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Learning to adapt to an uncertain future: linking genes, trees, people and processes for more resilient treescapes (newLEAF)

Lead Research Organisation: Robert Gordon University
Department Name: Gray's School of Art

Abstract

This proposal addresses Theme 3: Resilience of UK Treescapes to global change.

Treescapes - our woodlands, our forests, our urban trees - are critical to our environment, our health and well-being and our ability to transition to a zero carbon economy via plans to substantially increase tree numbers in the landscape. However, climate change and increasing risks from pests and disease threaten the UK treescape like never before. This future is uncertain but we do know that our treescapes must change to survive and thrive. Although we may see treescapes as permanent or fixed, in truth they have an amazing capacity to be dynamic and shift on timescales that are relevant to human lifespans. Indeed, it is often only human interventions that have prevented populations from changing and adapting. For example, where uncontrolled grazing is allowed, little or no regeneration occurs and there is no opportunity for new genetic diversity to enter the population and for the population to adapt. For treescapes to be resilient, change is essential, but this can take many forms - from low intervention, allowing regeneration but taking little other action, to highly managed situations like production forestry, where deliberate choices can be taken to deploy particular genotypes to track environmental shifts. To understand, live with and shape change within treescapes, we must first learn from how treescapes have changed in the past, then quantify how much potential they have to change in the future, and finally develop ways of building change into our treescapes and the ways we interact with them.

This proposal outlines newLEAF, a project to evaluate options for using the extensive natural genetic variation within tree species to keep pace with expected changes in climate and the biotic (pest & disease) environment. Firstly, we will learn from the past 100 years of treescape management in the UK, bringing together historical information on policy and practice with data on changing tree populations on the ground to understand the link between choices made at a policy level and the outcomes for treescape resilience. Then we will quantify the rate of adaptation that can be achieved by both natural and human selection in key tree species for the UK, focusing on traits linked to fitness in forecasted environments and susceptibility to pests and pathogens. We will compare the impacts that natural regeneration versus planting has on the development of biotic communities associated with trees, particularly fungi and insect vectors with the potential to mediate risk.

Drawing directly from the experimental work, we will design models incorporating data on trait variability and will evaluate how internal adaptability within tree species can be used, in varying compositions, configurations and under different management regimes, to generate diverse and dynamic treescapes with an in-built capability to track environmental changes, even when that change is uncertain. We will test tools and strategies to minimise risk from pests and pathogens, especially those associated with planned increases in tree numbers in the landscape, learning from the interactions between our set of focal species and their associated communities. Working with stakeholders, we will explore the social and economic drivers that can be deployed to effect change in the landscape, learning from historical environmental policies and their outcomes in the UK and from key case studies in similar systems across Europe. A particular focus will be on people engaging with the concepts of uncertainty, dynamism and change, studying new ways to integrate science and the arts and creating new works framed around these ideas. Bringing together this diverse and multidisciplinary team, we will produce new research, guidance, policy recommendations, art and science-based tools that will advance the cause of resilience in the UK's future treescape.

Publications

10 25 50
 
Title Three words for Forest 
Description Part of creative team for new Verbatim Theatre play Drawing on 30 interviews with people from across the forestry sector, ranging from policymakers and research scientists to foresters and community practitioners, this new verbatim play brings into focus the challenges and opportunities that come with making decisions in the face of multiple risks and deep uncertainties. In a context of changing climate, multiple threats from pests and diseases, ongoing concerns over domestic timber supply and workforce, shifting governmental priorities, global inequities, and emergent research, what actions do, can or should we take? What are some of the options and barriers? And what might we learn from listening attentively to each other across practices and disciplines? Presenting insights from experts and practitioners across and beyond the UK, the play shares our collective hopes, fears and understandings, acting as a catalyst for discussion and dialogue around resilience and adaptation. PERFORMANCES Performances will take place in the James Arnott Theatre, Gilmorehill Halls, 9 University Avenue - directly across from the main conference venue. Tickets must be pre-booked (see QR code). 19:30 - 21:00 | 11 JUNE | JAMES ARNOTT THEATRE (pre-theatre drinks reception from 18:30 in Foyer) 14:10 - 15:40 | 12 JUNE | JAMES ARNOTT THEATRE 
Type Of Art Performance (Music, Dance, Drama, etc) 
Year Produced 2024 
Impact Multiple members of the audience reported on the emotional as well as sectoral impacts - 
URL https://treescapes24.zohobackstage.eu/FutureTreescapes24#/agenda?day=1&lang=en&sessionId=13074000000...
 
