Indigenous Film Ecologies in India
Lead Research Organisation:
University of Leicester
Department Name: Museum Studies
Abstract
Indigenous Ecologies in South Asia aims to 1) consolidate, through practices of co-creation, an indigenous methodology for filmmaking; 2) develop a culture of indigenous research-based filmmaking that address asymmetries in the public sphere; and 3) research different ecologies of indigenous film.
The proposed project is based on a research partnership with a collective of indigenous artists and filmmakers belonging India's DeNotified Tribal communities (DNTs) and associated with Nomad Movies. These are communities who were labelled as 'criminal by birth' during the colonial period, who have been actively excluded from processes of knowledge production, as well as from citizenship, and who continue to be misrepresented in mainstream media through the frames of criminality, primitivism and victimhood. The project consolidates a methodology and form of filmmaking developed to document indigenous experiences of the global pandemic and takes it to different regions and communities at India's borderlands: the sea, the desert and the mountains. These are sites of ecological disruption that are becoming increasingly unliveable with rising sea beds, uncharacteristic rainfall patterns, increased heat and desertification- where traditional patterns of migration, of livelihood, nutrition and shelter are being challenged and where communities are having to adapt fast to new conditions of life.
The project is designed as an action-research intervention based on collective reflexive practice that comprises: 1) a training component involving technical training in filmmaking adapted to the needs of communities with low literacy and digital skills, in combination with training in research methods and collective reflexive practice to support communities in developing their own research questions and projects, while drawing on and transforming their creative practice; 2) a promotional component with the objective of developing a culture of indigenous filmmaking, consolidating Nomad Movies as a hub for indigenous film and at developing a 'Nomad Film Festival'; and 3) a research component focussed on the transformations in communities' artistic practices, both in relation to the training and in relation to the expansion of the digital as an imperative to participate in the country's creative economies.
The value of the project lies in the process itself - and in this respect its outputs and impacts, methodology and epistemology, are enmeshed. In terms of tangible outputs, the project will result in 1) the production of at least six fiction and non-fiction films that will be showcased as part of the Nomad Film Festival, alongside selected films produced by indigenous groups across the country; 2) the creation of a Nomad Film Festival as a hub for indigenous film publications in the country; 3) publications reflecting on the processes and methodology and on the transformation of artistic practices in these border regions. More broadly, the project will contribute to a transformation of collaborative research practice, moving beyond 'participatory' models and socially engaged art practices. It will also be an intervention into multimodal methods of knowledge production, while providing a platform for an emergent and vibrant community of praxis.
The proposed project is based on a research partnership with a collective of indigenous artists and filmmakers belonging India's DeNotified Tribal communities (DNTs) and associated with Nomad Movies. These are communities who were labelled as 'criminal by birth' during the colonial period, who have been actively excluded from processes of knowledge production, as well as from citizenship, and who continue to be misrepresented in mainstream media through the frames of criminality, primitivism and victimhood. The project consolidates a methodology and form of filmmaking developed to document indigenous experiences of the global pandemic and takes it to different regions and communities at India's borderlands: the sea, the desert and the mountains. These are sites of ecological disruption that are becoming increasingly unliveable with rising sea beds, uncharacteristic rainfall patterns, increased heat and desertification- where traditional patterns of migration, of livelihood, nutrition and shelter are being challenged and where communities are having to adapt fast to new conditions of life.
The project is designed as an action-research intervention based on collective reflexive practice that comprises: 1) a training component involving technical training in filmmaking adapted to the needs of communities with low literacy and digital skills, in combination with training in research methods and collective reflexive practice to support communities in developing their own research questions and projects, while drawing on and transforming their creative practice; 2) a promotional component with the objective of developing a culture of indigenous filmmaking, consolidating Nomad Movies as a hub for indigenous film and at developing a 'Nomad Film Festival'; and 3) a research component focussed on the transformations in communities' artistic practices, both in relation to the training and in relation to the expansion of the digital as an imperative to participate in the country's creative economies.
