Eye, New Humanitarian, New Statesman, the Guardian, New Humanist, BBC Radio 4, Politico, Al-Jazeera, Al-Akbar, An-Nahar and the World Service. Working with the University of Birmingham's media team, local NGOs, and drawing expertise from our Policy Engagement Team, we will also develop a media strategy for our LMIC's as well as offering training (e.g., during the Commissioning Workshop).
The network will work with researchers, policy makers, local community groups and activists, Non-Governmental Organisations (NGOs) and Civil Society Organisations (CSOs) for the benefit particularly vulnerable groups, such as refugees, women, children, and other marginalised communities, bringing academic and creative work into dialogue with the expertise of those who are directly subject to the long-term effects of protracted conflict and violence. Three pathways to impact follow from these collaborations:
1. The generation of new evidence bases will be showcased in our Times for Rights Pamphlets and launched with Policy and Citizen Seminars in each LMIC. This will begin with our pilot projects in Kenya, Jordan, Rwanda, and Lebanon which will develop a range of new creative and critical forms of gathering and presenting evidence, targeted specifically at existing challenges (e.g. forthcoming elections in Kenya, Syrian refugee movement in Lebanon). This impact model will be repeated in subsequent calls, which will be required to target a specified need (what evidence is needed, where and when?) and encouraged to experiment with innovative forms of evidence presentation (film, digital, tracking, simulation, art).
2. The development of new policy, practice, and law in action will be realised through our Policy Briefing, Policy and Citizen Seminars, and our Rights for Time Manifesto and our education programmes. Working with our Policy Engagement Team, local partners, and with the PI and Co-I's established connections with UNHCR, UNDP, Amnesty International, our calls will target specific requirements (e.g. 2030 Agenda for Sustainable Development), so as to secure direct impact at local and international levels. Responding to the need for a new interdisciplinary human rights education that communicates the deep-times of injury and protection, we aim to work with the Mellon-Volkswagen 'Global Curriculum' Project to produce new syllabi and resources.
3. Making forms of injury of protracted violence culturally visible at local, national, and international levels. Arts advocacy, photography, poetry readings, research-based journalism, archiving, film thread through the network. Underpinning our Impact Strategy will be a proactive public engagement strategy. Drawing on best practice from the AHRC/ESRC/GCRF project, Refugee Hosts (led by Stonebridge as Co-I), this will begin with the launch of an outward focused website including the evolving Critical Lexicon and a creative blog series, working between English, French, and Arabic. Drawing on the investigators' extensive public engagement work, we will pitch for articles and programmes on the long-times of rights with Prospect, Middle East Eye, New Humanitarian, New Statesman, the Guardian, New Humanist, BBC Radio 4, Politico, Al-Jazeera, Al-Akbar, An-Nahar and the World Service. Working with the University of Birmingham's media team, local NGOs, and drawing expertise from our Policy Engagement Team, we will also develop a media strategy for our LMIC's as well as offering training (e.g., during the Commissioning Workshop).
Organisations
- University of Birmingham (Lead Research Organisation)
- Centre for Lebanese Studies (Collaboration)
- Kigali Center for Photography (Collaboration, Project Partner)
- African Initiative for Mankind Progress Organization (Collaboration)
- Palestine Trauma Centre UK (Collaboration)
- Wangu Kanja Foundation (Project Partner)
- African Initiative for Mankind Progress (Project Partner)
- Palestine Cinema Club (Project Partner)
- Taghyeer Organisation (We Love Reading) (Project Partner)
- Ajyal Foundation for Education (Project Partner)
Publications
Abdullah Awad
(2025)
Rights for Time Network Art Report
Abdullah, M.
(2021)
How Does the Refugee Crisis Enter Language?
Ahlam Bsharat
(2024)
From beneath the Hunter's rifle
Dajani R
(2021)
Social and political justice hit by UK aid cuts.
in Nature
Flowe H
(2024)
Rights for Time Summit Report
Flowe H
(2024)
Rights for Time Summit Report
Flowe H
(2024)
Rights for Time Summit Report
Gordon R
(2022)
Government responses to gender-based violence during COVID-19.
in Frontiers in global women's health
Hadfield K
(2022)
Predictors of Literacy and Attitudes Toward Reading Among Syrian Refugee Children in Jordan.
