Woodbury and Lippmann: A new approach to continuous tone and full colour non-impact printing

Lead Research Organisation: University of the West of England
Department Name: Fac of Arts Creative Ind and Education

Abstract

Our society has an unsatisfiable hunger for images. The UK printing industry is the 5th biggest in the world with a turnover of £13.5 billion employing c.122 000 people. The internet is now the main platform for advertising, with 39% of advertising expenditure, print comes second with 32% and is fast growing. A historic development, the CMYK halftone process and the ruled glass screen patented by Frederick Ives, has led to the reproduction of almost all present day images as pixelated CMYK prints. Historic processes, such as those invented by Woodbury and Lippmann produce prints far superior to anything which is commercially available at the present time. Those processes have been largely forgotten as they were not commercially competitive. The applicant, with her expertise in colloidal chemistry, optics and 3D printing, aims to lift those technologies from obscurity to the forefront of modern developments. The new incarnations of old printing technologies will allow production of high quality prints for advertising, packaging, fashion and, at the same time, include impossible to replicate security features.

By transferring the principals of historic, high quality, continuous tone printing processes to non-impact printing, the processes will be freed from dimensional restrictions and restrictions of shape and material of the substrate. Woodburytype was the first, and still is the only photomechanical process that can reproduce truly continuous tone. A topographic print of pigmented gelatin layers, the image is generated by the absorption of light in those layers. The applicant aims to generate the layers by an additive process, for example ink jet printing, instead of an imprint from a plate. With especially formulated inks and modified printers which allow multipath printing, the continuous tone print can then be generated on a multitude of substrates and shapes. Combining this new process with Lippmann photography will lead to a full colour, non-pixelated printing process with in-built security features. Lippmann photography does not contain any dyes or pigments, but still reproduce the biggest colour gamut possible on the basis of interference colours like the ones observed on the surface of soap bubbles. Light is selectively reflected by resonance cavities which makes the print change colour under different viewing angles. This characteristic cannot be copied by simple means and can therefore be exploited as a security feature. In classic Lippmann photography, the reflective layers of the cavities consist of very fine metallic silver grains separated by layers of gelatin. The layers are generated by a direct photographic process making Lippmann photography a one-off method. In collaboration with industrial partners, the applicant aims to formulate two inks, one transparent and the other reflective and aims to print a hybrid Lippmann/ Woodburytype by non-impact methods. The hybrid type will have no dimensional restrictions and can be customized. On an ID card or driving license, a Lippmann/Woodburytype could be included as an owner specific security feature. Creating the cavities by direct print will be a challenge, but materials exist which can be printed and organize themselves in periodic structures: chiral liquid crystals for example. Liquid crystals interact with light and are the active layer in most displays today. In chiral liquid crystals the molecules are organized in helical structures. When the spacing of the helix fulfils a specific condition, colour is generated. The final print will consist of a variety of liquid crystal and containment layers which will have additional functionality. An electric or magnetic field can switch the liquid crystal, i.e. the print is rewritable which can be exploited as a security feature. By hosting the fellowship at the Centre for Fine Print research, an ideal combination of printing and material expertise is achieved guaranteeing the success of the project.

Planned Impact

This fellowship seeks to contribute a radical alternative, and cross-disciplinary approach, to the physical output of pixel based photograph and/or image creation that has potential to impact several industries and to grow and strengthen the research and capability at UWEs Centre for Fine Print Research.

Manufacturers of functional chemicals
Providing new, cutting edge research to the UK print industry will turn it into the vanguard of technology. The fellowship will impact industry at different points. From the start a close collaboration with Siltech (material suppliers) is planned. Suppliers are always searching for new application of their products and are ready to modify existing products to be first in a new market. Coming from an industrial background, the applicant has a track record of working with industrial material suppliers for the development of new speciality materials in a rapid feedback cycle. Collaborating in the proposed research will enable Siltech to be world leading in novel materials. Engaging with the printing industry early on, will not only allow them to overcome conservative attitudes, but will give them the chance to explore this new printing technology for their applications and beyond. The fellow aims to build prototypes of printers able to print non-pixelated
topographic prints, but will rely on industrial partners or a spin-off company to take the prototypes to reliable products which will print in a quality not seen in a 100 years. The addition of functional materials will soften the difference between print and display. The fellowship is not aiming to create a bistable display but a print which could be a low energy alternative to electronic billboards for example and regain the printing industry territory lost. This will have an impact on the engineering industry since new writing devices have to be built, from handheld to large format.

