Sus_NET: Sustainable Making for Feminist Action
Lead Research Organisation:
University of Leeds
Department Name: School of Media & Communication
Abstract
sus_NET engages with issues of gender, equalities, diversity and inclusion in international development through both the organisations that we are working with - their ethos, approach and methods; and the focus of the workshops and overall network on issues on gender, sustainability and technology. We will work directly with activists and political organisations that engage with issues of gender and inequality through their remit and approach, and we will widen the scope of the network in year two to HEIs and NGOs, taking forward the lessons learnt, best practice and the prototypes we have developed in order to impact as widely as possible not only within and across the communities we directly work with, but also into the education and policy sectors. Many of these groups are women-led and work on projects related to inequality and inclusion in digital technology. Through their community engagement they have developed unique practices and methods for working with a diverse range of participants from different backgrounds, age-groups and locations. The focus of the network is on the responsible production and consumption of digital technologies (SDG12).
By responsible production we mean the sustainable development of hackable, open source and modular technologies and using recycled and reused everyday objects, but it is also considered in terms of the social and cultural implications of technologies for environmental monitoring and feminist activism. These production approaches speak to issues of consumption, where we will also prioritise working with recycled and low-energy technologies addressing aspects of SD7: Clean and Affordable Energy. We are directly addressing issues of gender, equalities and inclusion within the broader scope of environmental sustainability and digital technology.
Developing countries across the globe are undergoing rapid and widespread digital technological change. This change is set within, rather than external to, existing cultural, social and economic inequalities, infrastructures and politics. This means that despite widespread goals of reducing inequalities and increasing sustainability, emerging digitally-driven forms and cultures can address or exacerbate these issues. Given this, one objective is to address SDG#5 of reducing inequality by seeking to understand, through community creative projects, the impact of, and potential for, technology on everyday lives. Unless we better understand what communities are diversely and unevenly doing, what they wish to do with digital technologies, how they are doing this (with what? When? How?) we are unable to develop useful interventions. At the same time, we want to do more than understand: we want to co-design and co-curate with communities to identify and realize their needs or desires, and this also means that welfare and economic development emerges from processes of engagement rather than determining them.
Part of our engagement work is to understand the extent to which 'having technology' can or should be looked to as a measurement of success, as well as what kinds of digital media technologies emerge through our engagement. Our partner organizations in year one for example, do not work with fast, intuitive, dynamic technologies and systems: they work with low-cost, low energy, sustainable tech that has been built for particular social or political goals from reusable, recycled materials. This notion of technology is very different from that cited in media, government or policy documents. As researchers in the UK we will learn from and engage with the environmentally and socially sustainable technology activism that is taking place in Latin America. We intend for this to lead develop significant collaborations that lead on to further funded projects.
By responsible production we mean the sustainable development of hackable, open source and modular technologies and using recycled and reused everyday objects, but it is also considered in terms of the social and cultural implications of technologies for environmental monitoring and feminist activism. These production approaches speak to issues of consumption, where we will also prioritise working with recycled and low-energy technologies addressing aspects of SD7: Clean and Affordable Energy. We are directly addressing issues of gender, equalities and inclusion within the broader scope of environmental sustainability and digital technology.
Developing countries across the globe are undergoing rapid and widespread digital technological change. This change is set within, rather than external to, existing cultural, social and economic inequalities, infrastructures and politics. This means that despite widespread goals of reducing inequalities and increasing sustainability, emerging digitally-driven forms and cultures can address or exacerbate these issues. Given this, one objective is to address SDG#5 of reducing inequality by seeking to understand, through community creative projects, the impact of, and potential for, technology on everyday lives. Unless we better understand what communities are diversely and unevenly doing, what they wish to do with digital technologies, how they are doing this (with what? When? How?) we are unable to develop useful interventions. At the same time, we want to do more than understand: we want to co-design and co-curate with communities to identify and realize their needs or desires, and this also means that welfare and economic development emerges from processes of engagement rather than determining them.
Part of our engagement work is to understand the extent to which 'having technology' can or should be looked to as a measurement of success, as well as what kinds of digital media technologies emerge through our engagement. Our partner organizations in year one for example, do not work with fast, intuitive, dynamic technologies and systems: they work with low-cost, low energy, sustainable tech that has been built for particular social or political goals from reusable, recycled materials. This notion of technology is very different from that cited in media, government or policy documents. As researchers in the UK we will learn from and engage with the environmentally and socially sustainable technology activism that is taking place in Latin America. We intend for this to lead develop significant collaborations that lead on to further funded projects.
Planned Impact
Sus_NET has built an impact strategy into the heart of the network through our two-tiered approach that is designed to target impact in ethical and considered ways. In year one, our HEIs and NGOS form the steering committee for the networking activities, and in year two, it is our local community members and activist organisations who take on this role. Every activity has an appropriate impact strategy built into its design. This shapes our conception of impact, which is understood at a variety of scales. At a local level, through our community engagement work, we understand impact as meaningful co-designed practices, changing perceptions, opinions or behaviour in related and appropriate ways. At a meso level, impact is generated through people movement, capacity building and intellectual development. At a macro level, we understand impact through critical and theoretical engagement, and through pedagogic and methodological change that reshapes how each actor within the network works and thinks.
