Genocidal captivity: (Re)telling the stories of Armenian and Yezidi women survivors
Lead Research Organisation:
Royal Holloway University of London
Department Name: History
Abstract
In 1915, during the Armenian genocide, thousands of women were 'absorbed' into Turkish, Kurdish and Arab households. Afterwards, some escaped or were rescued by aid organisations, and rejoined the Armenian community. Almost a century later in 2014, in neighbouring Iraq, thousands of Yezidi women were abducted by ISIS and held in sexual slavery. Some managed to escape, helped by rescue networks, and joined other Yezidi survivors in refugee camps.
Reintegration was a fraught and often exclusionary process. With taboos over sexual and religious purity broken, those who returned from captivity were sometimes viewed as unable to truly return. The women's stories remained largely untold and unheard: instead they were converted into symbols of a martyred, victimised community, and a site for humanitarian intervention.
Often, wittingly or unwittingly, NGOs reproduce these exclusionary frameworks, in both fundraising materials and aid practices. Scholarship, too, has struggled to depict the experience of such violence. I will collaborate with three Project Partners who are already challenging these problematic frameworks to address three key unanswered questions:
1) What were these women's experiences of captivity and reintegration, in all their uncomfortable complexity?
2) How can academics, NGOs, and artists write and visualise these stories differently, to problematise and subvert our current understandings of and responses to this violence?
3) How can NGOs learn from past experiences to better support reintegration and recovery after mass gendered violence?
I will first travel to Iraq to interview Yezidi survivors, working with the charity Free Yezidi Foundation. In the US and Canada I will complete archival research on Armenian women and give talks to Armenian diaspora communities to assist me in gathering family stories of genocidal captivity. I will then focus on a comparative book. Extending and reorienting my previous work on Armenian women survivors, I take up a key challenge from the cognate field of Holocaust Studies: how to write violence? How to evoke the women's disorienting, jarring experiences of genocide, captivity, and reintegration? In the absence of testimony from the Armenian women themselves, I will read state, humanitarian, and other sources against the grain, and incorporate the family stories I have gathered. My interviews with Yezidi women will inform my thinking about Armenian women's experiences, and provide key primary material. I will develop my ideas on 'writing violence' further via two academic workshops with early-career peers, in which we collaboratively explore solutions to the difficulties of writing violence.
The rest of the Fellowship is devoted to reimagining the public representation of these women's experiences, and influencing policy and scholarship. An exhibition at the Wiener Holocaust Library, developed in conjunction with Free Yezidi Foundation and the Armenian Institute, will tell the diverse captivity stories of ten Armenian and ten Yezidi women, exploring questions of voice, documentation, and representation. Accompanying the exhibition are two further interventions: a series of events enabling audiences to engage with these issues, and a NGO policy briefing, outlining the problems with current practices and offering alternatives. A journal article on 'genocidal captivity' will offer a new direction for studies of gender and genocide.
This project dovetails with and develops the missions of each Project Partner. It will reshape the public understanding of genocide, and NGO practices. It will increase public and policymaker recognition of ISIS violence against the Yezidi, and will provide a proper historical articulation of hidden family stories for Armenian communities. The Fellowship will establish me as an emerging research leader in Genocide Studies, and will enable significant impact and knowledge exchange activities to reimagine the telling of genocidal captivity.
Reintegration was a fraught and often exclusionary process. With taboos over sexual and religious purity broken, those who returned from captivity were sometimes viewed as unable to truly return. The women's stories remained largely untold and unheard: instead they were converted into symbols of a martyred, victimised community, and a site for humanitarian intervention.
Often, wittingly or unwittingly, NGOs reproduce these exclusionary frameworks, in both fundraising materials and aid practices. Scholarship, too, has struggled to depict the experience of such violence. I will collaborate with three Project Partners who are already challenging these problematic frameworks to address three key unanswered questions:
1) What were these women's experiences of captivity and reintegration, in all their uncomfortable complexity?
2) How can academics, NGOs, and artists write and visualise these stories differently, to problematise and subvert our current understandings of and responses to this violence?
