Extending our sense and self through designing novel technologies
Lead Research Organisation:
The Open University
Department Name: Computing
Abstract
This research will take the philosophical notion of the extended mind as inspiration to investigate how we can extend our senses through designing novel technologies. We question how we can enable people to sense aspects of the environment they currently can't by designing tools and devices that can extend our sense and self. In particular, we are interested in how new tactile technologies can be designed to extend our ability to see and hear / in motion and in music. To test out our theory, we will conduct two studies, where we will design tactile systems to extend drivers' perception of the space around their vehicle and to facilitate improvising musicians' understanding of harmony and chord progressions. Our approach represents a novel application of philosophical theory to technological innovation, where conceptual philosophical analysis will feed into empirical design and empirical studies will feed back into philosophical analyses.
Publications
Clark A
(2009)
Spreading the Joy? Why the Machinery of Consciousness is (Probably) Still in the Head
in Mind
Holland S
(2009)
Running up Blueberry Hill
Kiverstein J
(2009)
Introduction: Mind Embodied, Embedded, Enacted: One Church or Many?
in Topoi
Rogers Y
(2009)
HCI and Usability for e-Inclusion
Todd A. Crane (Author)
Sensory Augmentation.
Van Der Linden J
(2011)
MusicJacket-Combining Motion Capture and Vibrotactile Feedback to Teach Violin Bowing
in IEEE Transactions on Instrumentation and Measurement
Ward D
(2010)
Knowing what we can do: actions, intentions, and the construction of phenomenal experience
in Synthese
Wheeler M
(2008)
Culture, embodiment and genes: unravelling the triple helix.
in Philosophical transactions of the Royal Society of London. Series B, Biological sciences
Yvonne Rogers (Author)
(2011)
(series: Advances in Consciousness Research)
Title | Skin Vision |
Type Of Art | Artistic/Creative Exhibition |
Title | Skin Vision |
Type Of Art | Artistic/Creative Exhibition |
Title | Skin Vision |
Type Of Art | Artistic/Creative Exhibition |
Title | Sue Hawksley: Danced process number 1 |
Type Of Art | Film/Video/Animation |
Title | The Question |
Type Of Art | Artwork |
Title | Tummy Vision |
Type Of Art | Artistic/Creative Exhibition |
Title | hipDrawing |
Type Of Art | Performance (Music, Dance, Drama, etc) |
Description | Technology interventions especially the use of tangible devices and ambient displays are effective at augmenting cognition and changing behaviour. |
Exploitation Route | To explore further how new technology can be used to investigate the extended mind. |
Sectors | Creative Economy Retail |
Description | The research inspired further collaborations with a blind theatre company called Extant where we helped to design and evaluate a technology that was used as part of their productions, including The Question. |
First Year Of Impact | 2012 |
Sector | Education |
Impact Types | Cultural Societal |
Description | To work on a grant proposal to be submitted to the German Research Council on a posture guidance system to help alleviate depression With Hedda Lausberg, Köln, Germany. |
Organisation | German Research Foundation |
Country | Germany |
Sector | Charity/Non Profit |
PI Contribution | Information taken from Final Report |