The Documentary Film Council: Building a new infrastructure for UK nonfiction film

Lead Research Organisation: University of the West of England
Department Name: Fac of Arts Creative Ind and Education

Abstract

This application is to support impact and engagement activities resulting from Dr Steve Presence's AHRC ECR grant, 'UK Feature Docs: Studying the Feature Documentary Film Industry' (2018-2020, from here 'UKFD'). The application proposes the creation of a new national organisation for UK documentary - the Documentary Film Council (DFC) - that has been co-conceived by the research team in collaboration with the leading organisations in the industry.

The DFC will consist of a range of working groups that address the different needs and represent the different sub-sectors in the documentary industry. The specific aim of this project is to target Follow-on Funding at key elements of this proposed organisational infrastructure: the core work required to establish the DFC, and the specific activities of its Diversity, Equity and Inclusion (DEI) and Mental Health working groups. This strategic use of funds will directly support the foundations of the DFC and address two of the most pressing industry-wide issues - diversity and mental health - while also animating the DFC's broader organisational infrastructure and stimulating activity across all the DFC's proposed working groups.

The UKFD project was primarily a work of cultural history that explored the evolution of documentary as a cinematic form over the past two decades. However, the project also included a more future-facing research strand that aimed to investigate the challenges faced by those working in the sector today. This strand of the project expanded well beyond its original scope following high levels of stakeholder engagement and the formation of close relationships with leading industry bodies. As the research developed, it emerged that policymakers in the film and television industries alike had, for various reasons, largely overlooked the unique needs of the nonfiction sector. As a result, UK documentary was suffering from a range of problems that stemmed from a long-standing lack of tailored support. This work thus exposed an urgent and unforeseen need for widespread policy intervention across the documentary industry.

Responding to this need, the UKFD research team scaled-up their originally modest plans to explore challenges in the sector. In partnership with Doc Society - the lead body for documentary in England - and with additional 0.4 RA support, funded by UWE in recognition of this expanded remit, in April 2019 the UKFD team launched what became the largest survey ever conducted of UK documentary producers and directors. The results were published by the UKFD team in June, which in turn became the basis for an extensive sector-wide consultation in summer and autumn 2020, the results of which were published in a second major UKFD report in January 2021.

This Follow-On Funding bid is the product of this unanticipated and unforeseeable research trajectory. The proposed project builds on the original UKFD research and takes it in a significant, innovative and exciting new direction. The proposed structure and reach of the DFC is without precedent in the UK screen sector. It will generate a range of creative, innovative and evidence-based interventions across the documentary industry, and will attract national and international attention, engaging a genuinely diverse range of new audiences and user communities. As evidenced by the UKFD project research, many of the issues and challenges facing the documentary industry can only be addressed via sustained and collective commitment to the problems at hand. A secure and sustainable cross-sector infrastructure is a precondition to building and maintaining such commitment. With support from the AHRC at this crucial stage, this project will provide that infrastructure to the UK documentary sector, delivering significant cultural, economic and social benefits to the sector and its audiences and ensuring the impact of AHRC-funded research is felt across the UK screen sector and beyond for years to come.

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