3) How can NGOs learn from past experiences to better support reintegration and recovery after mass gendered violence?
I will first travel to Iraq to interview Yezidi survivors, working with the charity Free Yezidi Foundation. In the US and Canada I will complete archival research on Armenian women and give talks to Armenian diaspora communities to assist me in gathering family stories of genocidal captivity. I will then focus on a comparative book. Extending and reorienting my previous work on Armenian women survivors, I take up a key challenge from the cognate field of Holocaust Studies: how to write violence? How to evoke the women's disorienting, jarring experiences of genocide, captivity, and reintegration? In the absence of testimony from the Armenian women themselves, I will read state, humanitarian, and other sources against the grain, and incorporate the family stories I have gathered. My interviews with Yezidi women will inform my thinking about Armenian women's experiences, and provide key primary material. I will develop my ideas on 'writing violence' further via two academic workshops with early-career peers, in which we collaboratively explore solutions to the difficulties of writing violence.
The rest of the Fellowship is devoted to reimagining the public representation of these women's experiences, and influencing policy and scholarship. An exhibition at the Wiener Holocaust Library, developed in conjunction with Free Yezidi Foundation and the Armenian Institute, will tell the diverse captivity stories of ten Armenian and ten Yezidi women, exploring questions of voice, documentation, and representation. Accompanying the exhibition are two further interventions: a series of events enabling audiences to engage with these issues, and a NGO policy briefing, outlining the problems with current practices and offering alternatives. A journal article on 'genocidal captivity' will offer a new direction for studies of gender and genocide.
This project dovetails with and develops the missions of each Project Partner. It will reshape the public understanding of genocide, and NGO practices. It will increase public and policymaker recognition of ISIS violence against the Yezidi, and will provide a proper historical articulation of hidden family stories for Armenian communities. The Fellowship will establish me as an emerging research leader in Genocide Studies, and will enable significant impact and knowledge exchange activities to reimagine the telling of genocidal captivity.
Publications
Haroian Guleeg
(2023)
At Four O'Clock in the Afternoon ...: Bones and Bodies, We Had to Walk Over Them.
| Title | "Sorrow is Turned to Joy", reading performance, 24 April 2024 |
| Description | In collaboration with Seta White of Link in my Bio Productions, we performed a reading of a play written by Armenian women survivors and first staged in a refugee camp in 1924. Our 2024 reading took place in the exhibition space, and actors were mostly drawn from the London-based Armenian Creatives (hosted by my Project Partner, the Armenian Institute). The reading included movement, song, and visuals. We had extremely positive feedback from the Armenian community and requests to stage it again. |
| Type Of Art | Performance (Music, Dance, Drama, etc) |
| Year Produced | 2024 |
| Impact | We had extremely positive feedback from the Armenian community and requests to stage it again. |
| URL | https://wienerholocaustlibrary.org/event/exhibition-event-saving-the-survivors-danish-relief-workers... |
| Title | Genocidal Captivity: Retelling the Stories of Armenian and Yezidi Women |
| Description | The project exhibtion was held at the Wiener Holocaust Library in London, 21 February-31 May 2024. It explores stories of Armenian and Yezidi women held in genocidal captivity, using my archival work with humanitarian records of Armenian survivors from the 1920s, and the interviews and photographic portraits gathered in Iraq in 2023 by myself and my collaborator Claire Thomas. |
| Type Of Art | Artistic/Creative Exhibition |
| Year Produced | 2024 |
| Impact | Wiener Holocaust Library reception staff recorded a noticably younger and more ethnically/religiously diverse visitor footfall, and increased traffic on social media channels. Visitor feedback was overwhelmingly positive, with visitors reporting increased knowledge about these events and a change in how they understood media reporting of sexual violence in conflict. It also impacted Wiener Holocaust Library practices - 1) in that I have developed the Library's collections and holdings (via the purchase of new, related books about the Armenian and Yezidi genocides) and 2) in the more fundamental sense that the Library does not usually hold non-Holocaust-related exhibitions. At present I sense a subtle shift in staff and Trustee appetite for exploring other genocides as part of their mission, and I hope to develop this impact more formally. |
| URL | https://wienerholocaustlibrary.org/exhibition/genocidal-captivity-retelling-the-stories-of-armenian-... |
