Arts and conflict transformation in Myanmar. Participatory workshops and peace education in minority areas

Lead Research Organisation: University of St Andrews
Department Name: Sch of International Relations

Abstract

This project uses academic and arts participatory workshops to generate new knowledge about forms of conflict transformation in contemporary Myanmar. To do so, the project develops a network around the collaboration between researchers, artists and education practitioners working in conflict and post-conflict regions. The purpose is to generate knowledge about how artistic interventions transform conflicts, develop innovative educational material and widen access to quality education among marginalised communities.
Since attaining independence in 1948 Myanmar has experienced a high number of domestic conflicts and armed insurgencies. After more than five decades of authoritarian rule the military handed over government to a formally civilian government in 2011, which embarked on wide-ranging process of political and economic liberalisation. Despite the landmark elections of 2015, which brought to power the long-time opposition party, National League of Democracy, political transformation remains largely incomplete. The military remains in charge of key sectors of government. The 2017 Rohingya crisis in Rakhine state and the 2018 crackdown in Kachin state serve as stark reminders of the challenges the country is confronted with and their seemingly intractable nature. Building peace remains a tall order. Progress in other key areas, such as welfare and economic development, hinges on tackling that challenge.
Efforts at reconciliation and conflict resolution in Myanmar have typically been top-down and have focused on high-level political dialogue. This project complements such approaches by exploring the potential of bottom-up participatory initiatives by local artists, civil society and researchers to promote dialogue, reconciliation and social justice. As such it is innovative in its emphasis on co-production of knowledge among artists and researchers and and crosses boundaries among disciplines as it places the arts at the very centre of a field traditionally dominated by the social sciences.
The project focuses on four different regions of south-eastern Myanmar: three have a long history of armed conflict (Karen, Kayah and Mon states), whilst one has been largely peaceful (the Bago region). The regions are home to some of Myanmar's largest ethnic groups (the Karen, Kayah and Mon communities), they show religious diversity (Kayah state is evenly split between Buddhists and Christians, Karen is predominantly Buddhist with Christian and Muslim minorities, Mon is predominantly Buddhist with some Muslim minorities). The population in Bago region is mostly Bamar and Buddhist, and the area has not experienced the conflict of nearby territories.
Myanmar has a vibrant arts scene, and many initiatives blur the lines between arts and active citizenship and social reflection. Through the development of arts participatory workshops local artists will co-produce knowledge with local organisations and international partners to widen access to innovative and quality education. Furthermore, the ethnic and religious complexity of the country and the specific dynamics of each conflict will help the project participants to appreciate the importance of local context and local experiences at reconciliation, serving as cautionary notes against rather abstract macro-level approaches.
The project enables a partnership between the Thabyay Education Foundation, a Yangon-based NGO with a strong experience in providing peace education to marginalised communities and the UK-based PI as they build a network with a wide range of local and international researchers, peace educators and artists.

Planned Impact

The majority of the impact and benefits of the project and its activities will be channeled directly into Myanmar society.

Beneficiaries include:

Project participants
The project will involve a series of arts workshops across Myanmar. Participants, from a variety of ethnic and religious backgrounds, will produce creative writing and visual art around their understandings of inclusion, exclusion, inequality, peace and conflict. The results of the participants' activities will include a booklet, reports and additional material (visual and sound) to be shared on the project's website.

The Myanmar education sector
The project's participants and activities will produce a number of outputs that will be of benefits to the Myanmar education sector with the aim to deliver quality education, be it formally and informally, in the classroom and beyond, so that a wider audience can be reached and engaged. The education sector has gone through considerable change since liberalization in 2011. The PI has worked closely with a number of HEIs between 2013-2016 in efforts that led to 1) the re-design of the undergraduate curriculum in international relations, 2) the launch of new degree programmes in political science and 3) the re-launch of new degree programmes in international relations since the closing of those programmes in 1988.

Myanmar government and other official stakeholders
PI and local partners will involve representatives of national and local governments in Myanmar from the planning stage and will share the findings of the project with them, particularly with the Ministry of Education, the Office of the State Counsellor and the President's Office.

Civil society
Myanmar is home to an increasingly vibrant civil society which includes NGOs - and other organisations and groups - focused around youth education, gender studies, minority education, the provision of digital environments. PI and local partners will work with them to maximise the benefits of the project's findings and their maximum reach.

Wider public
The project's website and social media platform will make the activities and findings available to the wider public, enabling us to share the project's findings across society.

Publications

10 25 50
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Fumagalli M (2019) Myanmar 2020: Elections in a pandemic in Asia Maior

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Fumagalli M (2020) Myanmar 2019: <> redux? in Asia Maior

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Fumagalli M (2021) Myanmar 2020: Elections in a pandemic in ASIA MAIOR. The Journal of the Italian think tank on Asia founded by Giorgio Borsa in 1989

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Fumagalli M (2022) Development aid and domestic regional inequality: the case of Myanmar in Eurasian Geography and Economics

 
Title Art for Democracy 
Description Draft video on the role of arts in anti-coup and pro-democracy resistance in Myanmar (February-March 2021). This is a draft, currently not for circulation. Final version to be uploaded in the next round of ResearchFish updates 
Type Of Art Film/Video/Animation 
Year Produced 2021 
Impact The video is being edited for wider circulation internationally, to a specialist (academic) and advocacy audience outside Myanmar, and within Myanmar to bring different social groups, including artists in their quest for freedom 
 
Title Arts and Conflict Transformation in Myanmar 
Description This event consisted of the co-production of art work (paintings, poems, essays, songs) around themes of memories and experiences of displacement and refugeehood by refugees and indigenous peoples in Thailand (refugees from Myanmar). Editing in progress. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2022 
Impact Editing in progress. The output will be disseminated when this is completed. A follow-up event is now planned in Mae Sot among a larger group of participants. An exit survey was administered at the end of the event to gauge impact. 
 
