Marginalised Southern Iraqi Dances: Politics & Production in the 1980s
Lead Research Organisation:
King's College London
Department Name: Culture Media and Creative Industries
Abstract
I aim to conduct an ethnographic and historical project examining the folkloric industry in Iraq as a tool for upholding nation-state narratives in the 1980s. As an entry point, I aim to look at marginalised dance forms in southern Iraq which are especially stratified along gendered, classed, racial and ethnic lines.
Although there is a lack of official archives around marginalised dance forms in Iraq, YouTube holds a vast collection of "unofficial" archives of theatre troupes and dance gatherings dating back to the 80s when there was a heavier investment in preserving Iraqi folkloric dances, locally and regionally. Nevertheless, the dances were often sanitised of their marginalised roots.
My interests also lie in these visual/archival forms of documentation. I aim to trace the various identity and power dynamics that stratify these different forms of representation and look at structures being reproduced or perhaps dismantled.
Although there is a lack of official archives around marginalised dance forms in Iraq, YouTube holds a vast collection of "unofficial" archives of theatre troupes and dance gatherings dating back to the 80s when there was a heavier investment in preserving Iraqi folkloric dances, locally and regionally. Nevertheless, the dances were often sanitised of their marginalised roots.
My interests also lie in these visual/archival forms of documentation. I aim to trace the various identity and power dynamics that stratify these different forms of representation and look at structures being reproduced or perhaps dismantled.
Organisations
People |
ORCID iD |
Miriam Al-Hussona (Student) |
![]() |