| Description | The most significant achievements from this award include: - The first academic study of the 'genocidal captivity' of women in the Armenian and Yezidi genocides. This comparative work helps to integrate the (curiously rather marginalised) Yezidi case study within the field of Genocide Studies. Through close readings of victims' testimonies as well as perpetrator sources, I open up new understandings of both genocides: I demonstrate that there is often a disconnect between official state directives and regulations, and lower-level perpetrator behaviour; that this disconnect is crucial to securing perpetrators' continued participation in the genocidal process, but paradoxically also often means that the state's long-term genocidal goals of captivity (assimilation, absorption) are frustrated. I also demonstrate that genocidal captivity is a much more multiform experience than that usually portrayed by the news media and humanitarian literature, which focus heavily on the extreme sexual slavery of younger women - and that the marginalisation of stories which do not 'fit' this mould has deleterious effects on the support survivors receive in the aftermath of captivity. - The development of new ways of 'writing violence' and writing comparatively in the field of Genocide Studies, including the evocation of captivity's dislocations, uncertainty, and tensions through structure, and the use of verbal echoes to create a 'comparative uncanny' - A new archive collection of Yezidi survivor testimonies, deposited at the Wiener Holocaust Library (London) - one of very few open for public/researcher access - A successful exhibition hosted by the Wiener Holocaust Library in London, which engaged new visitor demographics; impacted public understandings of both genocides and the ways in which journalists, humanitarians, and academics 'retell' survivors' stories; and developed new self-reflective representational techniques, drawing attention to the artifice of such 'retellings', which have impacted other museum professionals' work - most significantly in a new temporary exhibition on sexual violence in conflict at the Imperial War Museum in summer 2025. Thus, the majority of the award's objectives have been met, or will be met shortly. Delays in health and safety sign-off for travel to northern Iraq caused delays in the project as a whole, and so the academic outputs (trade book, journal article) are still in development but slated for completion by the end of 2025; the production timescale was likely a little ambitious in the first place. It proved difficult to gain traction amongst NGO representatives, and thus to fulfil the original award objectives of impacting NGO policies and practices - but given the engagement of GLAM colleagues with the exhibition, I am 'pivoting' that objective to producing a briefing on the representation of gendered/sexual violence in GLAM settings. |
| Exploitation Route | These findings will be especially fruitful for researchers working in Genocide Studies, especially those interested in perpetrator mobilisation and behaviour, those working on the Yezidi genocide (who will be able to use the testimony collection for their own research and new insights), and those researchers interested in developing new ways of 'writing violence'. GLAM professionals will also be able to take forward the insights around self-reflective representational techniques for exhibitions and other projects which explore gendered, sexual, or intimate physical violence. |
| Sectors | Creative Economy Government Democracy and Justice Culture Heritage Museums and Collections |
| Description | At present, impact outside academia is emerging in three key areas. 1) The project exhibition has engaged GLAM professionals in discussions about curatorial choices, and impacted the direction and content of a new Imperial War Museum exhibition in 2025. Several GLAM professionals (including from the V&A and British Library) gave positive feedback about my curatorial choices, especially my decision to tell the history through women's stories (rather than using testimony extracts as support for a standard historical narrative), and the exhibition's explicit, self-reflective discussion of the choices that were made in writing the women's stories and choosing photographs. One colleague at the IWM approached me to discuss these curatorial choices in more depth, and subsequently decided to include the Yezidi case study (as one of three) in the exhibition on sexual violence in conflict she is curating for summer 2025. She also licensed the use of two of the Yezidi survivor testimonies I recorded for this project, and worked with my Project Partner Free Yezidi Foundation to display a handicraft made by Yezidi survivors. 2) Feedback from visitors demonstrates that public awareness and understanding was increased by the exhibition. Several visitors commented that they had learnt a lot about either the Armenian or Yezidi case study. Understandings of genocide itself were refined and deepened: some visitors found that their understanding of the phenomenon of genocide had now changed ('when we hear the word "genocide" we might only think of killings. This exhibition reminds us of the other ways in which cultures and societies are eradicated'), while several others noted that the focus on women's experiences had changed their understanding. Many also found that the exhibition had made them think differently about how NGOs, journalists, and academics use testimony, and appreciated the self-reflexive elements of the exhibition. 