Title Call of Freedom 
Description Poem by Aung Soe Min. March 2021 Aung Soe Min (born November 1970) is a Burmese poet, musician, publisher, artist, magazine editor, film director and gallerist living and working in Yangon, Myanmar. He is an Open History Project Director and will start an Open History Archive and Museum of Myanmar Visual History in Mt. Popa. Aung Soe Min is known for his artistic advocacy and attempts to fight against censorship and for freedom of expression. His projects include the Pansodan Gallery and Archives (founded in 2008), Pansuriya (an art centre and restaurant), and Pansodan Scene (an exhibition and performance space). Alongside Nance Cunningham, he authored a Burmese-English, English-Burmese dictionary. He is also the author of articles, poems, short stories, and essays published in magazines. https://pansuriya.wordpress.com/pansodan-art-gallery/ 
Type Of Art Creative Writing 
Year Produced 2021 
Impact The poem is being circulated widely on social media and university websites in solidarity with the people of Myanmar's quest for freedom and resistance against authoritarian rule. 
URL https://blogs.ed.ac.uk/edinburghforumonkorea/2021/03/08/culture-burmese-poet-aung-soe-min/
 
Description The project enabled the formation and consolidation of partnerships between UK-based academics and academics, artists and peace activists in Myanmar, Bangladesh and Thailand. The project led to the co-production of artwork by refugees from Myanmar and peace activists based in Thailand around issues of memories, traumas, displacement and refugeehood. Creative output included poems, paintings, songs, and essays. The project led to new research output by the PI and new research partners, follow-up grant applications.
Exploitation Route Follow-up projects could expand the work with artists, peace activists and refugees from Myanmar based in Thailand (the international community's sudden shift away from Thailand to Myanmar following the lifting of sanctions on Myanmar in 2013-14 led to neglect of the decades-long work of local communities and organisations.
The swing of the pendulum identified in two publications (Fumagalli and Kemmerling 2022; Fumagalli 2022) point to the reversal of the process of delivery of aid and assistance during the 'transition' period of 2011-2021 (form borderlands to government, from humanitarian aid to development assistance). The coup of 2021 and the violence that it unleashed (and the resistance the military has been confronted with and that is has so far failed to repress) highlight the necessity to strengthen those links between local civil society organisations and aid organisations in the borderlands or in neighbouring countries (Thailand) on the one hand and international donors on the other. Those ties were weakened as donors flocked to strengthen ties and channel aid via Myanmar's national government, especially in the 2016-2021 period.
Sectors Agriculture, Food and Drink,Communities and Social Services/Policy,Education,Healthcare,Government, Democracy and Justice,Culture, Heritage, Museums and Collections,Security and Diplomacy

 
Description Art is plural (Bahu). Collaboration with Pansodan Art Gallery (inclusion and participation in Myanmar) 
Organisation Pansodan Gallery
Country Myanmar 
Sector Private 
PI Contribution PI Dr Fumagalli and research collaborator Dr Youngmi Kim (University of Edinburgh) co-designed the healing festivals in Yangon on 10-16 May 2019, aimed at fostering participation from various strands of Myanmar's society and promoting inclusion across ethnic and religious cleavages and the follow-up academic workshop held at the University of Yangon on 16 May. The collaboration with Pansodan Art Gallery and poet and painter Aung Soe Min has continued and expanded (see detailed below), and he is taking a leading role in producing artwork in the aftermath of the military coup in Myanmar.
Collaborator Contribution Artist and curator of Pansodan Art Gallery in Yangon Aung Soe Min has provided leadership in co-designing a 'healing festival', together with Dr Youngmi Kim (University of Edinburgh), held at Pansodan Scene on 10-16 May 2019. The festival included slam poetry recitals, street performance, drama, paintings and other participatory artistic interventions with various groups of Myanmar society. Poet and painter Aung Soe Min produced a poem for the 2021 roundtable and workshop on 'Arts, Freedom and Resistance in Myanmar', co-hosted by the University of St Andrews and the University of Edinburgh. A text of the poem is currently available here: https://blogs.ed.ac.uk/edinburghforumonkorea/2021/03/08/culture-burmese-poet-aung-soe-min/ Aung Soe Min has also produced a video on art and democracy, currently being edited.
Impact Video: Art and democracy (March 2021) Poem: Call of Freedom (March 2021) Multi-disciplinary collaboration: - peace and conflict - arts
Start Year 2019
 