in International journal of early childhood = Revue internationale de l'enfance prescolaire = Revista internacional de la infancia pre-escolar
| Title | Ahmad the Japanese |
| Description | Ahmad the Japanese is a film that collages scenes of a fictional character's journey from the Arab world to Japan, capturing the intricate interplay of immigration and cultural hybridity. Created during Dalloul's residency in Kyoto amid the COVID-19 pandemic, the work reflects his personal exploration of alienation and belonging, inspired by his own migrant heritage and Mahmoud Darwish's poetic insights. |
| Type Of Art | Artwork |
| Year Produced | 2024 |
| Impact | The artwork emphasized the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aimed to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the artwork encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/ahmad-the-japanese/ |
| Title | Approaching Haifa |
| Description | Approaching Haifa reimagines a realm free from colonial borders and violence, evoking an era of unrestricted movement and cultural unity. By centering on the intimate act of sharing a meal, the artwork celebrates belonging, freedom, and a vibrant cultural landscape that might have flourished without displacement and conflict. |
| Type Of Art | Artwork |
| Year Produced | 2024 |
| Impact | The artwork emphasized the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aimed to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the artwork encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/approaching-haifa/ |
| Title | Dua Express cards |
| Description | Dua Express is a deck of 78 bilingual cards that reclaims transgenerational power by drawing on ancestral prayers and indigenous Arab speculative fiction to evoke themes such as fate, safety, and fortune. Designed for intuitive use, the artwork serves as a versatile tool for daily guidance, storytelling, and envisioning an alternative, empowered Arab world. |
| Type Of Art | Artwork |
| Year Produced | 2024 |
| Impact | The artwork emphasized the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aimed to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the artwork encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/dua-express/ |
| Title | Home with an open staircase and outside bench |
| Description | The family depicted and shared stories of a time they lived in fear for years. They feared leaving their house as they felt unsafe due to street violence and targeted killing. Today the area has changed and they feel safe and are more open to welcome outsiders. |
| Type Of Art | Artwork |
| Year Produced | 2023 |
| Impact | aims to create a resilient and emotionally healthy environment for future generations, breaking the cycle of intergenerational trauma and promoting overall well-being. |
| URL | https://rights4time.com/wp-content/uploads/2024/06/Picture2-1.jpg |
| Title | How to Time Travel Exhibition |
| Description | How to Time Travel presents a series of commissioned and selected works that explore themes of estrangement and displacement and propose ways in which the dimension of time conditions re-orientation and belonging. |
| Type Of Art | Artistic/Creative Exhibition |
| Year Produced | 2024 |
| Impact | The works from the exhibition emphasized the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aimed to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the exhibition encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/ |
| Title | Intwatwa Stories |
| Description | a group exhibition that combined art and music at the Kigali Center for Photography in Rwanda on August 11, 2023. |
| Type Of Art | Artistic/Creative Exhibition |
| Year Produced | 2023 |
| Impact | The exhibition sought to foster the integration of the Batwa population into society and combat discrimination. Emphasizing the core principles of equality, diversity, and inclusion, the exhibition fosters critical thinking, nurtures an understanding of political and historical contexts, and amplifies marginalized narratives. |
| URL | https://rights4time.com/project/when-they-sung-at-me-i-sang-back/ |
| Title | Mandaeans religious practices |
| Description | The series of images vividly depict Mandaeans engaged in their ritual practices |
| Type Of Art | Image |
| Year Produced | 2023 |
| Impact | aims to work with the Mandaean in Iraq and abroad, as well as, the neighbouring communities to reconstruct and reclaim a rich collective narrative and the perceptions built around it. Utilizing various tools of documentation and representation, the project aims to tell of the fascinating stories of customs and practices, solidarity and co-existence of this historic community. |
| URL | https://rights4time.com/project/etched-in-memory/ |
| Title | Mandaen Documentary |
| Description | The 45-minute documentary film will be a significant part of the celebrations, shedding light on various aspects of Mandaean life, history, heritage, and language. |
| Type Of Art | Film/Video/Animation |
| Year Produced | 2023 |
| Impact | This documentary explores various aspects of the Sabian Mandaean community, providing a comprehensive overview of this ancient religious sect, their presence, population, and rich cultural and religious heritage. The documentary delves into their religious life and sacred rituals, as well as the use and significance of the Mandaic language in both historical and contemporary contexts. It also highlights the main professions they practiced in Iraq, from traditional crafts to modern occupations. Additionally, the documentary sheds light on the perspectives of the surrounding communities and the extent of their coexistence and interaction, offering a complete picture of the Mandaean Sabians' experience within Iraqi society. . |
| URL | https://www.youtube.com/watch?v=IQVo7BUmYKI |
| Title | Metahome |
| Description | MetaHome intertwines futuristic circus-like imagery with fragmented memories and vibrant symbols to create a swirling, infinite journey of searching for home beyond time and borders. Inspired by the artist's grandmother's bedtime stories, the piece fuses past tragedies with a crystalline utopia, evoking narratives of displacement and resilience. |
| Type Of Art | Artwork |
| Year Produced | 2024 |
| Impact | The artwork emphasized the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aimed to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the artwork encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/metahome/ |
| Title | Missing Pieces |
| Description | The four canvases depict unfinished portraits and scenes of daily Bedouin life, deliberately omitting key cultural markers to highlight how urban migration erases authentic heritage. This intentional fragmentation invites viewers to reflect on how celebrated images become reduced representations, stripping them of their original context and meaning. |
| Type Of Art | Artwork |
| Year Produced | 2024 |
| Impact | The artworks emphasized the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aimed to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the artwork encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/missing-pieces/ |
| Title | Mpundu |
| Description | Mpundu (also known as Impundu) - a Kinyarwanda term meaning 'sounds of joy' passed down through generations, this remarkable song celebrates victorious battles, exalts rulers and kings, praises heroes, and commemorates achievements. |
