International Trans and Intersex Activist Relationships: Ethics, Ethnodrama and Representation
Lead Research Organisation:
University of Strathclyde
Department Name: Education
Abstract
In collaboration with Professor Yvette Taylor, a leading scholar in LGBTI [lesbian, gay, bi, trans, intersex] research and queer methods and whose work includes international LGBTI projects, this Fellowship will develop events and publications to speak to diverse audiences. This Fellowship is situated in the University of Strathclyde, an internationally leading research intensive institution, in the School of Education, with its significant research impact in areas covering equality, LGBTI lives, and methodologies. Additionally, the Fellowship will contribute to the aim of making space in higher education for queer, trans and disabled academics. This is part of a wider agenda as part of a community of queer, trans and disabled scholars committed to challenging transphobia, homophobia and ableism while creating networks to form a sense of community of academics, activists and allies. The Fellowship will present an original ethnodrama (play) drawn from participant interviews with trans, intersex and LGBTI activists in the UK, Malta and Australia conducted during the PhD. These countries are significant for their recent legislation recognising trans and intersex citizens within Australia (Sex Discrimination Amendment (Sexual Orientation Gender Identity and Intersex Status) 2013); Malta (Gender Identity Gender Expression and Sex Characteristics Act 2015); Scotland (Offences (Aggravation by Prejudice) (Scotland) Act 2009); and the UK (Gender Recognition Act 2004; Equality Act 2010). Furthermore, Malta and Australia were the locations of recent intersex equality consensus statements: the Malta Declaration, 2013, and the Darlington Statement, 2017. These locations remain at the forefront of ongoing legislative reform in these areas. The ethnodrama takes a fictitious legislative consultation as a context to discuss the contestation of language and the negotiation of identities experienced by participants. Many participants had recently engaged in consultations on these legislative developments so the fictional consultation is drawn from those experiences. The presentation of the ethnodrama allows for these complex ideas relating to the contestation of language and identities in law, as well as within activist groups, to be discussed and disseminated widely.
The importance of trans, intersex and LGBTI relationships as well as the wider context of political and media relationships are central features of the ethnodrama and central findings of the thesis from which the ethnodrama is constructed. The ongoing consultations for legislative reform across the UK and Scotland in relation to the Gender Recognition Act (2004) and hate crime legislation (Hate Crime and Public Order (Scotland) Bill 2021) provide a relevant current context to watch this ethnodrama developed from recent data collection (2016-2018). A performance of the ethnodrama will offer the potential for engaging reflection on continued legislative reform and public debate. This will be of interest to those interested and invested in social-legal reform and anti-reformers. The Fellowship will be concerned with navigating ethical impact and engagement with and beyond LGBTI communities. The use of ethnodrama as a form of fictionalised representation of participants' data was utilised to preserve anonymity through composite characters to voice the words of multiple participants. This protects participants' ongoing relationships with each other. This allowed for discussion of trans and intersex activist relationships including group and organisational conflicts without compromising these relationships. This Fellowship will contribute to ongoing conversations on ethical public engagement and ethical representations of participant data on topics that may be considered controversial. The ways in which creative methods, including fictionalisation and ethnodrama, can allow for ethical engagement with contested terms and ideas will provide a context for publications, training and talks.
The importance of trans, intersex and LGBTI relationships as well as the wider context of political and media relationships are central features of the ethnodrama and central findings of the thesis from which the ethnodrama is constructed. The ongoing consultations for legislative reform across the UK and Scotland in relation to the Gender Recognition Act (2004) and hate crime legislation (Hate Crime and Public Order (Scotland) Bill 2021) provide a relevant current context to watch this ethnodrama developed from recent data collection (2016-2018). A performance of the ethnodrama will offer the potential for engaging reflection on continued legislative reform and public debate. This will be of interest to those interested and invested in social-legal reform and anti-reformers. The Fellowship will be concerned with navigating ethical impact and engagement with and beyond LGBTI communities. The use of ethnodrama as a form of fictionalised representation of participants' data was utilised to preserve anonymity through composite characters to voice the words of multiple participants. This protects participants' ongoing relationships with each other. This allowed for discussion of trans and intersex activist relationships including group and organisational conflicts without compromising these relationships. This Fellowship will contribute to ongoing conversations on ethical public engagement and ethical representations of participant data on topics that may be considered controversial. The ways in which creative methods, including fictionalisation and ethnodrama, can allow for ethical engagement with contested terms and ideas will provide a context for publications, training and talks.