Description The focus of this award is the role of artists working in the context of woodland creation and management, including in particular the ways that artists incorporate uncertainty and indeterminacy into works of art.
Exploitation Route The ways artists work in the context of woodland creation and management is an ongoing area with aspects related to governance as well as silviculture. There are multiple relevant aspects including interdisciplinary work between artists and environment researchers; the role of cultural organisations, curators and producers; involvement of communities; and the wider role of culture in relation to woodlands and public use.
Sectors Agriculture

Food and Drink

Communities and Social Services/Policy

Environment

Leisure Activities

including Sports

Recreation and Tourism

Culture

Heritage

Museums and Collections

 
Description Arts research into Learning to adapt to an uncertain future: linking genes, trees, people and processes for more resilient treescapes through engagement with practitioners across arts and forestry is opening up opportunities for societal understandings of the challenges of woodland creation through visual and performing arts practices. These are being primarily developed into a new piece of Verbatim Theatre but also into new interpretations of existing art works involving trees, forests and living systems, drawing on the experiences of practitioners across multiple areas of expertise. Preparatory work for the Verbatim Theatre piece included some adapted Walking Library events as part of the Edinburgh International Science Festival during 2023. A summary of how the findings from your award are impacting the public, private or third/voluntary sectors, and elsewhere At this stage it is through the interactions of practitioners with the research, but strategies and resources are in place to extend to various sectors through a number of activities including the Royal Society of Edinburgh funded New Leaves Network which involves public, private and third/vountary sector participants, and through the development of a resource based on the Verbatim Theatre piece. Challenges overcome to achieve impact The key challenge has been to develop specific resources to support impact as the research is developing - in this respect we have benefited both from support from the Royal Society of Edinburgh and from University of Glasgow supporting the initiatives noted above. Significant impact within academia, for example the nucleation of a new research area The approach taken has been to start from an assumption of multi-disciplinarity, each researcher focused on their own discipline based research questions, and to use issues such as uncertainty and indeterminacy as a means to develop shared understandings to enable interdisciplinary and transdisciplinary work within the team.
First Year Of Impact 2023
Sector Environment,Culture, Heritage, Museums and Collections
Impact Types Cultural

Societal

 
Description Interdisciplinary PhD Competition
Amount £60,000 (GBP)
Organisation Robert Gordon University 
Sector Academic/University
Country United Kingdom
Start 02/2024 
End 02/2028
 
Description New Leaves Network
Amount £19,979 (GBP)
Funding ID 2966 
Organisation Royal Society of Edinburgh (RSE) 
Sector Charity/Non Profit
Country United Kingdom
Start 04/2023 
End 04/2025
 
Description 'Developments in Arts, and Humanities Research Contributions to Environmental Policymaking' Roundtable at Treescapes 24 Conference 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Industry/Business
Results and Impact Treescapes 24 Conference, Glasgow 2024
Moderated Roundtable:
Arts and humanities are now regularly involved in large-scale environmental research projects, in some cases leading projects and work packages, delivering both papers and artworks as well as exhibitions, performances, events and engagement. Researchers are frequently involved for their perceived capacity for public engagement. However, the research generated by arts and humanities can provide new evidence, and new forms of evidence, as well as different framings and contextualization.
This roundtable will explore how arts and humanities researchers and environment and culture policymakers can develop closer working relationships resulting in better uptake and integration of research.
Speakers:
Chris Fremantle (Chair), Gray's School of Art, Robert Gordon University, newLEAF
Kate Pahl - Manchester Metropolitan University, Voices of the Future
Emma Bessent, AHRC, UKRI
Eirini Saratsi, Natural England
Dave Pritchard, Independent Arts and Environment Consultant
Karen Ridgewell, Climate Emergency and Sustainability Lead, Creative Scotland
Year(s) Of Engagement Activity 2024
URL https://treescapes24.zohobackstage.eu/FutureTreescapes24#/agenda?day=2&lang=en&sessionId=13074000000...
 
