From Vesalius through Ivins to Latour: imitation, emulation and exactly repeatable pictorial statements in the Fabrica (2019)
Attributed to:
Making Visible: The visual and graphic practices of the early Royal Society
funded by
AHRC
Abstract
No abstract provided
Bibliographic Information
Digital Object Identifier: http://dx.doi.org/10.17863/cam.38707
Publication URI: https://www.repository.cam.ac.uk/handle/1810/291549
Type: Journal Article/Review