| Type Of Art | Artwork |
| Year Produced | 2023 |
| Impact | This series of photographs seek to foster the integration of the Batwa population into society and combat discrimination. |
| URL | https://rights4time.com/project/when-they-sung-at-me-i-sang-back/ |
| Title | Olive Leaves Memories |
| Description | Olive Leaves Memories is a handmade folding book that documents the olive tree's history by embedding its leaves into recycled plastic to create photograms and binding it with threads dyed with naturally extracted pigment. This practical, eco-friendly project visually records the tree's traces and calls for a renewed respect for the land's enduring legacy. |
| Type Of Art | Artwork |
| Year Produced | 2024 |
| Impact | The artwork emphasized the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aimed to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the artwork encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/olive-leaves-memories/ |
| Title | Peer Educators with families |
| Description | Consultant multi-generational families) sharing events and memories of family stories |
| Type Of Art | Image |
| Year Produced | 2023 |
| Impact | aim to create a resilient and emotionally healthy environment for future generations, breaking the cycle of intergenerational trauma and promoting overall well-being. |
| URL | https://rights4time.com/wp-content/uploads/2024/06/Peer-Educators-with-families.jpg |
| Title | Reciprocated |
| Description | Reciprocate is a photo series that captures the dynamic exchange of emotions and stories within Kenyan communities. Through intimate portraits and candid moments, it highlights how mutual support and shared experiences weave together the resilient fabric of everyday life. |
| Type Of Art | Artwork |
| Year Produced | 2023 |
| Impact | The photo stories offer a vivid, intimate look into the lives, struggles, and resilience of communities across Kenya. Through powerful imagery and narratives, the collection documents everyday experiences and social issues, highlighting both the beauty and complexity of life in a rapidly changing society. |
| URL | https://www.azadikenya.org/photo-stories-2023 |
| Title | Reclaiming history through story and memory Interactive Mural |
| Description | This mural is an abstraction of the conditions and descriptions collected from interviews with Mandaeans in the diaspora and non-Mandaean Iraqi communities from Nassiriyah and Amara cities and who lived side by side with their Mandaean Neighbours before their departure from Iraq. The mural is interactive and contains both audio and text that convey memories, belonging and anecdotes of when these communities enjoyed sharing space, relations and intimate social ties. |
| Type Of Art | Artwork |
| Year Produced | 2023 |
| Impact | aims to work with the Mandaean in Iraq and abroad, as well as, the neighbouring communities to reconstruct and reclaim a rich collective narrative and the perceptions built around it. Utilizing various tools of documentation and representation, the project aims to tell of the fascinating stories of customs and practices, solidarity and co-existence of this historic community. |
| URL | https://alrewaq.info/mandaean-memory |
| Title | Rights for Time Network Animation |
| Description | The animation explores the Network's mission |
| Type Of Art | Film/Video/Animation |
| Year Produced | 2024 |
| Impact | The animation aims to change how humanitarian protection is approached by: - Alternative Perspectives: By changing the language, policies, and practices, the network offers new ways of looking at humanitarian protection - Creativity: The network acknowledges the importance of creativity in going beyond current practices - Collaboration: By bringing together academic, creative, and practical knowledge, the network seeks to create a shift in understanding and build a foundation of evidence - Effective Policies: This evidence base will enable local, national, and international policy models to respond more effectively and deeply to the long-term impacts of conflict Launched on the Network's YouTube Channel in 2024 it has gained noticeable views |
| URL | https://youtu.be/IxV8sWVqlTY |
| Title | Seeking Purpose |
| Description | The F-PAL project has given the Children Born Of War (CBOW) in Post-conflict Northern Uganda an opportunity to take ownership of their stories and share their experiences through a documentary film to allow healing, reconciliation and integration of CBOW in to post conflict communities. |
| Type Of Art | Film/Video/Animation |
| Year Produced | 2024 |
| Impact | The documentary aims to increase public knowledge and understanding of the challenges associated with being a Children Born Of War (CBOW) in post-conflict societies, particularly in northern Uganda where this topic remains a taboo and CBOW continue to sit on the margins of society. |
| URL | https://rights4time.com/project/children-born-of-war/ |
| Title | Starry Night |
| Description | Starry Night is a sound piece recorded during the 2006 bombing of Beirut, capturing an unlikely duet between improvised trumpet sounds and live bomb explosions. Serving as a time capsule, it documents the chaotic sonic landscape of a home under attack and reflects both personal and collective wartime experiences. |
| Type Of Art | Artwork |
| Year Produced | 2024 |
| Impact | The artwork emphasized the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aimed to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the artwork encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/starry-night/ |
| Title | Sweet Like Honey Exhibition in Kigali |
| Description | Exhibition of work previously shown in Creative Corner Gallery, Musanze, by artists from the Historically Marginalized Community in Nyabageni. This exhibition took place at the Kigali Center for Photography. It coincided with the Commonwealth Heads of Government meeting in Kigali. |
| Type Of Art | Artistic/Creative Exhibition |
| Year Produced | 2022 |
| Impact | Because the exhibition opening coincided with a nearby LGBTQIA+ event, it unexpectedly built allegiances between diverse marginalized groups who are normally not in contact. Jacques Nkinzingabo, Director of the Kigali Center for Photography reports that visitors left with much more positive views of the Historically Marginalized Community depicted (formerly known as Batwa). |
| Title | Sweet Like Honey Exhibition in Musanze |
| Description | Exhibition of photography by twelve historically marginalized photographers from Nyabageni Village at the Creative Corner Gallery in Musanze, Rwanda. |
| Type Of Art | Artistic/Creative Exhibition |
| Year Produced | 2022 |
| Impact | Some impacts derive from the workshop that produced the images. Visitors to the exhibition included the artists themselves, their friends and families from Nyabageni village, local leaders from the Historically Marginalized Community and local musicians from the same community who performed at the exhibition opening. The exhibition was also visited by local government officials from Musanze, and people working in the local hospitality industries (a key source of employment in the region). Participants reported that the exhibition changed attitudes towards people from the Historically Marginalized Community who were seen as more capable (particularly with respect to technology and artistry) and modern after viewing the images. |