Publications
Harvey Humphrey
(2022)
The Research Interview
in Cultivate
Humphrey H
(2022)
Gender Recognition Reform (Scotland) Bill: GRA Reform Tries to Rights a Wrong
in Feminist Legal Studies
Humphrey H
(2023)
Making meanings out of me: Reading researchers' and participants' bodies through poetry
in Open Scholarship of Teaching and Learning
Humphrey, H
(2023)
AS IS: Access and Inclusion in KE Events
Humphrey, H
(2023)
Making meanings out of me: reading researchers' and participants' bodies through poetry
in Open Scholarship of Teaching and Learning
Humphrey, H
(2022)
LEGO® for university learning: Online, offline and elsewhere
Title | 'I Dream of Queer Representation' |
Description | Humphrey, H. (2022) 'I Dream of Queer Representation', in I Have a Dream, edited by Ruchi Acharya and Marie Hennemann, Chennai: Wingless Dreamer, pp. 25-26. |
Type Of Art | Creative Writing |
Year Produced | 2022 |
Impact | Top finalist in competition |
URL | https://winglessdreamer.com/winner-announcement-i-have-a-dream-poetry-contest-2022/ |
Title | 'Trans Time', 'Waiting' and 'Recover' |
Description | Three poems on trans time and trans healthcare published in a poetry magazine |
Type Of Art | Creative Writing |
Year Produced | 2022 |
Impact | Speaks to non-academic audiences |
URL | https://drive.google.com/file/d/1FkoUPpGg9F1ko9qr-jpv6OjDhQ5LsBOH/view |
Title | 'Writing on the Body' |
Description | 'Writing on the Body', a poem published in Fenland Poetry Journal 7, pp. 43. |
Type Of Art | Creative Writing |
Year Produced | 2022 |
Impact | None yet |
Title | AS IS - Film of AS IS Play |
Description | A filmed version of the live in-person play AS IS. Filmed on July 2022. Edited, captioned and uploaded February 2023 |
Type Of Art | Film/Video/Animation |
Year Produced | 2023 |
Impact | It's available to view to a wider and international audience |
URL | http://Youtube.com |
Title | Fellow Fellows Zine |
Description | A Zine co-written with the cohort of SGSSS fellows 2021/2022. This output came out of a poetry session I ran for us. I then collated submissions from attendees and any who were unable to join us on the day. I produced physical copies of this Zine which we then gave to the next cohort of SGSSS Fellows (2022/2023) at their induction event. The zine included reflections on our experiences and our advice for the next cohort to make the most out of their fellowships. |
Type Of Art | Artefact (including digital) |
Year Produced | 2022 |
Impact | I believe SGSSS encourage future outgoing cohorts to do produce something similar for incoming cohorts. I think other DTPs are also interested in adopting this idea. |
Title | Representations and Absences |
Description | Two poems on the subject of representations and absences for the Queer Disability Studies Network online launch event. These were published as blog posts. |
Type Of Art | Creative Writing |
Year Produced | 2021 |
Impact | Online discussion and engagement with the blog posts via Twitter. |
URL | https://queerdisabilitystudies.wordpress.com/2021/10/09/representation-and-absences/ |
Title | Virtual Office and Some Days |
Description | Two poems on the postdoctoral experience as a precarious early career researcher |
Type Of Art | Creative Writing |
Year Produced | 2022 |
Impact | Distributed via an SGSSS, ESRC-DTP mailing list |
URL | https://social.sgsss.ac.uk/index.php?page=acymailing_front&ctrl=archive&task=view&id=122&userid=2040... |
Description | This award allowed for the sharing of complex findings on trans, intersex and LGBTI activist relationships with a wide audience. The research was developed into a play performed by a cast all of whom had a connection to the LGBTI community and most of whom identified the same way as their character. It was brought to the stage by a trans and non-binary directing and production team. The event was then filmed, edited and captioned by a queer filiming company to be shared with a wider and international audience. This play considers trans and intersex activist relationships based on interviews with trans, intersex and LGBTI activists across the UK, Malta and Australia (conducted between 2016 and 2018). The play surrounds a fictitious proposed bill 'ASIS' (drawn from real laws and proposed bills