Conversion Narratives in Early Modern Europe: a cross-confessional and comparative study, 1550-1700

Abstract

In post-Reformation Europe (c.1550-1700), religious conversion took place on a scale that had not been seen since the official Christianisation of the Roman Empire in the fourth century and the seventh-century Muslim conquest of the south Mediterranean seaboard and most of the Iberian peninsula. Under the combined effects of the Protestant and Catholic Reformations within and pressure from the Ottoman Empire without, early modern Europe became a site in which an unprecedented number of people were confronted by new beliefs, and collective and individual religious identities were broken down and reconfigured. This project will bring together a team of researchers to explore the stories early modern men and women told about their own conversions and the changes of faith undergone by those around them.

The process of conversion took on diverse forms: from the intensification of the religious life (the most common contemporary meaning of the term 'conversion' in the West) to a change in religious allegiance that could be dramatic or dissembled, ambivalent or enforced. New words were coined to describe a correspondingly novel awareness of the potential for backsliding in this world of sharpening physical and mental borders: from 'New Christians' (those of Jewish ancestry) and 'Moriscos' (Christianised moors) to 'Rinnegati/Renegados' (former Christians who had 'turned Turk') and 'Nicodemites' (those who kept their true beliefs hidden). Conversion narratives are a privileged gateway into the study of the various strategies through which early modern people intensified, changed or concealed their spiritual and personal identities. They open up important questions about the relations between personal and religious identity; modes of autobiography; (self) censorship; dissimulation; domestic material culture; mobility and religious diaspora.

There has been little interdisciplinary exploration of conversion narratives. It is one of the principal aims of this three-year project to recover for sustained study the full range of genres in which these narratives have been preserved and to locate them comparatively in terms of the conditions of their production and reception. With one post-doctoral fellow working on conversion in England, Wales, Scotland and Ireland, another researching the Italian peninsula, and a series of conferences and publications bringing together leading scholars to offer a global perspective, this project will offer a unique transnational view, giving a compelling picture of religious life, and the pressures of religious change, in this pivotal period. We will deal with topics of enduring concern and contemporary relevance, including forced conversion and toleration, religion and identity, missionary activity, cultural exchange, and the negotiation of differences within and between faiths including Christianity, Judaism, and Islam, as well as Eastern and indigenous religions.

This will be an interdisciplinary project, housed in the Centre for Renaissance and Early Modern Studies, the largest centre of its kind in the UK, with particular strengths in religious and book history, material culture, and the interface between religion and textuality. We will support new researchers not only by employing two post-doctoral fellows but by inviting postgraduate and early career researchers to participate in our conferences. Our researchers will be accommodated within the purpose-built Humanities and Education Research Centre. The research will be published in the form of two monographs, a journal special issue, and one edited collection. We will create an interactive website, which will be an essential tool for both scholars and the interested public to discover more about early modern conversion and its relevance to today's world. It will allow access to case studies and a series of carefully-targeted teaching resources. Public engagement will be encouraged through a series of open lectures as well as an exhibition.

Planned Impact

This project will benefit a range of audiences. We will ensure the impact of our research through a carefully managed programme of dissemination, centering around an accessible and relevant website. Our key beneficiaries are the wider public, along with members of the education and public sectors, and include:

- teaching staff and school students in RE, History, and English, who will draw upon the teaching materials made available through the project website. We will encourage interaction with interested students by inviting them to contribute to discussion forums in an online exhibition designed to support and extend the exhibition at St Mungo. We will be assisted in this project by staff at St Mungo, already involved in the creation of award-winning educational resources, and by the findings of the AHRC-funded project, 'Does Religious Education Work?'.

- the local community: we will host an event for A level teachers and pupils from the Yorkshire region in the third year of the project, which will be both a teaching opportunity and an opportunity to widen access and encourage progression to Higher Education. Simon Ditchfield, as History Admissions Tutor, and Helen Smith, as English Open and Visit Day organiser, and schools liaison, are well placed to facilitate this event, as is Abigail Shinn, an AHRC Researcher in Residence. The Yorkshire region is ethnically, religiously, and socially diverse, and this project will provide a forum for considering the intersection of religious and cultural difference at a sufficient historical distance to allow for the exploration of challenging material.