| URL | https://rights4time.com/surfacing-time/ |
| Title | Tall grasses, small bushes |
| Description | The artwork transforms a familial landscape painting from an archival collection into a distorted, pixelated rendition through hand embroidery, reimagining memory as an ever-evolving present. By blending traditional imagery with digital-like irregularities, the piece evokes an elusive sense of home that emerges incrementally from a forbidden, colonized archive. |
| Type Of Art | Artwork |
| Year Produced | 2024 |
| Impact | The artwork emphasizes the emotional and sensory aspects of home, transcending physical spaces to explore more abstract connections. This aims to evoke a deep introspection about belonging, history, and the human experience, while challenging traditional notions of time and place. By using personal and cultural narratives, the artwork encouraged the audience to reconsider the role of time in shaping one's sense of self and connection to others, possibly sparking empathy and contemplation about displacement and the complexities of home. |
| URL | https://howtotimetravel.rights4time.com/tall-grasses-small-bushes-2/ |
| Title | Unmasking |
| Description | Unmasking is a provocative photo story that reveals the layers beneath Kenya's public persona, exposing raw truths and dismantling stereotypes. By presenting unfiltered moments and compelling imagery, it invites audiences to confront and reimagine the authentic realities of life and culture. |
| Type Of Art | Artwork |
| Year Produced | 2023 |
| Impact | The photo stories offer a vivid, intimate look into the lives, struggles, and resilience of communities across Kenya. Through powerful imagery and narratives, the collection documents everyday experiences and social issues, highlighting both the beauty and complexity of life in a rapidly changing society. |
| URL | https://www.azadikenya.org/photo-stories-2023 |
| Title | Wounds of Wisdom |
| Description | A video about the Project Wounds of Wisdom (WoW) Journey of Transformation from Trauma to Resilience. |
| Type Of Art | Film/Video/Animation |
| Year Produced | 2024 |
| Impact | The project video aims to create a resilient and emotionally healthy environment for future generations, breaking the cycle of intergenerational trauma and promoting overall well-being. |
| URL | https://www.youtube.com/watch?v=Jox5c12Au9U |
| Description | We have drawn together in-country partners and academic experts from the arts and humanities, psychology, medical anthropology, refugee studies, gender studies, human rights, transitional justice, humanitarian law, and protection policy, to develop interdisciplinary, peer-peer, case-based research bringing a temporal perspective to protection challenges. The Rights for Time Network Plus research objectives we have acheived so far have included: 1. Convene and develop a sustainable research network that will become a major transnational hub for developing new knowledges and practices for transforming the understanding of past, present, and future times of human rights; 2. We have started to create new evidence bases to demonstrate the impact of the long-times of violence and trauma by launching 5 case study projects on humanitarian protection initiatives led by our partners in Kenya, Rwanda, Jordan, Lebanon, and Palestine. These case studies are gathering evidence regarding the frequently hidden and, urgently, intersectional histories, pose unique and complex challenges to protection. New methodologies and measures are being developed to make hidden damage visible to law and policy. |
| Exploitation Route | Our ambition is to get policy makers, law workers and local and national governments to take the long times of atrocity and protection seriously in our DAC-list countries of focus, which currently are Kenya, Rwanda, Jordan, Palestine, and Lebanon. We are work with researchers, policy makers, local community groups and activists, Non-Governmental Organisations (NGOs) and Civil Society Organisations (CSOs) for the benefit particularly vulnerable groups, such as refugees, women, children, and other marginalised communities, bringing academic and creative work into dialogue with the expertise of those who are directly subject to the long-term effects of protracted conflict and violence. Three pathways to impact are in progress: 1. The generation of new evidence bases will be showcased in our Times for Rights Pamphlets and launched with Policy and Citizen Seminars in each LMIC, and disseminating these findings to FCDO, and our Advisory Board, which includes international stakeholders in humanitarian protection. 2. The development of new policy, practice, and law in action will be realised through our Policy Briefing, Policy and Citizen Seminars, and our Rights for Time Manifesto and our education programmes. 3. Making forms of injury of protracted violence culturally visible at local, national, and international levels via our partners local networks. |
| Sectors | Creative Economy Government Democracy and Justice Culture Heritage Museums and Collections |
| URL | https://www.rights4time.com |
| Description | Rights for Time has focused on transforming humanitarian protection through understanding how time conditions war, displacement, and violence. Our network expanded to operate across 12 countries, bringing together academics, NGOs, and civil society organisations to critically examine and redefine concepts of trauma, crisis, and protection through an interdisciplinary lens. Rights for Time has distributed over £1,000,000 in research funding through various mechanisms, including Research Fellowships (£80,000-£100,000), Art Exhibitions (£50,000), Small Grants (£20,000-£30,000), and Proof of Concept Work Packages (£10,000-£50,000). This strategic funding approach has enabled the network to support 25 major projects spanning multiple contexts, from Rwanda and Lebanon to Gaza, Kenya, Jordan, Pakistan, Uganda, Palestine, Iraq, and Cameroon. These projects include a participatory documentary film "Unbroken Voices, Sita Kimya" that amplifies the voices of sexual violence survivors in Kenya. The network's commissioned projects have engaged over 5,400 workshop participants, building partnerships with 157+ organisations and producing more than 200 distinctive outputs including academic papers, policy briefs, creative works, and community resources. Key outputs include the development of trauma-informed evidence collection protocols, the "How to Time Travel" art exhibition, training programmes for SGBV documentation, and participatory documentary films like "Unbroken Voices, Sita Kimya." Our digital presence has significantly expanded through the Living Archives, which houses over 100 resources including academic publications, working papers, artwork, and policy briefs. This growth, alongside our Research Cafés and targeted events, has positioned Rights for Time as a key resource hub for professionals working in humanitarian protection, participatory research, and trauma-informed approaches. Rights for Time has delivered extensive capacity building through diverse training initiatives. Our Community Practitioners Researcher Training with the Institute for Superdiversity at the University of Birmingham has developed qualitative