Driving innovation through technology-enabled research spaces and collections management at The Courtauld

Lead Research Organisation: Courtauld Institute of Art
Department Name: Curating

Abstract

The Courtauld Institute of Art is the world's pre-eminent centre for the history and conservation of art. Our celebrated collection of 35,000 artworks, dating from the Middle Ages to the present, includes many iconic works, and encompasses paintings, works on paper, decorative arts, and sculpture. It includes the UK's greatest collection of Impressionist paintings and one of its finest collections of drawings. Our mission is to extend the understanding of the visual arts through a wide spectrum of complementary activities (teaching, curating, conservation, exhibitions, the display of the collection, and public programmes) all of which are rooted in our thriving research culture. Motivated by a commitment to significantly increase access to our collection, research, teaching, and public engagement for the benefit of society, we embarked on an ambitious project focusing on our gallery and conservation facilities in late 2018. The Courtauld aims to be a world leading centre for teaching and research; to redefine the notion of art history, which encompasses multiple disciplines; to understand global objects and image making in context; and to be an inclusive organisation for people of all backgrounds.

After more than 30 years in our current Somerset House home and with no major improvements since 1989, it was clear that these facilities urgently required extensive and sensitive renovation and refurbishment. The support of the AHRC Capability for Collections Fund is critical to ensuring that this transformation at The Courtauld produces world-leading research both within academic and public spheres, and expands our capacity to digitize our assets in order to contribute to the creative industries, including the heritage sector.

In bestowing The Courtauld with a world-class collection of art, our founders recognized that the study of works of art as physical objects was central to art historical and conservational expertise. The Courtauld has the largest concentration of art historians, conservators, and curators in the UK, and in keeping with these founding principles, our conservation department is responsible for our own collections. Our student body of c.550 students take degrees from BA to PhD, and our alumni numbering more than 8,000 are leaders in the arts and creative industries worldwide. Since the 1930s, The Courtauld has been a leader in the education of conservators. Our taught conservation programmes (wall and easel paintings) host more than 25 students per year; conservation alumni are leaders in the field nationally and internationally.

A robust programme of exhibitions and displays, research and cataloguing projects, a visiting curator scheme, international partnerships and a range of regular public and scholarly events have made The Courtauld's collection among the most dynamic of its kind internationally. The Courtauld believes that its distinctive programme of exhibitions is a primary means to deliver world-leading research and add value to the research environment.

The Courtauld's request delivers some of the most sensitive elements of the infrastructure development of its redevelopment works and which align to the Opportunities to grow our capability strategy. In the application, The Courtauld has identified three core areas for AHRC support: collection stores upgrade and refit; technology-enabled study spaces such as the Prints and Drawings Study Room and Technical Examination area and an Object Study Room; and mechanical improvements to better care for and examine all works in the collections.

The proposed interventions during the funding period drive a step-change in cultural and art historical education to advance research, and promote new forms of partnership with both physical collaborations and digital initiatives.

Publications

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Title Reopening of The Courtauld's Gallery 
Description Following a major transformational project, The Courtauld's Gallery reopened in November 2021. By supporting the upgrade of critical art conservation instruments and the infrastructure development essential to further care for, research, and showcase The Courtauld's world-class collections, AHRC investment was a crucial component in the success of the Gallery's reopening. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2021 
Impact The Gallery received over 40,000 visitors in the six weeks to 31 December 2021 and over 250,000 in the eight months after reopening. A further 171 people attended the first in a new series of 'After Hours' events which included pop-up talks and object study sessions, along with site-specific installations and music. The reopening was followed by the Gallery's first major exhibition ('The Morgan Stanley Exhibition: Van Gogh. Self-Portraits'), which opened in February 2022. Both the reopening and Van Gogh exhibition were covered extensively, and favourably, in the press, with The Van Gogh exhibition receiving 5* reviews in the Guardian, Telegraph, Times, Independent, and Evening Standard (among others). The Gallery's second major exhibition after reopening was 'Edvard Munch. Masterpieces from Bergen', part of a partnership between The Courtauld and KODE art museums in Bergen, Norway. This exhibition, running over 27 May - 4 September 2022, was the first time this major collection of works by Munch had been shown in the UK and also received extensive press coverage (5* review in the Guardian, 4* in the Telegraph and Evening Standard, among others). 
URL https://courtauld.ac.uk/news-blogs/2021/the-courtauld-gallery-opening-programme-news/
 
