German Jewish Literary Fiction since 1990: Re-imagining German Jewish Identities Transnationally and Globally
Lead Research Organisation:
University of Leeds
Department Name: Sch of Languages, Cultures and Societies
Abstract
From 1990 to 2005, around 200 000 people able to prove Jewish ancestry or accompanying a Jewish relative were permitted by the German authorities to immigrate to the Federal Republic from the successor states of the Soviet Union. This influx has dramatically transformed the existing Jewish community in Germany, largely consisting of elderly, mainly Eastern European Holocaust survivors, their children and grandchildren, and refugees from Soviet anti-Semitism who arrived from the 1970s onwards.
This project investigates literary fiction in German by self-identified Jewish writers of migrant and non-migrant backgrounds that has emerged in parallel with this demographic transformation. A small cohort of established writers has been joined by twenty plus younger colleagues, disproportionately women, who embody the diversity of the post-1990 community, mostly with roots in the former Soviet Union. Their work ranges from performance art, stand-up comedy, and pop literature to 'weighty', complex novels in the style of Thomas Mann or Dostoevsky, and many (but not all) younger writers incorporate intersectional gender or queer perspectives. Almost all share a concern with (German) Jewish identity, resurgent anti-Semitism, and ethno-nationalism, and focus on one or often more of the following themes: memory, migration, 'refugee crises', and the possibilities of cosmopolitan engagement.
I aim to write the first comprehensive account of this impressive corpus. The research that underpins this monograph will generate close readings of texts by around 25 authors. It will 1. explore the dynamic heterogeneity of histories, beliefs and practices, feminist and queer interventions, etc., that is shaping the self-understanding of the post-1990 community; 2. show how the texts construct (German) Jewish identity transnationally by invoking 'Jewish geographies', memories, and forms of mobility that criss-cross borders; and 3. explore how at least some German Jewish writers define a 'Jewish aesthetic' that intervenes globally in debates on migration, diaspora, and cosmopolitan solidarity. Intersectional Jewish, gender, queer and other 'minority' identities will be a cross-cutting theme.
In addition, the project will have a comparative dimension. I will work with a postdoc with relevant expertise to explore whether and how post-Soviet Jewish authors in Germany and the USA contribute to a global Jewish literature and/or work simultaneously across different diasporic and national literatures. Leading an international network to define a sub-field focussed on such writers will be the first component of the project's development and engagement activities.
The research will interest German Studies, Jewish Studies, and Russian Studies. It will also be of use to researchers in Diaspora Studies as well as sociologists, political scientists, philosophers, and other scholars interested in new forms of diasporic culture (e.g. online), solidarities between 'minorities', and re-articulations of cosmopolitanism.
In the most general terms, the project examines how literary texts are re-imagining global solidarities sustained through intercultural exchange, travel, and digital technologies. Similarly, the Humanities research that such texts inspire typically assigns a positive value to cosmopolitan action and international collaboration. However, how this research is conducted is unsustainable, given the climate crisis and the pandemic. The second component of the project's development and engagement activities, then, is to create a forum to consolidate current discussions on remote international collaboration and to help to develop consensus for how this can be done equitably.
The research will be disseminated via a book, an article, 3 papers, a website, and social media. Opportunities for non-academic impact are being developed subject to the pandemic, e.g. with the Goethe Institute and refugee charities on 'narrating migration and displacement'.
This project investigates literary fiction in German by self-identified Jewish writers of migrant and non-migrant backgrounds that has emerged in parallel with this demographic transformation. A small cohort of established writers has been joined by twenty plus younger colleagues, disproportionately women, who embody the diversity of the post-1990 community, mostly with roots in the former Soviet Union. Their work ranges from performance art, stand-up comedy, and pop literature to 'weighty', complex novels in the style of Thomas Mann or Dostoevsky, and many (but not all) younger writers incorporate intersectional gender or queer perspectives. Almost all share a concern with (German) Jewish identity, resurgent anti-Semitism, and ethno-nationalism, and focus on one or often more of the following themes: memory, migration, 'refugee crises', and the possibilities of cosmopolitan engagement.
I aim to write the first comprehensive account of this impressive corpus. The research that underpins this monograph will generate close readings of texts by around 25 authors. It will 1. explore the dynamic heterogeneity of histories, beliefs and practices, feminist and queer interventions, etc., that is shaping the self-understanding of the post-1990 community; 2. show how the texts construct (German) Jewish identity transnationally by invoking 'Jewish geographies', memories, and forms of mobility that criss-cross borders; and 3. explore how at least some German Jewish writers define a 'Jewish aesthetic' that intervenes globally in debates on migration, diaspora, and cosmopolitan solidarity. Intersectional Jewish, gender, queer and other 'minority' identities will be a cross-cutting theme.
