INVESTIGATING A ROLE FOR THE ARTS IN SUPPORTING RELATIONS OF CARE IN RAJASTHAN'S TRADITIONAL WATER INFRASTRUCTURES

Lead Research Organisation: University of the West of England
Department Name: Faculty of Environment and Technology

Abstract

This research network will explore how community-based arts can contribute to understandings and improvements in the welfare of those living in conditions of water scarcity. We expect the network to result in far-reaching multi-disciplinary collaboration on the themes of water, infrastructure, gender and social relations, care, sustainability, and inclusive communities between the UK and India. For this foundation-setting network project, our work will centre on the care practices associated with the development and maintenance of traditional water infrastructures in Rajasthan, India.

Rajasthan is the driest state in India and has a long history of using simple rainwater harvesting and conservation practices to manage water scarcity. However, in recent decades these techniques have fallen out of use in favour of modern, centralised water extraction and distribution processes which have, unfortunately, largely failed to meet the needs of people in rural Rajasthan. As a consequence, many water experts in India are now advocating a return to smaller, decentralised and traditional rainwater harvesting to address water scarcity. Our project will take a careful look at the renewal of interest in traditional rainwater harvesting practices and the role these infrastructures play in both local social relations and the delivery of sustainable water security.

Our project will draw together water and development specialists, government stakeholders, water providers and managers, socially engaged and community-based artists and gender experts in the exploration of traditional water conservation practices and infrastructures in Rajasthan.

Socially engaged arts practice is at the heart of our approach. Knowledge and experience of harvesting in Rajasthan is embedded in local village cultures. By working with Indian artists who have specialised in processes of creative facilitation and inquiry we expect not only to collaboratively explore traditional practices, but also to disseminate this knowledge and experience in an accessible form to national and international policy circles and stakeholders.

Our approach to 'care' draws on the experiences associated with the AHRC-funded project 'Towards-Hydrocitizenship' (2014-2017) through which PI Dr Buser studied the practices of urban water infrastructural maintenance and mending. Following Joan Tronto, we understand care to be 'everything that we do to maintain, continue and repair our world so that we can live in it as well as possible. That world includes our bodies, ourselves and our environment, all of which we seek to interweave in a complex, life-sustaining web' (1993, 103). Within the context of Rajasthan's traditional water infrastructures, this means looking to the way care is both a disposition and (often unacknowledged or unrecognised) practice that permeates social relations. It also explicitly acknowledges the non-human as a key agent in care assemblages.

Our programme involves three workshops through which we will facilitate cross-disciplinary and international collaboration. The first two of these will take place in Rajasthan where we will discuss and explore the conditions of water scarcity and water infrastructure in Rajasthan. This will include working with Indian-based arts practitioners and traditional water infrastructure users and caretakers. The third workshop will take place in Bristol, UK and centre on widening creative, academic and policy engagement with the concepts of infrastructural care and furthering our research agenda. This will include a mini-conference and an exhibition of materials and creative outputs from the first two workshops and Indian arts commissions.

Planned Impact

The principal aim of this project is to explore how community-based arts can contribute to understandings and improvements in the welfare of those living in conditions of water scarcity. We will deliver this through a programme of workshops and arts commissions where artists, water experts and international development specialists will work together in examining traditional water management practices in rural Rajasthan, India. We expect wide-ranging impact from these efforts which will be of relevance and value through much of India and internationally in situations where water management is of central concern. Our approach to impact will be developed across several sets of stakeholders.

National, regional and state organisations and bodies involved in water management in both the UK (e.g. Bristol Water, Environment Agency) and India (Rajasthan state government).

Non-governmental organisations concerned with international and rural development (e.g. Wells for India; GRAVIS).

Local villages and communities in Rajasthan. Our research will directly involve individuals who develop and maintain traditional water infrastructures in rural Rajasthan.

Academic and other relevant networks (International Water Security Network; Virtual Water Museum)

Our communications and dissemination programme will involve a range of efforts including two arts commissions, an exhibition associated with our mini-conference, website, and project reports and summaries. All materials will be translated into Hindi (and Marwari as appropriate) to maximise local dissemination in Rajasthan and India.