Packaging and security printing industries
Lippmann photography is one reproduction technology that will be explored, that uses the same principals as holography. The image is generated by selective reflection of light and looks therefore different depending on the viewing angle. This characteristic is exploited in holograms used as security features on credit cards or packaging, because they cannot be copied. At present those holograms are the same for a run of credit cards or product packaging. The ability to print interference structures directly will allow the manufacturer to customize these security features, or even individualize for each customer. Fake pharmaceuticals are a major problems all over the world. Pharmaceutical packaging could have Lippmann prints which contain information such as; country of production, town and country of destination, production date, sell by date, etc. visible for the user, and in connection with the appropriate data infrastructure. This would be impossibly hard to fake. The suggested introduction of liquid crystals to the printing process turns the print rewritable, and can also make it temperature sensitive. Rewritable prints can be used as security features too, for example every time a product passes a transportation hub a mark is added or changed. The ability to rewrite image information on smart cards could be an important tool for industries ranging from the financial to the medical sectors. More ambitious are rewritable images on fashion items. Depending on the mood of the wearer colour or image content could be changed. At the same time, exploiting the temperature sensitivity of the liquid crystal, a print on a t-shirt could change colour when the wearer was exposed to a certain amount of sunshine and remind the wearer to seek shade.

Women are well represented in the arts but still less so in in the sciences. By demonstrating that art and science can work together, this fellowship aims to attract more women into engineering, physics and material sciences.

Publications

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Klein S (2021) Now You See It, Now You Don't: Illusive Color in The Californian Printmaker: The Journal Of The Californian Society Of Printmakers

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Klein S (2022) Maxwell's disappointment and Sutton's accident in Journal of Physics A: Mathematical and Theoretical

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Klein S (2021) One and many: Wet-Collodion and Woodburytype in NIP & Digital Fabrication Conference

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Klein, S (2019) How to print a rainbow

 
Title Exhibition: The Canadians: a collective effort to fulfil a naïve promise 
Description The project came about to fulfil a naively given promise. In May 2019 Susanne and her friend Marianne visited Canada to attend Marianne's great niece's wedding. They stayed with Marianne's family. As a thank you for their hospitality, Susanne took pictures with her analogue camera and promised the different family members photo books. Only when back home, she realized that she had promised 360 prints from 33 plates, a mammoth task. Fortunately, Frank Menger and Josie Argyle agreed to help. After accessing the work flow and time per print Josie and Susanne decided that photo lithography was the way to go. The outcome was an exhibition in reel case gallery in Bristol. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2019 
Impact The exhibition created interest in the method how the photo lithographs were generated, since it was not a standard process. 
URL https://drive.google.com/drive/my-drive
 
Title Open Studios Stroud 2021 
Description Woodburytype and structural colour prints 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2021 
Impact Outreach activity 
URL https://www.sitefestival.org.uk/open-studios-2021
 
Title Transmedial: Expanding Technologies in Contemporary Printmaking 
Description Modern Woodburytype, using a new printing method and inks which generate structural colour 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2021 
Impact - invitation to go to Australia and teach at several art colleges (has not yet happened because of COVID) 
URL https://www.google.co.uk/books/edition/Transmedial/e4VSzQEACAAJ?hl=en
 
Title Under Pressure: An exhibition of printmaking by staff at the University of the West of England 
Description I have curated the exhibition 'Under Pressure'. All team members have contributed with prints and demonstrated our research to an general audience, 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2020 
Impact The catalogue of the exhibition is used to demonstrate our capabilities to interested parties. A report about the exhibition was published in the Newsletter of the IoP's Print and Graphic Science group. 
 