Description Bahu (Art is plural): Performing and imagining equality and inclusion in Myanmar 
Organisation Central European University
Country Hungary 
Sector Academic/University 
PI Contribution The project revolved around the organisation of a Healing 'Bahu' (Art is Plural) Festival in Yangon, at Pansodan Scene, one of the venues of Pansodan Art Gallery, among Myanmar's leading art galleries. Bahu is a Burmese term of old Pali origin which means: 'Plural', hence the English title of the festival. Together with the curator of the Pansodan Gallery, Aung Soe Min, the PI and other research collaborators decided that this theme would encourage the audience and participants to reflect on the diversity of Myanmar's society and the role that different groups can play in it. The project aimed to expand and enhance strategic partnerships between an international academic team based in the UK, Hungary/Austria and the USA and Myanmar-based institutions, including NGOs, artists and universities. The project also supported artistic performances, in the form of 'healing festivals' and participatory workshops, with the purpose of co-creating new knowledge on what a more equal and inclusive Myanmar may look like. The series of artistic interventions took place and held at the Pansodan Scene Gallery on 10-16 May 2019 and included the following: 10 May: Identity festival: masks of new faces Featuring: masks painted by artists from feelings expressed by participants 11 May: Masks of loss and healing Featuring masks painted by artists from losses expressed by participants 12 May: Slam poetry and art exhibition Featuring: poetry recitals (in Burmese and English) on the theme of: what have you never expressed? 14 May: Art exhibition, gifts, and art festival day Featuring: display from all previous days; evening on the Pansodan rooftop 15 and 16 May: Identity festival and ekkhaya festival Reading poems Featuring: performance of dance, music and drama The project's PI is Dr Youngmi Kim (PI), from the University of Edinburgh (Department of Asian Studies, School of Literatures, Languages and Cultures). Co-PI in that project was Myanmar artist Aung Soe Min and curator of the Pansdodan Gallery in Yangon, Myanmar. Other team members Dr Hyaesin Yoon (Gender Studies, Central European University, Budapest/Vienna), and D.Ed. Mie Mie Winn Byrd (Centre for Security Studies, Hawaii). Media coverage The 2019 Bahu festival received some media attention, such as MRTV 4 Channel and Mizzima TV (https://www.facebook.com/watch/?v=864195020598214), and covered in the Myanmar Times (https://www.mmtimes.com/news/poetry-symposium-pansodan-scene.html?fbclid=IwAR0Ic2iHbgjvTyRRQzQ2nYELJtzRxa3X2mBXuvsXuWyIXhB7e-p3SlY0VGE). Dr Fumagalli's contribution revolved input in the design of the project, including both its academic objectives and the organization of artistic activities and output, interviews with artists and the co-organization of an academic workshop held at the University of Yangon on 17 May with staff and students that participated in the festival.
Collaborator Contribution Dr Kim (PI) and Aung Soe Min (co-PI) Among the various positive outcomes was the formalisation of partnerships between project team members and Myanmar-based artists which was extremely valuable for the project on 'Arts and Conflict Transformation'. Dr Kim (PI)'s extensive fieldwork experience in Myanmar and her own network with both the local academic community beyond the country's elite institutions in the centre and artistic community in the country (including street performance, painters, poets) was extremely helpful in widening both the academic and artistic networks of the project. Myanmar artist Aung Soe Min (co-PI) shared his extensive artistic networks across the country. His experience in some minority areas relevant to the project (e.g. Kayin state) were invaluable to reach out to the wider artistic communities in eastern Myanmar.
Impact The project revolved around the organisation of a Healing 'Bahu' (Art is Plural) Festival in Yangon, at Pansodan Scene, one of the venues of Pansodan Art Gallery, among Myanmar's leading art galleries. Bahu is a Burmese term of old Pali origin which means: 'Plural', hence the English title of the festival. Together with the curator of the Pansodan Gallery, Aung Soe Min, the PI and other research collaborators decided that this theme would encourage the audience and participants to reflect on the diversity of Myanmar's society and the role that different groups can play in it. The project aimed to expand and enhance strategic partnerships between an international academic team based in the UK, Hungary/Austria and the USA and Myanmar-based institutions, including NGOs, artists and universities. The project also supported artistic performances, in the form of 'healing festivals' and participatory workshops, with the purpose of co-creating new knowledge on what a more equal and inclusive Myanmar may look like. The series of artistic interventions took place and held at the Pansodan Scene Gallery on 10-16 May 2019 and included the following: 10 May: Identity festival: masks of new faces Featuring: masks painted by artists from feelings expressed by participants 11 May: Masks of loss and healing Featuring masks painted by artists from losses expressed by participants 12 May: Slam poetry and art exhibition Featuring: poetry recitals (in Burmese and English) on the theme of: what have you never expressed? 14 May: Art exhibition, gifts, and art festival day Featuring: display from all previous days; evening on the Pansodan rooftop 15 and 16 May: Identity festival and ekkhaya festival Reading poems Featuring: performance of dance, music and drama The project's PI is Dr Youngmi Kim (PI), from the University of Edinburgh (Department of Asian Studies, School of Literatures, Languages and Cultures). Co-PI in that project was Myanmar artist Aung Soe Min and curator of the Pansdodan Gallery in Yangon, Myanmar. Other team members Dr Hyaesin Yoon (Gender Studies, Central European University, Budapest/Vienna), and D.Ed. Mie Mie Winn Byrd (Centre for Security Studies, Hawaii). Media coverage The 2019 Bahu festival received some media attention, such as MRTV 4 Channel and Mizzima TV (https://www.facebook.com/watch/?v=864195020598214), and covered in the Myanmar Times (https://www.mmtimes.com/news/poetry-symposium-pansodan-scene.html?fbclid=IwAR0Ic2iHbgjvTyRRQzQ2nYELJtzRxa3X2mBXuvsXuWyIXhB7e-p3SlY0VGE). Multi-disciplinary collaboration: - Gender Studies: - Performance Art - Peace and Conflict
Start Year 2019
 
