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Upgrading Conservation Instrumentation for Paintings on Easels, Walls and Paper: leveraging instrumental developments for new research

Lead Research Organisation: Courtauld Institute of Art
Department Name: Conservation & Technology

Abstract

The Courtauld is the leading centre for training and research in wall and easel painting conservation practice. Research at the Courtauld contributes to the preservation and the interpretation of works of art. In the conservation of paintings and wall paintings there are no exact comparators for its activity in the UK, which involves scientific and historical study, stabilisation, restoration and monitoring. The Courtauld's Conservation Department is a highly experienced research force that achieves scale in its activity through projects and partnerships in the UK and internationally. The Department is responsible for The Courtauld's own collection, and for works of art in private and public collections in the UK and internationally. A network of partnerships as part of The Courtauld National Programme extends its of applications to paintings from historic homes and small collections.

The Courtauld seeks support to purchase critical upgrades to replace four essential pieces of equipment which are nearing or beyond their end of life.
The new instruments will enhance its investigative and research capabilities for the analysis of paintings in the studio and collection. The equipment we seek to acquire is:
(1) an in situ scanning X-ray fluorescence spectrometer (Macro (MA)-XRF) capable of generating images up to 25 Megapixels
(2) an FTIR (Fourier Transform Infrared) microscope
(3) a Micro Raman microscope
(4) a hyperspectral infrared camera with detection between 900-2300 nm

The Courtauld has a pressing need to renew and upgrade its instrumentation for scientific analysis of paintings, assessment of conservation treatments, and investigations into deterioration and degradation, each a key priority within its institutional research strategy. Scientific research in conservation requires multi-analytical approaches building on visual observation and examination under the microscope, imaging including X-radiography and spectroscopic analysis of paint samples. Technical study is a core area of research at The Courtauld and a major strength of the Conservation Department; it aims to determine how that paintings were executed, in different layers and on different supports, and encompasses the identification of original materials and their stratigraphy.

The Courtauld lacks access to vital equipment for analytical work, with graduate students and doctoral researchers not having routine access to advanced equipment and investigations outside of specifically funded research projects. Our current instrumentation is obsolete and cannot provide the spatial resolution required for research. To remain a viable partner for future research it is essential that The Courtauld upgrade its instrumentation to offer more complete pigment and binder analysis, and to upgrade point-like measurements to imaging and scanning analyses. Coutauld staff are experts in spectroscopic/imaging analyses, and publish widely on the application of cutting-edge instrumentation.

Upgraded equipment would place The Courtauld on a par with leading international institutions, with the most advanced XRF-scanning capabilities, infrared hyperspectral imaging, and cross-section analysis with FTIR and Raman in the UK. Upgrades would strengthen The Courtauld's position as the leading higher education institution for technical art history and conservation research through improved capability, and result in greater impact of its research following better integration between heritage science and conservation practice. New analytical images would be generated of samples in its unique collection of paint cross-sections and wall painting fragments (10,000), as well as high resolution elemental scans of paintings in The Courtauld collection. The new instruments would be used to generate new analytical data, molecular and elemental maps of works of art and unique paint samples informing conservation research and practice for easel and wall paintings worldwide.

Publications

10 25 50
 
Description Key findings are related to improvements in the application of imaging methods to the analysis of paintings and paint samples - allowing the identifcation of original and added materials in microsamples, and mapping the elemental composition of paintings using cutting-edge mapping instrumentation at ultra high spatial resolution. This allows us to reveal information about the way paintings were executed, and the material composition of the paints used to produce them.
Exploitation Route The methodological advances we have made are of use to the heritage community. We continue to share our working methods with conservators and heritage scientists.
Sectors Chemicals

Education

Environment

Culture

Heritage

Museums and Collections

 
Description Research using XRF scanning has significantly increased our understanding of the composition of paintings being restored at the Department of Conservation. Data acquired will inform exhibitions in 2022 at The Coutauld Gallery. In April 2023 we are hosting a XRF workshop in partnership with NanoBruker for Heritage Scientists from Europe, the UK and the USA to share methodlogical advances and best practice.
First Year Of Impact 2019
Sector Digital/Communication/Information Technologies (including Software),Education,Culture, Heritage, Museums and Collections
Impact Types Cultural

 
Description HORIZON-CL2-2021-HERITAGE-01
Amount £3,272,605 (GBP)
Funding ID 101060768 
Organisation European Research Council (ERC) 
Sector Public
Country Belgium
Start 09/2022 
End 09/2026
 
Description AHRC Secondment for Collaborative Doctoral Student between National Gallery of Art and Courtauld Institute of Art 
Organisation National Gallery, London
Country United Kingdom 
Sector Charity/Non Profit 
PI Contribution We provide access to instrumentation for the analysis of samples using Raman Spectroscopy
Collaborator Contribution Partners provide expertise in the analysis of materials from paintings as well as reference samples
Impact This is multi-discipilinary and involves historians, conservators and chemists.
Start Year 2022
 
Description Royal Society Bilateral Grant between the UK and Italy on Raman Spectrscopy for the Analysis of Cross Sections from Paintings 
Organisation National Research Council
Country Italy 
Sector Public 
PI Contribution The collaboration is based on the joint analysis of cross-sections using Raman Spectrosocpy and Laser microscopy to identify materials found on the microscopic level. Expertise from the Courtauld is the understanding of paint stratigraphy and historical context, as well as the complementary analysis of samples using SEM-EDX and FTIR microscopy.
Collaborator Contribution CNR-IFAC has a consolidated history in the application of Raman Spectroscopy to the analysis of materials including paint. Researchers will work with Courtauld to establish protocols and data analysis methods for the interpretation of results from Raman Spectroscopy of samples of historic interest from the Courtauld's collection.
Impact This is a multi-disciplinary collaboration between art history, conservaiton, chemistry and physics, which began in 2022. Research is ongoing.
Start Year 2022
 
Description Gallery Exhibition 
Form Of Engagement Activity Participation in an activity, workshop or similar
Part Of Official Scheme? No
Geographic Reach National
Primary Audience Public/other audiences
Results and Impact Gallery Exhibition at The Courtauld Gallery highlighting research carried out on Praxitella painting by Wyndom Lewis which was painted over a painting by Helen Saunders.
Year(s) Of Engagement Activity 2022
URL https://courtauld.ac.uk/whats-on/a-modern-masterpiece-uncovered-wyndham-lewis-helen-saunders-and-pra...