research skills for community-based researchers. Separately, our specialised SGBV Documentation Training for Human Rights Defenders has benefited 414 individuals so far across Kenya between 2022-2023, significantly improving interview skills and evidence collection for sexual violence cases. Additional research training has covered Safeguarding and Risk Analysis, Arts-Based and Participatory Methods, Writing Funding Applications, and Publishing Research. Collectively, these training programmes have reached over 2,400 participants, building substantial capacity across our network. The network's impact extends from research practice to policy implementation across multiple levels. Our COVID-19 SGBV documentation work directly influenced FCDO education policy for girls, demonstrating the critical link between protection and educational access in crisis contexts. Our SGBV technology and digital documentation methods are being adopted by investigators at the International Criminal Court (ICC), with network representatives invited to present at the 23rd Assembly at The Hague. This recognition led to additional funding from XCEPT, further validating our innovative approaches to humanitarian protection. Beyond these policy impacts, our work has improved practices in trauma-informed evidence collection, developed alternative frameworks to conventional crisis responses, and shifted understanding of the temporal dimensions of humanitarian protection. Our research has received multiple academic awards, including prizes from the Association for the Treatment and Prevention of Sexual Abuse and the American Psychology and Law Society for innovative research on sexual violence documentation. Rights for Time has successfully integrated interdisciplinary approaches across its portfolio, bringing together expertise from psychology, law, political science, anthropology, literature, and the arts. This integration has been strengthened through the network's Leadership Committee, which includes scholars and practitioners from diverse geographic and disciplinary backgrounds, ensuring multiple perspectives inform our approach to humanitarian protection. The Rights for Time Summit (June 2024) marked a culmination of the network's activities, bringing together partners from 12 countries to share findings, showcase methodological innovations, and develop an Implementation Action Agenda for continuing the network's mission beyond its formal funding period. This has positioned Rights for Time's temporal approach to humanitarian protection as an influential framework with lasting impact on both research and practice in conflict-affected contexts. Through its unified network structure, Rights for Time has achieved efficiencies, innovations, and power redistribution that would be impossible through isolated projects, addressing fundamental imbalances in humanitarian research while creating enduring connections among diverse stakeholders that will extend beyond the lifespan of the formal network. |
| First Year Of Impact | 2024 |
| Sector | Creative Economy,Digital/Communication/Information Technologies (including Software),Education,Healthcare,Government, Democracy and Justice,Culture, Heritage, Museums and Collections,Security and Diplomacy |
| Impact Types | Cultural Societal Economic |
| Description | ESRC Impact Acceleration Account Covid-19 Urgency grant |
| Amount | £5,000 (GBP) |
| Organisation | Economic and Social Research Council |
| Sector | Public |
| Country | United Kingdom |
| Start | 08/2020 |
| End | 01/2021 |
| Description | Investigating and mobilising peace and trust for sustainable development via the UK's international Rights for Time Research Network |
| Amount | £49,054 (GBP) |
| Funding ID | AH/W009676/1 |
| Organisation | Arts & Humanities Research Council (AHRC) |
| Sector | Public |
| Country | United Kingdom |
| Start | 02/2022 |
| End | 07/2023 |
| Description | Stories from Rwanda: Agency, Editing and New Audiences |
| Amount | £80,644 (GBP) |
| Funding ID | AH/X005402/1 |
| Organisation | Arts & Humanities Research Council (AHRC) |
| Sector | Public |
| Country | United Kingdom |
| Start | 03/2023 |
| End | 08/2024 |
| Description | Thinking Like Hannah Arendt: Crisis-Thinking from the 20th Century for Today |
| Amount | £200,000 (GBP) |
| Organisation | The Leverhulme Trust |
| Sector | Charity/Non Profit |
| Country | United Kingdom |
| Start | 08/2021 |
| End | 08/2023 |
| Description | Visualising Justice on Sexual Violence in Kenya: Stimulating inclusion, Peace and Public Engagement through the Creative Economy |
| Amount | £130,862 (GBP) |
| Funding ID | AH/W006510/1 |
| Organisation | Arts & Humanities Research Council (AHRC) |
| Sector | Public |
| Country | United Kingdom |
| Start | 11/2021 |
| End | 10/2023 |
| Description | AIMPO |
| Organisation | African Initiative for Mankind Progress Organization |
| Country | Rwanda |
| Sector | Charity/Non Profit |
| PI Contribution | The team is building capacity to develop funding proposals and conduct arts and humanities research in Rwanda about humanitarian protection initiatives, in furtherance of economic and social wefare of people in Rwanda. |
| Collaborator Contribution | Contributed to the development of the Rights for Time research network plus. |
| Impact | Multidisciplinary research is underway in collaboration with this partner. The disciplines include the English and Law. |
| Start Year | 2020 |
| Description | Centre for Lebanese Studies |
| Organisation | Centre for Lebanese Studies |
| Country | United Kingdom |
| Sector | Charity/Non Profit |
| PI Contribution | The team is building each other's capacity to develop funding proposals and conduct arts and humanities research in Jordan about humanitarian protection initiatives, in furtherance of economic and social welfare of people in Lebanon. |
| Collaborator Contribution | Contributed to the development of the Rights for Time research network plus. Case study research is underway in Lebanon on refugee policy. |
| Impact | Multidisciplinary research is underway in collaboration with this partner. The disciplines include the Politics, English, and Law. |
| Start Year | 2020 |
| Description | Centre for Lebanese Studies |
| Organisation | Centre for Lebanese Studies |
| Country | Lebanon |
| Sector | Charity/Non Profit |
| PI Contribution | The team is building each other's capacity to develop funding proposals and conduct arts and humanities research in Jordan about humanitarian protection initiatives, in furtherance of economic and social welfare of people in Lebanon. |
| Collaborator Contribution | Contributed to the development of the Rights for Time research network plus. Case study research is underway in Lebanon on refugee policy. |
| Impact | Multidisciplinary research is underway in collaboration with this partner. The disciplines include the Politics, English, and Law. |
| Start Year | 2020 |
| Description | Kigali Photo Centre, Rwanda |
| Organisation | Kigali Center for Photography |
| Country | Rwanda |
| Sector | Charity/Non Profit |
| PI Contribution | The team is building capacity to develop funding proposals and conduct arts and humanities research in Rwanda about humanitarian protection initiatives, in furtherance of economic and social welfare of people in Rwanda. |
