This essay draws upon the work of Des Bell as a documentary film-maker concerned with historical issues to explore some of the ways film- and programme-makers have dealt with problems of historical representation.
Attributed to:
DOCUMENTARY FILM AND THE PUBLIC COMMUNICATION OF HISTORICAL KNOWLEDGE IN NORTHERN IRELAND
funded by
AHRC
Abstract
No abstract provided
Bibliographic Information
Type: Book Chapter
Book Title: Documentary in a Changing State: Ireland Since the 1990s (2012)
Page Reference: 42-54
ISBN: 9781859184912