across all the countries) to consider trans and intersex legal recognition. Offering the characters a chance to discuss their work, complex relationships, and the battle for recognition of who they are. This was part of Dr Harvey Humphrey's PhD (previously ESRC funded). The text of the play has been drawn verbatim from interview transcripts from real participants all of whom were trans, intersex and/or LGBTI activists. Composite characters have been created to protect research participants' identities. These are real participants' stories. Performed by a queer community for a queer community. This sold out event was attended by 70 audience members and a cast and crew of 15. There was also a post-show Q&A with Harvey, the Director and three actors. The play was filmed and this is available on Youtube but it is unlisted to avoid unwanted transphobic or intersexphobic hostility. So far this has been viewed 78 times. |
Exploitation Route | The film can be viewed online by anyone interested in the research. The ongoing legislative reform (or lack of) in this area highlights the ongoing relevance of this work. At the time of writing the GRR Bill in Scotland has been prevented from passing by a section 35 order. Screenings and post-show Q&As can be arranged with Dr Humphrey. The film and the how/what/why of turning research into theatre is also of interest to researchers regardless of their interest in LGBTI, trans and intersex relationships. |
Sectors | Communities and Social Services/Policy Creative Economy Education Government Democracy and Justice Other |
Description | The findings were used to create a play in a sold-out event in a theatre with 70 attendees. This was filmed and this has been viewed 56 times to date. The details of this are discussed elsewhere and therefore not repeated. There are significant challenges to achieve 'impact' in the context of rising transphobia in the UK including in academic settings and wider media and cultural discourses. All consideration of impact in relation to this award must acknowledge the ongoing situation for trans researchers, trans participants and any scholar or interested audience member. It is more important to protect researchers, participants and interested audiences from the harms of transphobia than it is to share this work with a wide and potentially hostile audience. In this example decisions were taken to promote events in known trans friendly spaces and groups. Decisions were also taken to host the film on Youtube as unlisted so only trusted parties given the link can watch it. For similar reasons comments have been turned off and all comments will be moderated going forward. I hope as the impacts continue to develop from this research that these risks decrease and transphobia becomes less of a problem in academic settings. I welcome any work Researchfish would like to do in support of this. |
First Year Of Impact | 2022 |
Sector | Creative Economy,Education,Government, Democracy and Justice |
Impact Types | Cultural Societal Policy & public services |
Description | Making Things Up as Ethical Practice |
Geographic Reach | National |
Policy Influence Type | Influenced training of practitioners or researchers |
Description | ReWriting Academic Texts as Creative Academic Practice |
Geographic Reach | Local/Municipal/Regional |
Policy Influence Type | Influenced training of practitioners or researchers |
Description | Early Career Researcher Forum Regional Event |
Amount | £1,000 (GBP) |
Organisation | British Sociological Association (BSA) |
Sector | Academic/University |
Country | United Kingdom |
Start | 01/2022 |
Description | HASS KE Small Grant |
Amount | £4,860 (GBP) |
Organisation | University of Strathclyde |
Sector | Academic/University |
Country | United Kingdom |
Start | 01/2022 |
End | 07/2022 |
Description | 'Who's Here? Who's Queer?' Making Space for Queer ECRs in Academia |
Organisation | University of Edinburgh |
Country | United Kingdom |
Sector | Academic/University |
PI Contribution | This is an emerging network and collaboration between queer early career researchers, predominantly in the UK to 'make space' for ourselves and others in academia. Current contributions include running events; workshops; email lists etc. |