Title The Art of Experiment: Parmigianino at The Courtauld 
Description This exhibition project opened on 5 March 2022 and its creation involved Courtauld curators, History of Art faculty, and members of the Conservation department, along with current and former postgraduate students. The exhibition (running until 5 June 2022) included two paintings, twenty-four drawings, and a group of prints, either executed by Parmigianino himself or in collaboration with others. It was accompanied by a catalogue which presents The Courtauld's outstanding collection of works by Parmigianino. In preparation for the exhibition and catalogue, new photography and technical examinations were carried out. Technical examination, making use of a new multi-spectral comparator funded by this AHRC award, utilised UV and infra-red scanning to reveal two new drawings that were previously unknown, hidden underneath their historic mounts. Similar exploratory work has also helped to identify connections between some of the drawings and the finished paintings for which they were conceived. 
Type Of Art Artistic/Creative Exhibition 
Year Produced 2022 
Impact The discovery of two new drawings by Parmigianino make an immediate impact on the artist's known catalogue raisonné and, combined with new technical examination, will influence future scholarship. 
URL https://courtauld.ac.uk/the-art-of-experiment-parmigianino-at-the-courtauld/
 
Description This award, supported via the AHRC's Capability for Collections Fund, was a crucial component of a major infrastructure project which transformed The Courtauld's Gallery and associated research spaces over 2018-2021.

The award provided targeted funding for the final stages of this project, enabling an upgrade and refit to the Gallery's collection stores; outfitting of technology-enabled study spaces (Prints and Drawings Study Room; Technical Examination area; Object Study Room); and mechanical improvements to better care for and examine all works in The Courtauld's collections, including an access lift. All activity was completed to schedule and ahead of the Gallery's reopening in late 2021.

Work supported by the AHRC will underpin all future Courtauld exhibitions, including loan exhibitions of Courtauld works organised with external partners across the UK, increase capacity for conservation of artworks, and provide facilities through which researchers, school groups, and members of the public can access and learn about our collections.

All key initial objectives of the award have been met. New equipment funded through the award (specifically, a multi-spectral comparator which enables effective, non-destructive examination of works on paper) is already leading to new discoveries about artworks held in The Courtauld's collection.
Exploitation Route The enhanced facilities for studying objects in our collection will contribute to art historical research carried out by external researchers (along with new research opportunities for Courtauld faculty and students).

These facilities, along with Courtauld faculty expertise, will support partner organisations brought together as part of our Courtauld National scheme by stimulating analysis and conservation of individual artworks, training opportunities, and knowledge-sharing activities.

Details of The Courtauld's new collections and study infrastructure may influence other cultural institutions undertaking, or planning for, similar transformation projects in future.
Sectors Culture, Heritage, Museums and Collections

URL https://courtauld.ac.uk/news-blogs/2021/the-courtauld-gallery-opening-programme-news/
 