- university staff and students, who will benefit from the bibliographies, archive finding lists, and case studies on the project website. Ditchfield, Smith, and Mazur are experienced University teachers, and Smith has a record of innovation in this field, having received pump-priming funds to pioneer VLE resources at the University of York. The resources uncovered will contribute to the AHRC-funded online centre for British data on religion.

- museums staff, directly in the case of our collaboration with the St Mungo Museum of Religious Life, who will benefit from our expertise and new knowledge, while contributing their extensive experience in exhibition curation and management, community engagement, and education; indirectly through the example of our exhibition, and dissemination of appropriate modes of evaluation.

- the wider public, who will be offered access not only to the results but to the processes of our research. Our public dissemination will begin early in the project as we release a series of case studies and project information on the web. Throughout the project, the two postdoctoral researchers will maintain regularly updated blogs about their research experiences. The investigators, and members of the international advisory group, will contribute materials and reflections, and be encouraged to create a lively commenting community, which will be open to the public. Our aim is to increase public understanding of the challenges, as well as the revelations, of this kind of scholarly work. A broader programme of public engagement, which may include radio and television presentations, articles in popular history magazines, and the performance of a selection of narratives in conjunction with the York department of Theatre, Film, and Television, will culminate in a widely publicised exhibition at the St Mungo Museum of Religious Life.

Taken together, our programme of dissemination and engagement will create a new conversation about the politics and history, and, perhaps more importantly, the individual experiences of religious conversion. The 2014 exhibition and associated materials will mark the culmination of the funded project, but the beginning of a longer term impact which will change the way we think about

Publications

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Description 1.Publications:
a) Helen Smith, Kevin Killen & Rachel Willie eds. The Oxford Handbook of the bible in early modern England, Oxford University Press, 2015 (jointly authored intro + individual chapter by Smith)
b) Simon Ditchfield, 'Catholic reformation and renewal' in Peter Marshall ed. The Oxford Illustrated history of the Reformation, (Oxford University Press, 2015)

c)Simon Ditchfield Peter Mazur, "Raccontare la conversione in età moderna. A proposito di Schiavitù Mediterranee";, Storia e Politica 4, no. 2 (2012), 411-426.
d) Peter Mazur, 'Searcher of hearts: Cesare Baronio, Justus Baronius, and the History of Conversion, Journal of the History of Ideas, forthcoming (end of 2013)
e)Peter Mazur, Improbable Lives: Converts to Catholicism in Early Modern Italy, Routledge, to be published 2016)
f)Peter Mazur Abigail Shinn (eds.), introduction to 'Conversion narratives in the early modern world', special double issue of Journal of Early Modern History, 17, 5-6 (2013) of six articles + 3,864 word co-authored introduction
g) Helen Smith, 'Metaphor, Cure and Conversion' Renaissance Quarterly, 67, forthcoming summer 2014.
h)Helen Smith, 'Virtue and Vice: A Collaboration Between Hardwick Hall and the University of York', ABC Bulletin [National Trust in-house magazine], (October 2013).

2. Other research outputs: Blog at http://www.europeanconversionnarratives.wordpress.com 30,758 views to date (08/10/2013); 1090 twitter followers; 62 wordpress followers. Videos of public lecture series: http://www.york.ac.uk/crems/conversion/resources/podcasts/ 'Virtue and Vice' mobile app to accompany project exhibition at Hardwick Hall. iOS: https://itunes.apple.com/gb/app/virtue-and-vice/id635915944?mt=8 Android: https://play.google.com/store/apps/details?id=com.rustymonkey.virtueandvice
Exploitation Route They may be used in education and by museum curators.
Sectors Education,Culture, Heritage, Museums and Collections

URL http://www.york.ac.uk/crems/conversion/
 
Description Findings of this project were fed into the exhibition put on at Hardwick Hall during 2013. This related objects within the National Trust property to some of the key themes of the project which were explained using both banners as well as a small exhibition. This was then backed up by a free smart phone app which was available until last year when we had to withdraw it from distribution as we did not have the funds to update it and thereby comply with industry standards. We also held a workshop and study day for the room stewards at Hardwick in May 2013
First Year Of Impact 2013
Sector Leisure Activities, including Sports, Recreation and Tourism
Impact Types Cultural

