The Politics of Wounds: Pain, Disability and Society 1914-1925
Lead Research Organisation:
The University of Manchester
Department Name: Arts Languages and Cultures
Abstract
The Politics of Wounds asks what does it mean to be wounded in war - and how can history help us to assess the legacies of this significant outcome of conflict? It examines WW1 as an industrialised and medicalised war that created new systems to treat the mass wounding of British citizen soldiers. It investigates how these systems fundamentally shaped medical services and military policies regarding the disabled that have impacted on soldiers, civilians and practitioners of rehabilitation ever since. This book uncovers a significant degree of political contestation about how the State would care for its wounded men. This involved political wrangling at the highest level, commissions of enquiry, media propaganda campaigns for civilian and troop morale, as well as behind-the-scenes conflicts between politicians, military personnel and medical practitioners (both regulars and civilian consultants). Humanitarian medicine and welfare agencies also mobilised the wounded body with its own agendas, influencing social and economic values that shaped public attitudes to disabled men.
The outcome of wounding for men was often poverty and social dislocation, and it was families that had to meet the financial and emotional gap between the state's provisions and welfare support. Resisting the myths of the wounded as either victims or heroes, this book explores the complexity of individual experiences, including how pain was dealt with, alongside recovery and poverty, and how masculine embodied identity was reconstructed after wounding. This book brings to light untapped sources from the rank and file in conjunction with official documents; while the story of war is often told from a powerful institutional perspective, this book highlights wounded and disabled men's voices. A second significant thread is to illuminate the social, economic and political value of the wounded body, and to consider continuity and change since WW1, especially in regard to policies, pensions and public attitudes. How did the First World War shape the conditions of military medicine and the social meaning of wounds and disablement in the present day?
The Politics of Wounds offers a new methodology, bringing together the study of military and medical history with the social and cultural history of war, and drawing upon phenomenological analysis of the wounded body 'that matters' (Butler), as well as anthropological and sociological studies into social relations and institutional behaviour. It also imports historical analysis into theoretical discussions about embodiment and identity, and draws significantly upon disability studies to question the political implications of disablement in wartime.
This project will produce a significant advance in the comprehension of the impact of war on the wounded, on the social and economic value of the wounded body in military medicine, in political debate, in humanitarian welfare, and in public attitudes to the war disabled. It will be of significant use for academics from a range of disciplines, as well as contemporary practitioners of public medicine and military policy. This book offers a timely analysis at an important juncture in British history, when the stories of the past can offer important lessons for our greater comprehension of the consequence of war through a socially intimate political history.
The outcome of wounding for men was often poverty and social dislocation, and it was families that had to meet the financial and emotional gap between the state's provisions and welfare support. Resisting the myths of the wounded as either victims or heroes, this book explores the complexity of individual experiences, including how pain was dealt with, alongside recovery and poverty, and how masculine embodied identity was reconstructed after wounding. This book brings to light untapped sources from the rank and file in conjunction with official documents; while the story of war is often told from a powerful institutional perspective, this book highlights wounded and disabled men's voices. A second significant thread is to illuminate the social, economic and political value of the wounded body, and to consider continuity and change since WW1, especially in regard to policies, pensions and public attitudes. How did the First World War shape the conditions of military medicine and the social meaning of wounds and disablement in the present day?
The Politics of Wounds offers a new methodology, bringing together the study of military and medical history with the social and cultural history of war, and drawing upon phenomenological analysis of the wounded body 'that matters' (Butler), as well as anthropological and sociological studies into social relations and institutional behaviour. It also imports historical analysis into theoretical discussions about embodiment and identity, and draws significantly upon disability studies to question the political implications of disablement in wartime.
This project will produce a significant advance in the comprehension of the impact of war on the wounded, on the social and economic value of the wounded body in military medicine, in political debate, in humanitarian welfare, and in public attitudes to the war disabled. It will be of significant use for academics from a range of disciplines, as well as contemporary practitioners of public medicine and military policy. This book offers a timely analysis at an important juncture in British history, when the stories of the past can offer important lessons for our greater comprehension of the consequence of war through a socially intimate political history.
People |
ORCID iD |
Ana Carden-Coyne (Principal Investigator) |
Publications

Carden-Coyne
(2012)
Gender and Conflict since 1914: Historical and Interdisciplinary Perspectives

