Inheriting the Family: Emotions, History, and Heritage

Lead Research Organisation: Oxford Brookes University
Department Name: Faculty of Humanities and Social Sci

Abstract

Most of our cultural heritage is a product of family inheritance. The letters, diaries, and account books that fill archives, the artworks displayed on gallery walls, and the objects curated in museums often exist only because a family thought them an important inheritance that should be maintained and ultimately vested in our national institutions. Yet, why people hold onto particular objects or intangible inheritances, like stories, while discarding others, and the reasons why they choose to relegate something to an attic, or retrieve it again, are topics that scholars are only beginning to grapple with. New methodologies from the history and sociology of emotions that explore emotion as an analytical tool to explain and interpret behaviour offer fruitful approaches to these questions.

This research network draws together scholars in history, sociology, literary studies, heritage, as well as family historians, to address the question of how and why family inheritances maintain their power, as they move across generations and from the private to the public spheres. This research is important because family inheritances - including those of intangible or low monetary value - are forms of economic, social and cultural capital that help shape outcomes for individuals and groups.

Understanding how and why these inheritances are transmitted helps us explain why social mobility is possible for some groups and not others, and why certain types of family knowledge resist change, while others are adapted to accommodate new information and to suit new environments. In exploring the relationship between familial attachments and national heritage, this research also contributes to decision-making around collections and display in the heritage sector, and the ways that family histories inform the production of national memory and identity.

Planned Impact

The beneficiaries of this research are:

1) Museums and heritage site practitioners;
Family inheritances form a significant part of the collections held and managed by museums and heritage site practitioners. Understanding why certain types of inheritance were preserved by families and the implications for how, when, and why such inheritances moved into the public domain deepens our understanding of the nature of the collections they hold. This in turn enables heritage professionals to better contextualise, analyse, and critique their current collections and to reflect on the implications for the national histories and heritage they curate for the public. It also provides insights that can guide future collection practices.

2) Family history services run by archives and libraries;
Family history services provide a critical service for members of the public interested in tracing and explaining their family histories. Emotions methodologies that deepen our understanding of why families engage with their legacies, and why certain forms of inheritance are more important in this process than others, help professional archivists and librarians to assist better communities and individuals exploring their own heritage, as well as informing their understanding of their own collections as above.

3) The general public, particularly those interested in family history or antiques;
As television shows as diverse as 'Who Do You Think You Are', 'Antiques Roadshow', and 'Tidying Up with Marie Kondo' suggest, the public's relationship with its inheritances can be complex and emotional. People seek guidance about how to manage their relationship with the past, not least that symbolised by inherited objects. This research provides insights into how these relationships work, which can help the public better interpret their own relationships with their family heritages.

4) Policymakers who seek to target their interventions at families.
The knowledge produced by this project will inform the decision-making of policymakers and non-academics working with families. Interventions targeting health, social disadvantage and mobility, and education are often aimed at changing family cultures, using mechanisms such as parenting classes, social workers, or advertising campaigns. This project will illuminate how family knowledges and cultures are produced, transmitted, and remain resilient, or not, to processes of wider change. Engagement with these ideas has the potential to enable better policymaking. They inform our understanding of:

a) Why certain knowledges remain persistent over time. Family 'environment', for example, is viewed as critical, particularly during childhood and adolescence, in shaping health behaviours (food choice, exercise, smoking, alcohol consumption) and the capacity to maintain relationships (particularly in relation to conflict). Helping people to be healthier and happier, however, is not easy because family environments are often rooted in long cultural heritages transmitted across generations. This project sheds light on why some family legacies are particularly resistant to change - with both positive and negative effects - and when and how they are transformed, offering insight and ethical reflections for researchers and policymakers who wish to intervene in family life.

b) Critical issues of social mobility. Explaining why some people choose differently from their families, are entrepreneurial, or socially-mobile, or alternatively, why some families have long legacies in particular fields (music or the arts, for example) whilst others do not, has been a topic of major inquiry. The family plays an important, perhaps deciding, factor in these matters. This project develops knowledge of these dynamics, helping policymakers, social workers and educators effectively intervene to promote social mobility.

Publications

10 25 50
 
Title Encounters with hair 
Description This film examines a less conventional inherited family object: hair and the range of emotions and memories that it can evoke. We show how people in the eighteenth and nineteenth centuries preserved their loved one's hair, weaving it into jewellery as mementoes or keeping locks as material memories. Today, even if we feel more ambivalent about hair, it still elicits strong feelings and so the film explores what we do with an object that only has meaning for a close loved one and around which it is more difficult to weave family stories and histories. With Katie Barclay, Leanne Calvert, Joanne Begiato, Laura Baldock, and Thalia Allington-Wood. 
Type Of Art Film/Video/Animation 
Year Produced 2023 
Impact These will be launched in April and so impacts are ongoing. 
URL https://radar.brookes.ac.uk/radar/items/060c2928-97f8-49da-883d-a327c442124a/1/
 