3) The activities and practices of my Project Partner, the Wiener Holocaust Library, have been impacted. Most WHL activities and spending focus on the Holocaust, and although research and education about other genocides is part of the Library's mission, exhibitions, events and book purchases relating to other genocides are sporadic. This project's exhibition, deposition of a new digital archival collection of testimonies, and associated book purchases thus significantly expanded the Library's activities relating to genocides other than the Holocaust. The exhibition and events also expanded the Library's reach and impact amongst new audiences: staff immediately noted that the exhibition attracted a different visitor demographic to usual (younger, more ethnically and religiously diverse). Finally, as a result of the project I was invited to join the Library's academic Advisory Board, where we held initial discussions about reforming the Library's approach to education and research about genocides other than the Holocaust. |
| First Year Of Impact | 2024 |
| Sector | Culture, Heritage, Museums and Collections |
| Impact Types | Cultural |
| Title | Oral testimony collection - Yezidi survivors |
| Description | I gathered 15 oral history interviews with female Yezidi genocide survivors in June 2023. Interpretation into English was live and the English has been fully transcribed. 13 of these interviews (two did not give consent) were deposited at the Wiener Holocaust Library on the 10th anniversry of the genocide, 3 August 2024, forming a new archival collection. Thre is only one other collection of oral history interviews that is publically available: all other survivor interviews are confidential because they were given in a legal or NGO context. |
| Type Of Material | Database/Collection of data |
| Year Produced | 2025 |
| Provided To Others? | Yes |
| Impact | The interviews were used in the project exhibition and are being used in the writing of the project monograph. Through the exhibition, I met a curator at the Imperial War Museum (Helen Upcraft) who is developing a temporary exhibition on sexual violence in conflict (summer 2025). Following discussion and sharing of my research expertise, she decided to include the Yezidi genocide as one of only three case studies explored in depth, and has included excepts from my interviews with two survivors, and licensed one of Claire Thomas's photographs to accompany. |
| URL | https://wienerholocaustlibrary.org/exhibition/genocidal-captivity-retelling-the-stories-of-armenian-... |
| Description | Archive & Library discovery day with the Armenian Institute and Wiener Holocaust Library |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Public/other audiences |
| Results and Impact | Joint event between two of my collaborators, with a tour of each of their archives (including a presentation from myself on the WHL's oral history collection as it relates to the Armenian genocide). 10 attendees, including interested general public, academics and postgraduates. Attendees reported a better understanding of the archival holdings in London. One attendee, who works at the Courtauld Institute, later invited me to give a presentation on the exhibition to their research group. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/event/archive-library-discovery-day-with-the-armenian-institute/ |
| Description | Armenian Institute private exhibition tour |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Third sector organisations |
| Results and Impact | Private exhibition tour for 30 members of my project partner The Armenian Institute. It sparked a lot of questions about the Yezidi genocide, meaning that members are engaging with and becoming more aware of other victims of genocide. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://www.armenianinstitute.org.uk/events/genocidal-captivity-retelling-the-stories-of-armenian-an... |
| Description | Community discussion (Detroit, MA) |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | 15 people attended a community discussion, organised by the Armenian Research Center, University of Michigan Dearborn. Most were of Armenian heritage. The event began with a presentation of my current research findings, and we then threw open the floor for discussion. Attendees shared their own family histories, and discussed the ways in which the topic of genocidal captivity and sexual violence has (and has not) been talked about in Armenian-American families since the 1920s. The underlying intention was for me to learn more about how a key constituent of readers (the Armenian-American diaspora) thinks about and respons to this topic, so I can better gauge my writing when it comes to the project monograph. |
| Year(s) Of Engagement Activity | 2022 |
| Description | Discussion with two filmmakers |
| Form Of Engagement Activity | A press release, press conference or response to a media enquiry/interview |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Media (as a channel to the public) |