At a local level, we will build meaningful projects for the communities we work with. The activities themselves will produce innovative practical and low cost, low energy digital prototypes as well as new methodological schema and new ways of doing engagement work. They will be designed in response to local issues and is wholly designed to directly benefit the community with whom we work. The findings and exchanges will feed back into sus_NET as a whole, forging new avenues for research and identifying key and emerging research areas, shaping methods and design, and cross-cutting the themes with which we start. We test and develop prototypes (if this is appropriate and desired) with the technology organisations attached to our HEI network members, and we user test (engagement methods, prototypes, scalability, sustainability) with the communities reached via our NGO network members. We run a week long maker event in the UK during the final year, bringing together UK and European artists, technicians, communities with those of the Latin American network to culminate in a symposium that will be timed to co-ordinate with the Leeds International's festival. This also generates impact on a local level in the UK, creating walk-in, public events and further extending the reach of the network.
It is also designed to target impact at a meso level: into the educational sector, drawing on methods and issues of sustainability for pedagogy but also rethinking our preconceptions about what technology is, what technological expertise is, as well as how we teach and engage with it. It is also designed to target policy in a broad sense by working with award winning NGOs, who inform policy (such as Transfermemos) in order to capitalize on best practice from the local activist and community groups, and to share an arena with them to discuss issues of inequality, sustainability and technology.
At a meta level, research will be consolidated into a cohesive and powerful narrative. We will network a community of expertise, develop agendas and share innovative methods and prototypes. Finally, open dialogue and communication with the existing GCRF, global insecurities and AHRC funded projects ensure a focus on research in the national interest as we consolidate findings, extend research avenues and construct a global network of expertise around the theme of global inequalities and digital media technologies.
At a local level, we will build meaningful projects for the communities we work with. The activities themselves will produce innovative practical and low cost, low energy digital prototypes as well as new methodological schema and new ways of doing engagement work. They will be designed in response to local issues and is wholly designed to directly benefit the community with whom we work. The findings and exchanges will feed back into sus_NET as a whole, forging new avenues for research and identifying key and emerging research areas, shaping methods and design, and cross-cutting the themes with which we start. We test and develop prototypes (if this is appropriate and desired) with the technology organisations attached to our HEI network members, and we user test (engagement methods, prototypes, scalability, sustainability) with the communities reached via our NGO network members. We run a week long maker event in the UK during the final year, bringing together UK and European artists, technicians, communities with those of the Latin American network to culminate in a symposium that will be timed to co-ordinate with the Leeds International's festival. This also generates impact on a local level in the UK, creating walk-in, public events and further extending the reach of the network.
It is also designed to target impact at a meso level: into the educational sector, drawing on methods and issues of sustainability for pedagogy but also rethinking our preconceptions about what technology is, what technological expertise is, as well as how we teach and engage with it. It is also designed to target policy in a broad sense by working with award winning NGOs, who inform policy (such as Transfermemos) in order to capitalize on best practice from the local activist and community groups, and to share an arena with them to discuss issues of inequality, sustainability and technology.
At a meta level, research will be consolidated into a cohesive and powerful narrative. We will network a community of expertise, develop agendas and share innovative methods and prototypes. Finally, open dialogue and communication with the existing GCRF, global insecurities and AHRC funded projects ensure a focus on research in the national interest as we consolidate findings, extend research avenues and construct a global network of expertise around the theme of global inequalities and digital media technologies.