Title Family Archives 
Description We talk to people who have inherited boxes and suitcases crammed full of photographs, albums, diaries, letters, passports, and paperwork to find out what it means to be the keeper of a family archive and make meaning from its contents. The film not only shows how these objects can help us see the world through our ancestors' eyes, and share their feelings and worries, they provide powerful and sometimes troubling insights into a nation's history and who it includes in its notions of citizenship. With Katie Barclay, Fiona Rew, Sheila Williams, and Kathryn Beatham. 
Type Of Art Film/Video/Animation 
Year Produced 2023 
Impact These will be launched in April and so impacts are ongoing. 
URL https://radar.brookes.ac.uk/radar/items/678d17b2-a3f4-42e0-9545-f170614ee6b8/1/
 
Title Kitchen heirlooms 
Description Here we focus on more mundane household objects that we inherit from our relatives. Lots of us have wooden spoons, recipes, and kitchen utensils handed down across the generations. This film prompts us to think more closely about these things and what they can tell us about our families and their histories. By continuing to use them when we cook and prepare food, they bring us closer to relatives who used them. But they also tell wider stories of family lives shaped by migration, women's work in the home, and the way one generation passes on expertise and traditions to the next through the memories and emotions they prompt. With Katie Barclay, Signe Ravn, Debbie Money, and Gloria Ford. 
Type Of Art Film/Video/Animation 
Year Produced 2023 
Impact These will be launched in April and so impacts are ongoing. 
URL https://radar.brookes.ac.uk/radar/items/9edfb1fd-2f68-47db-a888-bca50a32032d/1/
 
Title Quilt time 
Description The beautiful focus of this film is a quilt made in c.1890 in Swaledale and its journey through the generations of a family and on to the Quilters' Guild collection in the early twenty-first century. It conveys how textiles hold powerful emotions for their makers and the relatives who have inherited them, and communicates the pleasures of hand quilting in the past and today. It also shows how inherited objects offer insights into our history, reflecting on the way inherited quilts provide insights into changing regional patterns of women's work and lives. With Deborah McGuire and Joanne Begiato. 
Type Of Art Film/Video/Animation 
Year Produced 2023 
Impact These will be launched in April and so impacts are ongoing. 
URL https://radar.brookes.ac.uk/radar/items/f2b251dc-d698-4d89-91e3-c9ab5f244133/1/
 
Description Through this public engagement work and our research, we established that family inheritances, both tangible and intangible, and the stories that they prompted, are crucial to personal wellbeing and the capacity to situate oneself in broader histories, itself a means for promoting belonging and citizenship.

Our key research findings were:
People seek to tell and share stories within and beyond the family about their family history work
Family historians find it easier to recount the story of their ancestors when it is rooted in and told through inherited objects and the emotions they elicit
Stories of ancestors helped give objects their significance and this meant that an inherited object often inspired genealogical work as people sought to justify their significance
Objects and creative practice associated with family history have enormous emotional power and act as triggers for memory work around families
Genealogical work and creating family histories can be emotionally challenging and lead to uncertainties about what and whose stories can be publicly told, especially when older members of a family hold different views
People who seek to share stories about their ancestors and family histories find that creative practice offers imaginative and satisfying opportunities to do this, and in some cases to address the tensions they encounter in telling their stories
People who have inherited family objects and have created family geneaologies are concerned by the idea that they have no one to whom they can pass on this research and its associated objects and stories, or that their descendents are not interested in them
For some groups especially migrants, the relationship between an inheritance and national identity was marked, with inherited objects affirming their connections to either an ancestral or current nation.
We extended our theoretical understanding of the role of emotions in practices of inheritance and in ensuring that inheritance survives.

We also commissioned a series of short films that engaged with people who had inherited family objects to explore their emotional meaning and the contribution of their inheritance to their understanding of their family histories and themselves. This was a co-creative process that we collaborated in with the filmmaker who used our research to explore the experiences of a diverse range of people who have inherited objects from family members. They show the emotions that objects embody for the people who have inherited them and, collectively, capture the power of inherited objects in creating personal, family, and national identities.

Our activities opened up new research questions. Cumulatively, and unexpectedly, we realised that people often turn to creative practice as a process in making meaning from their genealogical work. To date, we have encountered individuals who have written novels, plays, and blog posts, sewn textiles, created photographic collages and physical and digital albums, made furniture and other types of containers for archives, and inked their own skin with symbols that represent family inheritances.
Exploitation Route We have an edited collection in preparation and under contract to Bloomsbury (manuscript to be submitted in 2023 for publication late in 2024). The volume is titled Inheriting the Family: Objects, Identities, and Emotions and is edited by Katie Barclay, Ashley Barnwell, Joanne Begiato, Tanya Evans and Laura King. It proposes that using emotion as an analytical tool to explain and interpret family history offers new ways to comparatively investigate the relationship between familial inheritances, especially objects, identity, and national heritage. It draws on new methodologies from the history and sociology of emotions, especially in their intersection with material culture studies, to investigate how and why family inheritances from a range of social, racial, and ethnic groups maintain their cultural power, as they move across generations and from the private to the public spheres.