Carden-Coyne A
(2019)
Butterfly touch: rehabilitation, nature and the haptic arts in the First World War
in Critical Military Studies

Carden-Coyne A
(2021)
Boy Mascots, Orphans and Heroes: The State, the Family and Cultural Heritage, 1914-1918
in Cultural and Social History

Carden-Coyne A
(2013)
Painful bodies and brutal women: remedial massage, gender relations and cultural agency in military hospitals, 1914-18
in Journal of War & Culture Studies

Carden-Coyne, A
(2014)
The Politics of Wounds: Military Patients and Medical Power in the First World War

Dr Ana Carden - Coyne (Author)
What can a body do? Practices and Figurations of the body in Cultural Studies'.
Description | It proved how industrialised systems shaped medical services and military policies regarding the wounded and disabled that impacted on soldiers, practitioners of rehabilitation. It examined a significant degree of surgical experimentation and debate about the treatment of wounds. It exposed the political contestation about how the State would care for its wounded men. This involved political wrangling at the highest level, commissions of enquiry, media propaganda campaigns for civilian and troop morale, as well as behind-the-scenes conflicts between politicians, military personnel and medical practitioners (both regulars and civilian consultants). Veteran charities and welfare lobbyists also mobilised the wounded body with its own agendas, influencing social and economic values that shaped public attitudes to disabled men. It revealed the complexity of individual experiences, including how pain was dealt with, alongside recovery and poverty, and how masculinity was reconstructed after wounding. Men's reactions to pain were shown as we delved into the complex social life of hospitals and the culture inside the wards. It also revealed the agency and cultural forms that wounded men used to softly resist the power structures of the military hospital before being returned to the front. |
Exploitation Route | The research has proved interesting to scholars of history but also medical practitioners and surgeons interested in chronic pain after traumatic injuries. |
Sectors | Education Healthcare Culture Heritage Museums and Collections |
Description | A major art exhibition with the Manchester Art Gallery for the centenary of WW1 and catalogue, below. 2014 Co-Editor, The Sensory War, 1914-2014, Manchester Art Gallery press, exhibition catalogue. *Single authored: 'The Sensory War, 1914-2014: Bodies, Minds and Environments'. ISBN 9780901673886 |
First Year Of Impact | 2014 |
Sector | Culture, Heritage, Museums and Collections |
Impact Types | Cultural Societal Economic |
Description | The Sensory War centenary exhibition with Manchester Art Gallery |
Organisation | Manchester Art Gallery |
Country | United Kingdom |
Sector | Public |
PI Contribution | The exhibition was the result of a partnership between my, the Whitworth Art Gallery and Manchester Art Gallery. The three curators spent 3.5 years putting this major exhibition together, which stretched over two floors of the gallery. It was an equal and joint effort. We met every Friday. It involved teams of workers from the host site (MAG) and a government indemnity for the insurance of international works. 203,000 people saw the exhibition, and it was widely acclaimed in the local, national and international press, including features in the NY Times and London Times. |
Collaborator Contribution | as above |
Impact | 2014 Co-Editor, The Sensory War, 1914-2014, Manchester Art Gallery press, exhibition catalogue. *Single authored: 'The Sensory War, 1914-2014: Bodies, Minds and Environments'. ISBN 9780901673886 |
Start Year | 2011 |
Description | Visions of the Front, 1916-1918 exhibition |
Organisation | Whitworth Art Gallery Manchester |
Country | United Kingdom |
Sector | Academic/University |
PI Contribution | I was co-curator with Whitworth Art Gallery, drawing on my research for the exhibition. Key curator. An exhibition focused on the Somme frontline during WW1, covering themes of beauty, destruction, medicine, and memory, and linked to the national Somme centenary commemoration activities in Manchester. I also gave guided tours to students and museum staff. |
Collaborator Contribution | I collaborated with the curator of prints and drawings, David Morris. |
Impact | This was an impact activity --the exhibition was for the Somme centenary and followed on from the Sensory War exhibition (MAG and WAG collaboration, 2014-2015) and the research from my book The POlitics of Wounds. |
Start Year | 2016 |