Publications

10 25 50
 
Title Mural (wall and fabric) 
Description As part of our muraling activities, the artists created a large size version of the artwork on both a wall and a fabric. this fabric is wall-sized and is used now by NGOs and others to tell the story of water scarcity and water conservation in Rajasthan. The mural is based on traditional Shekhawati forms or artwork that were common on the buildings of wealthy families. Our team re-purposed these artistic forms forms to bring them to the level of a local, poor village in Rajasthan. The output is both on the wall of a large building (painted mural) and a large fabric. 
Type Of Art Artwork 
Year Produced 2018 
Impact The art is used locally by the villagers (the mural) as it forms an important part of discussions around water scarcity and water conservation. It is seen by every villager, every day of the year. The fabric version is used by NGOs and other partners to narrate the story of water and to support further conservation efforts in this very arid area. 
URL https://www.youtube.com/watch?v=b6JqAb6uDWU&feature=youtu.be
 
Description Through our project, we found that integrated arts approaches can not only support the delivery of water management policy by raising awareness but also, can contribute to changes in the way people understand water and environmental challenges and their role in working towards sustainable water futures.
Exploitation Route We are actively developing follow up projects and seeking ways to develop our outcomes in a way that others can use and draw on our insights. This year, we published two papers from this research. They are part of a programme to advance our team and our approach. We are building an evidence base which supports the role of artists to engage in interdisciplinary research on critical global challenges.
Sectors Communities and Social Services/Policy,Environment,Culture, Heritage, Museums and Collections

 
Description Our partner the Centre for Environment and Development Studies, Jaipur has been using the project to encourage and facilitate water conservation and management throughout Rajasthan. The resources we developed are now part of an ongoing discussion for long-term water planning in the state.
First Year Of Impact 2018
Sector Environment,Culture, Heritage, Museums and Collections
Impact Types Societal,Policy & public services

 
Description The Art of Healing in Kashmir: how creative activities can support child wellbeing in areas of conflict
Amount £126,783 (GBP)
Funding ID AH/V004263/1 
Organisation Arts & Humanities Research Council (AHRC) 
Sector Public
Country United Kingdom
Start 07/2020 
End 04/2021
 
Description Art and Global Challenges Seminar 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Professional Practitioners
Results and Impact This event was a one-day seminar in Bristol to reflect on the potential and role of the arts and creative practice in addressing critical global challenges. The focus of our discussions included: Where and how artists are engaging with social and environmental issues; The challenges, opportunities and implications of accessing and engaging vulnerable individuals and communities through the arts and practice; How community-based arts can contribute to improvements in the welfare of those living in vulnerable conditions; Interdisciplinary challenges associated with bringing together science and arts perspectives in addressing critical social and environmental issues.
Videos of the day are found on our website.
Year(s) Of Engagement Activity 2018
URL https://rajasthanwater.weebly.com/workshop-3-bristol.html
 
Description MASHI - BANDI RIVER BASIN PARLIAMENT 
Form Of Engagement Activity A talk or presentation
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Policymakers/politicians
Results and Impact This was a one day event held in Jobner, India. The purpose of the event was to disseminate our research to a new group that is looking at regional water issues. This 'water parliament' includes NGO and public body representatives. Dr Rathore (our partner at CEDSJ) presented our research and contribution in the villages of Rajasthan. The arts activities were warmly received. Dr Rathore reports that many of the groups he met would like to participate on future, similar activities.
Year(s) Of Engagement Activity 2007,2018
 
Description Mural Painting in the Village of Jakhora, Rajasthan 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Regional
Primary Audience Public/other audiences
Results and Impact In May 2018 our project partner Nina Sabnani led a team of painters in the development of a large scale mural which narrates the trend away from rainwater harvesting during the 20th century and its subsequent reintroduction. The team collected stories and imagery from the region (drawing on the style of art associated with the Havelis of Shekhawati). The mural has become a focal part of discussion about water scarcity in the village and region.
The mural event lasted over 10 days. During this time, every person from the village, as well as many from surrounding areas, NGO representatives visited the site and engaged with the issues of water scarcity facing this region.
Year(s) Of Engagement Activity 2018
URL https://www.youtube.com/watch?v=pqOZgxVk6T0&feature=youtu.be
 
Description Puppetry and Water Engagements 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Schools
Results and Impact In August 2018, we engaged school children in Jakorha. We focused on three questions: What is our relationship with water? What are the sources of water and how have they changed? What is the relation between water use, pollution, and the erosion of traditional practices?

Students collected stories related to water from their families and their experiences. They discussed water issues with environmental experts and developed their own visual narratives to explain the challenges and opportunities around water scarcity. The workshop culminated in an evening exhibition and water museum in shadows.

The workshop lasted two weeks and celebrated the role of water conservation in the village. Students noted how they were more aware of water use and passed these lessons along to their parents and grandparents.
Year(s) Of Engagement Activity 2018
URL https://www.youtube.com/watch?v=9kU19D7J3eE