The Arts and Dementia: how might the arts contribute to the creation of more inclusive ageing societies?

Lead Research Organisation: Royal Academy of Music
Department Name: Research

Abstract

Japan is described as a 'super-ageing society', with 27% of people aged 65 or over (data: World Bank.) An additional challenge is the incidence of dementia; the World Alzheimer Report 2016 stated that 4.6 million Japanese are living with dementia, rising to 7 million by 2025. This demography is already paralleled in other countries in SE Asia, with populations in the West predicted to move towards the Japanese situation within the next 30 years. With no effective treatment or significant breakthroughs in prevention or cure for the dementias, more attention must be given to the ways in which people can be cared for. We must consider how ingrained public attitudes, dominated by the perception of those with dementia as a burden and unable to participate as citizens can be challenged. As stated in Japan's Orange Plan (2015), we must 'realize a society where one's will shall be respected, and one can live in pleasant and familiar surroundings as long as possible.'

There is convincing evidence that demonstrates the importance of the arts for people with dementia and their effectiveness in enhancing wellbeing, health and cognitive function. Our interest is in how the co-creative arts can challenge the commonly held perception that people with dementia are non-creative and dependent. We are defining the co-creative arts as privileging process over product, valuing all contributions equally, and where there is no distinction between the producer and consumer. Co-creativity can promote agency and community and is also a powerful way of working for families and carers. We propose the establishment of an interdisciplinary network to conduct research into the ways in which co-creative work by artists, social scientists, care practitioners, and people living with dementias can help societies re-envision the place of those made vulnerable by their condition and experiences. We will draw on expertise developed in both the UK and Japan. UK research into arts practice for people with dementia is recognised to be relatively advanced. In Japan, the inclusion in society of those with dementia is recognised as an urgent issue with which academics, policy makers and the third sector are all engaging.

Our network will be distinguished by its inclusion of people with dementia, who at all stages will inform our activity. The Principle Investigator and Co-Investigator have extensive experience of working closely with people with dementias - a mode of working which colleagues in Japan are enthusiastic to learn from. The network will combine practical work with critical dialogue across disciplinary and cultural boundaries. It will be established through a series of exchanges, sharing practice and approaches first-hand. For instance, as part of their residency at Wellcome (www.createdoutofmind.org), the UK researchers developed a new way of gauging wellbeing and agency with people with dementia, using music and dance. This innovative work will be shaped and refined with our Japanese colleagues. The extent to which these measures and practices can be extrapolated into Japanese culture and society will be explored. UK scholars can learn from Japanese expertise in measuring the impact of arts-based interventions. We will also scope areas where collaborative research can be pursued. It is anticipated that new understandings of the ways in which the arts can help to re-envision more inclusive societies will emerge through these critical dialogues, producing outcomes that will inform and positively impact both policy and practice in dementia care. The findings of the network will be translated into outcomes that can be understood in both countries and have relevance beyond academia. Our findings will be disseminated in articles, online and in the media, paving the way for further collaborative research. Our proposal is an opportunity to influence practice and policy in the care of people living with dementia in ways which will have global significance.

Planned Impact

People living with dementias: the enhanced understanding of the lived experience of those affected by this condition will positively affect public perception and attitudes, and support the aspiration expressed in both the UK and Japan to create dementia-friendly societies. The use of co-creative approaches in the arts, in communities and in care has the potential to positively affect wellbeing and quality of life for people with dementias.

The Care Industry: our findings will enable those caring for people living with dementias to develop new understanding of the positive role that the co-creative arts can play in supporting agency and wellbeing, especially in the case of those living in residential care. The benefits will be relevant on an organisational level, as well as informing approaches towards day to day interactions between carers and people living with dementias (West, Zeilig 2016.)

Medical and health care professionals: our work will inform this area by offering these fields new thinking from the fields of gerontology, social science, medical humanities, philosophy and the Arts.

Policy makers and civil engineers: in both the UK and Japan there is a drive to encourage and develop dementia-friendly communities, e.g., London (Mayor of London, 2018), Manchester (Ward et al 2017), and cities and towns in Japan have declared their ambitions to become dementia friendly cities. Those responsible for planning the development of these initiatives will be able to take the findings of the proposed network, and the principles of a co-creative approach into account.

Students: at institutions in the UK and in Japan will benefit from receiving education and gaining practical experience of working co-creatively with people with dementias through training programmes which will form part of this programme, take part in workshops, and attend seminars.

