Model-Database-Interface: A study of the redesign of the ArtBase, and the role of user agency in born-digital archives
Lead Research Organisation:
London South Bank University
Department Name: School of Arts and Creative Industries
Abstract
This thesis critically examines the researcher's embedded practice of redesigning the
ArtBase archive of net art in collaboration with digital arts organization Rhizome.
Net art challenges the notion of artworks as single, self-contained objects. To be
performed and experienced, net art depends upon alignments between hardware and
software environments, network protocols, as well as user interactions. Therefore, the
archive of net art operates as a network of relations between users-including staff,
artists, programmers, academics-and digital infrastructure. This networked condition
complicates a redesign of the archive's interface, but also opens opportunities to
rethink the agency of users within opaque, digital institutional environments.
To explore and expand the potential for informed user interaction and intervention,
this research develops an original framework for the design of born-digital archives:
Model-Database-Interface (MDI). MDI traces and makes visible the links between data
model, database software, and user interface, reflecting processes of institutional and
community-based classification, use, and maintenance.
This thesis demonstrates how MDI applies design prototypes, data visualizations, and
user workshops to open up underlying data structures and processes to inspection and
intervention. Further, it discusses how the ArtBase redesign adopts a linked open data
(LOD) model to support ongoing user engagement and collaboration. Thereby MDI is
positioned as a conceptual and methodological framework that centers user
participation and critical meaning-making beyond the redesign's completion.
The development of MDI as well as its application in LOD environments, make
distinctive contributions to interface design theory and practice. This study also
contributes to the field of digital archiving by reimagining the ArtBase interface as a site
for infrastructural inversion and user collaboration. Reaching beyond the particular
case of net art, the strategies discussed in this thesis are applicable to a variety of
digital interface contexts that place value on the role of user agency
ArtBase archive of net art in collaboration with digital arts organization Rhizome.
Net art challenges the notion of artworks as single, self-contained objects. To be
performed and experienced, net art depends upon alignments between hardware and
software environments, network protocols, as well as user interactions. Therefore, the
archive of net art operates as a network of relations between users-including staff,
artists, programmers, academics-and digital infrastructure. This networked condition
complicates a redesign of the archive's interface, but also opens opportunities to
rethink the agency of users within opaque, digital institutional environments.
To explore and expand the potential for informed user interaction and intervention,
this research develops an original framework for the design of born-digital archives:
Model-Database-Interface (MDI). MDI traces and makes visible the links between data
model, database software, and user interface, reflecting processes of institutional and
community-based classification, use, and maintenance.
This thesis demonstrates how MDI applies design prototypes, data visualizations, and
user workshops to open up underlying data structures and processes to inspection and
intervention. Further, it discusses how the ArtBase redesign adopts a linked open data
(LOD) model to support ongoing user engagement and collaboration. Thereby MDI is
positioned as a conceptual and methodological framework that centers user
participation and critical meaning-making beyond the redesign's completion.
The development of MDI as well as its application in LOD environments, make
distinctive contributions to interface design theory and practice. This study also
contributes to the field of digital archiving by reimagining the ArtBase interface as a site
for infrastructural inversion and user collaboration. Reaching beyond the particular
case of net art, the strategies discussed in this thesis are applicable to a variety of
digital interface contexts that place value on the role of user agency
People |
ORCID iD |
| Andrew Dewdeny (Primary Supervisor) | |
| Lozana Mehandzhiyska (Student) |