The value of the project lies in the process itself - and in this respect its outputs and impacts, methodology and epistemology, are enmeshed. In terms of tangible outputs, the project will result in 1) the production of at least six fiction and non-fiction films that will be showcased as part of the Nomad Film Festival, alongside selected films produced by indigenous groups across the country; 2) the creation of a Nomad Film Festival as a hub for indigenous film publications in the country; 3) publications reflecting on the processes and methodology and on the transformation of artistic practices in these border regions. More broadly, the project will contribute to a transformation of collaborative research practice, moving beyond 'participatory' models and socially engaged art practices. It will also be an intervention into multimodal methods of knowledge production, while providing a platform for an emergent and vibrant community of praxis.
Organisations
| Description | Indigenous Film Ecologies in India: Andaman Team Workshop |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Professional Practitioners |
| Results and Impact | Indigenous Film Ecologies in India: Unraveling Stories from the Andaman & Nicobar Islands In October & November 2023, an immersive filmmaking workshop unfolded in the picturesque backdrop of Port Blair, Andaman & Nicobar Islands. Guided by seasoned trainers including Dakxin Bajrange, Akshay Khanna, Atish Indrekar, Anish Garange, Keyur Bajrange, Yashodhara Udupa and Chetna Rathod, a diverse group of participants embarked on a journey to explore the rich tapestry of indigenous life in the region. Among the participants were Saalim, Sajida, Mujeeb, Nazima, Avesh and Abhishek, eager to delve into the realms of research, camera work, production, sound, and music. The workshop kicked off with a vibrant introduction session, fostering camaraderie and setting the stage for a week of exploration and discovery. Led by Anish Garange and Chetna Rathod, participants engaged in icebreaker activities and thought-provoking discussions, unraveling the historical struggles faced by the Denotified Tribes (DNTs) and igniting a newfound zeal for advocacy through filmmaking. The screening of the film 'We the DNT' served as a catalyst for reflection, stirring emotions and inspiring participants to delve deeper into the stories waiting to be told. With a newfound appreciation for the transformative potential of cinema, participants eagerly embarked on their journey to capture the essence of indigenous life in the Andaman & Nicobar Islands. Under the insightful guidance of Akshay Khanna, participants delved into the intricacies of research, honing their observational and analytical skills to unravel the layers of public transport in Andaman. From examining statistics to exploring the socio-economic dynamics of transportation, the group embarked on a comprehensive exploration of their chosen research topic, laying the groundwork for informed storytelling. Hands-on training in production, camera operation, and sound recording followed, facilitated by the expertise of Chetna Rathod, Keyur Bajrange, and Ankita Jain. From pre-production planning to on-location shoots in remote villages, participants navigated the intricacies of visual storytelling with finesse, capturing the essence of local life with authenticity and depth. Anish Garange's immersive session on sound and music production added a melodic dimension to the filmmaking process, as participants explored the nuances of rhythm, harmony, and narrative composition. Through vocal exercises and rhythm explorations, the group delved into the soul-stirring power of music, enriching their storytelling toolkit with newfound sonic textures. Atish Indrekar led an evocative session on storytelling, inviting participants to delve into the depths of personal narratives and collective memories. Through reflective exercises and story-sharing sessions, the group forged deeper connections, weaving a tapestry of shared experiences and diverse perspectives. Followed by a detailed 2nd schedule of the workshop by Dakxin Bajrange and Yashodhara Udupa on Direction and editing of the film. This workshop particular was held to train participants about the vision of the director followed by editing sessions on how to complete the film on an edit table. In conclusion, the filmmaking workshop in the Andaman & Nicobar Islands served as a transformative journey of exploration, learning, and creativity. Through hands-on training, participants unearthed the untold stories of indigenous communities, amplifying their voices through the power of cinema. As they bid farewell to the azure shores of Port Blair, the participants carried with them not only practical filmmaking skills but also a profound sense of empathy, advocacy, and storytelling prowess, poised to embark on their cinematic odyssey to illuminate the indigenous film ecologies of India. |
| Year(s) Of Engagement Activity | 2023 |
