Sagacho Exhibit Space: analysing innovations in art, systems and culture at Japan's pioneering alternative space, across the 1980s and 1990s
Lead Research Organisation:
Kingston University
Department Name: Sch of Critical Studies, Creative Ind
Abstract
Almost a decade ago the former gallerist Masami Fujii justifiably described 1980s Japanese art as "a ghost hovering in the air". He was referring to the poor standard of academic work in this area due to the lack of existing art works and documentation. With little institutional and/or commercial support, artists in 1980s Japan were frequently obliged to self-fund makeshift exhibitions at galleries-for-hire where works were often discarded after a show. Partly reflecting this situation, the recent global-scale revisionism in post-war Japanese art has hardly touched on the 1980s, choosing instead 1960s/70s avant-garde artists or market-friendly generations that emerged after the 1990s. My research seeks to fill this significant gap by focusing on Japan's so-called "first alternative space" - Sagacho Exhibit Space - that mounted 106 exhibitions between 1983 and 2000. Focussing on the early years from 1983 to 1990, I will explore the innovations in art, systems and culture made by its cross-cultural founder, Kazuko Koike, by placing her gallery's interdisciplinary activities in a wider context of culture and economy, where the boundaries of public and private, and art and design were blurred under the corporate-led postmodern and philanthropic cultural phenomenon of Japan's bubble economy.
Adopting archival, historical and interview-based research methods, and paying particular attention to the gallery's extensive archival material held by the Sagacho Archives and Koike personally, I will analyse and interpret the roles played by this privately-run gallery as a major public and educational institution. My analysis will include the impact of the gallery then, and later, upon the public and art professionals in Japan and within an international context. Ultimately, my research will propose a new analytical framework for 1980s Japanese art and culture that will make a substantial contribution to knowledge and understanding of a crucial and overlooked area of contemporary Japanese art.
Adopting archival, historical and interview-based research methods, and paying particular attention to the gallery's extensive archival material held by the Sagacho Archives and Koike personally, I will analyse and interpret the roles played by this privately-run gallery as a major public and educational institution. My analysis will include the impact of the gallery then, and later, upon the public and art professionals in Japan and within an international context. Ultimately, my research will propose a new analytical framework for 1980s Japanese art and culture that will make a substantial contribution to knowledge and understanding of a crucial and overlooked area of contemporary Japanese art.
Organisations
People |
ORCID iD |
Frances Lloyd (Primary Supervisor) | |
Toyoko Ito (Student) |
Description | AHRC Research Training Support Grant (RTSG) 2019/2020 |
Amount | £209 (GBP) |
Organisation | TECHNE Doctoral Training Partnership |
Sector | Academic/University |
Country | United Kingdom |
Start | 02/2020 |
End | 03/2020 |
Description | FIELDWORK: 42 day field research at Sagacho Archives (Tokyo), and at artists' studios and libraries |
Amount | £1,000 (GBP) |
Organisation | The Great Britain Sasakawa Foundation |
Sector | Charity/Non Profit |
Country | United Kingdom |
Start | 02/2020 |
End | 03/2020 |
Description | FIELDWORK: 42 day field research at Sagacho Archives (Tokyo), at artists' studios and libraries |
Amount | £3,040 (GBP) |
Funding ID | 641 1019 |
Organisation | Japan Foundation Endowment Committee |
Sector | Charity/Non Profit |
Country | Japan |
Start | 02/2020 |
End | 03/2020 |
Description | Graduate Research School Activity Support Fund for PhD/DBA/EdD Researchers 2019-20 COVID-19 Supplementary Funds |
Amount | £271 (GBP) |
Funding ID | P1584-100 |
Organisation | Kingston University London |
Sector | Academic/University |
Country | United Kingdom |
Start | 07/2020 |
End | 07/2020 |
Description | KSA Conference, Event and Research Fund for Post Graduate Researchers |
Amount | £250 (GBP) |
Funding ID | 1561-100 |
Organisation | Kingston University London |
Sector | Academic/University |
Country | United Kingdom |
Start | 05/2021 |
End | 05/2021 |
Description | KSA: Conference, Event and Research Fund for Post Graduate Researchers |
Amount | £200 (GBP) |
Funding ID | 1561-100 |
Organisation | Kingston University London |
Sector | Academic/University |
Country | United Kingdom |
Start | 07/2021 |
End | 07/2021 |
Description | Conference paper presentation (AMPS) |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Other audiences |
Results and Impact | I was invited to present a conference paper at the three-day online international conference, Presenting Pasts - Visioning Futures (1-3 December 2022), organised by AMPS (Architecture, Media, Politics, Society) with three universities, Queen's University Belfast, Cape Peninsula University of Technology, and the National University of Singapore. The presented paper was 'From Painting to Installation: Spatial Influence on Painters at the Sagacho Exhibit Space, Tokyo in the Mid-1980s' (a shorter fifteen-minute version). The audience number was modest, but the organiser recorded the presentation and made the video available online for two weeks to gain an extended audience. This was the very first conference paper that was directly related to my awarded PhD research project. After the presentation, I was given the opportunity to submit a 3,000-word full paper, which was submitted on 17 February 2023 with the amended title, 'From Painting to Installation: Painters' Experiments in the Mid-1980s at the Sagacho Exhibit Space, Tokyo'. It is currently in the process of a double-blind peer review. It is my understanding that an opportunity to publish the full paper as it is or in an amended longer version is given later this year depending on the result. |
Year(s) Of Engagement Activity | 2022 |
URL | https://amps-research.com/conference/visioning/ |
Description | Talk participation (De La Warr Pavilion) |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | I was invited to participate in the live talk, VIRTUAL STUDIO VISIT & ARTIST TALK WITH MINORU NOMATA, organised by the UK public gallery, De La Warr Pavilion, as the event's bilingual live translator (19 August 2022). As one of the exhibitors of the Sagacho Exhibit Space in the 1980s, Nomata has been a subject of my awarded PhD project. The invitation to join the event came from him directly, which I accepted to promote my research. This talk was an online event connecting the UK gallery, where Nomata's exhibition was taking place, and Japan, where the artist lives. The audience was mainly from the two countries, which made it a bilingual event. Approximately eighty audiences joined our Zoom talk, which included individuals from funding organisations of UK-Japan cultural events. One of the organisations was the funder of my 42-Day Field Research at the Sagacho Archives in Tokyo held in 2020. |
Year(s) Of Engagement Activity | 2022 |
URL | https://www.dlwp.com/ |