Description | BBC Magazine online edition, Historyextra. Commentary on the 'Handwritten wills of fallen First World War soldiers published online for first time' |
Form Of Engagement Activity | A magazine, newsletter or online publication |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Public/other audiences |
Results and Impact | BBC Magazine online edition, Historyextra. Commentary on the 'Handwritten wills of fallen First World War soldiers published online for first time'. (29 Aug) http://www.historyextra.com/news/first-world-war/hand-written-wills-fallen-first-world-war-soldiers-published-online-first-time |
Year(s) Of Engagement Activity | 2014 |
URL | http://www.historyextra.com/news/first-world-war/hand-written-wills-fallen-first-world-war-soldiers-... |
Description | BBC Radio 4, one-hour documentary. "The Language of Pain" |
Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | Outcome of The Politics of Wounds (OUP, 2014); a voice actor performed quotations from my primary evidence on soldiers' experiences of painful wounds. |
Year(s) Of Engagement Activity | 2015 |
URL | http://www.bbc.co.uk/programmes/b05spk3q |
Description | BBC Radio Three programme. Free Thinking with Philip Dodd. War and Modern Memory. |
Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | BBC Radio Three programme. Free Thinking with Philip Dodd. War and Modern Memory. In the week of the controversial release of the Chilcot Report, my expertise informed this on-air roundtable debate about the legacy of war for soldiers and civilians |
Year(s) Of Engagement Activity | 2016 |
URL | http://www.bbc.co.uk/programmes/b07jlbvp |
Description | Documentary Film: From the Front to the Backs: the story of the First Eastern General Hospital, Cambridge University, in WW1. (Dir: S. Bayliss and J. Settle) |
Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Public/other audiences |
Results and Impact | http://www.cam.ac.uk/research/news/from-the-front-to-the-backs-story-of-the-first-eastern-hospital My research on the Politics of Wounds informs this programme. |
Year(s) Of Engagement Activity | 2014 |
URL | http://www.cam.ac.uk/research/news/from-the-front-to-the-backs-story-of-the-first-eastern-hospital |
Description | Dunham Massey National Trust Public Talk |
Form Of Engagement Activity | A talk or presentation |
Part Of Official Scheme? | No |
Geographic Reach | Local |
Primary Audience | Public/other audiences |
Results and Impact | In association with the Dunham Massey exhibition opening, I spoke with Kate Adie on the grounds of the old house and WW1 hospital. |
Year(s) Of Engagement Activity | 2014 |
URL | http://e-tout.blogspot.co.uk/2014/06/dunham-massey-is-stamford-military.html |
Description | Hidden Histories of Disabled Veterans in the First World War |
Form Of Engagement Activity | Participation in an activity, workshop or similar |
Part Of Official Scheme? | No |
Geographic Reach | Local |
Primary Audience | Public/other audiences |
Results and Impact | Disability History Month - inaugural event hosted by Manchester City Council Diversity and Equality group |
Year(s) Of Engagement Activity | 2014 |
URL | http://www.archivesplus.org/news/uk-disability-history-month-2014/ |
Description | International New York TImes feature article |
Form Of Engagement Activity | A press release, press conference or response to a media enquiry/interview |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | I was the main curator and interviewee for this NYT article feature on the exhibition The Sensory War (manchester art gallery), which was the outreach project that followed on from the Politics of Wounds research project. |
Year(s) Of Engagement Activity | 2014 |
URL | http://www.nytimes.com/2014/10/16/arts/international/a-century-of-war-rendered-in-art.html?_r=0 |
Description | Podcast |
Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
Part Of Official Scheme? | No |
Geographic Reach | International |
Primary Audience | Public/other audiences |
Results and Impact | BBC radio 3 Podcast based on my REF article, 'Butterfly Touch', Critical Military Studies. Bloodstains and Butterflies: Fragments of WW1: https://www.bbc.co.uk/programmes/p06r6gxq |
Year(s) Of Engagement Activity | 2020 |
URL | https://www.bbc.co.uk/programmes/p06r6gxq |
Description | The Safe House (BBC TV production) |
Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
Part Of Official Scheme? | No |
Geographic Reach | National |
Primary Audience | Public/other audiences |
Results and Impact | A TV programme on Dunham Massey hospital in Cheshire. I was asked to be part of the production. |
Year(s) Of Engagement Activity | 2014 |
URL | http://www.bbc.co.uk/programmes/p01zzvwj |