Title Woodburytype prints for the Foyer or Rousselot 
Description A series of Woodburytype prints has been created to be showcased in the Foyer of the headquarters of Rousselot as examples how gelatine can be used for artistic work 
Type Of Art Artwork 
Year Produced 2019 
Impact The prints will be seen by all visitors to the Rousselot headquarter. The prints have led to technical discussion with the Rousselot research team about different gelatine types for Woodburytype 
 
Description - We have developed a method which allows to generate a Woodburytype printing plate without the use of CNC milling. The process follows closely the original Woodbury process but uses modern materials. Instead of light sensitive dichromated gelatin we use a photopolymer plate. Instead of embossing the relief of hardened gelatin in lead we cast the relief of the photopolymer plate in silicon. The processing time for the new approach lies in the range of hours whereas CNC milling takes days. The cost is greatly reduced: instead of several hundred pounds for a CNC milled plate, a silicon plate is about £10.
- To investigated the colour succession and colour corrections for full colour Woodburytype.
- We have successfully printed full colour Woodburytypes, either with corrected CNC milled plates or uncorrected photopolymer plates.
- To investigate how interference colours, i.e. colours which are generated by selective reflection (for example the colours of butterfly wings) and not by absorption, can be printed, we explored different printing methods for Merck Spectraval pigments. Spectraval pigments are mica plates which when aligned properly generate interference colours. The particles are too big to be ink jetted, but can be printed as screen print or photogravure.
- We have also used Maxwell's original colour photography to record 'colour without colour' and explored how the images can be printed without halftoning, that is without breaking the image up into dots.
- We have developed inks using Spectraval pigments and linseed oil for lithography, a method widely used in commercial printing.
- Lithographs display a narrow viewing angle, i.e. the image disappears completely when the print is tilted, which is not only optically interesting but could find applications in security printing.
- We have developed colour Woodburytype inks based on Spectraval pigments and gelatine.
- We have demonstrated that a continuous tone relief can be generated by screen printing but has no advantages over Woodburytype.
- We have understood the instabilities of Lippmann
- We have mapped out possibilities how structural colour can be printed with different printing methods.
Exploitation Route Next steps:
- to introduce semi reflective mirrors and generate colour by selective reflection into the Woodburytype relief via the Lippmann process.
- to investigate the correlation between contrast, resolution and colour in Woodburytype, lithography, photogravure and screen print.
- to investigate how big gelatin based Woodburytype can be printed
- to explore how additional information can be incorporated into 2.5D prints.
- Together with Merck and HP Inc. we will explore possible inks for non-contact printing of structural colour.
- to use our understanding of historic printing processes and colour separation to reconstruct colour photographs
Sectors Creative Economy,Education,Manufacturing, including Industrial Biotechology,Culture, Heritage, Museums and Collections

URL https://uwe.worktribe.com/record.jx?recordid=8058377
 
Description The research into Woodburytype and revisiting Maxwell's original colour photography have generated interest in museums which are holding photographic collections and/or are interested in historic photographic processes like the science museum and the V&A. They would like to collaborate on understanding their collections and on public outreach events. The Royal Photographic Society and the Martin Parr foundation are interested in exploring and utilizing new photomechanical printing processes based on historic processes to achieve new artistic effects. The structural colour work has generated interest from industry (Merck and HP inc) in the development of non-contact printing methods for structural colour. The National Portrait Gallery approached us to print for them images originally printed with the now lost VIVEX process and to generate the same colours as intended by the artists using the VIVEX process 100 years ago. Unfortunately, they have changed their plans because of financial restrictions. We are working with a member of the National Gallery of Canada on early photographic methods and their photomechanical reproduction to understand the origins of colour photography and greyscale in photomechanical printing. It has lead to two publications and several talks outside academia. We are developing packaging for a company in Germany to test our methods in a industrial setting. We especially pay attention to sustainability, speed and cost. We will present the prototype in May 2023. Artists in residency have collaborated with our group and used our methods to produce new art work.
First Year Of Impact 2021
Sector Creative Economy,Manufacturing, including Industrial Biotechology,Culture, Heritage, Museums and Collections,Retail
Impact Types Cultural,Economic

 
Description Clariant 
Organisation Clariant
Department Clariant (Germany)
Country Switzerland 
Sector Private 
PI Contribution Development of Woodburytype inks
Collaborator Contribution Provision of pigment samples and technical advice
Impact Set of experimental Wooburytype inks
Start Year 2018
 