Description Bahu (Art is plural): Performing and imagining equality and inclusion in Myanmar 
Organisation Daniel K. Inouye Asia-Pacific Center for Security Studies
Country United States 
Sector Charity/Non Profit 
PI Contribution The project revolved around the organisation of a Healing 'Bahu' (Art is Plural) Festival in Yangon, at Pansodan Scene, one of the venues of Pansodan Art Gallery, among Myanmar's leading art galleries. Bahu is a Burmese term of old Pali origin which means: 'Plural', hence the English title of the festival. Together with the curator of the Pansodan Gallery, Aung Soe Min, the PI and other research collaborators decided that this theme would encourage the audience and participants to reflect on the diversity of Myanmar's society and the role that different groups can play in it. The project aimed to expand and enhance strategic partnerships between an international academic team based in the UK, Hungary/Austria and the USA and Myanmar-based institutions, including NGOs, artists and universities. The project also supported artistic performances, in the form of 'healing festivals' and participatory workshops, with the purpose of co-creating new knowledge on what a more equal and inclusive Myanmar may look like. The series of artistic interventions took place and held at the Pansodan Scene Gallery on 10-16 May 2019 and included the following: 10 May: Identity festival: masks of new faces Featuring: masks painted by artists from feelings expressed by participants 11 May: Masks of loss and healing Featuring masks painted by artists from losses expressed by participants 12 May: Slam poetry and art exhibition Featuring: poetry recitals (in Burmese and English) on the theme of: what have you never expressed? 14 May: Art exhibition, gifts, and art festival day Featuring: display from all previous days; evening on the Pansodan rooftop 15 and 16 May: Identity festival and ekkhaya festival Reading poems Featuring: performance of dance, music and drama The project's PI is Dr Youngmi Kim (PI), from the University of Edinburgh (Department of Asian Studies, School of Literatures, Languages and Cultures). Co-PI in that project was Myanmar artist Aung Soe Min and curator of the Pansdodan Gallery in Yangon, Myanmar. Other team members Dr Hyaesin Yoon (Gender Studies, Central European University, Budapest/Vienna), and D.Ed. Mie Mie Winn Byrd (Centre for Security Studies, Hawaii). Media coverage The 2019 Bahu festival received some media attention, such as MRTV 4 Channel and Mizzima TV (https://www.facebook.com/watch/?v=864195020598214), and covered in the Myanmar Times (https://www.mmtimes.com/news/poetry-symposium-pansodan-scene.html?fbclid=IwAR0Ic2iHbgjvTyRRQzQ2nYELJtzRxa3X2mBXuvsXuWyIXhB7e-p3SlY0VGE). Dr Fumagalli's contribution revolved input in the design of the project, including both its academic objectives and the organization of artistic activities and output, interviews with artists and the co-organization of an academic workshop held at the University of Yangon on 17 May with staff and students that participated in the festival.
Collaborator Contribution Dr Kim (PI) and Aung Soe Min (co-PI) Among the various positive outcomes was the formalisation of partnerships between project team members and Myanmar-based artists which was extremely valuable for the project on 'Arts and Conflict Transformation'. Dr Kim (PI)'s extensive fieldwork experience in Myanmar and her own network with both the local academic community beyond the country's elite institutions in the centre and artistic community in the country (including street performance, painters, poets) was extremely helpful in widening both the academic and artistic networks of the project. Myanmar artist Aung Soe Min (co-PI) shared his extensive artistic networks across the country. His experience in some minority areas relevant to the project (e.g. Kayin state) were invaluable to reach out to the wider artistic communities in eastern Myanmar.
Impact The project revolved around the organisation of a Healing 'Bahu' (Art is Plural) Festival in Yangon, at Pansodan Scene, one of the venues of Pansodan Art Gallery, among Myanmar's leading art galleries. Bahu is a Burmese term of old Pali origin which means: 'Plural', hence the English title of the festival. Together with the curator of the Pansodan Gallery, Aung Soe Min, the PI and other research collaborators decided that this theme would encourage the audience and participants to reflect on the diversity of Myanmar's society and the role that different groups can play in it. The project aimed to expand and enhance strategic partnerships between an international academic team based in the UK, Hungary/Austria and the USA and Myanmar-based institutions, including NGOs, artists and universities. The project also supported artistic performances, in the form of 'healing festivals' and participatory workshops, with the purpose of co-creating new knowledge on what a more equal and inclusive Myanmar may look like. The series of artistic interventions took place and held at the Pansodan Scene Gallery on 10-16 May 2019 and included the following: 10 May: Identity festival: masks of new faces Featuring: masks painted by artists from feelings expressed by participants 11 May: Masks of loss and healing Featuring masks painted by artists from losses expressed by participants 12 May: Slam poetry and art exhibition Featuring: poetry recitals (in Burmese and English) on the theme of: what have you never expressed? 14 May: Art exhibition, gifts, and art festival day Featuring: display from all previous days; evening on the Pansodan rooftop 15 and 16 May: Identity festival and ekkhaya festival Reading poems Featuring: performance of dance, music and drama The project's PI is Dr Youngmi Kim (PI), from the University of Edinburgh (Department of Asian Studies, School of Literatures, Languages and Cultures). Co-PI in that project was Myanmar artist Aung Soe Min and curator of the Pansdodan Gallery in Yangon, Myanmar. Other team members Dr Hyaesin Yoon (Gender Studies, Central European University, Budapest/Vienna), and D.Ed. Mie Mie Winn Byrd (Centre for Security Studies, Hawaii). Media coverage The 2019 Bahu festival received some media attention, such as MRTV 4 Channel and Mizzima TV (https://www.facebook.com/watch/?v=864195020598214), and covered in the Myanmar Times (https://www.mmtimes.com/news/poetry-symposium-pansodan-scene.html?fbclid=IwAR0Ic2iHbgjvTyRRQzQ2nYELJtzRxa3X2mBXuvsXuWyIXhB7e-p3SlY0VGE). Multi-disciplinary collaboration: - Gender Studies: - Performance Art - Peace and Conflict
Start Year 2019
 