Organisations
Title | Escpacio Nixso Megaphone |
Description | The megaphone is a low-cost lo-fi prototype developed by Espacio Nixso as part of the project. They have designed digital electronics, a circuit board and enclosure developed from domestic waste. The megaphone has been used at protests and re-purposed by communities in Leeds. |
Type Of Art | Artefact (including digital) |
Year Produced | 2022 |
Impact | This is a project that the group have been trying to develop from sometime. Through building this work, they have been able to connect with and send prototypes to other similar organisations in Latin America. |
Title | Exhibition that explored the relationship between art, territory and the body at the Centro Cultural de la Memoria Haroldo Conti (Buenos Aires, Argentina) |
Description | The objects displayed as part of the exhibition by our collaborators Espacio Nixso showcased our collaborative work around sustainable digital making as part of our follow on funding. |
Type Of Art | Artistic/Creative Exhibition |
Year Produced | 2022 |
Impact | Public engagement, knowledge exchange, dissemination, networking and further research activities following the outputs of the exhibition relating to the intellectual goals of the project. |
URL | http://conti.derhuman.jus.gov.ar/2022/11/arte-en-territorio.php |
Title | MedialabMX Breathing Mask |
Description | This arteface measures the breath of the wearer and is designed to make it more audible. It was designed as a way of connecting breathing and breathing together through the pandemic. |
Type Of Art | Artefact (including digital) |
Year Produced | 2022 |
Impact | In February 2023, we funded a workshop where MedialabMX prototyped and built the artefact with project partners. |
Description | Through this project, we have found that understandings of inequality relate not only to context but the specific power relations of organizations. These shape actions and perceptions. What constitutes sustainability is different in the context of a global crisis. Here our sustainability becomes about survival-how groups are able to sustain through challenging circumstances and how practices shift to support communities differently. |
Exploitation Route | These preliminary findings offer some deeper understanding of inequality and sustainability in the context of the pandemic. We have more recently been observing how technology is conceived of differently by our partners. Some frame technology as something that needs to be understood, is pedagogic and didactic. Others see technology as operating beneath the surface of the wider politics of what is produced. |
Sectors | Communities and Social Services/Policy Creative Economy Digital/Communication/Information Technologies (including Software) Electronics |
Description | The organisations that we have worked with through the pandemic have all identified that the project has had significant impacts and benefits to them. Firstly, organisations feel positive benefits in terms of how they understand themselves and position their work in relation to its importance. Groups also report that the work has given them space to think about and solidify their goals and objectives. The organisations we work with have shared their practices with other international groups and developed additional partnerships. The relationships established through this project have developed into further studies on gender, sustainability and digital activism. |
First Year Of Impact | 2023 |
Sector | Creative Economy,Digital/Communication/Information Technologies (including Software),Culture, Heritage, Museums and Collections,Other |
Impact Types | Cultural Societal Policy & public services |
Description | Equally Digital - Digitally Equal - Funded by Not-Equal NetworkPlus |
Amount | £40,000 (GBP) |
Organisation | Engineering and Physical Sciences Research Council (EPSRC) |
Sector | Public |
Country | United Kingdom |
Start | 09/2020 |
End | 09/2021 |
Description | GCRF and Newton Consolidation Accounts University of Leeds |
Amount | £230,000 (GBP) |
Funding ID | EP/X528122/1 |
Organisation | Engineering and Physical Sciences Research Council (EPSRC) |
Sector | Public |
Country | United Kingdom |
Start | 03/2022 |
End | 03/2023 |
Description | Include! |
Amount | £35,215 (GBP) |
Organisation | United Kingdom Research and Innovation |
Department | Research England |
Sector | Public |
Country | United Kingdom |
Start | 09/2022 |
End | 07/2023 |
Description | Instutite for Rebooting Social Media, Berkman Klein Centre Fellowship, Harvard University |
Amount | $51,000 (USD) |
Organisation | Harvard University |
Sector | Academic/University |
Country | United States |
Start | 08/2022 |
End | 08/2023 |
Description | Protest Resistance and Tech [Working Group @ Berkman Klein Centre for Internet and Society] |
Form Of Engagement Activity | A formal working group, expert panel or dialogue |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | In September 2022, I founded a working group at Harvard Univeristy to explore 'Protest, Resistance and Tech' we meet and discuss technology in relation to protest, social theory and digital practices. The group is a collective of academics, policy makers, researchers, designers and developers. |
Year(s) Of Engagement Activity | 2022,2023 |
Description | Work with Voices Heard, Space2 and Espacio Nixso |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Third sector organisations |
Results and Impact | Through October and November 2021 we worked with a community organisation in Space2, Leeds to build one of the prototypes that our project partner Espacio Nixso (Buenos Aires) had made. We adapted the design of some lo-fi megaphones and built them into recycled domestic cleaning bottles. The group we worked with included women who were part of the poetry group 'Voices Heard'. Around 5-10 women regularly attended the sessions and built the technologies with us. The third sector organisaion that housed the project said that their experience working together on this had been transformative in that they understand technologies differently now. We are continuing to work with the group on a further project and with Space2. We applied for further funding together from the British Council but this was unfortunately unsucecssful. This collaboration cultivated in a performance as part of an event 'Rivers of Light' on 30 November 2021. An installation and series of workshops led by Akeelah Bertram were also shared. The 'Voices Heard' group performed original poetry works with the megaphones. We are going to share a further performance in July 2022. Whilst this workshop series and event had quite 'local' significance, it had a broader international reach. It was live streamed and watched by project partners in Latin America. |
Year(s) Of Engagement Activity | 2021 |
Description | Workshop with Electrohacedoras, Espacio Nixso (Argentina) |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | Our collaborators Electrohacedoras (Espacio Nixso) organised a 5-day workshops to share what they had been working on throughout the project. This involved intensive phases of theoretical and reflective discussion and critical making. The event raised questions about the relationship between technology, sustainability and protest. We attended the #8M (IWD) march in Buenos Aires to share the protest devices that we had made. |
Year(s) Of Engagement Activity | 2023 |
Description | Workshop with MedialabMX (Mexico) |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Professional Practitioners |
Results and Impact | Our collaborators MedialabMX organised a 5-day workshops to share what they had been working on throughout the project. This involved intensive phases of theoretical and reflective discussion and critical making. The event raised questions about the relationship between technology and the body and what technology is or could be as care, conviviality or protest. |
Year(s) Of Engagement Activity | 2023 |