Description Collaboration on the recreation of the appearance of the stuccos of Acanceh and Chichen Itza 
Organisation National Autonomous University of Mexico
Country Mexico 
Sector Academic/University 
PI Contribution We are embarking on a project to reconstruct the appearance of stuccos in Acanceh and Chitchen Itza by using historical documents in Mexico and Bristol and by scanning the present day remains. Our team is providing expertise in print technology and scanning methods.
Collaborator Contribution The team at the National Autonomous University of Mexico is providing access to archives, to the sites and contribute with their historical understanding of the artefacts.
Impact We have published preliminary results at the Print4Fabrication conference - Scanning - Print -Colloidal Chemistry - Colour Science - Archaeology
Start Year 2020
 
Description Conference series with the Royal Photographic society about photographic and photomechanical reproduction 
Organisation The Royal Photographic Society
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution The RPS and the CFPR have started with a series of conferences about photographic and photomechanical reproduction processes. The conferences will take place yearly and the conference proceedings will be the reference work for photographic and photomechanical processes from the 19th century and their 21st century embodiments. Our team is responsible for the content of the conferences, the call for papers, the keynote speakers, the peer review and the themes.
Collaborator Contribution The RPS is providing the conference platform/venue and is responsible for the publication of the conference proceedings.
Impact The main output are the conference proceedings. Disciplines involved: -Photography -Print making - Chemistry -Optics
Start Year 2020
 
Description Cranfield Colours 
Organisation Cranfield Colours Limited
Country United Kingdom 
Sector Private 
PI Contribution Development of inks based on selective reflection
Collaborator Contribution Providing specialist oils and milling capabilities
Impact Reflection inks which could lead to an alternative approach to Lippmann photography
Start Year 2019
 
Description John Purcell Paper 
Organisation John Purcell Paper
Country United Kingdom 
Sector Private 
PI Contribution Tested a wide variety of papers as Woodburytype substrates
Collaborator Contribution Provision of paper samples and technical advice
Impact Found that traditional art papers are suitable as substrates for Woodburytype
Start Year 2018
 
Description Merck: Structural colour 
Organisation Merck
Country Germany 
Sector Private 
PI Contribution - development of inks and printing methods for lithography with structural colour
Collaborator Contribution Providing samples and technical advice.
Impact - development of inks and printing methods for lithography of structural colour.
Start Year 2020
 
Description Orion engineered carbons 
Organisation Orion Engineered Carbons LLC
Department Orion Engineered Carbons GmbH
Country Germany 
Sector Private 
PI Contribution We used different types of carbon black to make Woodburytype inks
Collaborator Contribution Providing of samples and technical advice
Impact a set of experimental Woodburytype inks has been developed
Start Year 2018
 
Description Rousselot 
Organisation Rousselot
Country Belgium 
Sector Private 
PI Contribution Using Rousselot gelatine to develop Woodburytype inks
Collaborator Contribution Providing gelatine samples and discussing outcomes
Impact A set of experimental Woodburytype inks has been developed
Start Year 2018
 
Description Siltech 
Organisation Siltech
Country Canada 
Sector Private 
PI Contribution Development of Woodburytype inks
Collaborator Contribution Provision of samples of dispersants and technical advice
Impact Set of working Woodburytype inks
Start Year 2018
 
Description Solsperse 
Organisation Chemox Pound Ltd, UK
Country United Kingdom 
Sector Private 
PI Contribution Preparation of water based mill bases for Woodburytype inks
Collaborator Contribution Samples and technical support
Impact Stable Woodburytype inks
Start Year 2018
 
Description St Cuthberts Mill 
Organisation St Cuthberts Mill
Country United Kingdom 
Sector Private 
PI Contribution Testing of art paper as substrate for Woodburytype print
Collaborator Contribution Provision of samples and technical advice
Impact A range of art papers are suitable as substrates for Woodburytype
Start Year 2018
 
Title Woodburytype inks 
Description Gelatine based full colour inks for Woodburytype relief printing 
Type Of Technology New Material/Compound 
Year Produced 2018 
Impact These inks are tightly controlled in formulation and lead to the same image quality in every print. The inks are stable in the colloidal sense and keep for months at room temperature without the addition of any preservatives. 
 