Description Bahu (Art is plural): Performing and imagining equality and inclusion in Myanmar 
Organisation University of Edinburgh
Country United Kingdom 
Sector Academic/University 
PI Contribution The project revolved around the organisation of a Healing 'Bahu' (Art is Plural) Festival in Yangon, at Pansodan Scene, one of the venues of Pansodan Art Gallery, among Myanmar's leading art galleries. Bahu is a Burmese term of old Pali origin which means: 'Plural', hence the English title of the festival. Together with the curator of the Pansodan Gallery, Aung Soe Min, the PI and other research collaborators decided that this theme would encourage the audience and participants to reflect on the diversity of Myanmar's society and the role that different groups can play in it. The project aimed to expand and enhance strategic partnerships between an international academic team based in the UK, Hungary/Austria and the USA and Myanmar-based institutions, including NGOs, artists and universities. The project also supported artistic performances, in the form of 'healing festivals' and participatory workshops, with the purpose of co-creating new knowledge on what a more equal and inclusive Myanmar may look like. The series of artistic interventions took place and held at the Pansodan Scene Gallery on 10-16 May 2019 and included the following: 10 May: Identity festival: masks of new faces Featuring: masks painted by artists from feelings expressed by participants 11 May: Masks of loss and healing Featuring masks painted by artists from losses expressed by participants 12 May: Slam poetry and art exhibition Featuring: poetry recitals (in Burmese and English) on the theme of: what have you never expressed? 14 May: Art exhibition, gifts, and art festival day Featuring: display from all previous days; evening on the Pansodan rooftop 15 and 16 May: Identity festival and ekkhaya festival Reading poems Featuring: performance of dance, music and drama The project's PI is Dr Youngmi Kim (PI), from the University of Edinburgh (Department of Asian Studies, School of Literatures, Languages and Cultures). Co-PI in that project was Myanmar artist Aung Soe Min and curator of the Pansdodan Gallery in Yangon, Myanmar. Other team members Dr Hyaesin Yoon (Gender Studies, Central European University, Budapest/Vienna), and D.Ed. Mie Mie Winn Byrd (Centre for Security Studies, Hawaii). Media coverage The 2019 Bahu festival received some media attention, such as MRTV 4 Channel and Mizzima TV (https://www.facebook.com/watch/?v=864195020598214), and covered in the Myanmar Times (https://www.mmtimes.com/news/poetry-symposium-pansodan-scene.html?fbclid=IwAR0Ic2iHbgjvTyRRQzQ2nYELJtzRxa3X2mBXuvsXuWyIXhB7e-p3SlY0VGE). Dr Fumagalli's contribution revolved input in the design of the project, including both its academic objectives and the organization of artistic activities and output, interviews with artists and the co-organization of an academic workshop held at the University of Yangon on 17 May with staff and students that participated in the festival.
Collaborator Contribution Dr Kim (PI) and Aung Soe Min (co-PI) Among the various positive outcomes was the formalisation of partnerships between project team members and Myanmar-based artists which was extremely valuable for the project on 'Arts and Conflict Transformation'. Dr Kim (PI)'s extensive fieldwork experience in Myanmar and her own network with both the local academic community beyond the country's elite institutions in the centre and artistic community in the country (including street performance, painters, poets) was extremely helpful in widening both the academic and artistic networks of the project. Myanmar artist Aung Soe Min (co-PI) shared his extensive artistic networks across the country. His experience in some minority areas relevant to the project (e.g. Kayin state) were invaluable to reach out to the wider artistic communities in eastern Myanmar.
Impact The project revolved around the organisation of a Healing 'Bahu' (Art is Plural) Festival in Yangon, at Pansodan Scene, one of the venues of Pansodan Art Gallery, among Myanmar's leading art galleries. Bahu is a Burmese term of old Pali origin which means: 'Plural', hence the English title of the festival. Together with the curator of the Pansodan Gallery, Aung Soe Min, the PI and other research collaborators decided that this theme would encourage the audience and participants to reflect on the diversity of Myanmar's society and the role that different groups can play in it. The project aimed to expand and enhance strategic partnerships between an international academic team based in the UK, Hungary/Austria and the USA and Myanmar-based institutions, including NGOs, artists and universities. The project also supported artistic performances, in the form of 'healing festivals' and participatory workshops, with the purpose of co-creating new knowledge on what a more equal and inclusive Myanmar may look like. The series of artistic interventions took place and held at the Pansodan Scene Gallery on 10-16 May 2019 and included the following: 10 May: Identity festival: masks of new faces Featuring: masks painted by artists from feelings expressed by participants 11 May: Masks of loss and healing Featuring masks painted by artists from losses expressed by participants 12 May: Slam poetry and art exhibition Featuring: poetry recitals (in Burmese and English) on the theme of: what have you never expressed? 14 May: Art exhibition, gifts, and art festival day Featuring: display from all previous days; evening on the Pansodan rooftop 15 and 16 May: Identity festival and ekkhaya festival Reading poems Featuring: performance of dance, music and drama The project's PI is Dr Youngmi Kim (PI), from the University of Edinburgh (Department of Asian Studies, School of Literatures, Languages and Cultures). Co-PI in that project was Myanmar artist Aung Soe Min and curator of the Pansdodan Gallery in Yangon, Myanmar. Other team members Dr Hyaesin Yoon (Gender Studies, Central European University, Budapest/Vienna), and D.Ed. Mie Mie Winn Byrd (Centre for Security Studies, Hawaii). Media coverage The 2019 Bahu festival received some media attention, such as MRTV 4 Channel and Mizzima TV (https://www.facebook.com/watch/?v=864195020598214), and covered in the Myanmar Times (https://www.mmtimes.com/news/poetry-symposium-pansodan-scene.html?fbclid=IwAR0Ic2iHbgjvTyRRQzQ2nYELJtzRxa3X2mBXuvsXuWyIXhB7e-p3SlY0VGE). Multi-disciplinary collaboration: - Gender Studies: - Performance Art - Peace and Conflict
Start Year 2019
 