Description Article on Culture and Climate Adaptation published in Yale Climate Connections 
Form Of Engagement Activity A magazine, newsletter or online publication
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Policymakers/politicians
Results and Impact Co-authored article informed by the newLEAF project and drawing on previous research into the relationship between culture and climate adaptation. The article highlights the role of arts and culture in climate adaptation particularly in relation to nature-based solutions. It profiles the evaluation of Creative Carbon Scotland's Climate Adapation project funded by Creative Europe. It was published during COP26.
Year(s) Of Engagement Activity 2021
URL https://yaleclimateconnections.org/2021/11/a-just-climate-change-adaptation-needs-arts-and-culture/
 
Description Arts and Humanities engaging Policy roundtable at Treescapes 24 Conference 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Professional Practitioners
Results and Impact Round table discussion at the Treescapes 24 Conference focusing on the ways in which arts and humanities can contribute to environmental policy making
Year(s) Of Engagement Activity 2024
URL https://www.uktreescapes.org/events/future-treescapes-24-11-13-june-2024/
 
Description Contribution to Royal Botanic Gardens Edinburgh Art & Ecology Cafe 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Professional Practitioners
Results and Impact I was invited to contribute to a session of the Royal Botanic Gardens Edinburgh's programme of Art & Ecology Cafes. My contribution focused on the role of arts and culture in ecological issues, in particular on the work of interdisciplinary artists Helen Mayer Harrison and Newton Harrison. They are subject of a case study in the newLEAF arts work package.
Year(s) Of Engagement Activity 2023
 
Description Keynote Lecture to Working Group on 'Listening to the Web of Life' for Getty Institute's 'Pacific Standard Time' initiative 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Invited keynote presentation to invited seminar on developing 'Listening to the Web of LIfe' preparing for major 4 venue exhibition of Helen Mayer Harrison (1927-2018) and Newton Harrison (b. 1932) California works (1970 to the present) which forms a key part of the Getty Institute's Pacific Standard Time initiative presented in 2024. This contribution will feed into the exhibition catalogue and symposium
Year(s) Of Engagement Activity 2022
 
Description Participation in Future Library handover ceremony 2024 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Other audiences
Results and Impact Participation of a multidisciplinary project team in the Future LIbrary handover event 2024, engagement with artist and team, interviews etc
Year(s) Of Engagement Activity 2019,2024
URL https://www.inglebygallery.com/news/7432-future-library-handover-ceremony-2024-stream-online/
 
Description Speaking at Tree Stakeholder Workshop for Bacterial Plant Disease research programme 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Industry/Business
Results and Impact Contributing a provocation vision for trees in the UK's future as part of a Stakeholder engagement event for the Bacterial Plant Diseases programme. The provocation drew on the work of artist David Nash and his articulation of his process as a sculptor working with living and dying trees.
Year(s) Of Engagement Activity 2021
URL https://bacterialplantdiseases.uk/event/bacterial-disease-of-trees-stakeholder-workshop/
 
Description Stolen Climate 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact In conversation with commissioned artist and researchers from the Leverhulme Centre for Wildfires, Environment and Society. Interviewing Clinton Naina, Torres Islander and artist about his work Stolen Climate, purchased by Leverhulme Centre. Opening up issues of research with inhabitants drawing on approaches demonstrated by other artists.
Year(s) Of Engagement Activity 2023
URL https://centreforwildfires.org/wp-content/uploads/2023/01/Stolen-Climate-Event-Draft-Agenda-15.2.pdf
 