 
Description Early Modern Conversions 
Organisation McGill University
Country Canada 
Sector Academic/University 
PI Contribution Simon Ditchfield and Helen Smith were invited to join this international research project, and both attended the first project meeting. Since then, Smith has attended and spoken at a variety of events organised and sponsored by the network, in the UK, the US and Canada. In the academic year 2015-16, Smith was one of two research leaders for the project. With the project team, we co-organised a York workshop on 'Converting Narrative'.
Collaborator Contribution This is a major project, funded by SSHRC. Our partners have organised a number of stimulating events for academic exchange and for knowledge exchange (in particular a three-way collaboration with the Guildhall School of Music and Drama in 2017). They have funded Smith's travel and accommodation both at events organised by the project, and at independent events where she spoke on topics related to the themes of the project.
Impact Smith has a publication forthcoming as a direct result of this partnership (in press; details to be entered next year).
Start Year 2013
 
Description Converting Sounds 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Smith was an invited participant in an intensive collaborative workshop with Guildhall School of Music and Drama (London), early modern conversions project, and Opera McGill. Three days of intensive workshops bringing together 10 academics, 15 musicians, a composer and librettist, and 11 actors to help shape a performance of Much Ado About Nothing (Repercussion Theatre, Summer 2017, https://www.repercussiontheatre.com/muchado/) and an opera in development (librettist Patrick Hansen; composer James Garner). The event concluded with a public workshop performance at the Guildhall School of Music and Drama, including onstage contributions from the academic participants. The immediate impact was on the performers, in relation to the performance of the play, and the development of the libretto and music. That impact was taken forward to audiences at 27 venues across the Montreal area, who witnessed the resulting performance. Entrance was free, so numbers cannot be fully determined, but totalled over 10,000 spectators across the various venues. The idea for this workshop, and the choice of play, derived directly from Smith's scholarship, as presented at an earlier network conference in York, and due for publication in 2018.
Year(s) Of Engagement Activity 2016
URL https://www.repercussiontheatre.com/muchado/
 
Description Exhibition 'Virtue and Vice' held at Hardwick Hall, the Elizabethan Prodigy House, run by the National Trust in Derbyshire 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact This exhibition, consisting of information panels and a supporting, specially developed, phone App available in both android and Mac formats, was curated by CI Helen Smith with the support of the Conversion narratives team. Before the exhibition opened, both CIs and assistants ran a day workshop to help disseminate our findings to the National Trust volunteer room stewards. Dr Smith also arranged a related special musical event in the Great Hall - described by one witness as an 'early music flash mob'.

Please see the Hardwick Hall visitors book for the six month duration of the exhibition - March to November 2013.
Year(s) Of Engagement Activity 2013
URL http://www.york.ac.uk/crems/conversion/vandv/
 
Description Invited workshop on 'Gender and Conversion' 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact The pre-circulated papers discussed at this event attended by a further dozen auditors in addition to the dozen authors are now being revised for a book of essays: 'Conversions: Gender and Religious change in early modern Europe' (to be published in 2016 by Manchester University Press)

The CIs were invited to co-run a weekend seminar at the Folger Shakespeare library and also to participate in other initiatives being run by workshop members (e.g. Ditchfield was invited to open a conference at the University of Louvain-la-Neuve in July 2013 on the related topic of Jesuit models for religious conversion in the nineteenth century)
Year(s) Of Engagement Activity 2012
 
Description Project sponsored panels at the biannual Society of Renaissance Studies international conference, University of Manchester 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact The two panels were attended by ca. 50 people and led to a stimulating discussion.

The project participants were able to use ideas that came up in panel discussion to revise their ongoing publications.
Year(s) Of Engagement Activity 2012
 
Description Public lecture series: Cultural Encounters: travel, religion and identity in the early modern world 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Public/other audiences
Results and Impact These six lectures were held in the heart of York city centre (at the Medical Society rooms off Stonegate) and began at 8.00 pm. They were regularly at full capacity of ca. 70-80. One lecture was given each by the two CIs and the two postdocs and the two other lectures were given by a guest speaker and by a York colleague.
Feedback postcards suggest that the lectures more than fulfilled their intended aim: which was to get the audience to place the current phenomena of globalisation and religious conflict in the longer historical context.

In addition to the above, podcasts of the lectures were made and have been available to download free of charge from the project website (see below for URL).
Year(s) Of Engagement Activity 2013
URL http://www.york.ac.uk/crems/conversion/resources/podcasts/