'To be creative is to exist': rejecting resilience, enacting Sumud in the cultural resistance of ASHTAR theatre (2021)
Attributed to:
Tales of Spring and Winter: Gender, Histories and Intergenerational Exchange in Global Theatre
funded by
GCRF
Abstract
No abstract provided
Bibliographic Information
Digital Object Identifier: http://dx.doi.org/10.1080/13569783.2020.1831907
Publication URI: http://dx.doi.org/10.1080/13569783.2020.1831907
Type: Journal Article/Review
Parent Publication: Research in Drama Education: The Journal of Applied Theatre and Performance
Issue: 1