Description Thinking with the Harrisons Keynote Lecture UCSD 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Summary:

Helen Mayer Harrison and Newton Harrison, known as 'the Harrisons', dedicated five decades to exploring and demonstrating a new form of artistic practice, centered on "doing no work that does not attend to the wellbeing of the web of life." Their collaborative practice pioneered a way of drawing together art and ecology. They closely observed, often with irony and humor, how human intervention disrupts the dynamics of life as a web of interrelationships. The authors 'think with' the Harrisons, critically tracing their poetics as a re-imaging and reconfiguring of the arts in response to the unfolding planetary crisis. They draw parallels between the artists' poetics and rethinking in the philosophy of science, particularly drawing on the philosopher of science, Isabelle Stengers.

Thinking with the Harrisons is for anyone concerned with the implications of ecological thought and practice as a reimagining of public life, including the interaction of art and science. Throughout their joint practice, the Harrisons sought to engage policy makers, governments, ecologists, artists, and the natural world, sensitizing us to the crises that emerge from grounded experiences of place and time.
Year(s) Of Engagement Activity 2024
URL https://mandevilleartgallery.ucsd.edu/exhibitions/helen-and-newton-harrison.html
 
Description Thinking with the Harrisons Panel at California Center for the Arts Escondido 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The program started with a gallery walk led by Tatiana Sizonenko, exhibition curator, and continued with readings from the Harrisons' poetry composed for The Lagoon Cycle. This was followed by the panel discussion, including Q&A with the audience. The event concluded with a reception.

"How do we feed ourselves?" This is the central question in Helen and Newton Harrison's masterwork, The Lagoon Cycle. This question is explored by the Lagoon Maker and the Witness, two characters on an epic journey that takes them to Sri Lanka and then the Salton Sea in California and leads to questions about our relationship with the natural world
Panelists included:
- Betsy Damon is an ecofeminist artist whose practice is focused on water, influenced by her activism in women's, gay, and environmental rights. For Damon the world's living systems are endlessly exciting and constantly humbling in their complexity. Her skills as an artist allow her to center water as the foundation to all life.
- Monica Manolescu, Professor of American Literature and Art at the University of Strasbourg, France, and junior member of the Institut Universitaire de France, whose chapter on the poetics of the Lagoon Cycle is featured in the exhibition catalog.
- Ruth Wallen, artist and long-time collaborator with the Harrisons.
Year(s) Of Engagement Activity 2024
URL https://artcenter.org/event/museum-second-saturday-a-panel-discussion-on-the-lagoon-cycle-how-do-we-...
 
Description Thinking with the Harrisons Panel at La Jolla Historical Society 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact What does remaking civic environments entail? What does remaking artworks mean?

This panel linked the Harrisons' early works, which take the form of DIY instructions and backyard farming installations as an ecological practice, with the challenges of 'greening' urban environments today. Drawing on the expertise of panelists involved in significant and innovative ecological work, the discussion addressed questions of ownership of the commons - both of ideas and of essential requirements for life, such as water and green spaces.

Panelists included:

- Lauren Bon, Environmental Artist and the Director of the Metabolic Studio, Los Angeles
- Teddy Cruz, Professor of Public Culture and Spatial Practice, Visual Arts Department, UC San Diego
- Fonna Forman, Professor of Political Science and Founding Director of the Center on Global Justice, UC San Diego
- Cris Scorza, Director of Education, Whitney Museum of American Art, NYC
- Gabriel Harrison, son of Helen and Newton, Co-Director of the Helen and Newton Harrison Family Trust and designer.
Year(s) Of Engagement Activity 2024
URL https://www.lajollahistory.org/helen-and-newton-harrison-california-work
 
Description Thinking with the Harrisons Panel at Mandeville Art Gallery 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The Harrisons describe their first Future Garden, the Garden of Hot Winds and Warm Rains (1995), proposed for a museum in Bonn as "a multi-layered story told with artifacts, media events, texts, and living materials, which all together engage the probable Greenhouse future directly. It is a work of art that will be garden, prediction, and promenade, a voyage of sorts The task we set for this work is the exploration of eco-cultural collaborations that would make for a future no longer based on extraction. these gardens look at what a future could be like if conscious, mutually beneficial collaborations between human cultures (civilizations in all their complexities) and the cultures of nature (the life webs complicating and diversifying up to the space and energy available) became a norm."