Collaborator Contribution | This is an emerging network and collaboration between queer early career researchers, predominantly in the UK to 'make space' for ourselves and others in academia. Current contributions include running events; workshops; email lists etc. |
Impact | BSA funded event - internationally attended researcher devleopment and networking workshop |
Start Year | 2021 |
Description | 'Who's Here? Who's Queer?' Making Space for Queer ECRs in Academia |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Postgraduate students |
Results and Impact | 30 early career researchers including postgraduate researchers attended the workshop which sparked connections, collaborations and networks. Brief summary of activities: • 'Found' poetry created through the re/construction of participants' own written work: queering one's own writing to engage our emotional reflections and connections both to our work and to academia more broadly; • A 'making space/making self' craft activity destabilising 'linear' notions of career trajectories, considering queer community making and activism as work, and considering our embodied presence within the academy; • 'Queer Connections' - structured coffee breaks (in addition to actual breaks) in which attendees chose whose research to discuss (with everyone offered an opportunity to hear others and discuss their own if they wish); • Guest speakers: Prof Yvette Taylor, University of Strathclyde, and Dr Ruth Pearce, University of Glasgow. |
Year(s) Of Engagement Activity | 2022 |
Description | Film Screening |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Postgraduate students |
Results and Impact | 50 PhD students and supervisors from across Scotland watched a screening of the film of the As Is play followed by a Q&A with myself on the methodological innovation in the project. |
Year(s) Of Engagement Activity | 2023 |
Description | Performance of a research play (ethnodrama) in a theatre |
Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Public/other audiences |
Results and Impact | Public Engagement AS IS, Play, Researcher/Writer/Producer Dr Harvey Humphrey, Director: Mia Slater; July 2022, Scottish Youth Theatre, Glasgow. This was an in-person performance of the AS IS play, an ethnodrama drawn from research interviews with trans, intersex and LGBTI activists across the UK, Malta and Australia. The play uses composite characters to ethically represent trans, intersex and LGBTI activist relationships. The play surrounds a fictitious proposed bill 'ASIS' (drawn from real laws and proposed bills across all the countries) to consider trans and intersex legal recognition. Offering the characters a chance to discuss their work, complex relationships, and the battle for recognition of who they are. This sold out event was attended by 70 audience members and a cast and crew of 15. Over 600 people viewed the event page before the event and there was a waiting list of 25. Tickets sold reached audiences from across the UK with travel to attend from London and the south east of England. The majority of attendees were based locally in Glasgow. There was also a post-show Q&A with Harvey, Mia and three actors. The Q&A was chaired by Harvey's former PhD supervisor Dr Lucy Pickering. The play was filmed and this will be available on request. This will increase the geographical reach of the performance because many original participants from across the UK, Malta and Australia who could not attend have expressed interest in watching the film and sharing it with their networks. |
Year(s) Of Engagement Activity | 2022 |
URL | https://www.eventbrite.co.uk/e/as-is-a-research-play-about-trans-intersex-lgbti-activist-relationshi... |
Description | Podcast |
Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
Part Of Official Scheme? | No |
Geographic Reach | Regional |
Primary Audience | Public/other audiences |
Results and Impact | Humphrey, H. Taylor, Y. and Ivancheva, M. (2022) 'Podcast #33: Meet Some Academics: Harvey Humphrey and Yvette Taylor', University of Strathclyde School of Education Podcast Series, Spotify [Online]. |
Year(s) Of Engagement Activity | 2022 |
URL | https://www.listennotes.com/podcasts/university-of/podcast-33-meet-some-X6D8TK92NZd/ |