📣 Help Shape the Future of UKRI's Gateway to Research (GtR)

We're improving UKRI's Gateway to Research and are seeking your input! If you would be interested in being interviewed about the improvements we're making and to have your say about how we can make GtR more user-friendly, impactful, and effective for the Research and Innovation community, please email gateway@ukri.org.

Ogham Palaeography+ (OPal+)

Lead Research Organisation: University of Glasgow
Department Name: School of Humanities

Abstract

Ogham Palaeography+ (OPal+) aims at enhancing the awareness of the unique medieval Gaelic ogham script and disseminating the results of the UK-Ireland collaborative project OG(H)AM (https://ogham.glasgow.ac.uk/) by broadening its social and cultural reach and impact. Ogham is a unique and highly abstract writing system invented in early medieval Ireland to write the local Irish/Gaelic language on three-dimensional, less commonly on two-dimensional objects. Like a barcode, the script consists of strokes and notches along or across a stemline. Until now, the development of this script across time and space (i.e. its palaeography) has not been studied. OPal+ will pursue its aims in four separate strands of the project, each in collaboration with international social or academic institutions, research projects or artists.
In Strand 1, the team will update the software Archetype in collaboration with other international projects that research the history of writing and epigraphy. Archetype is a uniquely suitable platform to study and compare the variation of writing styles across time and space. Using the Archetype software, we will create the interactive platform OPal ('Ogham Palaeography') for further research by scholars and generally as a source for information about ogham. The team will start to fill the OPal with representative examples of ogham letters, from three-dimensional and from two-dimensional sources.
The tension between the second and third dimension is also one that will be examined in Strand 2. In a partnership with a creative artist, the scribal artist Thomas Keyes, and the Royal Irish Academy, the question will be asked how the materiality of manuscript writing influenced the ogham script when it 'stepped down' from the stones and was adopted for book writing. Keyes, who works in the interface of the medieval manuscript and the modern urban graffiti tradition, will produce an artwork that responds to the contents of some of the most famous manuscripts with ogham in the Royal Irish Academy.
In Strand 3, the OPal+ team will collaborate with the Devon-based social enterprise Aquafolium, who specialise in supporting people's well-being by connecting them with nature in a woodland environment. With their expertise in working with wood, Aquafolium will be able to shed light on the practice of writing ogham on wooden sticks. Although mentioned in medieval tales, this practice has not been researched before. The material result of this collaboration will be sets of wooden ogham sticks that can be used for educational purposes in museums and schools. Furthermore, Aquafolium will provide training to the OPal+ team to enhance its current outreach offering and diversify its social impact by focusing on outreach around wellbeing and on engaging disadvantaged and harder-to-reach groups.
In Strand 4, OPal+ will team up with the award-winning author and illustrator of children's books Chris Judge in order to develop first the concept for a children's book about ogham, and then to produce it with illustrations aimed at the age group of 5-9. In this way we hope to raise the awareness of and increase the knowledge about ogham among readers of a younger age group. In this way the project will literally have a cultural and social impact in generations to come.

Publications

10 25 50
 
Title 'Anrocomraircnicsiumairne' ['all the mistakes which we have committed'] by Thomas Keyes 
Description On the 5th of November 2024, the OG(H)AM team hosted a launch event in the Royal Irish Academy to celebrate the completion of the spectacular new artwork 'Anrocomraircnicsiumairne' by the talented scribal and graffiti artist and parchment-maker Thomas Keyes. This piece is the culmination of one strand of the project Ogham Palaeography+The artwork is a contemporary illuminated version of the Old Irish Scholars' Primer (Auraicept na nÉces), contained in the Book of Ballymote (Royal Irish Academy MS 23 P 12), which is a prime witness for the ogham tradition. It takes its title from the word anrocomraircnicsiumairne, meaning 'all the mistakes which we have committed', which is quoted in the Primer as an example for the longest word in Irish. The Scholars' Primer provides an origin story for the Irish language that is embedded in biblical universal history. It serves as a warning of man's relationship with technology and the power of the written word. In the artwork, the Tower of Babel is being rebuilt as the name Neamruad (i.e. Nimrod) in 3D graffiti ogham in a dystopian Dublin with three flaming towers. Anthropmorphized letters scroll on their smartphones. The artwork is made on vellum (calf skin), produced to the same specifications as that used for the Book of Ballymote. 
Type Of Art Artwork 
Year Produced 2024 
Impact Gifted to the Royal Irish Academy for public display, enhancing their role as guardians of heritage, and educators. Artist gained insight into the production of the Book of Ballymote itself which has repercussions for understanding other manuscripts, e.g. the Book of Kells. Launch event consisted of well-attended public talks by OPal team members and the artist. Event was positively covered in The Irish Times by their columnist Frank McNally: https://www.irishtimes.com/opinion/an-irish-diary/2024/11/06/ogham-thoughts-frank-mcnally-on-a-new-artwork-an-old-alphabet-and-the-longest-word-in-irish/ 
URL https://ogham.glasgow.ac.uk/index.php/2024/12/01/anrocomraircnicsiumairne-a-new-artwork-by-thomas-ke...
 
Description Enhanced understanding of how the vellum of the Book of Ballymote was produced with implications for understanding the significance of it and other manuscripts, including the Book of Kells.

Enhanced understanding of the playful qualities inherent in the ogham script and how these can be exploited for effect in modern use of the script.
Exploitation Route Encouraged to take up the use of the ogham script in non-traditional ways.
Sectors Creative Economy

Digital/Communication/Information Technologies (including Software)

Education

Leisure Activities

including Sports

Recreation and Tourism

Culture

Heritage

Museums and Collections

 
Description It is early days yet (award still active) but we have provided advice to the Irish Postal Service on a set of stamps that are in production (issue date autumn 2025); and to RTE on a programme (The Traitors) due for airing in autumn 2025.
First Year Of Impact 2025
Sector Creative Economy,Digital/Communication/Information Technologies (including Software),Culture, Heritage, Museums and Collections
Impact Types Cultural

Policy & public services

 
Description OPal artistic collaboration 
Organisation Royal Irish Academy (RIA)
Department RIA Library
Country Ireland 
Sector Academic/University 
PI Contribution Hosted artist Thomas Keyes, accompanied him on RIA visit. Hosted a hands-on workshop for Maynooth students exploring codicology of medieval manuscripts. Gave a talk at the RIA launch event.
Collaborator Contribution Hosted a study visit by artist Thomas Keyes and OPal team members to examine manuscripts. Hosted a public event to launch/receive the artwork followed by a public reception.
Impact 'Anrocomraircnicsiumairne', a new artwork by Thomas Keyes, gifted to RIA for public display.
Start Year 2023