This outcome will be important for academics and non academics alike. This outcome of our funding shows that inherited objects and stories are central to family historians' practice and act as the mechanism through which family memory is enabled. The collection includes a number of ethnographic contributions, by both scholars and non-academic family historians, and, will therefore be of interest to both groups. In each section, we combine traditional academic scholarship with a series of 'object histories' that give voice to researchers situated outside the academy, which allow their insights and motivations to emerge. As such, we attend to our obligations to the breadth of our research community and the important contributions we all make to public history. We also use the volume to further our theoretical, conceptual and methodological understanding of this topic which will be of use to scholars in the field.

The project also provided opportunity for networking to consolidate research relationships. This is seeing fruit in further grant applications and joint publications that are now progressing.
Sectors Creative Economy,Education,Leisure Activities, including Sports, Recreation and Tourism,Culture, Heritage, Museums and Collections

URL https://inheritingthefamily.org/films/
 
Description Our findings were used by the general public at our History Harvests to help them reconceptualise their own inheritances. Continued engagement from this group at our events suggest this was felt to be helpful and effective. Moreover it led to a demand for more ways for individuals to share their findings, which we suggest indicates the ways that this increased the value that people placed on their research and its cultural contribution to families and societies. This is important as family history is a very popular practice and promotes creative thinking, research skills, well-being and health. Enhancing that practice therefore adds real benefit to these individuals in their practice. Through disseminating these ideas more widely through our films, we hope these findings all benefit a wider audience.
First Year Of Impact 2022
Sector Leisure Activities, including Sports, Recreation and Tourism,Culture, Heritage, Museums and Collections
Impact Types Cultural,Societal

 
Description Created a website for the Network 
Form Of Engagement Activity Engagement focused website, blog or social media channel
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact We used the Research Network funding to design and set up a website to promote events and activities.
Year(s) Of Engagement Activity 2019
URL https://inheritingthefamily.org/
 
Description Four short films 
Form Of Engagement Activity A broadcast e.g. TV/radio/film/podcast (other than news/press)
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The Inheriting the Family Research Network worked with independent filmmaker Lily Ford to produce four short films about inherited objects and their meanings for families. These films explore the emotions and memories that objects embody for the people who have inherited them and, collectively, capture the power of inherited objects in creating personal, family, and national identities. The films are freely and publicly available on our website.
Year(s) Of Engagement Activity 2022
URL https://inheritingthefamily.org/films/
 
Description History Harvest in University of Adelaide #1 2021 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact We held a History Harvest at the University of Adelaide, where a small group of amateur family historians attended with photographs they had inherited to discuss the objects and their meanings.
Year(s) Of Engagement Activity 2021
URL https://inheritingthefamily.org/where-are-we-now-an-update-on-the-network-june-2021/
 
Description Seminar Series: 'The Books That Bring Us Together' 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact This series of five online seminars addressed the following themes: Family bibles, scrapbook albums, recipe-books, photograph albums, 'family books', and similar productions bring together families across time and place to 'do' the work of family life. Through the shared production of identity and material happenings, these joint endeavours provide space to explore boundaries, meanings and affections of family life. Of particular significance is the role inheritance plays, since objects and the stories and emotions associated with them are transmitted through families across time and space. This is a dynamic process in which the objects are themselves undergoing change through writings and re-writings, ephemera, and collage-like additions, to reveal individual contributions to the production of family and identity.
Year(s) Of Engagement Activity 2021
URL https://inheritingthefamily.org/events/
 
Description Storytelling: Intangible Inheritances Workshop 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Public/other audiences
Results and Impact The event was a final conference/workshop event near the end of the award. It was delivered as a hybrid format of in-person at Headington campus (Oxford Brookes University) and virtual attendance via Zoom in order to engage non-academics as well as academics. It focused on the stories, beliefs, and values that are critical to the formation of the family and explored how families transmit such intangible inheritances across generations, illuminating what emotions they evoke, exploring how and when they evolve, establishing what explains their resilience, and analysing why particular stories move from the personal to the public domain in autobiographies, biographies, popular histories, and heritage sites.
Year(s) Of Engagement Activity 2022
URL https://inheritingthefamily.org/events/
 
Description Workshop One: Genealogies, Genetics, and Family Histories 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact We held a workshop which explored how people conceptualise the family as a lineage, focusing on popular engagement with genealogies, family histories, ancestry genetics, and the relationship between family histories and cultural heritage, and why this is significant to them. The panels discussed genealogies, ancestry genetics, and we held a roundtable discussion exploring how museums and archives build interest in family history to their collections and exhibitions. The workshop was followed by a network steering committee the following day to discuss strategy for future activities.
Year(s) Of Engagement Activity 2019
URL https://inheritingthefamily.org/events/
 
Description Workshop: Imagining the Family 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach International
Primary Audience Professional Practitioners
Results and Impact These workshops focused on what, why, and when family members transmit representations of their families across generations, in both private and public domains. They were held online on consecutive weeks, enabling workshop participants and the public to work together to explore the meaning of family photographs for individuals, families, academics, and professional organisations.
Year(s) Of Engagement Activity 2021
URL https://inheritingthefamily.org/events/archive/