Description Collaboration with Bangladesh-based academics 
Organisation University of Chittagong
Country Bangladesh 
Sector Academic/University 
PI Contribution I have contributed two chapters to books edited by Prof. Nasir Uddin (Dept of Social Anthropology, University of Chittagong, Bangladesh). 2021 The Rohingya Crisis: Human Rights Issues, Policy Issues, and Burden Sharing (Sage) 2022 (forthcoming) Palgrave Handbook of Social Fieldwork (Palgrave) We are currently working towards the development of a new project (grant application) on unarmed civilian protection for refugees fleeing conflicts in Myanmar.
Collaborator Contribution We are currently working towards the development of a new project (grant application) on unarmed civilian protection for refugees fleeing conflicts in Myanmar.
Impact Fumagalli, M. 2021. Myanmar's Muslim Communities Unbound: The Rohingya and Beyond. In Uddin, N. ed. The Rohingya Crisis: Human Rights Issues, Policy Issues, and Burden Sharing (Sage), 232-258. Fumagalli, M. 2022 (forthcoming) Entry, access, bans and returns: Reflections on positionality in field research on Central Asia's ethnic minorities In N. Uddin, ed., Palgrave Handbook of Social Fieldwork (Palgrave)
Start Year 2020
 
Description Collaboration with Mosaic Myanmar 
Organisation Mosaic Myanmar
Country Myanmar 
Sector Charity/Non Profit 
PI Contribution Collaboration revolves around the design of participatory arts workshops in Yangon and Mawlamyine promoting themes of inclusion, cohesion and participation.
Collaborator Contribution Mosaic Myanmar is an NGO which uses the arts to promote ideas of tolerance and diversity in Myanmar. Given its extensive network across Myanmar's youth the organization offers valuable insights into how to tailor artistic interventions to specific contexts.
Impact Multi-disciplinary collaboration - peace and conflict studies - religious studies - arts - political science
Start Year 2019
 
Description Collaboration with Myanmar academics 
Organisation Mandalay University
Country Myanmar 
Sector Academic/University 
PI Contribution Influenced awareness of role of arts in transforming conflictual relations between religious and ethnic communities
Collaborator Contribution Tailored focus and activities to the local context Input into the design of the project and outreach and dissemination activities Raised awareness about current political sensitivities Organised academic and social outreach events in Yangon and Mandalay
Impact Organisation of dissemination events resulting from 2019 workshops and art festival at: University of Dagon, University of Yangon Production and dissemination of non-academic artistic outputs at Pansodan Art Gallery 11-19 May 2019
Start Year 2019
 
Description Collaboration with Myanmar academics 
Organisation Mawlamyine University
Country Myanmar 
Sector Academic/University 
PI Contribution Influenced awareness of role of arts in transforming conflictual relations between religious and ethnic communities
Collaborator Contribution Tailored focus and activities to the local context Input into the design of the project and outreach and dissemination activities Raised awareness about current political sensitivities Organised academic and social outreach events in Yangon and Mandalay
Impact Organisation of dissemination events resulting from 2019 workshops and art festival at: University of Dagon, University of Yangon Production and dissemination of non-academic artistic outputs at Pansodan Art Gallery 11-19 May 2019
Start Year 2019
 
Description Collaboration with Myanmar academics 
Organisation University of East Yangon
Country Myanmar 
Sector Academic/University 
PI Contribution Influenced awareness of role of arts in transforming conflictual relations between religious and ethnic communities
Collaborator Contribution Tailored focus and activities to the local context Input into the design of the project and outreach and dissemination activities Raised awareness about current political sensitivities Organised academic and social outreach events in Yangon and Mandalay
Impact Organisation of dissemination events resulting from 2019 workshops and art festival at: University of Dagon, University of Yangon Production and dissemination of non-academic artistic outputs at Pansodan Art Gallery 11-19 May 2019
Start Year 2019
 
Description Collaboration with Myanmar academics 
Organisation University of Yangon
Country Myanmar 
Sector Academic/University 
PI Contribution Influenced awareness of role of arts in transforming conflictual relations between religious and ethnic communities
Collaborator Contribution Tailored focus and activities to the local context Input into the design of the project and outreach and dissemination activities Raised awareness about current political sensitivities Organised academic and social outreach events in Yangon and Mandalay
Impact Organisation of dissemination events resulting from 2019 workshops and art festival at: University of Dagon, University of Yangon Production and dissemination of non-academic artistic outputs at Pansodan Art Gallery 11-19 May 2019
Start Year 2019
 
