From Vesalius through Ivins to Latour: imitation, emulation and exactly repeatable pictorial statements in the Fabrica (2019)
Attributed to:
Making Visible: The visual and graphic practices of the early Royal Society
funded by
AHRC
Abstract
No abstract provided
Bibliographic Information
Digital Object Identifier: http://dx.doi.org/10.1080/02666286.2019.1628633
Publication URI: http://dx.doi.org/10.1080/02666286.2019.1628633
Type: Journal Article/Review
Parent Publication: Word & Image
Issue: 3