What does this multi-layered story look and feel like in the present?

- Laura and Benny Fillmore, Elders of the Washoe Tribe of Nevada and California who worked with Helen and Newton Harrison on the Future Garden at Sagehen and continue to advise that project.
- Josh Harrison, son of Helen and Newton and currently director of the Center for the Study of the Force Majeure at UC Santa Cruz.
- Gabriel Harrison, son of Helen and Newton, Co-Director of the Helen and Newton Harrison Family Trust and designer.
Year(s) Of Engagement Activity 2024
URL https://mandevilleartgallery.ucsd.edu/exhibitions/helen-and-newton-harrison.html
 
Description Thinking with the Harrisons Panel at San Diego Central Library 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The program started with the panel discussion, including Q&A with the audience. There will be an opportunity to tour the exhibition with the Curator at 5.30.

How do we regenerate the Pacific Forests? This is the central question in artworks made by Helen and Newton Harrison, starting with The Serpentine Lattice in 1993 and continuing to the present day with their research initiatives led by the Center for the Study of the Force Majeure at UC Santa Cruz. Their earlier work addresses forest clear-cutting, while the more recent work focuses on how forests are impacted by related public policy and climate change itself.
Panellists:
- Joelene Tamm, founding member of the Southern California Fire, Fuels, and Forestry Cadre.
- Wesley Ruise Jr. third generation wildland firefighter and fire chief of the La Jolla Reservation Fire Department.
- Megan Jennings, Conservation Ecologist, Climate Science Alliance advisor, and Co-Director of San Diego State University's Institute for Ecological Monitoring and Management.
- Josh Harrison, the Harrisons' son and current Director of the Center for the Study of the Force Majeure at UC Santa Cruz.
- Ruth Wallen, artist and long-time collaborator with the Harrisons.
Year(s) Of Engagement Activity 2024
URL https://www.sandiego.gov/public-library/onview/previously
 
Description Three Words for Forest follow up Workshop 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Professional Practitioners
Results and Impact Reflective workshop to understand audience response to the Verbatim Theatre play Three Words for Forest
Year(s) Of Engagement Activity 2024
URL https://treescapes24.zohobackstage.eu/FutureTreescapes24#/agenda?day=1&lang=en&sessionId=13074000000...
 
Description Workshop: 'Indeterminacies and Uncertainties: arts, cultures, ecologies, and land/treescapes' 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Study participants or study members
Results and Impact Two 2½ hour sessions, bringing together a multi-disciplinary group drawn from two UKRI research projects ('Creative Landscape Futures', funded with the 'Landscape Decisions' programme and 'Learning to adapt to an uncertain future: linking genes, trees, people and processes for more resilient treescapes' ('newLEAF'), funded within the 'Future of UK Treescapes' programme) to share perspectives on indeterminacy and uncertainty.
Year(s) Of Engagement Activity 2022
 
Description newLEAF events at Edinburgh International Science Festival 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact A walk through Edinburgh's Meadows to discuss and connect with trees. Suitable for families. Slow walk/meander.
Bringing together arts and sciences, we will take the Walking Library - a library filled with books good to take for a walk -- to visit specific, significant trees in Edinburgh's Meadows. We will share and discuss what we know about diversity in trees from different perspectives, drawing on literature and the sciences, and considering the challenges trees face in the future. These walks will inspire and inform, and challenge us to consider what we do and don't know.
Year(s) Of Engagement Activity 2023