Artists: A significant field of practice and research exists which considers the role of the 'artist as citizen', using the applied arts to empower vulnerable and excluded people by enabling their voices to be heard through artistic mediums (Boal 1979, Higgins 2012, Renshaw 2013.) Historically, artists working in this area have tended not to engage with those living with dementias. Artistic practice with people living with dementias is emergent in both the UK and Japan, but there is little awareness of the extensive research and theory that has been developed in this area. For historic and societal reasons that are systemic, the practice of artists working with people living with dementias tends to be characterised as 'Art as medicine', with a focus on the supposed instrumental benefits of the arts. A co-creative, approach focusses instead on the intrinsic value of the Arts, and the importance of the subjective experience. The proposed network will examine approaches to leadership, and especially a co-creative approach, where the artists' skills and knowledge are dispersed. The approach calls upon artists to develop their skill and capacity to improvise, something which is increasingly recognised as being of great value to society as a whole when used as a model for understanding creativity and imagination (Sennett 2018.)

The findings of the proposed network will be widely disseminated through web pages which will share information about our activities, discussions and reflections, as well as documenting co-creative sessions with people with dementias. Our findings will also be communicated through presentations at conferences and seminars, and articles in non-academic publications.

The proposed network therefore has the potential to create significant impact in the UK, Japan, and globally, positively influencing public knowledge and attitudes towards people living with dementias, and providing research-informed recommendations and strategies for public expenditure to promote the sustained inclusion of those affected by the condition.

Publications

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Title Where is the Artist? A short film exploring the role of the artist in co-creative arts projects in the UK and in Japan. 
Description This short film focusses on the practice of artists in the UK and Japan who work co-creatively with people living with dementia. Whilst there is an established body of research exploring the effects upon health and wellbeing of the Arts in general, the specific role of the artist and the skills, knowledge, awareness and approaches that they bring has not been examined in depth. This film foregrounds the voices of artists as they describe and discuss their work, drawing upon reflective journals and written correspondence. 
Type Of Art Film/Video/Animation 
Year Produced 2022 
Impact The film connects with a wide number and variety of people who would be unlikely to access the findings of this research through a publication in an academic journal. The film reaches individual artists working in the field, and those who may aspire to. It is used as training material for artists, and for those working in the care sector as a way of understanding the processes and approaches of artists. Finally, the film serves to further advocate for the Arts to be practiced co-creatively in the area of arts and health, presenting the benefits for people living with dementia and for artists themselves. 
URL http://www.unmapped.space
 
Description This project has established a transdisciplinary network of artists and academics in the UK and Japan who share an interest and expertise in working co-creatively using the Arts with people living with dementia. This network provides a mechanism for the exchange of ideas, research and practice and has been especially effective in giving equal weight and importance to the voices of artists. This has opened up significant new questions. These include:
- How do co-creative arts projects for people living with dementia differ from participatory arts project 'interventions'?
- What are the artistic methods, approaches and techniques that artists draw upon in their co-creative practice?
- What can we learn by focussing on the practice of the artists working in this field, rather than considering 'the arts' generically?
Exploitation Route The outcomes of this funding will be used by arts organisations who are engaging with people living with dementia with the intention of working with the arts to support quality of life and wellbeing. They will be able to utilise our research to identify the contexts and conditions that are needed for the work to be effective, and the mechanisms that can be used to achieve the outcomes that they are aiming to achieve.
Care setting who wish to work with artists will similarly be able to use our research to understand the skills, qualities, methods and approaches that constitute high quality practice in this field. It is currently challenging for care home managers and those tasked with providing meaningful engagement for people living with dementia to assess the quality of artistic work; our research provides a framework and guidance on this.
Similarly, the findings from our research will be used by those in education who are training artists for this field of work, and it also informs the development of artists who are already working professionally.
Sectors Communities and Social Services/Policy,Creative Economy,Education,Healthcare,Culture, Heritage, Museums and Collections

URL https://www.unmapped.space/
 
Description Our presentations, workshops and seminars in the UK and Japan have engaged with diverse participants including musicians, dancers, writers and visual artists. They have also brought together producers of health and wellbeing programmes from cultural organisations, those from the caring profession (such as care home staff), and people living with dementia. A key finding emerging from our collaborative work in both Japanese and UK contexts is that the concept of wellbeing should be queried and even reconsidered. Definitions of wellbeing, especially in relation to those living with dementia, are both scarce and also unsatisfactory. Indeed, the word 'wellbeing' does not have an equivalent in Japanese. A more nuanced examination of what we mean and are hoping to achieve when using the arts to improve 'wellbeing' is therefore essential. Although at early stages, this interest in reconceptualising wellbeing for those with dementia has led to changes in artistic practice amongst artists in this field. For instance, our workshops and seminars have given artists an enriched understanding concerning the potential benefits of adopting a co-creative approach. In addition, we have clarified and made explicit some of the mechanisms underlying co-creativity and how to implement these. The workshops and seminars have given artists the tools to adopt a co-creative approach, and an understanding of the potential benefits that those living with dementia might experience as a result. Moreover, those from the caring profession have been able to hear the perspectives of artists working in this field. One of our central aims for this research project is to start creating a shared language concerning the arts, wellbeing and dementia, and our work so far - with its insistent emphasis on a dialogical and inclusive approach is beginning to facilitate this. During the time of the Covid-19 pandemic, although it has been challenging to further the research for this project, the learning that has come from it so far has made a contribution to the field of arts and dementia. As the field has attempted to adapt and find ways to deliver artistic work with people living with dementia both in the community and in care settings, we have been able to offer advice and support to a number of arts organisations and a major arts and dementia research project, drawing upon the values of a co-creative approach. These approaches include reciprocity, equality, and taking a broad view of what constitutes participation, with a focus upon shared experience and creative process rather than on any kind of product. In adopting these approaches, the agency of those living with dementia is upheld, and can enhance wellbeing.
First Year Of Impact 2019
Sector Communities and Social Services/Policy,Education,Healthcare,Culture, Heritage, Museums and Collections,Other
Impact Types Cultural,Societal