Description The Courtauld's Gallery reopened to the public in November 2021 and its first major exhibition (The Morgan Stanley Exhibition: Van Gogh. Self-Portraits) opened in February 2022. Both the reopening and Van Gogh exhibition were widely reviewed in local and national media, with the latter receiving 5* reviews in the Guardian, Telegraph, Times, Independent, and Evening Standard (among others). Subsequent exhibitions focused on works by Edvard Munch, Helen Saunders, and Henry Fuseli also received positive reviews in national media outlets. The Gallery received over 40,000 visitors in the six weeks to 31 December 2021 and over 250,000 in the eight months after reopening. More than 90% of the redeveloped historic spaces in Somerset House, a Grade 1-listed building, are now step-free accessible as a result of the infrastructure project. An exhibition, and accompanying catalogue, devoted to sixteenth-century Italian artist Parmigianino opened in March 2022. The exhibition benefited from technical examination of artworks using UV and infra-red scanning (capacity enabled via a multi-spectral comparator funded by this AHRC award). This analysis revealed two new drawings that were previously unknown to specialists and the wider public alike. A smaller display in the Gallery's Project Space over October 2022 - February 2023 showcased research of two Courtauld PhD students which was also aided by The Courtauld's two Capability for Collections awards. Technical analysis of 'Praxitella', Wyndham Lewis's (1882-1957) major modernist portrait, demonstrated that the work is painted over a lost masterpiece by one of the early 20th century's most radical female abstract artists, Helen Saunders (1885-1963). The display presented 'Praxitella' alongside the x-ray and partial colour reconstruction of Saunders' 'Atlantic City', as well as a range of technical material, to tell the story of this extraordinary discovery and showcase the interdisciplinary research being conducted at the institution. These successes have been achieved in the context of ongoing disruption caused by Covid-19, which delayed elements of the overall infrastructure project and is likely to have negatively impacted on total visitor numbers. Full-year data on visits by external researchers and members of the public to the refitted study spaces will be available in future reporting cycles, with events now being planned across 2023 by The Courtauld's Public Programmes Department. Similarly, initial details of how new conservation equipment is benefiting partner institutions and/or academic collaborators, and of any defined economic benefits of the Gallery's reopening, will be reported on once data becomes available. The Courtauld's Conservation Department returned fully to the Somerset House site in September 2022. All of these impacts should be considered in the context of The Courtauld's belief that our distinctive programme of exhibitions remains a primary means through which to deliver world-leading research and add value to the wider research environment.
First Year Of Impact 2021
Sector Education,Leisure Activities, including Sports, Recreation and Tourism,Culture, Heritage, Museums and Collections
Impact Types Cultural,Societal

 
Description Google Arts & Culture Partnership 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact Over 300 works from The Courtauld's collection can now be viewed online on Google Arts & Culture by people around the world thanks to a new partnership with Google. This new resource launched in September 2022 and The Courtauld joins over 2,500 other global museums and galleries on Google Arts and Culture.

Highlights from our collection, including Impressionist and Post-Impressionist masterpieces such as Van Gogh's Self-Portrait with Bandaged Ear and Manet's A Bar at the Folies Bergère can be viewed in never before seen definition thanks to Google Art Camera technology. Viewers can also explore works by artists including Cézanne, Michelangelo, Rembrandt, Rubens and Turner in extraordinary detail and experience them far beyond what is visible to the naked eye.

A specially curated selection of 13 online exhibits is also available to view, including Fashion and Illusion in Renoir's 'La Loge'; The Precious and Unique Courtauld Bag; Explore Botticelli's Trinity Altarpiece; and Pointillism through the eyes of Seurat.
Year(s) Of Engagement Activity 2022,2023
URL https://artsandculture.google.com/partner/the-courtauld
 
Description Reopening of Prints & Drawings Study Room 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Postgraduate students
Results and Impact The Courtauld's Print & Drawings Study Room reopened in January 2022, with the most relevant collections returning from offsite storage in March 2022.

Over 750 visitors have used the Study Room to date, a figure somewhat suppressed in 2022 by the lingering impact of Covid. The majority are students (both internal and external), academics, and museum professionals. A number of school groups have also been given tours via The Courtauld's Public Programmes Department. Over 100 members of the public were also given object study sessions focused on little known works on paper housed in The Courtauld collection as part of our Big Draw activities (October 2022).

Renewed spaces for the study of prints and drawings have also enabled a short course programme for adult learners focused on 'Drawing in Europe from the Renaissance to the Modern Period'. Led by Dr Rachel Sloan (Assistant Curator of Works on Paper) this course used The Courtauld's world-class graphic collections to explore the material properties of different papers and media, their changing use from the Renaissance to the modern period, and the ways in which materials have been chosen to convey meaning. The popularity of this course in 2022 led to its renewal, with a second (fully booked) programme set to take place in April 2023.
Year(s) Of Engagement Activity 2022,2023
URL https://courtauld.ac.uk/gallery/the-collection/prints-and-drawings/