| Description | Indigenous Film Ecologies in India: Collective Workshop for non-fiction film making training |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Professional Practitioners |
| Results and Impact | Indigenous Film Ecologies in India: Workshop Reflection The workshop held at Sambhaavnaa Institute, Palampur, India, from April 30th to May 5th, 2023, was a new experience for all participants from Rajasthan, Himachal Pradesh & Andaman. It brought together individuals from diverse backgrounds, united by their passion for filmmaking. Led by esteemed mentors from Budhan Theatre, the workshop encompassed various modules, including research, intellectual property rights, direction, production, camera, sound, and acting. Activities and Modules: The workshop commenced with an array of engaging activities aimed at fostering connections among participants. Through icebreaker exercises and group discussions, individuals formed a close-knit community, laying the groundwork for collaborative learning. Dakxin Bajrange's presentation on the "Budhan Podcast" project provided insights into community-driven storytelling, igniting inspiration among attendees. The screening of "Murdon Ka Gao" emphasized the power of filmmaking in preserving cultural heritage and sparking social change. Intellectual property rights took center stage, with Lawrence elucidating the ethical and legal considerations in filmmaking. Discussions on copyright, data protection, and ethical filming practices enriched participants' understanding of their responsibilities as filmmakers. The session culminated in a screening of "Superman of Malegaon," prompting reflections on the intricate relationship between cinema and society. Camera training sessions immersed participants in the technical aspects of filmmaking, empowering them to wield the camera as a tool for storytelling. Chetna's insights into production management underscored the importance of meticulous planning and coordination. The hands-on experience with sound equipment highlighted the critical role of sound in enhancing cinematic narratives. The directorial module delved into the multifaceted role of a director in guiding the creative process. Participants explored acting techniques, delving into character immersion and storytelling dynamics. The screening of "Mhara Picture" provided a platform for critical analysis and reflection on narrative structures. Editing sessions equipped participants with the skills to shape raw footage into compelling narratives. Through practical exercises and collaborative discussions, individuals honed their editing prowess, breathing life into their cinematic visions. The interactive dialogue on filmmaking methodologies deepened participants' appreciation for the craft and its transformative potential. The workshop culminated in a crescendo of artistic expression, with participants engaging in a melange of activities ranging from vocal performances to collaborative storytelling. The sound design module offered a symphony of creativity, weaving together diverse voices into a harmonious chorus of resistance and resilience. Conclusion: The workshop at Sambhaavnaa Institute served as a crucible of creativity and camaraderie, fostering an ecosystem of filmmaking in indigenous communities India. As participants bid farewell, they carried with them not only newfound skills but also a shared commitment to amplifying marginalized voices through the power of cinema. |
| Year(s) Of Engagement Activity | 2023 |
| Description | Indigenous Film Ecologies in India: Himachal Pradesh Team Workshop |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Professional Practitioners |
| Results and Impact | Exploring Indigenous Film Ecologies in the Himalayas: A Workshop in Himachal Pradesh In the heart of the Himalayas, nestled amidst the serene landscapes of Kinnaur, Himachal Pradesh, a workshop exploring indigenous film ecologies in the region was held. The workshop was held by two teams at two different times - 1. Team - Research, Camera, Sound, Production 2. Team - Direction & Sound Led by seasoned mentors Dakxin Bajrange, Akshay Khanna, Atish Indrekar, Anish Garange, Chetna Rathod, Keyur Bajrange & Yashodara Udupa, these workshop aimed to delve into the depths of filmmaking while unraveling the rich cultural tapestry of Kinnaur. Spanning from October 25th to October 31st, 2023, this immersive experience brought together a diverse group of participants including Tashi Negi, Priya Negi, Preeti Negi, Ranjeet Negi, and Shekhar Negi, each contributing their unique perspectives to the cinematic journey. Under the guidance of Dakxin Chhara & the team, the workshop commenced with an exploration of the craft of filmmaking. Building upon the foundations laid on these workshops, participants delved into the significance of 'Chilgoza' as a cultural practice. Armed with cameras and microphones, they embarked on a quest to capture the essence of Chilgoza, navigating through bustling markets and serene landscapes with equal fervor. Challenges