| Collaborator Contribution | Contributed to the development of the Rights for Time research network plus, and a case study participatory photography project. |
| Impact | Multidisciplinary research is underway in collaboration with this partner. The disciplines include the English, and Law. |
| Start Year | 2020 |
| Description | PTC |
| Organisation | Palestine Trauma Centre UK |
| Department | Palestine Trauma Centre UK, Gaza |
| Country | Palestine, State of |
| Sector | Charity/Non Profit |
| PI Contribution | The team is building each other's capacity to develop funding proposals and conduct arts and humanities research in Jordan about humanitarian protection initiatives, in furtherance of economic and social welfare of people in the OT Palestine. |
| Collaborator Contribution | Contributed to the development of the Rights for Time research network plus; Co-designed and is delivering a research case study on a humanitarian protection initiative in Gaza. |
| Impact | Multidisciplinary research is underway in collaboration with this partner. The disciplines include the English, and Psychology. |
| Start Year | 2020 |
| Description | "Trauma-informed approaches to research - affect, emotions, embodiment" |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Professional Practitioners |
| Results and Impact | Panel formed part of the workshop "(Re)Sounding Silence: Active Listening as Activism against Abuse Interdisciplinary Workshop" organised by the Violence and Mental Health Network and King's College London, November 2022. |
| Year(s) Of Engagement Activity | 2022 |
| Description | : Mental Health Conference WOW Presentation at University of Karachi |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Public/other audiences |
| Results and Impact | At the World Mental Health Day event organized by the University of Karachi's Department of Psychology, Dr Hassan presented the impactful findings of the "Wounds of Wisdom (WOW)" project. The project explores the intergenerational transformation of trauma and resilience, highlighting a crucial aspect of mental health. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://www.linkedin.com/posts/sajida-hassan-a6a953274_wowproject-mentalhealth-resilience-activity-7... |
| Description | Art as Therapy Workshop Doula |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Other audiences |
| Results and Impact | The workshop hosted 20 internally displaced women, aged 18-50, from the Northwest-Southwest regions living in Douala. It focused on building their capacity in detergent-making and marketing skills and providing a safe space for them to share their stories |
| Year(s) Of Engagement Activity | 2023 |
| Description | Convened and chaired "Responding to Crisis through the Arts: Nigeria, Rwanda, Uganda" at King's College London |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Other audiences |
| Results and Impact | Chaired a panel with Andrew Esiebo, DeLovie Kwagala and Injonge Karangwa exploring how the visual arts responded to COVID in different African Countries. Panel discussion took place online and received an international audience. Formed part of Africa Week, led by the African Leadership Centre at King's. |
| Year(s) Of Engagement Activity | 2022 |
| URL | https://www.kcl.ac.uk/events/series/africa-week |
| Description | Effective Case Documentation Training, Kenya |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Other audiences |
| Results and Impact | This event delivered a bespoke co-deleloped training programme to the Survivors of Sexual Violence in Kenya Network •This activity occurred in-country and was delivered in person in Nairobi, Kisumu, Vihiga and Bungoma and Mount Elgon counties • The Wangu Kanja Foundation, the Survivors of Sexual Violence Network in Kenya, and ADSOCK, all of which are Kenyan organisations co-developed and delivered the training • Identify networking activities and workshops. Ensure the following information is provided: o 78 survivors, 46 duty bearers (healthcare workers and police) attended these training sessions, and 3 people delivered the training sessions. All of these individuals were Kenyan. from the DAC list country/countries) To date our evidence is that the training programme is improving participants' knowledge of interviewing skills and we have found that the training significantly increases their understanding of interviewing best practice e.g. ground rules, rapport and independent voice. This will increase attendees their case documentation and employability skills, and increase the GBV evidence base, leading to more resources to combate GBV in Kenya. The FCDO and the IICI have asked for further information and results, increasing the potential for wider dissemination beyond Kenya. |
| Year(s) Of Engagement Activity | 2020,2021 |
| Description | Ethical Storytelling Fellowship 2023 |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Public/other audiences |
| Results and Impact | "The Ethical Storytelling Fellowship and Photography Project aimed to create an ethical and accessible archive of stories from trafficking survivors. This 9-month initiative, led by the Azadi community and supported by The Rights for Time Network, involved three survivor leaders from Azadi and one fellow from Swarthmore University. The group underwent a three-month training (April to June) at the Azadi Resource Centre, focusing on ethical storytelling methods such as photography, videography, writing, zines, and painting. After the training, the fellows used their newly acquired skills to express their personal experiences through visual and written narratives, zines, and art. These individual projects were then curated and co-created into a major exhibition. The resulting work was showcased both virtually and physically at Ardhi Gallery in Nairobi on July 30th, in honour of World Day Against Trafficking in Persons. The exhibition served as a platform to raise public awareness and promote trauma-informed, survivor-centered approaches in anti-trafficking efforts." |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://www.azadikenya.org/exhibition-2023 |
| Description | Ethical Stroytelling Fellowship 2024 |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Public/other audiences |
| Results and Impact | The Ethical Storytelling Fellowship and Photography Project aimed to create an ethical and accessible archive of trafficking survivors' stories. Implemented by the Azadi community with support from The Rights for Time Network, the month-long project involved 26 Survivor Leaders from the art community and a fellow from Rice University. Participants underwent training in ethical storytelling, art creation, collage making, zine crafting, and participatory photography, led by a professional trainer throughout July 2024. The project culminated in an art exhibition showcasing the survivors' stories through photographs, collages, and zines. This exhibition served as a platform to raise public awareness on the meaningful engagement of children, who are also survivors, in counter-trafficking efforts. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://www.azadikenya.org/exhibition-2024 |
| Description | Four-Day Participatory Photography Workshop with Historically Marginalized Community in Nyabageni & Musanze, Rwanda |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Other audiences |