 
Description Co-creativity and Dementia - a development and workshop day for artists 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Julian West led a well-attended day for artists, arts programme producers and carers who wished to extend their knowledge of dementia and explore the potential for working co-creatively using the arts. The day was transdisciplinary, bringing together and placing in dialogue perspectives from academia, the arts and above all people with lived experience of caring. The workshop was carefully structured and comprised:
- Current information about how living with dementia might affect people
- Consideration of how cultural influences affect our perceptions of and attitudes towards dementia
- How dominant ideas concerning creativity are limited, especially in relation to people living with dementia
- Co-creativity and how to use the arts to work equally with people living with dementia, drawing on the findings of the With All project.

The day also included presentations and insights from three visiting artists / academics from Japan, who are currently collaborating with Julian and Hannah on this ESRC funded project:
- Dr Herb Fondevilla, Aoyama Gakuin University, Tokyo
- Dr Nahoko Kusaka, Doshisha Women's College of Liberal Arts, Kyoto
- Prof Yoko Hayashi, Founding Director of Arts Alive

A great deal of debate and discussion was provoked and the day finished with a 'long table' discussion, including all attendees. Feedback from the event reported enhanced knowledge about dementia, and new ideas and approaches for inclusive creative work.
Year(s) Of Engagement Activity 2019
 
Description Online Training for musicians working with people living with dementia 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Professional Practitioners
Results and Impact 20 freelance musicians working with the national charity Live Music Now attended an online training session given by Julian West and Hannah Zeilig to support their practice with people living with dementia in care homes. Attendees reported a deeper understanding of dementia which included more developed thinking about the ways in which music might contribute to wellbeing and agency in particular.
Year(s) Of Engagement Activity 2022
 
Description Online training and development session for musicians working with people living with dementia for Britten Pears Arts 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Professional Practitioners
Results and Impact This was a one-day blended training day for freelance musicians working with Britten Pears Arts in Suffolk, with a focus on enhancing their knowledge of dementia and the ways in which music making can support wellbeing and agency. Following the event, attendees reported a greater depth of knowledge about dementia in general, and in particular their understanding of the concepts of wellbeing and agency.
Year(s) Of Engagement Activity 2022
URL https://brittenpearsarts.org/take-part/researchers-practitioners
 
Description Presentation at Last Chapter: A Late Life Festival (Norway) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The research team gave a presentation of research and findings at 'Last Chapter: A Late Life Festival', which took place in Bergen, Norway. The festival was also available digitally to an international audience.
Year(s) Of Engagement Activity 2021
URL https://kmd.uib.no/en/Calendar/events/last-chapter-a-late-life-festival
 
Description Presentation of three seminars at University of Tsukuba, Japan 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Postgraduate students
Results and Impact 25 people attended a series of three seminars that were given by Julian West and Hannah Zeilig at the University of Tsukuba. The seminars included: A first session on dementia awareness which was highly interactive (using a 'quiz' format), a second seminar that focused on the role of the arts for people with dementia and a final session that concentrated on the particular value of improvisation with people with dementia. Each seminar session carefully integrated UK and Japanese perspectives.
The audience included teaching staff, postgraduate and doctoral students from a wide range of disciplines - medics, robotics, anthropology - as well as artists who have an interest in the arts and dementia. The seminars stimulated much debate and questioning, as well as practical exploration of musical improvisation and discussion around how it might support relationships between carers and those living with dementia. Contact has been maintained with a number of attendees, and discussions are ongoing.
Year(s) Of Engagement Activity 2019
URL https://www.eventbrite.com/e/57748111155
 
Description Public talks 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact The principal investigator gave two pre-performance talks relating to a new production by Theatre of Sound of Bartok's opera, Bluebeard's Castle. The new production reimagined the narrative, with Bluebeard's wife, Judith, living with dementia. The findings of the research were shared with the audience, and there was informal discussion of the topics and ideas that were raised.
Year(s) Of Engagement Activity 2021
URL https://www.theatreofsound.org