Pantheons: Sculpture at St Paul's Cathedral

Lead Research Organisation: University of York
Department Name: History of Art

Abstract

Long-C19 sculptural pantheons have become the subject of significant media & popular interest over the last 5 years in Britain and its former colonies, & across the contemporary US, thanks to debates generated by Black Lives Matter, the Rhodes Must Fall & All Monuments Must Fall movements, & in the wake of the Brexit decision & Trump presidency. These far-reaching debates encourage us to think anew about the single most significant long-C19 British sculptural pantheon, at St Paul's Cathedral (StP).

Including more than 500 monuments by many of the most important artists working in the period, the pantheon depicts some of Regency, Victorian, & Edwardian Britain's most significant people, & addresses some of the UK & former empire's most pressing questions, including the status & treatment of slaves, prisoners of war, & native peoples. Unlike the early- to mid-C20th monuments to confederate soldiers, the StP pantheon is unlikely to be removed in the long term. Seen annually by more than 1.5M global visitors, it urgently needs to be reinterpreted for a diverse national & international public, interested to learn more about the meanings of British art, identity & history, & Britain's place in the world, in the long 19th & early 21st centuries.

With the diverse questions of this changing, multicultural public in mind, Pantheons asks what characterises the pantheon in the period from the arrival of the first monuments in 1795 to the outbreak of WW1? What part does the pantheon play in British, European, & imperial art history in the long C19, & what does it tell us about the history of Britain as a nation & imperial power in the period between 1795 & 1914? Finally, what is the political status of the pantheon in the first quarter of the C21st, & how might it be democratically represented to, & understood by, the public?

The project emerges from a sustained partnership between StP & the department of History of Art at the University of York. It also represents a sequel, in many ways, to the AHRC's former Mapping Sculpture 1851-1951 & Displaying Victorian Sculpture (University of York, Co-I) projects, bringing back together two of the curators of the Sculpture Victorious: Art in an Age of Invention, 1837-1901 exhibition at the Yale Center for British Art & Tate Britain (2014-2015). In so doing, the project seeks to cement sculpture's status as perhaps the key artistic medium for thinking about British national & imperial identity, complementing extant work on colonial landscapes & portraiture, imperial photography & graphic satire, by exploring the depiction of civic, artistic, & ecclesiastical worthies, as well as imperial & military actions, from the Napoleonic Wars to the Boer War & beyond. In addition, the project seeks to challenge the more canonical status of other national collections of British art, such as Tate Britain & the National Portrait Gallery, by returning attention to the first, & largest, state-sponsored pantheon of British art.

The project will combine new archival & object-based research with an ambitious conceptual, digital, & media agenda that will enable visitors to the cathedral, & to its website, to explore a new, open-access ground plan of the cathedral complete with all the monuments; to examine, over time, the arrival & concentration of new monuments across the long C19th in different parts of the cathedral; & to ascertain & map, at any moment and across the period, the precise demographics of the people commemorated as well as the geopolitical reach of the British world. The project will also lead to four articles, an edited collection, & two books, one for the general public & one for scholars, the first for 150 years, concerned with the civic, ecclesiastical, artistic & military and imperial pantheons on display at St Paul's, as well as a new potential documentary for BBC4, hosted by the project's media advisor, Dr. Janina Ramirez.

Planned Impact

StP is central to Britain's international tourist trade. With its diverse global audience in mind, the project has 5 non-academic beneficiaries: (1) StP staff (2) StP visitors; (3) professionals working at a range of national & international institutions, in the museum, gallery, & cathedral sector; (4) professionals & citizens interested in the history and future of C19 public monuments; & (5) a global public exploring ideas of British identity. The project therefore has 5 impact goals:
1) Impact on StP's Interpretation of its own Monuments: The project will enrich the information & interpretation available to the Dean & Chapter, curators, registrars, technicians, archivists, & volunteers responsible for the care & presentation of the collections, helping them better to understand the pantheon in its diverse ecclesiastical, art historical, cultural & political contexts, in the 19th and early 21st centuries.
2) Impact on Visitors: In fostering a deeper institutional understanding of the pantheon, the project will help shape future priorities for its display & interpretation to a diverse global audience, on the ground, in the undercroft, & through a potential display of related material in the Triforium, in a series of new thematic 'Late' tours of the building, & through the interaction of invited artists. The project will empower visitors to ask key questions of the pantheon, through a range of digital tools, ahead of, & following their visits. Pantheons will provide: updated catalogue entries & open-access scholarly essays on the monuments, & an interactive, diachronic, fully-searchable ground plan of StP, revealing the location and relocation of the monuments, & the rates of commissioning across a chosen period. Visitors will be able to discover the proportion, at any time, of artists, sitters & subjects of different genders, ethnicities, & party political & faith positions, & to ascertain, statistically, the precise cosmopolitan, ecclesiastical, geopolitical & party political character of the pantheon.
3) Impact on Curatorial Practice at Other Cathedrals, Galleries & Museums: The project team will interact, at an annual impact & advisory workshop, with staff from the more than 60 Protestant and Catholic cathedrals in the UK to learn from their parallel experiences, to disseminate immediately & widely the project's findings & methodology, & to maximize the diversity & specificity of interpretation & impact. In addition, multiracial staff from other relevant national & international art collections will be invited, alongside art historians concerned with former imperial locations, to ensure coverage of the British post-colonial world. By returning the StP pantheons to centre stage, the project will pose a constructive challenge to other, more canonical British Art collections, at Tate, the National Gallery, & the Yale Center for British Art in relation to their own collections.
4) Political & Civic Impact: Just as the contested status of imperial statues in Cape Town & Oxford, & of monuments to confederate generals across the southern US brings new thinking to bear on StP, with their related representations of slaves, subject peoples, & imperial 'heroes' & enemies, so Pantheons will prove useful to scholars, institutional directors, city officials, & residents concerned with the history and future of statues commemorating slavery, the British empire, & the American Civil War.
5) Impact on Public Understanding of Ideas of Britishness: As the largest, most sustained state-sponsored sculptural pantheon, the monuments at StP have a unique claim to represent Britain, at a moment when the debate over what constitutes Britishness & the character of its past is under intense scrutiny. Pantheons will address a broad, global media public interested in such issues, through Dr. Janina Ramirez, who will advise on how best to address the diverse visitors to StP, & provide a conduit to the BBC for potential programming.