| Results and Impact | Discussion with two Irish-based filmmakers from 'Duck on a Rock' who are developing a documentary film on the Yezidis. Discussion revolved around my experience interviewing Yezidis, my historical expertise on the genocide, and my opinions on their film concept. When they have secured funding the conversation will continue. |
| Year(s) Of Engagement Activity | 2024 |
| Description | Ethics of Representation: Engaging with Testimony of Atrocity (Panel Discussion and Poetry Reading) |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Public/other audiences |
| Results and Impact | I was invited to be part of a panel discussion on ethics and oral testimonies of violence, including artistic responses to such testimony. C.20 attendees. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://www.kcl.ac.uk/events/ethics-of-representation-engaging-with-testimony-of-atrocity-panel-disc... |
| Description | Exhibition Event: Archiving ISIS |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | Online panel with three other academics/third sector experts (two from the US, one from Germany) who have also been involved in 'archiving ISIS'. 20 online attendees and 159 subsequent views of the Youtube recording. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://www.youtube.com/watch?v=Kxhsx-bavB4&t=1s |
| Description | Exhibition Event: Curators in Conversation |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Public/other audiences |
| Results and Impact | A hybrid 'curators in conversation' event/discussion of our curatorial choices between myself and my co-curator Dr Christine Schmidt (20 in-person, 30 online, 189 Youtube recording views after a year). I made a number of connections with professional practitioners, including two staff of the Imperial War Museum (which has developed into a further informal collaboration), one with an oral history curator at the British Library, and a PhD student in Museum Studies researching ethics and trauma. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/event/hybrid-event-curators-in-conversation-genocidal-captivity-r... |
| Description | Exhibition Event: Film Event I, Suzanne Khardalian's Grandma's Tattoos |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Public/other audiences |
| Results and Impact | 30 in-person attendees to a screening with Director Q&A of Suzanne Khardalian's Grandma's Tattoos. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/event/exhibition-film-event-part-i-suzanne-khardalian-grandmas-ta... |
| Description | Exhibition Event: Film Event II, Suzanne Khardalian's Inside Her, Inside Me |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Public/other audiences |
| Results and Impact | 16 in-person attendees to a screening plus Director Q&A of Suzanne Khardalian's new film Inside Her, Inside Me. Discussion revolved around the comparative project. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/event/exhibition-film-event-part-ii-suzanne-khardalian-inside-her... |
| Description | Exhibition Event: On Listening to Survivors |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | Online panel on the practice of oral history, with experts in Holocaust testimony based in the US and UK. 55 online attendees and 109 subsequent views of the Youtube recording. The event went well and the WHL's Director of Research, my co-curator Dr. Christine Schmidt, mooted a further series in a future collaboration. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/event/virtual-exhibition-panel-on-interviewing-and-listening-to-s... |
| Description | Exhibition Event: Saving the Survivors: Danish relief workers and Armenian women genocide survivors in the 1920s |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Public/other audiences |
| Results and Impact | We staged a reading of the 1924 play Sorrow is Turned to Joy (including myself as an actor); I also gave an introductory, contextualising talk. The event was sold out (70 attendees), with exceptionally positive feedback and requests for further staging. The members of the Armenian Creatives who had agreed to act in the reading reported that it made them reflect further on their own practice and identity as part-Armenian women artists. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/event/exhibition-event-saving-the-survivors-danish-relief-workers... |
| Description | Exhibition Event: Sinjar Destroyed: Photographs and stories of the aftermath of ISIS with Claire Thomas |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | My collaborator Claire Thomas gave a presentation on her photojournalism in nothern Iraq to 200 attendees (15 in-person, 67 online, and 118 subsequent Youtube recording views). The talk contextualised the images used in the exhibition. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/event/sinjar-destroyed-photographs-and-stories-of-the-aftermath-o... |
| Description | Exhibition Event: The Yezidi Genocide today - 'It's been nine years, and we are still there, in the tent' |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | 'In conversation' event with two Iraqi staff members of my Project Partner Free Yezidi Foundation. 20 'live' attendees and 135 subsequent views of the Youtube recording. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/event/hybrid-exhibition-event-its-been-nine-years-and-we-are-stil... |