In addition, the project will have a comparative dimension. I will work with a postdoc with relevant expertise to explore whether and how post-Soviet Jewish authors in Germany and the USA contribute to a global Jewish literature and/or work simultaneously across different diasporic and national literatures. Leading an international network to define a sub-field focussed on such writers will be the first component of the project's development and engagement activities.
The research will interest German Studies, Jewish Studies, and Russian Studies. It will also be of use to researchers in Diaspora Studies as well as sociologists, political scientists, philosophers, and other scholars interested in new forms of diasporic culture (e.g. online), solidarities between 'minorities', and re-articulations of cosmopolitanism.
In the most general terms, the project examines how literary texts are re-imagining global solidarities sustained through intercultural exchange, travel, and digital technologies. Similarly, the Humanities research that such texts inspire typically assigns a positive value to cosmopolitan action and international collaboration. However, how this research is conducted is unsustainable, given the climate crisis and the pandemic. The second component of the project's development and engagement activities, then, is to create a forum to consolidate current discussions on remote international collaboration and to help to develop consensus for how this can be done equitably.
The research will be disseminated via a book, an article, 3 papers, a website, and social media. Opportunities for non-academic impact are being developed subject to the pandemic, e.g. with the Goethe Institute and refugee charities on 'narrating migration and displacement'.
Organisations
People |
ORCID iD |
| Stuart Taberner (Principal Investigator / Fellow) |
Publications
Taberner S
(2022)
Worldliness, Jewish Purpose, and the Non-Jewish Jewish Narrator in Olga Grjasnowa's Der verlorene Sohn (2020)
in Seminar: A Journal of Germanic Studies
Taberner Stuart
(2025)
The New German Jewish Literature: Holocaust Memory, Solidarity, and Worldliness
| Description | This project investigated contemporary German-language literature by authors with a Jewish background. The findings included: 1. Family history is central, including the fates of parents and grandparents relating to the Holocaust but also in postwar Germany, in the Soviet Union before and after the Great Patriotic War, and following migration to Germany. 2. Transgression propels many recent German Jewish texts, whether rewriting Orthodox Judaism to redefine "who is a Jew," rethinking the significance of the Holocaust to modern-day Jewish identity, or suggesting that reconciliation or even integration into the land of the perpetrators might now be possible. 3. The New German Jewish Literature-and German Jewish identity-is self-evidently strongly inflected by Russian, Soviet, and Russian/Soviet Jewish intertexts. 4. Recent German Jewish writing is characterised by its intense concern with gender and sexuality and the elaboration in at least some texts of a form of worldliness that proclaims solidarity with migrants, asylum seekers, refugees, Muslims, Palestinians, and victims of historical and present-day injustice everywhere. 5. Re-articulating German Jewish identity-and Jewish identity more generally-often means elaborating a new kind of diasporic worldliness, or perhaps more accurately reviving an understanding of what it means to be a Jew in the world that had largely faded after 1945, as the community of survivors attempted to confront what had just happened in Germany. 6. In contemporary German Jewish writing-and Jewish communities in Germany-the salience of the Holocaust may be receding, Jewish ritual is becoming less central, and "normality" is emphasized more. This is raising questions about what the defining characteristic of German Jewish writing can be, or whether it is even really still Jewish at all? One response is an increasing emphasis on 'Jewish values', including solidarity with other marginalised groups. |
| Exploitation Route | The book that is to be published in late 2024 will redefine the field of contemporary German Jewish writing, and also be of use to sociologists, ethnographers, historians, and other scholars interested in the Jewish community in Germany. |
| Sectors | Education Culture Heritage Museums and Collections |
| Description | Rethinking Holocaust Literature: Contexts, Canons, Circulations |
| Amount | £841,150 (GBP) |
| Funding ID | AH/W010534/1 |
| Organisation | Arts & Humanities Research Council (AHRC) |
| Sector | Public |
| Country | United Kingdom |
| Start | 06/2023 |
| End | 06/2026 |
| Description | Fate Unknown: The Search for the Missing after the Holocaust |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Other audiences |
| Results and Impact | I chaired a discussion with speakers Professor Dan Stone and Dr Christine Schmidt (Wiener Library) on their travelling exhibition 'Fate Unknown: The Search for the Missing after the Holocaust' at Leeds Public Library |
| Year(s) Of Engagement Activity | 2023 |
| Description | RBBC Radio 3 Freethinkers Holocaust Memorial Day 2023 |
| Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | One of 4 panelists on BBC Radio 3 Freethinkers on programme for Holocaust Memorial Day, 2023. Spoke on German Jewish writing and on Holocaust Literature more generally. |
| Year(s) Of Engagement Activity | 2023 |
| Description | Radio 3 Freethinkers Invited Guest in Holocaust Memorial Day Edition 2023 |
| Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Public/other audiences |
| Results and Impact | Radio Three Freethinkers Programme on Holocaust Memorial Day 2023. I was one of four panelists invited to speak about the significance of Holocaust memory today. My contribution focussed on Holocaust Literature. |
| Year(s) Of Engagement Activity | 2023 |