Publications

10 25 50
 
Title 50 Monuments in 50 Voices 
Description The project and cathedral will invite fifty creatives to respond individually to fifty monuments in the cathedral, and will be approaching writers, artists, and musicians. We will then collect together the responses on the website as well as releasing them weekly on social media streams. We will predominantly be approaching creatives of colour to address the imbalance of the white-dominated academic project. 
Type Of Art Creative Writing 
Year Produced 2021 
Impact Too early to say, but financial impact on the creative economy, since we are paying our contributors. 
 
Description The project has radically altered the amount of information the cathedral and public will have in relation to its monuments.
Exploitation Route The project methodology should be highly applicable to other cathedrals and collections in the UK and across the former British imperial world.
Sectors Culture, Heritage, Museums and Collections

 
Description The work of the project has had an impact on the policy regarding monuments at the Cathedral, in particular the decision to retain and explain, rather than remove.
First Year Of Impact 2020
Sector Culture, Heritage, Museums and Collections
Impact Types Cultural,Societal

 
Description Status of Monuments at St Paul's Cathedral
Geographic Reach National 
Policy Influence Type Participation in a advisory committee
Impact The project team speak on a monthly basis with the Dean and Chapter of St Paul's cathedral, as well as its collections and media teams, helping them develop new public engagement programmes around their monuments.
 
Title St Paul's Cathedral Pantheon 
Description The database covers all the monuments in the cathedral from c.1795-1918, listing artist, subject, materials, iconography, relation to other monuments, key dates of commissioning, installation, and movement, related portraits from the NPG, the New DNB entry, record shots, presence of artist's signature, inscription, object type, conservation history and notes, archival references at the cathedral and beyond, and query notes. 
Type Of Material Database/Collection of data 
Year Produced 2019 
Provided To Others? No  
Impact We have a newly strong sense of the materials the monuments are made of; have discovered key makers of formally unattributed monuments; we have discovered a new female artist; and we have integrated for the first time the monuments with key resources such as the NDNB and the NPG collections. 
 
Description Pantheons: Sculpture at St Paul's Cathedral 
Organisation St Paul's Cathedral
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution Guidebook, online catalogue, 50 voices project, digital resources, consultancy
Collaborator Contribution Access to the cathedral, its collections and archives Access to cathedral staff in various departments Workspace within the cathedral Discount on food/drink within the cathedral Free access to reproduce NPG images Access for photographers to the cathedral beyond opening hours and during covid lockdowns
Impact See top box
Start Year 2019
 
Description Pantheons: Sculpture at St Paul's Cathedral, c.1795-1918 
Organisation St Paul's Cathedral
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution New Guidebook Online catalogue 100 Voices Edited Collection Digital Resources Three Conferences
Collaborator Contribution Access to Collections and Collections Team Workspace Free Entry to the Cathedral Free use of Cathedral Spaces Access to Cathedral for new photography/film projects
Impact New Guidebook Online catalogue 100 Voices Edited Collection Digital Resources Three Conferences History of Art, History, Theology, Imperial Studies, Critical Race Theory, English Studies, Atlantic World Studies, Sculpture Studies
Start Year 2019
 
Title Atlas/Database/Groundplan of St Paul's 
Description The project will develop a number of pieces of open access software. These include: 1) a searchable database of the cathedral monuments 2) a scrollable, searchable Atlas of place names mentioned on the monuments 3) a scrollable, searchable groundplan of both floors of the cathedral, to see the location of monuments, their dates of arrival and movement 
Type Of Technology Webtool/Application 
Year Produced 2021 
Open Source License? Yes  
Impact This should enable the public to quickly ask key questions about the pantheon, at a level of specificity and big data, previously unimaginable 
 
Description Bristol Cathedral Monuments 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact Began dialogue with Bristol Cathedral regarding how best to retain/explain its monument collections
Year(s) Of Engagement Activity 2020
 
Description Coulston Must Fall 
Form Of Engagement Activity A press release, press conference or response to a media enquiry/interview
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Media (as a channel to the public)
Results and Impact Interviewed by Alister Sooke of the Telegraph in relation to events surrounding the fall of Coulston
Year(s) Of Engagement Activity 2020
 
Description Coulston discussion 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact Part of a pan-European panel discussing public statues in the wake of the fall of Coulston
Year(s) Of Engagement Activity 2020
 
Description Monuments Must Fall: Stained Glass 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Professional Practitioners
Results and Impact Part of a working group to think about the impact of the fall of Coulston in relation to equivalent stained glass windows
Year(s) Of Engagement Activity 2020
 
Description York Minster Monuments 
Form Of Engagement Activity A formal working group, expert panel or dialogue
Part Of Official Scheme? No
Geographic Reach Local
Primary Audience Professional Practitioners
Results and Impact began conversations with York Minster about its monument collections and how best to retain and explain them
Year(s) Of Engagement Activity 2020