| Results and Impact | Participatory photography workshop with twelve members of the Historically Marginalized (Batwa) Community from Nyabageni. Workshop took place both in Creative Corner Gallery in Musanze and in the village itself. It was facilitated by Renée Akitelek Mboya, Jacques Nkinzingabo and Zoe Norridge. Participants explored the possibilities of visual storytelling and the stories they wanted to tell about the complex histories, present and hoped for futures of their own community. Over the course of four days each artist produced their own work to be shown in a resulting exhibition. They also received printed and digital copies of the images produced. Participants reported increase in skills, confidence and trust in facilitators. Rwandan facilitators reported increasingly positive attitudes towards the Historically Marginalized Communmity and a committment to continue work in this area. |
| Year(s) Of Engagement Activity | 2022 |
| URL | https://rights4time.com/surfacing-time/ |
| Description | Genocide and the Politics of Memory event at Wiener Holocaust Library |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | Co-convened and chaired an event with Ishami Foundation and Weiner Library: "Kwibuka 27 - Genocide and the Politics of Memory in Rwanda" featuring Rwandan genocide survivors Omar Ndizeye and Alice Musabende alongside academic Professor Phil Clark. Event took place online on April 15th 2021. We discussed memory practices and the impact of genocide denial on survivors. At the time, whilst commemoration was still virtual, this was both sensitive and urgent. |
| Year(s) Of Engagement Activity | 2021 |
| URL | https://wienerholocaustlibrary.org/event/virtual-event-kwibuka-27-genocide-and-the-politics-of-memor... |
| Description | Hamwe Festival (Rwanda) Panel on Pandemic Photography |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | Participated in panel on pandemic photography with two Nigerian photographers, Andrew Esiebo and Aisha Bada. Hamwe is an in person and online public-facing festival run by the University of Global Health Equity in Rwanda to explore connections between the creative industries and global health. |
| Year(s) Of Engagement Activity | 2021 |
| URL | https://ughe.org/hamwe2021 |
| Description | Interview with Magistrate Ayah Paul Albine |
| Form Of Engagement Activity | A formal working group, expert panel or dialogue |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Policymakers/politicians |
| Results and Impact | The project aims to explore the potentiality of archive making and its opening to a wider public. Using official documents, voices, and sound, the project aims to create a space for new imaginations and alternative knowledge formation where conversation and translation of official unknown stories and histories break with silence. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://www.theforestcreativeloft.com/going-back-through-memory-lane/ |
| Description | Investigative Interview Training in Kenya during COVID-19. |
| Form Of Engagement Activity | A formal working group, expert panel or dialogue |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Professional Practitioners |
| Results and Impact | 50 researchers and practitioners attended a panel on conducting research during Covid-19. |
| Year(s) Of Engagement Activity | 2021 |
| Description | Participation in panel at Imperial War Museum panel on Humanitarian Photography |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Other audiences |
| Results and Impact | Participated in a roundtable discussion on humanitarian photography with an international photographer, former NGO photo editor and academics. Audience included photographers, NGO photo editors and academics/ |
| Year(s) Of Engagement Activity | 2021 |
| URL | http://www.timhetheringtontrust.org/news-and-calendar/2021/09/tim-hetherington-collection-conflict-i... |
| Description | Rwandan High Commission and One Your World Panel: "Kwibuka 27 - Challenging Genocide Ideology and Denial" |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | Chairing event for the Rwandan High Commission in the UK and One Young World programme "Kwibuka 27 - Challenging Genocide Ideology and Denial" on April 29th 2021. The panel included Her Excellency Yamina Karitanyi, the Rwandan High Commissioner to the UK, Right Hon MP Andrew Mitchell and Hippolyte Ntigurirwa. At the time the topic was highly sensitive and distressing many genocide survivors both in Rwanda and the diaspora. |
| Year(s) Of Engagement Activity | 2021 |
| URL | https://www.oneyoungworld.com/event/kwibuka27-discussion-29april |
| Description | Series of eight events and workshops to accompany Wasafiri Special Issue: Transformative Testimonies |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | In December 2020, Wasafiri launched issue 104: Human Rights Cultures, co-edited by myself and Billy Kahora, coming out of this grant. The special issue explored writing in the wake of political crisis and opened up conversations and connections between literatures, writers, and creatives from four countries: Rwanda, Kenya, Colombia, and Argentina. The Transformative Testimonies series built on this special issue with a multi-country, multilingual, digital programme in May 2021. It united writers from South America and East Africa in eight events that affirmed the power of writing for those responding to, remembering, and healing from collective catastrophe. Billy Kahora and I worked closely with the Wasafiri team to curate the programme of events and will feature in it, alongside such internationally renowned, award-winning writers as Scholastique Mukasonga, Inés Garland, Yvonne Adhiambo Owuor, and Selva Almada, and exciting new names including Leo Boix and Daniel Ferreira. In addition, I chaired the panel on the Boundaries of Reality featuring Argentine novelist Selva Almada, Colombian filmmaker Liliany Obando, Rwandan playwright and actor Ery Nzaramba and Kenyan poet and filmmaker Ngwatilo Mawiyoo. We worked with simultaneous translators to make the event accessible to audiences in all four countries under discussion. Details are here: https://www.eventbrite.co.uk/e/transformative-testimonies-boundaries-of-reality-tickets-151862800725# And the video of the event can be viewed here: https://youtu.be/SzOTn4fiUmg We reached audiences of artists across the world, including in East Africa and Latin America. |
| Year(s) Of Engagement Activity | 2021 |
| URL | https://www.wasafiri.org/transformative-testimonies-writing-and-human-rights-2021/ |
| Description | Skills Inventory |
| Form Of Engagement Activity | A formal working group, expert panel or dialogue |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Third sector organisations |
| Results and Impact | 3 NGO from our DAC-list countries of focus (Kenya, Rwanda, Jordan) met with the Rights for Time team to discuss research capacity building needs, which has sparked discussions afterwards about integrating this information into our commissioning workshop. |
| Year(s) Of Engagement Activity | 2021 |
| Description | Symposium: Going back through memory lane |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Other audiences |
| Results and Impact | The symposium, attended by 150 participants aged 18 to 75, brought together a diverse group of anglophones and francophones. It focused on raising awareness about the conflict, honouring those lost, sharing activity outcomes, and presenting findings. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://www.youtube.com/watch?v=E5AeKgU7UQ0 |