Description Collaboration with Myanmar academics 
Organisation Yadanabon University
Country Myanmar 
Sector Academic/University 
PI Contribution Influenced awareness of role of arts in transforming conflictual relations between religious and ethnic communities
Collaborator Contribution Tailored focus and activities to the local context Input into the design of the project and outreach and dissemination activities Raised awareness about current political sensitivities Organised academic and social outreach events in Yangon and Mandalay
Impact Organisation of dissemination events resulting from 2019 workshops and art festival at: University of Dagon, University of Yangon Production and dissemination of non-academic artistic outputs at Pansodan Art Gallery 11-19 May 2019
Start Year 2019
 
Description Collaboration with Payap University (Chiang Mai, Thailand) 
Organisation Payap University
Country Thailand 
Sector Academic/University 
PI Contribution The 2022 workshop enhanced the visibility of the institution. Academics from Thailand and the UK visited the institution and so did various artists and activists, originally from Myanmar.
Collaborator Contribution Payap University in Chiang Mai (Thailand) hosted the arts participatory workshop in February and March 2022. Payap worked with the Thabyay Education Foundation in Yangon (Myanmar) and Bangkok and Mae Sot (Thailand) to organise the workshop. It provided rooms and logistical and organisational support before and during the events.
Impact 28 February - 2 March 2022. Workshop on Arts and Conflict Transformation in Myanmar.
Start Year 2022
 
Description Collaboration with Thailand-based peace activists and artists 
Organisation Thabyay Education Foundation
Country Myanmar 
Sector Charity/Non Profit 
PI Contribution In collaboration with the project co-I in Myanmar, research collaborators in Thailand (Bangkok and Mae Sot) and a colleague from the University of Edinburgh (Dr Youngmi Kim), I organised and led the workshop on Arts and Conflict Transformation in Myanmar. The workshop brought together participants with experience of displacement from Myanmar. This covered different waves of refugeehood, eg. post-1988 coup, the ensuring years and the more recent post-2021 coup wave of refugees. Participants included refugees from different ethnic groups, including the Karen, Kayah, Bamar, Chin and Kachin, among others. The partner listed above includes the collaborators in Thailand. Dr Zin Mar Oo is the co-I based in Myanmar. The project led to new collaborations with the branch offices in Thailand, particularly in Mae Sot (Tak province), on the Myanmar border.
Collaborator Contribution Artists led the co-production of art work at the 2022 Workshop on Arts and Conflict Transformation in Myanmar, held at Payap University (Chiang Mai, Thailand) on 28 February -2 March.
Impact Art work (painting, essays, songs, poems) produced during the workshop.
Start Year 2022
 
Description Collaboration with Thailand-based peace activists and artists 
Organisation Thabyay Education Foundation
Country Myanmar 
Sector Charity/Non Profit 
PI Contribution In collaboration with the project co-I in Myanmar, research collaborators in Thailand (Bangkok and Mae Sot) and a colleague from the University of Edinburgh (Dr Youngmi Kim), I organised and led the workshop on Arts and Conflict Transformation in Myanmar. The workshop brought together participants with experience of displacement from Myanmar. This covered different waves of refugeehood, eg. post-1988 coup, the ensuring years and the more recent post-2021 coup wave of refugees. Participants included refugees from different ethnic groups, including the Karen, Kayah, Bamar, Chin and Kachin, among others. The partner listed above includes the collaborators in Thailand. Dr Zin Mar Oo is the co-I based in Myanmar. The project led to new collaborations with the branch offices in Thailand, particularly in Mae Sot (Tak province), on the Myanmar border.
Collaborator Contribution Artists led the co-production of art work at the 2022 Workshop on Arts and Conflict Transformation in Myanmar, held at Payap University (Chiang Mai, Thailand) on 28 February -2 March.
Impact Art work (painting, essays, songs, poems) produced during the workshop.
Start Year 2022
 
Description Collaboration with other UK-based academics 
Organisation University of Edinburgh
Country United Kingdom 
Sector Academic/University 
PI Contribution Co-organised the Bahu. Art is Plural Festival at Pansodan Art Gallery, Yangon, May 2019
Collaborator Contribution Provided financial and in-kind (time) support to the organisation of the artistic exhibition in Yangon and subsequent dissemination events with Yangon and Mandalay academics
Impact Co-organisation of creative exhibitions in Myanmar Multi-disciplinary collaboration including international relations, arts and humanities, history, area studies, political science. Joint research in Myanmar leading to co-authored publications Joint funding applications
Start Year 2019
 
Description Partnership with Thabyay Education Foundation 
Organisation Thabyay Education Foundation
Country Myanmar 
Sector Charity/Non Profit 
PI Contribution The international and Myanmar-based members of the team have co-designed the academic section of the project and are involved in data collection and analysis. The PI lead sessions on methodology and fieldwork and co-designed knowledge exchange and engagement activities.
Collaborator Contribution The two RAs working with the PI are based at the Thabyay Education Foundation in Yangon, Myanmar. During April-May 2019 they have conducted research jointly with the international research team in Mon and Kayin state. Additionally the collaboration involved mapping the state of the art in the field of peace activism and arts and conflict in Myanmar's recent history, particularly in minority areas.
Impact Engagement activities with local artists in Yangon, Mon state and Kayin state in Myanmar. Multi-disciplinary collaboration: - Peace and conflict - Arts and humanities - Political Science and International Relations - History - Cultural studies
Start Year 2018
 