emerged, prompting the team to pivot their focus towards capturing reflections and unscripted moments, seamlessly weaving them into the narrative tapestry. The workshop continued with editing sessions led by Yashodara Udupa, where participants meticulously reviewed and logged footage. Divided into groups, they navigated the intricacies of editing software, synchronizing audio with video to breathe life into their cinematic creations. Against the backdrop of familial bonds, discussions unfolded, urging participants to delve into the depths of their creative vision. As the workshop drew to a close, reflections on the journey reverberated through the collective consciousness. From the inception of the first thought to the final edit, the journey had been arduous yet profoundly rewarding. Through the lens of indigenous film ecologies, participants unearthed narratives that transcended geographical boundaries, fostering a deeper appreciation for the cultural tapestry of Kinnaur. |
| Year(s) Of Engagement Activity | 2023 |
| Description | Indigenous Film Ecologies in India: Rajasthan Team (Regional) Workshop Part 1 |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Professional Practitioners |
| Results and Impact | Indigenous Film Ecologies in India: Workshop Report - Rajasthan The Indigenous Film Ecologies workshops held in Jodhpur, Rajasthan, in July 2023 August 2023, marked a significant milestone in the exploration of narratives from Denotified and Nomadic Tribes (DNTs) in Rajasthan. Led by a team of experienced trainers, including Dakxin Bajrange, Akshay Khanna, Atish Indrekar, Anish Garange, Keyur Bajrange, Yashodhara Udupa & Chetna Rathod, the workshop aimed to empower participants to tell the untold stories of marginalized communities through filmmaking. The workshop comprised 6 main training modules: Research: Participants delved into research methodologies, learning to conduct interviews, surveys, and observations. Emphasis was placed on building trust within communities and maintaining objectivity in research. Camera: Through practical exercises and demonstrations, participants honed their skills in camera work, framing, exposure settings, and composition. They learned to capture visual narratives that effectively conveyed the experiences of DNT communities. Sound: The importance of sound in storytelling was highlighted, with participants learning Foley sound techniques and sound recording. They explored environmental sounds and synchronized sound with visual narratives to enhance emotional impact. Music: An exploration of Indian classical music and composition techniques enabled participants to express emotions through music and synchronize it with visual storytelling. They learned to create compelling soundtracks that complemented the narrative arc of their films. Direction: Participants delved into the intricacies of directing, exploring techniques to effectively guide actors and shape narratives that resonate with audiences. They learned to translate vision into action, orchestrating performances and scenes that captured the essence of their stories. Editing: Participants learned the art of post-production, mastering techniques to assemble footage, and refine storytelling through the arrangement of visual and auditory elements. Workshop Highlights Community Engagement: The workshop fostered a sense of community among participants, encouraging openness and collaboration. Through ice-breaking activities and discussions, barriers were dissolved, and participants formed strong bonds. Storytelling: Participants explored diverse themes and narratives, ranging from mine labor to political discrimination against DNTs. They engaged in debates, case studies, and theater enactments to understand the power of storytelling in driving social change. Skill Development: Practical exercises allowed participants to apply theoretical knowledge, refining their skills in research, camera work, sound recording, and music composition. Film screenings provided insights into the application of these skills in visual storytelling. Empowerment: As the workshop concluded, participants emerged with a comprehensive understanding of the filmmaking process and a heightened sense of empowerment. Armed with the necessary skills and knowledge, they were ready to embark on their filmmaking journey, carrying with them the mission to amplify the voices of marginalized communities. Conclusion The Indigenous Film Ecologies workshop in Rajasthan served as a platform for participants to explore the power of storytelling in amplifying marginalized voices. Through intensive training and community engagement, participants gained the necessary skills and confidence to create compelling narratives that shed light on the struggles and triumphs of DNT communities in India. As they embark on their filmmaking journey, they carry with them the mission to provoke thought, inspire change, and foster empathy through the art of cinema. |
| Year(s) Of Engagement Activity | 2023 |