| Description | The future is in our hands |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Other audiences |
| Results and Impact | The trauma of this war on the civilians of Bamenda has been felt in many aspects of their lives including education and mental health. 20 women from the 120 attendees were trained in detergent making. The women came from different villages around Bamenda, notably from Bali and Bafut and they were happy for their voices to be heard. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://www.youtube.com/watch?v=4BNcVz-lEnQ |
| Description | Training Workshops |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Schools |
| Results and Impact | The Based Awareness Sessions - Trauma-Informed Prevention & Self-Care Program led by WOW-TIPS Peer Educators, who conduct workshops for teachers at ILM School Lines Area. The sessions focus on Daily Life Stressors (DLS) and strategies for self-care and stress management, incorporating expressive art techniques. The workshop helped teachers and adults identify various types of stressors and introduces the ""circle of control"" concept to distinguish between stressors within and outside their control. Teachers are guided to explore how these stressors affect their emotional and mental wellbeing, as well as that of their students. A key activity involves releasing stress through an art exercise where teachers scribble and tear paper, symbolizing the release of anger, hurt, and frustration. The torn paper is then transformed into a positive symbol of hope, linking emotional release with self-care. The program also includes focus group interviews with selected participants to gather insights." |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://rights4time.com/project/youth-time-against-trauma-ytat/ |
| Description | WOW TIPS Second Phase Community Based Awareness Sessions - Trauma Informed Prevention & Self-Care Program |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Other audiences |
| Results and Impact | WOW-TIPS Peer Educators conducted a workshop for 25 youth boys aged 14-16 at Touch Star Institute, Lines Area, introducing them to 21st-century skills related to artificial intelligence. The session included training on Facial Emotion Recognition (FER), an AI tool that detects emotions through facial expressions. Additionally, participants used the Merge Cubes app to explore the anatomy of the brain and the functions of the emotional center. The workshop also included focus group interviews with selected participants to gather feedback and insights. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://rights4time.com/project/youth-time-against-trauma-ytat/ |
| Description | WOW TIPS Second Phase Community Based Awareness Sessions - Trauma Informed Prevention & Self-Care Program 3 |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Other audiences |
| Results and Impact | WOW-TIPS Peer Educators led a workshop with 20 female youths at Dream House Lyari, featuring an interactive discussion on teen brain development and the challenges young people face. The workshop focused on breaking the inter-generational trauma cycle by teaching positive and healthy coping strategies. Focus group discussions (FGD) were conducted to gather feedback from the participants. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://rights4time.com/project/youth-time-against-trauma-ytat/ |
| Description | WOW TIPS Second Phase Community Based Awareness Sessions - Trauma Informed Prevention & Self-Care Program 4 |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Other audiences |
| Results and Impact | WOW-TIPS Peer Educators led a workshop with 35 grandmothers at a local community center in Lines Area, where they shared personal stories of their journeys over time. The session included self-care practices such as relaxation massage therapy and meditation, using glittering hearts to symbolize positive memories, values, and traditions. Focus group discussions (FGD) were conducted with selected participants to gather insights. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://rights4time.com/project/youth-time-against-trauma-ytat/ |
| Description | WOW TIPS Second Phase Community Based Awareness Sessions - Trauma Informed Prevention & Self-Care Program 2 |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Other audiences |
| Results and Impact | WOW-TIPS Peer Educators led a workshop with 20 single mothers at Hunar Ghar, a partner organization, focused on transitioning from trauma survival to stories of resilience. The session included the CROWN activity, designed to help participants reflect on their inner strength, accomplishments, and positive memories, fostering self-care and personal empowerment. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://rights4time.com/project/youth-time-against-trauma-ytat/ |
| Description | WoW- Families Consultant Initial Meeting |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Study participants or study members |
| Results and Impact | The workshop hosted 14 peer educators and 10 families (including grandparents, parents, and youth). Its aim is to tap into the unique stories of these families, enhancing it with training, to create 12 awareness programs aimed at building resilience in the face of trauma and adversity. One activity, an expressive art project, focuses on inter-generational family life. Families, spanning three generations, are asked to discuss their strengths and challenges over time. In this exercise, each family draws a tree with three parts: Roots symbolize the challenges and strengths of the grandparents/elders. Trunk represents the parents/adult generations. Branches and Leaves symbolize the children and grandchildren. This collaborative approach allows families to reflect on their experiences and generational dynamics." |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://rights4time.com/project/youth-time-against-trauma-ytat/ |
| Description | WoW- Families Consultant Second Meeting |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Public/other audiences |
| Results and Impact | The workshop hosted 14 peer educators and 10 families (including grandparents, parents, and youth). Its aim is to tap into the unique stories of these families, enhancing it with training, to create 12 awareness programs aimed at building resilience in the face of trauma and adversity. • Main event centered around participants (Consultant multi-generational families) sharing events and memories of family Stories • Two Peer Educators were assigned to work with each family providing support and necessary prompts to gather information focusing on family history of struggle and reflecting on support system & personal strengths that aided to transform and build resilience over time. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://rights4time.com/project/youth-time-against-trauma-ytat/ |
| Description | Youth Time Against Trauma (YTaT) Training Workshops |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Study participants or study members |
| Results and Impact | peer educators training workshops |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://www.linkedin.com/posts/sajida-hassan-a6a953274_mentalhealth-research-youthempowerment-activi... |