Description Workshop on arts, inclusion and participation in Myanmar 
Organisation Dagon University
Country Myanmar 
Sector Academic/University 
PI Contribution The workshop brought together international and Myanmar academics at the Department of International Relations at Dagon University in Yangon to discuss the role that various forms of arts can play in transforming local conflicts. PI Dr Fumagalli and research collaborator Dr Youngmi Kim and research assistants from Thabyay Education Foundation in Yangon (Ms Naw Naw Ethayu Phaw and MS Naw Sah Blute) also designed the event, designed to assess changes in perceptions following the Bahu festival in Yangon organised by Dr Kim.
Collaborator Contribution Partners highlighted context-specific initiatives by local artists in the area of peace activism. This was extremely valuable in identifying artists involved in peace activism.
Impact Workshop held on 14 May 2019.
Start Year 2019
 
Description Dissemination on Karen media 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact Project PI Dr Fumagalli was interviewed by Karen Radio in Hpa-an (Kayin state, Myanmar) on 25 April 2019. In the interview he shared the preliminary findings of the project on art and conflict transformation in Myanmar's minority areas focusing especially on how Karen artists engage in art as a way to bridge divides across communities and promote peace and tolerance across Myanmar society.
Year(s) Of Engagement Activity 2019
 
Description Invited Lecture 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Other audiences
Results and Impact About 100 members of the public, academia and practitioners attended the event 'Digital Populism and Digital Authoritarianism in Asia', where I delivered a presentation on Digital Authoritarianism in Myanmar. The event was hosted by the Sejong Institute in Seoul, South Korea, with the support of the Open Society Foundations.

Abstract:
The paper contextualises and discusses the evolution of digital authoritarianism and state surveillance in Myanmar. Over the short span of a decade Myanmar has rapidly morphed from being one of Southeast Asia's most isolated countries in terms of ICT development and connectivity to one where both authorities and the population rely on a variety of digital technologies for both preserving power and challenging it. The paper primarily focuses on the 2021-2023 period, when the military coup brought the rapid if uneven and unequal changes introduced since 2011 to a brutal and bloody end. Empirically, the focus of this paper is on the interaction between three sets of actors (the regime and its affiliated companies and agencies; external state patrons; and international private security companies) to shed light on how different tools of state control, surveillance and repression are currently being deployed. The paper also discusses the various legislative initiatives (such as the draft cyber security law) the military regime is planning to introduce to restrict the use of internet and social media by the opposition, restrict the digital rights of the population and to crack down on the challenges posed by a digitally-enabled resistance movement.
While some of the changes were introduced after the military take-over, some of the instruments of state surveillance were introduced prior to it, during the NLD administration (2016-2021). Furthermore, it is impossible to understand the trajectory of transformation in Myanmar, even in the media landscape and rights and freedoms, without taking into account some specific colonial legacies, including legislation introduced in the first part of the 20th century such as the 1923 Official Secrets Act to censor debates, which most post-independence governments have been all too eager to deploy to prevent challenges to their authority.
Moving beyond the deployment of state surveillance technology to stifle debate and limit dissent, the paper also considers the challenges to digital authoritarianism in the country. Digital authoritarianism is, in fact, only one dimension of the transformation of state and society engendered by advances in information and communication technology. Digital contention has also accompanied societal changes over the past decade. While some of these have been rather infamous (such as the rise in hate speech and Islamophobia), others have been empowering and extremely consequential in enabling and supporting the resistance against the 2021 military coup.
Year(s) Of Engagement Activity 2023
URL https://sejong.org/web/boad/22/egoread.php?bd=61&seq=6949
 
Description Military coup in Myanmar 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Expert panel on RSI, one of Switzerland's leading radio stations (part of the RSI/Radio Svizzera Italiana group)
Year(s) Of Engagement Activity 2021
URL https://www.rsi.ch/play/radio/modem/audio/myanmar-il-golpe-dei-generali?id=13798546
 
Description Roundtable on Arts, Freedom and Resistance: Voices from Myanmar 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact 50 participants attended the roundtable, including democracy activists in Myanmar, advocacy organisations in the UK and the EU, students, scholars and members of the public. Activists and artists from Myanmar shared their experience in deploying various forms of artwork, from performance, visual art, use of garment (longyi, Myanmar's traditional dress), music, and others to mobilise support against military rule. This sparked a lively discussion during and after the event, leading to plans for follow-up events, including an online exhibition.
Year(s) Of Engagement Activity 2021
 
Description The Rohingya crisis (Amnesty International, Edinburgh) 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact 16 members of the public attended the roundtable on the Rohingya crisis organized by Amnesty International (Edinburgh Central branch) on 20 September 2019. Speakers included project PI Dr Matteo Fumagalli and research collaborator Dr Youngmi Kim (University of Edinburgh). The presentations sparked question and discussions, with participants reporting increased interest in the topic.
Year(s) Of Engagement Activity 2019
URL https://www.facebook.com/events/quaker-meeting-house-victoria-terrace/the-rohingya-crisis-whats-happ...
 
Description Workshop on arts, participation and inclusion in Myanmar (University of Yangon) 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Professional Practitioners
Results and Impact About 60 participants, including artists, academics, education practitioners and students attended the workshop hosted by the Department of History at the University of Yangon on 16 May 2019. The aim of the event was to reflect on the participatory arts workshops held at Pansodan Scene (gallery) during 10-16 May.
Year(s) Of Engagement Activity 2019