| Description | Exhibition launch |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Other audiences |
| Results and Impact | 55 invitees attended the launch of the project exhibition, 'Genocidal Captivity: Retelling the Stories of Armenian and Yezidi women'. Attendees were drawn from a wide variety of interest groups, professional backgrounds, and those who have supported the project or research in some way. Beyond serving as an official launch, the intended purpose was to attract and network with particular policymakers, NGO professionals, and others who are in a position to amplify the exhibition's impact. The most significant impacts identified as of yet (the launch was two weeks before this researchfish submission) are 1) two individuals closely involved with three different All Party Parliamentary Groups are now seeking to hold an event in Parliament and/or a private view of the exhibition for interested MPs, and also to take the exhibition to Parliament in June/July 2024 subject to funding and permission, and 2) another individual has agreed to use her media industry contacts to try to generate more interest in the exhibition amongst journalists. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/exhibition/genocidal-captivity-retelling-the-stories-of-armenian-... |
| Description | Exhibition talk for Courtauld Refugees Research Group |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Postgraduate students |
| Results and Impact | Presentation on the exhibition to Courtauld's Refugee Research Group (c.30 attendees), comprised of academics and students, especially those developing their exhibition practice. Questions and discussion focused on ethics, and creative ways to present hybrid text-and-visual material. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://courtauld.ac.uk/whats-on/genocidal-captivity-retelling-the-stories-of-armenian-and-yezidi-wo... |
| Description | Exhibition talk to Royal Holloway student Amnesty International Society |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Undergraduate students |
| Results and Impact | Invited talk on the exhibition for our new student Amnesty International society (c.15 attendees). A couple of students approached me afterwards for further information and direction with their own research projects. |
| Year(s) Of Engagement Activity | 2024 |
| Description | Exhibition visit - Vian Dawlish and Rob Keeling |
| Form Of Engagement Activity | Participation in an open day or visit at my research institution |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Policymakers/politicians |
| Results and Impact | I met with Vian Dawlish, Yezidi survivor and comunity advocate, and former employee of UNITAD (UN Investigative Team to Promote Accountability for Daesh Crimes in Iraq), and Rob Keeling from the FCDO in the exhibition space. The intended purpose was both professional courtesy and to amplify the exhibition's reach; it also served a key networking purpose, as I will be setting up a research interview with Vian and her network of colleagues in the near future. Both Vian and Rob praised the exhibition's concept/message and design elements, and have shared the exhibition weblink through their networks. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://www.linkedin.com/feed/update/urn:li:activity:7170410446825472001/ |
| Description | Genocidal Captivity: The Testimony of Yezidi Women Survivors |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Public/other audiences |
| Results and Impact | Talk given online for Hudderfield Holocaust Centre North to 5 attendees. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://www.facebook.com/hsfa.hud/photos/join-us-for-an-event-with-historian-dr-rebecca-jinks-wednes... |
| Description | IWM staff visit to exhibition |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Professional Practitioners |
| Results and Impact | Visit of 6 IWM staff members (incl. Helen Upcraft) who were developing their temporary exhibition on sexual violence in conflict (summer 2025). I gave an exhibition tour and discussed my curatorial choices. This developed our working relationship, leading to more knowledge exchange and the decision to include extracts of two of my research interviews and one of my collaborator Claire Thomas's photographs in the IWM exhibition. |
| Year(s) Of Engagement Activity | 2024 |
| Description | Media interview - Alannah Travers |
| Form Of Engagement Activity | A press release, press conference or response to a media enquiry/interview |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Media (as a channel to the public) |
| Results and Impact | Media interview in the exhibition space with Alannah Travers (journalist for Rudaw, one of the main news outlets in the Kurdistan Region of Iraq, and also employee of C4JR, Coalition For Just Reparations. We hope the interview will lead to further news coverage. |
| Year(s) Of Engagement Activity | 2024 |