Description A public talk in the Icon Webinar series: Conservation: Together at home 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The talk was described to the general audience and practitioners in the field how Woodburytype can be printed at home with restricted resources due to COVID-19. Using photopolymer plates, the sun as an exposure unit and a little nipping press, it is possible for everyone to print Woodburytype at home. One outcome is an invited paper for the Journal of The California Society of Printmakers which will be published soon.
Year(s) Of Engagement Activity 2020
URL https://www.youtube.com/watch?v=b8mM32VOf7U
 
Description Article in Physics World: Bristol print innovators make a strong impression 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Physics World came to interview us. An article was published and a video was made.
Year(s) Of Engagement Activity 2022
URL https://physicsworld.com/a/bristol-print-innovators-make-a-strong-impression/
 
Description Interview for Physics World 
Form Of Engagement Activity A magazine, newsletter or online publication
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Interview about my career path. I got requests from people who are interested in working with me.
Year(s) Of Engagement Activity 2019
URL https://iopscience.iop.org/article/10.1088/2058-7058/32/5/34/pdf
 
Description Participation in 3 open days for Industry at the Centre for Fine Print Research 
Form Of Engagement Activity Participation in an open day or visit at my research institution
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Industry/Business
Results and Impact The outcome of the open days were letters of support for a bid submitted by the university to expand the Centre for Fine Print Research and a direct collaboration with Cranfield Colours.
Year(s) Of Engagement Activity 2018
 
Description Participation in the Colour day at UWE Bristol 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Postgraduate students
Results and Impact Physics of colour was presented to an audience from Art&Design, Film, Fashion and Photography. It sparked a lot of discussion about what colour is and how it is applied.
Year(s) Of Engagement Activity 2018
 
Description Presentation at Open Studio in Toronto, Canada 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact Visit to and presentation at Open Studio in Toronto, Canada. We presented our work and were invited to take part in future outreach activities organised by Open Studio.
Year(s) Of Engagement Activity 2022
URL https://openstudio.ca/
 
Description Presentation at the Image Permanence Institute at the Rochester Institute of Technology, USA 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact We presented our work and got access to their archives to assess Woodburytypes and Woodbury gravures in their collection.
Year(s) Of Engagement Activity 2022
URL https://www.imagepermanenceinstitute.org/news/index.html
 
Description Talk at the Science Museum London 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact After the talk, discussions started about further presentations and collaborations between the Centre for Fine Print Research, the Science Museum and the V&A
Year(s) Of Engagement Activity 2020
URL https://www.sciencemuseum.org.uk/see-and-do/research-seminar-series
 
Description Visit to Elter Studios in Chelsea, Canada 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact Workshop about wet collodion which was the recording method of Woodburytype. Measurements of the influence of UV on colour reproduction,
Year(s) Of Engagement Activity 2022
 
Description Visit to Factum Arte in Madrid, Spain 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact The visit was planned to establish a relationship between two of the three institutions in the world where Woodburytype is still practised. The outcome is that one of the employees of Factum Arte has applied to do a PhD with Dr Susanne Klein.
Year(s) Of Engagement Activity 2018
URL http://www.factum-arte.com
 
Description Visit to the National Museum of Canada, Ottawa, laboratories and collection 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact We presented our work and visited their laboratories and collection, We are in discussion about a future project and a grant application.
Year(s) Of Engagement Activity 2022
 
Description Visit to the Rijksmuseum Amsterdam, laboratories and archives 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact We presented our work and got access to their archives. We are planning to collaborate further on 19th century photomechanical printing methods.
Year(s) Of Engagement Activity 2022
 
Description Woodbury and Lippmann: A new approach to continuous tone and full colour non-impact printing, talk given at the Edinburgh Complex Fluid Partnership, The University of Edinburgh, School of Physics and Astronomy 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Professional Practitioners
Results and Impact About 15 people attended. After the talk several in depth discussions took place to find common interests and discuss possible collaboration.
Year(s) Of Engagement Activity 2018
URL https://www.edinburghcomplexfluids.com