| Description | Meeting with Seta White |
| Form Of Engagement Activity | Participation in an open day or visit at my research institution |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Professional Practitioners |
| Results and Impact | I met Armenian artistic and theatre director Seta White in the exhibition space to discuss putting on a reading of a play for the April 24 commemorative event. The play was written in 1924 by Armenian women survivors. We agreed to recruit actors from the Armenian Creatives group (often hosted by the Armenian Institute), and had two rehearsal sessions before the evening. |
| Year(s) Of Engagement Activity | 2024 |
| Description | Presentation at Parliament with the APPG Yezidis |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Policymakers/politicians |
| Results and Impact | Presentation about the exhibition and the current situation of the Yezidis at Parliament, by myself and two Iraqi staff members of my Project Partner Free Yezidi Foundation. There were approximately 50 politicians, media representatives, charity representatives, and general public in attendance. I received requests for further information from various attendees, and discussed bringing the exhibition to Parliament in the future. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://wienerholocaustlibrary.org/2024/05/21/genocidal-captivity-and-the-all-party-parliamentary-gr... |
| Description | Public lecture (Fresno, CA) |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | 30 people attended a public lecture I was invited to deliver - '"And my mother gave me away": Armenian women survivors' stories of "absorption" and reintegration during and after genocide' - as part of Fresno State University's Armenian Studies lecture series. Most attendees were of Armenian heritage. In part the purpose was for me to listen to and gauge Armenian diasporic communities' responses to the topic, personal stories, and discern their attitudes and taboos surrounding the topic. Listening to and gauging these responses was in turn intended to help me write the project monograph *for* this diasporic community (i.e. to learn more about my readership). The lecture sparked a lot of discussion, both about the taboos the community has over absorption and sexual violence, and with some participants sharing personal family stories. It also led to me being invited to write an Afterword for a publication project - the edited and introduced transcription of two oral histories of Armenian women who were taken into genocidal captivity (see Publications). These two oral histories are an incredibly rare and important primary source, and the book (including my Afterword) has been favourably reviewed by the Armenian-American press. |
| Year(s) Of Engagement Activity | 2022 |
| URL | https://cah.fresnostate.edu/armenianstudies/news-events/2022-2023.html |
| Description | U3A Radlett exhibition talk |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Public/other audiences |
| Results and Impact | 30 U3A Radlett History Group attendees, who had requested an 'exhibition talk' at their usual location due to mobility issues. |
| Year(s) Of Engagement Activity | 2024 |
| Description | Visit by IBAHRI staff to exhibition |
| Form Of Engagement Activity | Participation in an open day or visit at my research institution |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Policymakers/politicians |
| Results and Impact | Visit of International Bar Association staff, including Dame Helena Kennedy QC, to the exhibition. I delivered an exhibition tour and received requests for further information. If possible, we hope to find funding to convert the exhibition into a travelling exhibition, and host it at Parliament. |
| Year(s) Of Engagement Activity | 2024 |
| Description | Visit to IWM exhibition team |
| Form Of Engagement Activity | Participation in an open day or visit at my research institution |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Professional Practitioners |
| Results and Impact | Following the exhibition event 'Curators in Conversation', I was invited to the IWM to discuss my research practices and curatorial choices with two staff members, each preparing an IWM exhibition. This meeting sparked further collaboration with one staff member in particular, Helen Upcraft, who is curating a temporary exhibition at the IWM on sexual violence in conflict (2025). She sought my expertise on various matters (outside their formal cademic advisory board, which had already been convened), and has included extracts from two of my oral interviews and one of Claire Thomas's photographs in the final exhibition. |
| Year(s) Of Engagement Activity | 2024 |
| Description | WHL Staff Talk |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | Local |
| Primary Audience | Third sector organisations |
| Results and Impact | Exhibition briefing to c.25 WHL staff, to prepare them for hosting the exhibtion and dealing with any media or public inquiries. The event sparked discussion around WHL's policy and purpose in educating about genocides other than the Holocaust, and helped my professional collaboration with the organisation. |
| Year(s) Of Engagement Activity | 2024 |
